Shxcxchcxsh’s Rösten Imprint Announces Debut SSTROM Album

Swedish DJ-producer SSTROM, one-half of Shxcxchcxsh, will drop his first full-length next month, titled Otider.

The release follows the recent 12″ on Rösten and 2016’s Fyren EP on Semantica. We’re told that this is “by far the most diverse offering of the project” and encompasses “elements of different genres,” thus distancing the SSTROM from the techno genre. label.

All the tracks were created over a period between 2010 and 2017 by employing the process where he let his hands work automatically without interference from his head. “This freedom can be felt across the release, which juggles with different musical forms so lightly and organically, but at the same time maintains a coherent vision,” the label continues.

Shxcxchcxsh launched the Rösten label in the summer of last year. This will be the imprint’s fourth release.

Tracklisting

01. Väktaren
02. Damm
03. I Huvudet
04. Kronofobi
05. Vinden
06. Modernisten
07. Baslinjen
08. Svävaren
09. Tornet
10. Sov Nu

Otider LP will land on May 28, with “Damm” streaming in full below.

Costello ‘Sucre’

Bordeaux-based producer Costello will soon drop his Excelsior EP, a three-track release with a Madben remix.

Costello, real name Remy Fivet, has a sound that vacillates between house and techno and uses various electro ingredients. His tracks have been played by international acts such as Brodinski, Mumbai Science, Djedjotronic, Dr Lektroluv; while Boys Noize selected one of his tracks in his mix on the Fabric Live 72 compilation. Laurent Garnier recently played the title track from this upcoming EP at the Time Warp Festival, with the video stirring up much discussion online.

The Excelsior EP will land on London’s Bad Life Records in May, with vinyl following in June. In advance of the release, you can download “Sucre” via the WeTransfer button below.

Tracklisting

A1. Excelsior
A2. Spectre
B1. Sucre
B2. Sucre (Madben Remix)

Sucre

Roman Poncet ‘Thick Vegetation’

On April 30, Roman Poncet will release his debut album, Gypsophila, on Len Faki’s Figure imprint.

Gypsophila is the first release from Roman Poncet since 2016’s Marguerite EP on Figure and presents an immersive, immaculately produced LP. Those familiar with Poncet’s work will know sound design plays a leading role in his music and on Gypsophila his manipulation of sound is something to behold. From the fathoms-deep ambience of the album’s opening cut to the rippling textures of “Impression Of A Dying Swarm” and the closing cut’s trudging rhythms, Gypsophila is a marriage of form and function.

In support of the release, Poncet has offered up “Thick Vegetation,” a tribalistic cut full of dense soundscapes, as today’s XLR8R download, available via WeTransfer below.

Thick Vegetation

Dasha Rush Reveals New EP, Acid Sketch

Dasha Rush will release a new EP next month via her Fullpanda label, titled Acid Sketch.

The three-track release will be the label’s 25th and the first of the year for Rush, following last year’s Ain’t No God Nor King EP for Sonic Groove. Before then, she hadn’t put out a solo record since her 2015 Sleepstep LP for Raster-Noton.

Tracklisting

A1. Acid Curve
A2. Acid Twist
B. Time Coil

Acid Sketch EP will land on May 15 via Fullpanda, with clips streaming below.

Watch a Grime Track Breakdown From Point Blank

Recently, Point Blank hosted UK producer Nat Powers to break down a grime track he produced for D Double E.

Nat Powers sits within the top tier of hip-hop producers, working with and producing for the likes of Run DMC, The Pharcyde, D Double E, and Giggs, among others. In a recent video with Point Blank, Powers talks through the track “Lovely Jubbly,” which he produced for D Double E.

In the video, which you can watch via the player above, Powers gives a glimpse into his workflow, describing how each of the elements in “Lovely Jubbly” were made, pulling inspiration from classic video-game sounds, and how the crunchy arpeggiated synth led the track’s development. He also gives some insight into the workings of grime and some advice to aspiring producers about how the tracks you don’t think are your best can sometimes be the ones that really capture others’ imagination.

