Podcast 480: Galtier

Australian musician Jiah Wells, better known as Galtier, is a bass music aficionado. Raised on the South-East coast of the country, from the age of 16 he spent his late teens obsessing over anything and everything related to the genre, as well as all variety of other electronic sounds and styles. Eight years later, and the musician’s destiny has taken him all the way to the spiritual home of the scene—Bristol.

It’s a passion that you can hear instantly in his productions. Wells’s recent releases on the likes of Infinite Machine, Druid Cloak‘s Apothecary Compositions and B.YRSLF Division are remarkable for their boundary-pushing approach; citing disco, funk, hip-hop, soul, doom metal, jazz, and experimental music as some of his other personal influences, it’s no wonder. Unpredictable, exciting, and diverse, Galtier’s genre-bashing productions are certainly something to watch. In fact, his most recent outing, a three-tracker on Files Rec., was his strongest yet and a statement of intent.

As one would expect, his broad musical base stands him in good stead behind the controls too. In his contribution to the podcast series, Galtier flexes those muscles, presenting a concise trip through his sonic history. Expect volatile shifts and a mass of varied tracks, as the Australian shows off a different side of his personality. 

Where and when did you record the podcast?

This podcast was recorded at my home based in Bristol, United Kingdom. I found myself recording mid-week in the evening, having been at work all day. I often find myself doing music related stuff in the evenings. It seems to be the time when my mind allows me to work at my best creatively.

What equipment did you use?

For this mix I used my trusty laptop and compiled the mix using Ableton Live 9.

Did you have a particular idea you wanted to pursue?

The main focus of this mix is to really showcase the breadth of music that I have been digging for the past few months and how they can be melded together into one single unit. There is a vast range of BPM’s and cultural influences that make up the entirety of the mix, which I feel is quite representative of the diversity in music that I embrace as an artist and likewise a listener of music.

How did you select the records?

By listening. I took the time to really listen to each track and base my selections on how much I gain emotionally from each track, alongside taking into account the fluidity of the mix and how well the selection could be sequenced together. It began as a randomized selection that I later grouped together into what I thought would work melodically or rhythmically.

How does it compare to a Galtier club mix?

The mix itself has similarities and differences to a club mix. The first 30 minutes is more of an amalgamation of my interests in the sonic qualities of sound, featuring tracks from recent electronic releases such as Egyptrixx and Nunu, next to earlier ’90s doom material from the likes of Earth. A lot of the more rhythmic-driven tracks in the mix are also quite broken and sporadic too, which strays away from the pulsing stuff that can be heard in a club set from me.

Following on from the Forced System EP, what have you got planned for the future?

I have a lot of new material I am working on right now as Galtier, and am working towards my follow up release on Infinite Machine which is scheduled for release later this year. I am also spending a lot of my time working with my record label Nostro Hood System to do some releases with other artists from around the world. We have two releases prepped for this year and I am excited about where the label will find itself over the course of 2017.

Tracklisting:

