Ableton Announces Updates to Live

Ableton has announced a robust update, currently in the beta stages of development, to its wildly popular Live software.

Live 9.7 will continue the company’s mission to optimize its flagship software into an intuitive instrument for studio composition and live performance. More options for sound manipulation, an improved drum layout, and a variety of other on-screen workflow improvements enables easier slicing, recording, and programming.

Full features include:

New slicing functions – chop samples by beat divisions or regions, as well as manually or by transients.
New drum layout – with 16 set velocity levels for playing and programming more dynamic beats.
Hands-on audio routing – select and record ins and outs directly from Push for sampling external or internal audio without disrupting your flow.
Visual feedback for tighter recordings – new display info shows clip phase and count-in so you can start and finish clip recordings more accurately.
Hands-on color customization – color pads, tracks and clips using Push to make your performance easier.
Better playability – pad sensitivity adapts to what you play, whether it’s drums or sustained chords.

The update will be free for all Live users. You can join the Ableton beta community beforehand by going here.

alt-J’s Thom Sonny Green Drops Stunning New Track

Thom Sonny Green will release his debut solo LP, High Anxiety, via his own label Sudden Records in the UK and CanvasBack in the US on August 19.

Made over two years on the road while Green worked his day job as drummer for alt-J, High Anxiety is a diverse 21-track collection of warm and experimental cuts. Emotionally driven, the album strides confidently through a wave of styles, from bass-heavy beat-scene outings to floating ambience, all the while retaining a coherent whole—which undoubtedly points to the personal nature of the album.

The latest single to emerge from the record is “Phoenix,” a gorgeous, melancholic, and poignant piece of ambient bliss. Alongside previously released album cut “Vienna,” it paints a perfect picture of the breadth of the album and Green’s repertoire.

You can stream “Phoenix” in full via the player above, with “Vienna” available to check out below.

Riki Inocent ‘The Journey’ (Iain Taylor’s Midnight On The Floor Remix)

Iain Taylor and Ma Saski are the rEJEKTS, acid house producers, DJs, and commanders that set up to wage a “guerilla war against mediocrity.” Both artists have had long storied careers in their own rights—Iain’s began back in Manchester’s Hacienda days around 1995 with Ma also a long-standing veteran of the second summer of love—with releases on Balance, Dirtybird, Ohm, and Wide Berlin, among others.

The latest from the rEJEKTS camp will be the Mescal EP, which will arrive on August 29 and features four tracks in their low-slung acid style.

Today’s XLR8R download arrives courtesy of rEJEKTS back catalogue, Iain Taylor’s rework of Riki Inocente‘s “The Journey.” Taking Inocente’s dreamy original and adds jacking drums and a warped bassline to take it into spaced-out territory.

You can download “The Journey” (Iain Taylor’s Midnight On The Floor Remix) in full below via WeTransfer.

The Journey (Iain Taylor’s Midnight On The Floor Remix)

Premiere: Watch a Tripped-Out Video from MLiR and Studio Barnhus

Back at the start of the month, Studio Barnhus released the debut EP from MLiR, a Swedish musical collective fronted by Marco Gegenheimer and Einar Christoffersson.

The EP, Swedish Lo-Life, signalled the duo’s sun-soaked sound in all its glory with four blistering tracks. In true Studio Barnhus form, the EP features a wide array of styles, taking in golden-hued house, hip-hop-esque beats, and trippy, synth-led breaks—all the while keeping it’s feel-good core.

Following the EP’s digital release on June 20, MLiR has shared a beautifully pieced together video montage for “People.” Full of nostalgia and bright-eyed wonder, the video is a tripped out interpretation of people in all their weird splendour.

The video was made by one half of MLiR Einar Christoffersson and can be watched in full via the player above.

Pino ‘Nutmeg’

Warren Mann launched Night Noise Music last year in order to provide a platform for any open-minded producers aiming to make music for open-minded consumers. So far, he’s been successful in that endeavor—with an expanding roster of artists, Mann showcases his creative vision through the imprint. The next realization of that pursuit will be Amuse Bouche Vol. 2, an EP set for August release: the six-tracker brings together a mixture productions by the label’s core acts, as well as a few newer ones.

