Benoit & Sergio Announces New EP for Visionquest; Hear a Track Now

Production duo Benoit & Sergio has announced an imminent return to Visionquest, the label founded by Seth Troxler, Ryan Crosson, Lee Curtiss, and Shaun Reeves. Since 2009, the pair has logged appearances on platforms such as Spectral Sound, DFA, Hot Creations, and Culprit, but identify Visionquest as their “spiritual home.” The duo first surfaced on the label back in 2011 with Where The Freaks Have No Name, followed by the New Ships EP. Now, the forthcoming Your Darkness EP showcases the pair’s knack for crafting playful, melodic house and techno, as ever capitalizing on catchy melodic lines, vocal samples, and dancefloor-directed rhythms.

The Berlin and DC-based partners are also reportedly in the process of completing a debut album, a record which will be co-produced with Darkside (a.k.a. Nicolas Jaar and Dave Harrington) and is set to appear on Jaar’s Other People imprint. In the meantime, the three-track Your Darkness EP is due out on vinyl on July 14, with a digital version to be made available on July 28. A-side cut “Your Darkness” can be streamed in full below, where the record’s complete tracklist has also been included.

A1 Splash
A2 Your Darkness
B1 Beat Macho

LuckyMe To Release Debut LP from Claude Speeed, Shares Video for Lead Single

The LuckyMe label/collective will issue the debut full-length release from Claude Speeed next month, a 14-track endeavor entitled My Skeleton. Having been involved with futurist rock outfits Russia and AmericanMen in the past, Speeed has been a longstanding force in Scotland’s experimental music scene; he was also invited to participate in the 2011 Red Bull Music Academy session in Madrid. His upcoming debut solo LP is said to have been recorded with very minimal equipment while Speeed travelled around the Far East, after having suffered a loss in his family. The record is then said to have been finished off back in Europe with trips to both the Sunwheel II studio in Berlin as well as Hudson Mohawke’s studio in London helping complete the process.

Described as “a deliberate, dreamlike work about structures, economy, memory, and loss,” Claude Speeed’s My Skeleton album will see its official release on July 28. In the meantime, the record’s full tracklist and artwork have been included below along with a video for sweeping album cut “Tiger Woods.”

01 Washaa
02 My Skeleton
03 Some Other Guy
04 Tiger Woods
05 Taj Mahal
06 Field
07 Spectral Choir
08 Viscount Stair
09 An Imperial Message
10 Prove You Exist
11 Hold On ft LW

20 Questions: Horse Meat Disco on the Endurance of Disco, the Taste of Horse Meat, and the Best Curry Shop in London

Disco never died, it just dispersed and went underground. Since its fall from the mainstream, the music’s jubilant spirit has been carried on, not only in the electronic sounds that followed in its footsteps, but also in niche parties around the globe. One such party is London’s Horse Meat Disco, which is run by a collective of four DJs—Jim Stanton, James Hillard, Luke Howard, and Severino Panzetta—that, for the past 10 years, has kept the disco fire burning in the UK with its long, sweaty nights of pure, unadulterated exuberance. This week, the crew has released its fourth compilation, Horse Meat Disco Volume IV, which arrives while the collective is in the midst of an extensive world tour. Fortunately though, all four DJs were able to take some time out of their busy schedules to answer 20 questions for XLR8R.

1. Why did you name your party Horse Meat Disco?
Hillard: It came from a headline in a newspaper 11 years ago. “Horse Meat Discovered in Salami”—but it was partially covered to reveal “Horse Meat Disco.” I thought it was a good name for a party and things spun off from there. The name conjured up ideas of taboos, big willies, and, er, disco. So it was bound to be a winner with the LGBT community.

2. What is your favorite period of disco music and why?
Hillard: I love it all, truly! From the mid-’70s soul and two-step to the peak moment of ’79 and then onwards until it almost becomes house. I love the Euro disco sound and the blacker American sound. Gimme a diva singing her heart out and I’m sold!

3. What are the elements of a good party?
Hillard: Great music, good people, the perfect venue, and spontaneous acts of drag/nudity. Simple!

4. What differences have you found between nightlife in London and elsewhere?
Hillard: There isn’t much difference really, to be honest. People are people no matter where they come from, and in a club, everyone is out to have a good time. I guess the biggest difference I notice is that most places close so early.