Nôto “Statue” [Dub]
Egyptrixx “Anything U Say, Everything U Do” [Halocine Trance]
Nunu “Scum 3” [Dub]
Doon Kanda “Feline” [Hyperdub]
Barla “Hologram” (feat. Graves) [Self-released]
Dreem Tran’s “Ahoy-Wut” [Meanbucket]
LOFT “With Eye Contact” [Astral Plane Recordings]
Earth “Crooked Axis For Strings Quartet” [Sub-Pop]
Earth Movement “Gust” [Dub]
Suda “Hive/Mind” [Her Records]
M.E.S.H “Omb Extrusus” [Self-released]
??? “???”
Goro “???” [Forthcoming Nostro Hood System]
Endgame “Sniper Riddim” [Golden Mist Records]
Macy Gray x DJ Mackeeper “Pipe PSI x Slap a Bitch” (Avbvrn Edit) [Dub]
Arca “Else” (Galtier Reconstruct) [Dub]
GIL “Take Sand” [Mixpak]
Cuyo “T.R.I-G.U.N Riddim” [Dub]
Lechuga Zafir “C vs S” (feat. Triangulación Kultural) [Salviatek]
L-Vis 1990 “Video Drone” (Henzo Tarrax Flip) [Dub]
Kingdom “Each & Every Day” (feat. Najee Daniels) [Fade To Mind]
Superfície x Rhianna “Rudeboy on Salvia” (Matthew Edit) [Dub]
Orlando Volcano “We Come 1” [Mixpak]
??? “???”
Syymstress “Ride Out” (feat. Yayoyanoh) [Tight Knit]
Celestial Trax & Rozay Labeija “FDB” [Loveless Records]
AN System “Torture” (Endgame Remix) [Jerome]
Galtier “Balms” [Files Rec.]
Poolboy92 “Laz-E” [#FEELINGS]
Gila x Naomi Allen “Don’t Chirp” (MICHAELBRAILEY Edit) [Dub]
??? – ???
Color Plus “Rebound” [Swim Team]
Akito “Cherry Bisous” [Forthcoming Sans Sabsence]
Tony Phorse “Zartan” (Superfície Remix) [District Sound]
Noire “Rage Riddim” [Dub]
Galtier “Tarsal” [Dub]
Suda “Idiopath” [Her Records]

XLR8R Podcast 480 – Galtier

Dixon, Helena Hauff, and More Added to Neopop Lineup

Dixon, Helena Hauff, and Loco Dice are amongst the latest names to be announced for this year’s Neopop Festival. They will join previously announced acts including Kraftwerk 3D (concert) and Moderat (live).

Now entering its 12th year and taking place across two stages in the northern Portuguese coastal city of Viana do Castelo from August 3 to 5, Neopop is Portugal’s premiere festival for electronic music and culture. Viana do Castelo is in the Minho region of Northern Portugal and is situated 68km from Porto airport and 93km from Vigo airport. Free Neopop shuttle buses are available to the festival site from both airports.

The current lineup is available below, with more information and tickets available here.

New acts confirmed:

Dixon
Maceo Plex
Helena Hauff
Loco Dice
Paco Osuna
Chris Liebing
Solar
Speedy J (Live)
DJ Bone
Jane Fitz
Svereca
Dr. Rubenstien
Zadig (Live)
Lewis Fautzi

Previously announced acts:

Kraftwerk 3D (Concert)
Moderat (Live)
Rødhåd
Planetary Assault Systems (Live)
DJ Stingray
Voiski (Live)
Sonja Moonear
Dax J
Paula Temple
Eric Cloutier

This year’s event takes place from August 3-5 in Viana do Castelo, Portugal.

Desert Hearts Reveals Spring 2017 Festival Lineup

Desert Hearts, the now infamous West Coast party crew, DJ collective, record label, and event series, has announced details surrounding the lineup for its Spring 2017 festival.

The highly anticipated return of the of the house and techno focused festival marks the end of a yearlong hiatus that saw Desert Hearts skip their annual Fall event. Organizers are calling the lineup for the Spring festival their “finest musical assemblage yet,” with highlights including Southern California legend Doc Martin, Culprit contributor Edu Imbernon, DEEP founder Marques Wyatt, Öona Dahl, TÂCHES, a special live set from Berlin-based producer Monolink, and of course appearances by Lee Reynolds, Mikey Lion, and the rest of the Desert Hearts crew. The festival will continue its tradition of hosting only one stage with 72 hours of nonstop house and techno, which will be set against the backdrop of the Los Coyotes Indian Reservation.

For more information and tickets to the festival, head to the Desert Hearts website. You can view the full lineup for the Spring 2017 event below.