One fresh face to the imprint is Georgian producer Pino, who graciously offers his track “Nutmeg” from the EP for download today. It is first official release, and smacks of the work of somebody that really means business. Opening with a confident kick drum and sassed-up bassline, “Nutmeg” cruises through just under five minutes of wacky synth action. It’s only one feature in a very varied Amuse Bouche Vol. 2 however, sittingamongst an interesting collection of five other eclectic tunes.

Download “Nutmeg” via WeTransfer below. Check out the other cuts from Amuse Bouche Vol. 2 here.

Nutmeg

Various Artists 20 Years of Freerange

If you’re a label that’s shooting for longevity in the volatile world of dance music, you basically have three choices. You can be ready to adapt to the ever-changing tastes of clubland’s citizenry; you can release such a broad range of styles that at least a few of them will always find favor; or you can zero in onto a specific sound, one that you think will stand the test of time—and then represent that genre very, very well.

That’s the tactic that Freerange, which is marking two full decades of trade with this compilation, has employed. Following the London label’s start in 1996 and a brief period of sonic experimentation, founders Jamie “Jimpster” Odell and Tom Roberts (who together also run Delusions of Grandeur) settled on a version of electronically-oriented deep house that’s frequently subtle, sometimes otherworldly, occasionally driving and, almost always, solid as hell. There’s been a real consistency in quality—no easy feat when you’ve had over 200 releases over the years—that’s as much a testimony to the label heads’ on-point taste as it is the strength of its roster, which has boasted the likes of Kirk DeGiorgio, Trevor Loveys, Pezzner, Motorcitysoul, Nils Penner, Guillaume & the Coutu Dumonts, Chrissy and Jimpster himself, to name just a handful of notables.

As strong as the temptation must have been to put out a collection of tried-and-true Freerange classics, the label’s resisted the temptation to rely on past glories, instead opting for a compilation new tracks. That strategy has paid off handsomely, as those cuts are, for the most part, the same kind of no-messin’-around, easy-to-love nuggets that have taken Freerange to where it is today. That’s not surprising, considering that many of the label’s big guns have contributed to the set.

Right out of the box, KiNK’s “Road” serves as a fitting calling card, its syncopated percussion and swirling keys leading to relentless, ever-modulating synth stabs. It’s almost a prototype for Freerange’s core sound—to-the-point and seemingly simple, yet cleverly designed for maximum effect. Led by shimmering piano chords—a common element in the Freerange universe—Milton Jackson’s “Songs Without Words” employs a plaintive, classical-esque melody over a spare-yet thumping rhythm, its relatively restrained ornamentation focusing attention on that melody’s inherent emotionalism.

Detroit Swindle opts for minimalism of another sort, with the Dutch duo’s “Race Against The Machine” wedding swingy percussion and bass to various swooshes, squelches and, adding just a hint of tunefulness, organ; the synth-poppish bassline of Tony Lionni’s “Woman” receives added urgency push via judicious use of bongos and a swelling synth, punctuated by a compelling vocal wail; Andre Lodemann’s subdued “Last Exit” boasts quietly quivering keys, gorgeous piano work and backmask-effect strings, all held together by a nicely wobbling bass tone.

A few of the tracks on 20 Years of Freerange, while not misfires by any means, are perhaps less effective in the context of the compilation than others. We love downtempo, gorgeously jazzoid wonkiness as much as anybody—but surrounded by an array of tightly calibrated house tracks, Mule Musiq regular Kuniyuki’s “A Night In SA” feels somewhat aimless. Similarly, Squares’ “Spark’s Entry,” vaguely reminiscent of Bou-Kahn’s 1988 groover “Magic,” is lush with introspective feeling, but it feels a little low-key in these surroundings.

Of course, that’s a very minor complaint, one that’s more than made up for by numbers like “Love Taken Over,” which sees Irish producer Brian Ring layering a vocal sample from the SK Project classic “Your Love is Taking Me Over” over a Eurythmics-meets EBM bassline. Or Shur-i-kan’s “Beach Life,” graced by a majestic, hands-in-the-air-at-sunrise vibe. Or Jimpster’s own “Ceilings,” with its rotating-speaker Rhodes and squiggly synths providing the cushiest of beds for vocalist Laura Barrick’s coos and whispers. Or…well, we could go on and on, but you get the idea—this is top-tier house from one of the genre’s essential labels.