5. What has been the most outrageous moment on the HMD dancefloor?
Hillard: The vogue balls we threw were always pretty outrageous affairs. Outrageousness is always amplified in heels! And over the years there have been some pretty genius looks!

6. How has London clubbing changed over the course of the past few years?
Howard: Everything has moved east. Nightlife used to be centered around Soho & central London (known as the West End). In the last decade or so, East London areas—such as Hackney, Dalston, Shoreditch, and Hoxton—have taken over as the busiest areas for nightlife.

7. Besides HMD, what is your favorite party in London?
Howard: Some of our favorite venues are Dalston Superstore, Plastic People, Corsica Studios, and The Bussey Building in Peckham.

James Hillard

8. Where is the best curry shop in London?
Hillard: For an authentic curry, head to Drummond St. Mostly vegetarian. It’s like a mini and less touristy Brick Lane. But my local Indian [restaurant], Khan’s Of Brixton, is pretty damn good!!

9. For each of you, what was the first dance record that got you into DJing?
Hillard: Class Action “Weekend”
Howard: Harlequin 4’s “Set It Off”
Stanton: Tantra “A Place Called Tarot”
Panzetta: Gloria Gaynor “Casanova Brown”

10. What is your favorite record store in London?
Hillard: I don’t do much digging for old records in London these days, but Phonica is great for all the new stuff and Kristina Records in Dalston is great too.

11. What is your favorite record store outside of London?
Hillard: I just got back from the States, and it’s always great to buy records there. A few of my favorites are Groove Merchant in San Francisco, Record Surplus and The Last Book Store in Los Angeles, and A-1 and Academy Records in New York. The Disk Union shops in Japan are amazing too!

12. What kind of non-musical influences have formed the Horse Meat Disco aesthetic?
Hillard: Film has been a big influence. Jim Stanton is quite an authority on films. I believe he goes to the cinema a couple of times a week! We always had films showing in the club as visuals and have done some screenings in the past. To a certain extent, politics too, especially in LGBT matters. The film Paris Is Burning was the inspiration behind the vogue balls I mentioned before. So fashion, politics, and art all influence us in some way.

Luke Howard

13. Can you name an unusual record that always seems to work?
Howard: It’s not particularly unusual, but “Late In The Evening” by Paul Simon always gets a good response whenever I’ve played it.

14. Do you have any tips for frequent air travelers?
Hillard: Get a good travel pillow and if you are flying on an US airline, buy your own food!

15. Why do you think disco music has maintained its popularity for so long?
Hillard: Because it’s great music to dance to. Pure and simple. As people get into dance music—be it deep house or techno—at a certain point, they’ll go back to the roots (if they are passionate about it, maybe) and discover where it all came from. What they invariably discover is a treasure trove of musical talent and sophistication that you don’t really see often these days.

16. Have you ever actually tried horse meat? If so, how is it?
Hillard: Yes, it’s delicious. I’ve had it cured and I’ve had it like a steak. In any case, as the recent food scandal pretty much showed, we’ve all probably been eating horse meat for years. Unless, of course, if you are a vegetarian or don’t eat Crispy Pancakes!

17. What is your favorite part of London that a visitor might never experience?
Hillard: In the past, I would have said my neighborhood of Brixton, but these days, it’s pretty well known. I do really like Peckham. It’s not too far away, but it’s got a great nightlife scene thanks to the places like The Bussey Building. Lots of art students and some good places to eat and drink too. It’s now easier to get to, thanks to the Overground.

Severino Panzetta

18. What do you do before a party to warm up?
Hillard: Yogic Flying.

19. What do you do after a party to wind down?
Hillard: Watch whatever TV show I’m obsessed with at that time.

20. What will you do after answering these questions?
Hillard: Watch whatever TV show I’m obsessed with.

Dekmantel Announces Final Lineup, Shares ‘Selectors’ Video with Mr. Ties

Amsterdam’s Dekmantel Festival has revealed the final lineup for this year’s event, along with the second installment of its Sole Selectors video series featuring Berlin-based cult selector Mr. Ties. Ame, Martyn (with Inga Copeland), DVS1, Magic Mountain High, Space Dimension Controller, and Traxx are among the additional names billed for the festival, which kicks off in just six weeks. Pender Street Steppers and Hashman Deejay are set to represent Vancouver imprint Mood Hut, and more names can be found here.

The Dekmantel Selectors series premiered last month with Rush Hour founder Antal, and all four versatile artists lined up for the series will also appear on a special stage at the upcoming festival. This newest installment centers around Italian-born Mr. Ties, a resident DJ at Berlin’s notorious Homopatik parties, and can be watched below.