XLR8R Review: Softube Modular

Since its launch in 2003, Swedish company Softube has become the undisputed king of hardware effects emulation. With glowing endorsements and partnerships from industry heavyweights as diverse as Marshall, Tube Tech, and Abbey Road Studios, as well as third party contracts with Ableton, Native Instruments, and Propellerheads among others, Softtube has become the bar against which all other hardware emulations are measured. Indeed, with the exception of perhaps Universal Audio with their UAD powered plugins, there is no company on the market providing more accurate software emulations of the most sought after preamps, EQs, compressors, and effects—peruse the countless Youtube videos comparing their work against the real deal for proof of this. As such, their first foray into the virtual instrument realm in the form of Modular is a tasty prospect.

Installation

Softube utilizes Pace Anti-Piracy‘s iLok software for copy protection and recently adopted Gobbler for product downloads and real-time updates. Installation involves creating a Gobbler account for downloading all relevant installers, and existing iLok users can link their iLok accounts to Gobbler. As someone with multiple iLok accounts, this took me several hours of hunting for ancient passwords and several Gobbler re-installs as there currently appears to be no obvious way of linking multiple iLok accounts to the same Gobbler account; however new users can simply download both the iLok license manager and Gobbler and proceed with installation fairly seamlessly. A single solution in which the iLok download manger was included in the bulk download of Softube installers would simplify this process greatly, however, and as someone with enough years in the industry to remember Pace’s sorted history of bugs and system specific issues, I can only hope Softube develops a more elegant solution for installation and license management going forward.

Patch Creation, Performance, and Connectivity

Upon launching Modular for the first time, younger software users will inevitably be surprised at the extremely long load time on even moderately powerful systems. Once the plugin has loaded, users are greeted with a large overview of available modules meticulously modeled after the classic Eurorack modular hardware format which has been steadily rising in popularity over the last few years. Modules are added to the rack by selecting them and then engaging the move/delete button to position them over the rack space, while a third button allows connections to “performance” specific modules to be edited. Connections between modules are made using a very clean point-to-point patching systems in which swinging, color-coded cables are connected and then conveniently disappear to avoid the typical spider web of cables associated with real hardware modular systems.

In the current age of multiple gesture touch screens and drag-and-drop everything, this three-tiered approach feels clunky and antiquated at best. That said, compartmentalizing the tasks of deciding which modules you wish to use, how they will be inter-connected, and what additional global performance controls the patch requires does adhere closely to the real world of modular hardware. Building effective, satisfying modular synthesis patches involves constantly switching virtual hats between engineer, sound designer, and performer. For inexperienced users, however, a floating help/info systems similar to those applied by competitors such as Reaktor, MAX/MSP, and Tassman would be of great benefit.

Sound Quality: Power with a Price

Softube has partnered with Doepfer and Intellijel for the initial module models, as well as providing individual components from their own Heartbeat drum synthesis software. A fairly vast library of patches using the standard DAW-based pre-set systems gives a good overview of sounds on offer.

Unsurprisingly, the quality of their emulations from a purely sound perspective leaves all other competitors in the dust. Having compared their emulations to both the real hardware and all other software modular programs worth their salt, I can say unequivocally that that Softube’s position as the industry leaders in hardware emulation is unmatched. Admittedly, fairly unscientific blind shootouts in my own studio against the real hardware left everyone in attendance quite literally bowled over by the near one-to-one realism they have once again managed to achieve.

That said, if you want to drive a Lamborghini, you inevitably have to pay for it. Polyphony in the modular realm is the Godhead, and as such, the first patch I tried to build myself was a four-voice synth utilizing the included Doepfer modules. The patch spiked my Ableton studio machine which handles upwards of 100 tracks of simultaneous 24/96 audio on a regular basis with ease up into the 80% CPU realm and near unplayability.

While some reviewers might be quick to accuse the program in the case as unusable, I lean much more firmly toward the idea that Softube is simply once again ahead of the curve. Computers become vastly more powerful with each new annual upgrade, and in this case, one can only hope the industry will catch up with Softube’s remarkably forward-thinking technological vision.

Conclusion

Softube has once again proved its acumen in being the absolute rulers of the roost in terms of hardware emulation. While there are still some growing pains to go through in terms of usability, interface, and CPU usage, past experience suggests that Softube will no doubt get things right, and silicon valley will eventually catch up with the hardware demands their futuristic visions require.