Tracklisting:

01 KiNK “Road”
02 Tim Toh & Ranavalona “All I See” (Jimpster Remix)
03 The New Tower Generation “Eyes Don’t Lie”
04 Luv Jam & Jimpster “We Play Pads”
05 Andre Lodemann “Last Exit”
06 Squares “Sparks Entry”
07 Tony Lionni “Woman”
08 Sam Matters “Your Mind”
09 Detroit Swindle “Race Against The Machine”
10 Manuel Tur “Computer Chess”
11 Soul of Hex “Jynmu”
12 Lancelot “Tarantism”
13 Milton Jackson “Song Without Words”
14 Kito Jempere featuring Noteless “Finland Express”
15 Pittsburgh Track Authority “Oculus Sinister”
16 Kuniyuki “A Night in SA”
17 Jimpster featuring Laura Barrick “Ceilings”
18 Brian Ring “Love taken Over”
19 Clavis “Cydalise”
20 Shur-i-kan “Beach Life”

Randomer & Hodge Collaborate on Livity Sound Sub-Label

Livity Sound‘s next release will be via sister label Dnuos Ytivil, a collaborative two track EP by Randomer and Hodge.

Second Freeze / Simple As follows on from Kowton‘s full-length effort earlier this year, as well as EPs by Batu and Forest Drive West on Dnuos Ytivil. Said sub-label was originally launched as a platform for any music in line with the Livity Sound aesthetic, that had not been produced by the core label crew. It is a first appearance for Rohan Walder (a.k.a. Randomer) on either—a producer that has frequented the likes of Hemlock, L.I.E.S. and Clone in the past. It is also his first collaboration with Livity Sound regular Hodge.

Second Freeze / Simple As will drop on September 2. Stream snippets below.

Randomer & Hodge Collaborate on Livity Sound Sub-Label

Livity Sound‘s next release will be via sister label Dnuos Ytivil, a collaborative two track EP by Randomer and Hodge.

Second Freeze / Simple As follows on from Kowton‘s full-length effort earlier this year, as well as EPs by Batu and Forest Drive West on Dnuos Ytivil. Said sub-label was originally launched as a platform for any music in line with the Livity Sound aesthetic, that had not been produced by the core label crew. It is a first appearance for Rohan Walder (a.k.a. Randomer) on either—a producer that has frequented the likes of Hemlock, L.I.E.S. and Clone in the past. It is also his first collaboration with Livity Sound regular Hodge.

Second Freeze / Simple As will drop on September 2. Stream snippets below.

FIT Sound Recruits Todd Modes

Todd Cochell (a.k.a. Todd Modes) is the latest act to join Aaron ‘FIT’ Siegel’s FIT Sound label.

Detroit resident Cochell has been quietly active in electronic music for years now, whether that be as Todd Modes, or working under guises such as Cosmic Handshakes and Modes & Severson. He is the latest recruit on Aaron Siegel’s FIT Sound, an imprint that has also housed releases from the likes of DJ Sotofett, MGUN, Marcellus Pittman, and the label head himself. Cochell’s forthcoming three-tracker Native Visions promises jazz-infused, percussive and laidback house productions, in the Detroit tradition.

Native Visions will drop in September. Check out snippets below.

Tracklisting:
A1. Ariadne
A2. Knossos
B1. Native Visions

Tim Green ‘Only Time Remains’ (Huxley Remix)

From layering buzzed-about mixes for the Body Language series on Get Physical to producing driving techno hits for Cocoon, UK-based Tim Green is undeniably on the up and up. Whether he’s spinning cold, relentless minimal, or rich, radiant deep house, Green’s success is predicated on his innate ability to weave a variety of disparate club stylings into a single vibrant tapestry. “Only Time Remains,” an exceptional track from his recent Body Language release, has been given the remix treatment through a separate release with Get Physical.

On the tail end of numerous releases with Aus Music and RinseHuxley has stepped up to deliver a standout rework. With booming kicks and dark, temperamental melodies in tow, the Londoner accents Green’s original with a hefty dose of main room house flavor.

Download via WeTransfer below.

Page 795 of 3781
1 793 794 795 796 797 3,781