Watch Classic Footage of Jeff Mills DJing in Detroit

Vintage footage of a young Jeff Mills DJing at Cheeks Club in Detroit recently surfaced online, showing the techno innovator whizzing through a scratch routine for a packed crowd of dancers. Performing as The Wizard (and with shades on, no less), Mills helms a set centered around Egyptian Lover’s “What is a DJ if He Can’t Scratch,” which is shot and edited as if it appeared on a local access TV channel. The video’s description says it was filmed in 1983, though the 12″ the Motor City DJ is scratching with wasn’t released until 1984, so we’ll just assume this gem was unearthed from somewhere in the mid-’80s. The nostalgic piece can be seen in full below. (via Resident Advisor)

Protect-U Announces Debut LP for Future Times, Streams New Track

D.C. pair Protect-U has announced plans to release its debut full-length via Future Times. The duo of Aaron Leitko and Future Times co-founder Mike Petillo will drop its Free USA LP on May 13. Said to have been “recorded during a year hunkered down in the studio,” Protect-U’s first album will contain nine tracks that were “jammed into being and then laser-cut into exact shapes.” Furthermore, the LP appears set to follow in the lineage of the floaty house hybrids the pair has delivered for No Pain in Pop, Planet Mu, and, of course, Future Times in the past, with Free USA said to present “some serious mutated strands of electronic music.”

The debut full length from Protect-U will see an official release on May 13. In the meantime, its tracklist is included below, where a stream of LP track “Time 2 Technique” has also been included.

A1 Needs
A2 Top Hat
A3 Dit Floss
B1 Time 2 Technique
B2 Flying Hi
C1 Distored
C2 F-USA
D1 Flunx (Version)
D2 Down the Tubes

Video Premiere: Light Year “Come Together”

Having dropped his Come Together EP via Ghostly’s Spectral Sound imprint today, London-based producer Light Year has shared a premiere of his rainbow-textured video for that record’s title track. Combining minimal physical elements and subtle choreography with a myriad of visual effects, the clip for “Come Together” joins beautiful auroral images with the remarkably starry production. Laden with resonant chimes, Light Year’s techno-fueled track is as elegant and charming as it is spry.

Headaches “Stagest”

Fledgling Brooklyn label Connect has sent over a number of exclusive downloads lately—namely, threedifferenttracks from co-founder Rioux—and is now offering brand-new single from another artist, fellow NYC resident Headaches (a.k.a. Landon Speers). Titled “Stagest,” the markedly crisp tune has no apparent loose ends; from the resonating bassline, to the subtle streams of vocals, to the playful percussive labyrinth, it’s clear that Speers pays careful attention to detail. It’s all asking to be picked apart and analyzed, but just as swiftly as the distinct layers of sound mesh into a cohesive whole, each component is steadily stripped back until only the crunchy synths are left to finish off Headaches’ new song.

Stagest

Stagest

Ital and Aurora Halal Ready Collaborative EP, Share Lead Track

Two mainstays in the ever-changing landscape of Brooklyn’s dance music scene, visual artist/producer Aurora Halal and Planet Mu affiliate Ital have joined their talents on a forthcoming collaborative release which will feature four original tracks from the pair. Their The Day After EP is described as a “psychedelic” project that equally features “strobing club anthems and ephemeral head trips,” with each production said to be a “spiraling world unto itself.” Ahead of the record’s release on April 28 via Ital’s Lovers Rock label, we’re treated to a stream of its propulsive opening track, “Ascension.” That acid-touched, hardware-focused tune can be heard below, where the tracklist for Ital & Halal’s The Day After is included.

1. Ascension
2. Phase 2
3. The Thirst
4. The Day After

Millie & Andrea Drop the Vowels

Over the course of their respective careers, the individual work of Miles Whittaker and Andy Stott (who together form Mille & Andrea) has always seemed to come with a sense of purpose. Stott’s Passed Me By and Luxury Problems were centered around distinct sonic concepts, while Whittaker’s releases (usually as half of Demdike Stare) have often adhered to more abstract conceptual guidelines. The details may differ from one release to the next, but the producers’ separate efforts have continuously felt as if they were driven by something more than just an urge to make good tunes. Millie & Andrea’s Drop the Vowels LP bucks that trend to a certain degree, as its eight tracks seemingly go in whichever way they please. Ultimately, the album sounds like two producers simply having fun with their combined talents.

Considering each artist’s established penchant for dark and rich sonics, “fun” can be a tricky word to use when talking about Whittaker and Stott, and indeed, in purely sonic terms, Drop the Vowels is anything but a light-hearted record. Whether delving into ritualistic soundscapes, subterranean rave, or fervent jungle, Millie & Andrea utilize only the toughest of structures. A wealth of burnt distortion permeates each track, giving the album’s breaks an extra crunch, its hats an extra sizzle, and the chords an ominous, looming haze. The more murky and filthy the textures, the more Whittaker and Stott sound at home.