Hear Doc Daneeka’s Contribution To the Upcoming Compilation from 2020 Vision

Having already shared streams of Matthew Herbert’s remix of Maya Jane Coles and Simian Mobile Disco’s new production for the upcoming Contentcompilation from 2020 Vision, we have now gotten our hands on “One for Pidge,” the forthcoming collection’s chord-fueled contribution from Berlin transplant Doc Daneeka. With “One for Pidge,” Daneeka—who told us about his favorite piano-led tracks yesterday in a new edition of Hi-Five—crafts a full-bodied, but still somewhat relaxed dancefloor track. Led by filtered chords, the tune is laced with a slight shuffle, which fits in well with the song’s soul-burnt textures and slow-morphing background atmospherics.

2020 Vision’s Content compilation is still a few weeks away with its release date set for June 30. Until then, Daneeka’s infectious contribution to the collection, “One for Pidge,” can be streamed in full below.

My Dry Wet Mess “Eyelids’ Secrets (Ikonika Shy Remix)”

Though still a burgeoning name in the electronic music world, Berlin-based producer My Dry Wet Mess (a.k.a. Giovanni Civitenga) has enlisted the likes of Auntie Flo, Dam Mantle, and Ikonika to contribute remixes to his upcoming Laptop Lapdance EP for Fine Grains. Before its release on July 7, London-based Hyperdub mainstay Ikonika’s take on “Eyelids’ Secrets” is featured here, seeing her transform the moody, beat-influenced original into an ambiguously genre-less affiar. Maintaining the generally pensive tone of My Dry Wet Mess’ version of the track, Ikonika combines 8-bit elements with acid-tinged synths and a sparse drum pattern that periodically breaks out in dramatic rolls, resulting in a retro-futuristic vibe of sorts. In addition to the download offered here, a preview of My Dry Wet Mess’ Laptop Lapdance EP can be heard after the jump.

Eyelids’ Secrets (Ikonika Shy Remix)

Listen to a New Remix from Fort Romeau

In anticipation of its forthcoming debut LP for Secretly Canadian, London-based “swoon-pop” outfit Woman’s Hour has enlisted the talents of Ghostly affiliate Fort Romeau to remix the album’s title track, “Conversations”—a breezy rework that can now be streamed in full. Stretching the track to seven minutes, Fort Romeau (who XLR8R had a quick chat with a few weeks back) repurposes the original tune’s bright guitar strums and sugary synths, placing them over a disco-lined house beat, while reducing Woman’s Hour’s vocal contributions to rhythmically locked murmurs.

The debut LP from Woman’s Hour is set to see its release on July 15. In the meantime, Fort Romeau’s summer-soaked remix of “Conversations” can be streamed below.

Watch Fatima Cover SWV

Following the release of her debut full-length Yellow Memories last month, rising Swedish soul vocalist Fatima was tapped for a guest appearance on Rinse TV’s Rinse Sessions. This first recording, posted below, finds the London transplant performing a stripped-back rendition of “Rain,” originally released in the late ’90s by American R&B trio SWV (a.k.a. Sisters with Voices). The issue is the latest in the series that has most recently hosted Kwabs and Little Dragon, and a follow-up video of Fatima performing album cut “Underwater” is also set to surface on the site in the near future.

Check Out a New Remix from Teebs

With the release of his sophomore LP, E S T A R A, still fresh in our memory, Brainfeeder affiliate Teebs has shared a new remix of Young Magic‘s “Fall In,” from the latter artist’s recent Breathing Statues LP for Carpark. Reinterpreted here, “Fall In” is rendered into a cloudy collection of droning organs, floating chords, and washed-out vocals, all of which help bury a dark drum break just underneath the surface. The new remix from SoCal producer Teebs (who we chatted with in a recent 20 Questions feature) can be streamed in full below.

Download a New Mix from Visionist

A leader of the resurgent grime scene, London producer—and former XLR8Rpodcast contributor—Visionist has dropped a new mix. Coinciding with the release of his new single on Diskotopia, Visionist has delivered a 50-plus-minute set for The FADER. Focusing on icy textures and a number of grimey electronic hybrids, Visionist’s mix (which unfortunately comes sans tracklist) is free to stream and download below, while The FADER’s brief interview with the prolific UK talent can be read here.

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