Should it continue to expand its partnerships with other Eurorack developers, even in its current state, at a cost of 99 euros/dollars Modular provides an unprecedented resource for hardware Eurorack buyers to test existing modules and prevent expensive buyer’s remorse, and an affordable entry into the near endless creative possibilities offered up by modular synthesis to new users. All criticism aside, I count myself as at least one happy user who is excited to watch how this most revolutionary of software platforms continues to grow in the coming years.

_____

Test version: 2.4.7
Test system: Duo core I7, 16GB RAM, Windows 10, Ableton Live
Price: $99/ €99

Bruce Loko ‘God’s Window’

Celebrated label Get Physical has today dropped its first release of 2017, a 16 track compilation of mostly new and exclusive material from South African artists titled Africa Gets Physical.

Over the last decade, South Africa has been steadily building a reputation as one of the most promising countries in electronic music, spawning its own unique club sounds, exciting new artists, and world-class DJs. Obviously, Black Coffee is the most known of these artists, but with this compilation, Get Physical introduces us to a new generation of house and techno producers.

Get Physical has always pushed a classy, shimmering form of house and techno and Africa Gets Physical is no different. Across 17 tracks and a continuous mix by Ryan Murgatroyd, the collection of South African artists present their sound beautifully, from smooth deep house to rolling, dancefloor techno and everything in between.

In support of the release, you can grab Bruce Loko‘s “God’s Window” in full via WeTransfer below.

God’s Window

Stream a Cut from Maelstrom’s Debut Album

On May 19, RAAR will release the debut album from label co-founder Maelstrom.

The album, titled Her Empty Eyes, is both an evolution of the producer’s rich history and an intellectual departure from everything that has preceded it. Its 11 tracks are confronting, haunting, meditative, and hard to pin down to any one genre, presenting the work of an artist with a deeply singular vision.

Although many of the tracks could be considered club cuts, Her Empty Eyes is more than that—the album revisits Maelstrom’s love of graphic novels and is a soundtrack to an imaginary novel taking place between 1936 and 1939 in Spain. The album’s content focuses on a female photojournalist as she navigates and documents war torn Spain, as Maelstrom explains:

“The novel depicts the life of Marina, a news photographer covering the war during these 4 years, meeting John Dos Passos and Ernest Hemmingway at Hotel Florida in Madrid, Georges Orwell and Buenaventura Durruti on the frontline, or anonymous volunteers of the International Brigades in Barcelona.”

Her Empty Eyes will drop on May 19 via RAAR, and in the meantime, you can stream album cut “A Victory At Teruel” in full via the player below.

Steffi and Dexter Remix Evvol’s ‘Physical LUV’

Steffi Doms (a.k.a. Steffi) and Dexter have remixed the title track from Evvol’s lastest EP, Physical L.U.V.

Formed in late 2014, Berlin-based Irish/Australian duo Evvol released their debut album Eternalism via !K7 Records in the summer of 2015. The pair then shacked up in their Kreuzberg studio to write their Physical L.U.V EP which dropped last year. Its title track has now been remixed my Steffi and Dexter, the two label heads of Klakson records.

Tracklisting:

A. Physical L.U.V (Original Version)
B1. Physical L.U.V(Steffi Remix)
B2. Physical L.U.V (Dexter Remix)

The remix package is out on vinyl via !K7Records on March 10.

Dapayk & Padberg Release New LP

Dapayk & Padberg have released a new LP, titled Harbour.

Since 2003, Eva Padberg and Niklas Worgt have been releasing music as Dapayk & Padberg via their label Mo’s Ferry Productions. A mixture of minimal, tech-house and pop influenced the pair’s sound and resulted in Dapayk & Padberg’s debut album Close Up. After a two-year hiatus, they then release a second studio album, titled Black Beauty, in 2007, before waiting another two years to a new single, “Sugar,” which received worldwide radio play.