You can find more on Point Blank’s courses here.

Daedelus Announces 19th Album, Taut

Alfred Darlington, the artist better known as Daedelus, will release his 19th studio album next month, titled Taut.

We’re told that the album sees Daedelus utilizing Ableton Live for the first time in his career. The music was assembled at his home studio in Los Angeles in a “mode of transition and process refining.” The collection of 16 tracks features acclaimed trombonist Jonah Levine, Portland-based singer Sara Z, multi-instrumentalist Goodnight Cody, newly signed Alpha Pup artist Niels Broos, and The Breathing Effect’s Echo Go Away.

The live experience of Taut will feature a new mechanical concept, named Panoptes. Created by Los Angeles-based visual company Incite*, concertgoers can expect a “special treat” that taps into the meaning of Taut with spinning rope, creating volumetric visuals around Daedelus as he performs.

Scheduled for release on May 25 via Magical Properties, the new album coincides with a U.S tour alongside fellow Brainfeeder artist Lapalux and further worldwide dates. Meanwhile, you can check out first single “Raindrops” below with more music to follow. There will be a limited edition cassette version on May 25.

It will be Darlington’s first album since 2017’s Baker’s Dozen.

“Tightly wound. Loose knots. I am tied to the mast of an imperilled ship (music as business) and am struggling against these confines, but also am the one holding the rope taut. Less poetically, it is the bowing in an orchestra, chords on piano, harpsichords, slap bass, and guitar strings. Needed tension to get the tuning right. This is the way I’ve been dealing with the world at large, relinquishing by making so much music.”— Daedelus

Tracklisting

01. Pulse Width
02. Raindrops
03. Slack
04. Quest I(‘m) On (feat. Echo Go Away)
05. A Metallick Taste (feat. Jonah Levine Collective)
06. The Rabbit In The Moon
07. Tangled
08. Pull Through (feat. Goodnight Cody)
09. Carousel (feat. Sara Z)
10. By A Thread (feat. Niels Broos)
11. Monstrous Moonshine
12. Stretched Taut
13. Cast On Out
14. French Twist
15. Tongue Tied
16. A Slow Blush

Press photo: David Bodnar
Artwork: Debbie Cho

Jesse Kanda (a.k.a doon kanda) Returns to Hyperdub

doon kanda has today released a new EP on Hyperdub, titled Luna.

Jesse Kanda first released as doon kanda last year with Heart, having previously worked with the likes of Arca, Björk, and FKA Twigs on short films, animations, installations, and photography.

There’s no other information on the seven-track release other than a note on Bandcamp that says: “There will be many new visual works coming out alongside the music.”

The release follows the announcement of Proc Fiskal’s upcoming album on the label.

Tracklisting

01. Bloodlet
02. Molting
03. Luna
04. Crinoline
05. Burning
06. Shed
07. Lamina

Luna is out digitally now (vinyl will follow at a later date) with a stream available below.

Dirty Culture ‘I Feel Like The Feelings Are Changing’ (Original Mix)

Romanian sound designer Dirty Culture has made a name for himself over the past 14 years, crafting all manner of house, techno, minimal, and jazz under a few different aliases, always with a strong attention to stylistic details.

“I Feel Like The Feelings Are Changing,” a new and unreleased track, is all feel-warm energy, thanks to some softly filtered pads. Shuffling hi-hats jump off the kick, while sleazy, slow-releasing chords walk. It’s a hypnotic synth piece that gently loops over seven minutes, building a surprising intensity. You can grab it now via the WeTransfer button below.

I Feel Like The Feelings Are Changing (Original Mix)

Lucrecia Dalt Anticlines

Colombian experimental producer Lucrecia Dalt makes extremely contextualized music buried in layers of abstract surrealism. Similar to the processes of an installation artist, each body of work evolves its thematic content further. Anticlines, her sixth LP—and first for RVNG—is designed with a multi-disciplinary framework in mind, featuring scripted poetic vocals that tie together Dalt’s background as a civil engineer with philosophical questions about society’s relationship with the world.