In 2012, the duo then released their long-awaited third long player Sweet Nothings on Berlin label Stil vor Talent, a record through which they enriched their repertoire by focusing on electronic ballads, thus peaking the interest of a far wider audience. 2013 then saw their fourth album, Smoke, released on Mo’s Ferry Prod: for the first time, they moved away from the dancefloor and created new soundscapes composed of electronica, dubstep, catchy pop elements, classical strings, and an almost songwriter intimacy.

Following on from Smoke, and in the same sonic vein, Dapayk & Padberg’s have now released Harbour, their fifth studio album which, according to the label, incorporates “modern electronica and clear song structures that unite with a curiosity and an eagerness to experiment.” The release, the label continues, sees Dapayk & Padberg “leave their former club roots behind and channel the power of silence in decelerated beats, an organic instrumentation and floating ethereal vocals into a dynamic headlining mix of synthetic elements and ambient pop.”

For the first time, a Dapayk & Padberg LP will be released on Mo’s Ferry’s sub-label Fenou.

Tracklisting:

01. Harbour
02. Watching Over You
03. U-Camargue
04. Sink This Ship
05. Drops
06. Nightshades
07. Tempest
08. Just Be Found
09. Rain
10. Stop Running
11. Favorite Song
12. The Field

Harbour is out today. Vinyl is available here, with digital download here.

Dapayk & Padberg Release New LP

Dapayk & Padberg have released a new LP, titled Harbour.

Since 2003, Eva Padberg and Niklas Worgt have been releasing music as Dapayk & Padberg via their label Mo’s Ferry Productions. A mixture of minimal, tech-house and pop influenced the pair’s sound and resulted in Dapayk & Padberg’s debut album Close Up. After a two-year hiatus, they then release a second studio album, titled Black Beauty, in 2007, before waiting another two years to a new single, “Sugar,” which received worldwide radio play.

In 2012, the duo then released their long-awaited third long player Sweet Nothings on Berlin label Stil vor Talent, a record through which they enriched their repertoire by focusing on electronic ballads, thus peaking the interest of a far wider audience. 2013 then saw their fourth album, Smoke, released on Mo’s Ferry Prod: for the first time, they moved away from the dancefloor and created new soundscapes composed of electronica, dubstep, catchy pop elements, classical strings, and an almost songwriter intimacy.

Following on from Smoke, and in the same sonic vein, Dapayk & Padberg’s have now released Harbour, their fifth studio album which, according to the label, incorporates “modern electronica and clear song structures that unite with a curiosity and an eagerness to experiment.” The release, the label continues, sees Dapayk & Padberg “leave their former club roots behind and channel the power of silence in decelerated beats, an organic instrumentation and floating ethereal vocals into a dynamic headlining mix of synthetic elements and ambient pop.”

For the first time, a Dapayk & Padberg LP will be released on Mo’s Ferry’s sub-label Fenou.

Tracklisting:

01. Harbour
02. Watching Over You
03. U-Camargue
04. Sink This Ship
05. Drops
06. Nightshades
07. Tempest
08. Just Be Found
09. Rain
10. Stop Running
11. Favorite Song
12. The Field

Harbour is out today. Vinyl is available here, with digital download here.

Floating Points, Caribou, Jeremy Greenspan, and More Ready Collaborative Album

Nine musicians—including Floating Points, Caribou, Junior Boys‘ Jeremy Greenspan, and Simian Mobile Disco‘s James Shaw—have collaborated on a performance of Frank McCarty’s 1973 score, titled “Tactus Tempus.”

The LP contains two 15-minute pieces and was recorded in July 2016 in the Joe Goddard’s (Hot Chip) London studio. As reported by Pitchfork, each artist is credited with a different electronic instrument, with Caribou using a Buchla 200E, and Floating Points handling a Yamaha CS80.

Tracklisting

01. Tactus Tempus (Tonal)
02. Tactus Tempus (Noise + Impulses)

Geej Recordings will release Tactus Tempus via Bandcamp on March 17, with release through other outlets scheduled for March 24.

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