I first encountered the sounds of Anticlines during the CTM Festival in Berlin, as Dalt performed the record in its entirety. Playing on one side of the stage, while directing the audience’s gaze towards a model of a brain on the opposing side, Dalt was illustrating a philosophical metaphor about existence—creating a complex, haunting narrative, embodying many artistic disciplines. It’s this level of thought and contextual detail that goes into her work, and is what makes Anticlines such a formidable listen; deeply framed messages are tied together with abstract jagged music, rigid sound design and haunting, poetic vocals, to create a richly layered record. It can at first feel a bit convoluted, but deep inside the music and beyond the lyrical narrative lies a profound piece of insular art.

Up until now, the now-Berlin based producer has created conceptual records built around New German Cinema (Ou) and magnetic fields (Syzygy), in addition to contributing to a “telepathic” project featuring Charlotte Collin, Laurel Halo, and Julia Holter, (Terepa). In contrast, Anticlines is built around the producer’s experience within geophysics (Dalt holds a degree in Civil Engineering, and spent two years employed in the field for a geotechnical company), molding ambience into something that reflects the foreboding, cavernous aura that one might encounter delving into the bowels of the earth. Throughout Anticlines, the tracks reverberate with underground ambience, reversed acoustics, and distorted frequencies, where patterns of sound ruminate like water falling from the roof of a precipice, creating irregular rhythmic structures and harrowing echoes.

Like her peer Laurie Anderson, with whom she’s often compared, Dalt’s symmetrical and stern approach to vocals is one of the strongest elements in her music. The album begins with “Edge,” a track in which Dalt’s voice punctuates the distressed background acoustics, like the Colombian mythical monster it alludes to. “I would be the breath and press against the back of your eyeballs,” she sings in stark boldness. On “Tar,” Dalt’s geophysics work is showcased through her sound experimentation, bending a lyrical narrative between love and human consciousness; this mysticism behind geologic structures and the alien nature of our own world runs through the record’s entirety. On “Analogue Mountains,” modular patterns rise and fall, like a random frequency bouncing through a radio-pickup from a far-off world. The track, according to Dalt, was inspired by Martian meteorite remains found in the Antarctic: “We might well be living in mountains transferred from Mars,” she hauntingly hums over the music.

It’s this powerful complexity of Anticlines that makes it so alluring. At times the record is hypnotic and yet mesmerizing with its abstract sound quirks. Heartfelt and authentic, each listen brings something new. In geological terms, an anticline is a bent layer of earth in which pressure causes minerals to change (or undergo metamorphism). On Anticlines, this underground process is reimagined, as sounds contort and vocals shudder, creating these alien-like effects and patterns. With a sonic language on par with the likes of Rashad Becker or Mika Vainio, Lucrecia Dalt constructs a vivid, audible, and metamorphic painting that convulses like an earthquake, leaving behind a shimmering landscape of dark beauty.

Tracklisting

01.Edge
02.Altra
03.Tar
04.Atmospheres Touch
05.Errors of Skin
06.Analogue Mountains
07.Axis Excess
08.Indifferent Universe
09.Concentric Nothings
10.Helio Tanz
11. Glass Brain
12. Liminalidad
13. Eclipsed Subject
14. Antiform
15.Shergotite Rain (Bonus Track)

Anticlines will land on May 4.

Avicii Dead at 28

It’s with sadness we report Swedish DJ and producer Avicii was found dead earlier today in Muscat, Oman.

“It is with profound sorrow that we announce the loss of Tim Bergling, also known as Avicii,” his publicist said today in a statement. “He was found dead in Muscat, Oman this Friday afternoon local time, April 20th. The family is devastated and we ask everyone to please respect their need for privacy in this difficult time. No further statements will be given.”

Avicii was 28.

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