Across Drop the Vowels, Whittaker and Stott apply this scorched approach to a number of forms. “Temper Tantrum” is dark and ravey—save for the floating chords which appear momentarily in the middle of the production—while “Corrosive” and the LP’s title track are tough jungle excursions, the former presenting a twisted take on trap in its opening and closing movements, which come off like Kuedo run through an incinerator. The duo even comes as close to “house” as either producer has possibly ever come with “Spectral Source,” while a pair of beatless compositions—”GIF RIFF” and “Quay”—are enlisted to bookend the LP, opening the record with doomsday gamelan and ending it with a long series of beautifully disintegrating textures.

Drop the Vowels may take a number of different turns during its run, but the album rarely suffers from a lack of momentum. Together, Whittaker and Stott never fall short in terms of craftsmanship, and the combined depth of their skills as producers does much to help carry Millie & Andrea’s works through their many different forms. From its massively hedonistic club tunes to its handful of cavernous dancefloor abstractions, Drop the Vowels is an unsurprisingly quality affair. In the end, it’s a pleasure to hear Whittaker and Stott combine forces, even if they truly are doing nothing more than just fucking around.

Listen to ‘E S T A R A,’ the New Album from Teebs

LA producer and core Brainfeeder artist Teebs—who told us about his love of Street Fighter and his admiration for Dracula in our latest 20 Questions feature, which we published just this morning—has a highly anticipated album dropping next week. The LP is called E S T A R A, and though it’s not yet available for purchase, it can now be heard in its entirety online. The 12-track effort is streaming in full at NPR, and includes plenty of the hazy, wistful melodies and ramshackle rhythms that endeared Teebs to so many people in the first place.

Check Out a New Mix from Legowelt

It’s a common observation that Legowelt (a.k.a. Danny Wolfers) always seems to be doing something, whether it’s making records, experimenting with synths, touring the globe, or editing his own e-zine. Simply put, the Dutch producer never seems to take a break, yet all of his activity seemingly does nothing to lessen either the quality of or the interest in his work. Legowelt’s latest LP, Crystal Cult 2080, recently arrived via the Créme Organization label, and Wolfers has elected to commemorate the occasion by putting together a new mix for Resident Advisor. The podcast can be found here, and includes a brief interview with Legowelt, who says, “I don’t really consider myself a DJ,” and notes that the mix is “just a bunch of tracks that I like played in an orderly fashion, going up and down in intensity—with some added FX, samples and synths—providing, I hope, some pleasure, solace, and inspiration for the listener in their daily business and life.” The tracklist has been posted below; we recommend listening before Legowelt’s next endeavor pops up. Knowing him, the wait shouldn’t be too long.

Tracklist:
Radioshack MG1 Moog improvisation
Mokra – Manipulation Musik
1991 – High Tension Low Life
Farah – Pieced Apart
Legowelt – Ancient Rites Demoni Mundi
Huerco S – Skug Commune
This Is Not America Disco Mix
Halu Mergia – Ambasel
Liz Tores – In The City
Cliff Lothar – To The Sea
Beat Detectives – Second Haitan Divorce
Laszlo Dancehall – Fatty Que
K-Alexi – Groove U
Osunlade – Dionne
Legowelt – Puzzles of Life
Aux 88 Techno Mix of Sharivari
Fanon Flowers – Winter in Kalamazoo
Andy Vaz – Over Here
Stakker Humanoid – Positive Electron
Delroy Edwards – Love Goes On & On
French Fries – Machine
Florian Kupfer – Reach Another System
Pal Joey – I Sing
Drexciya – Living On The Edge
Kassem Mosse – Workshop untitled
The Abstract Eye – Grandfather Fire
Radioshack MG1 Moog improvisation
Xosar – Cybertronika

Stream Todd Terje’s Debut LP ‘It’s Album Time’

After letting go of a couple of the singles from his debut album—following the official releases of “Inspector Norse” and “Strandbar,” of course—Norwegian artist Todd Terje has now shared the rest of It’s Album Time to stream online before its arrival on April 8 via his Olsen label. The beloved DJ/producer’s disco chops are in fine form as he winds through an eclectic range of spacey and playful dancefloor music, landing every once in a while on something fresh and unexpected for the dedicated studio master. Clocking in at just about an hour, It’s Album Time is a breezy and exhilarating listen, and can be heard in its entirety over on NPR.

20 Questions – Teebs Talks New Album, Low End Theory, and Playing ‘Street Fighter’ with Flying Lotus

Next week, E S T A R A, the sophomore LP from extraordinarily talented visual artist and producer Teebs (a.k.a. Mtendere Mandowa) is set to land via Brainfeeder. Four years after his debut LP appeared and quickly became regarded as a classic, Teebs is returning with a similarly compelling second full-length, one which finds the SoCal artist more carefully developing his hazy jaunts through autumnal sonics while enlisting the help of Prefuse 73, Jonti, and others across E S T A R A‘s 12 tracks. In anticipation of the upcoming album, we tapped Teebs for a session of 20 Questions, and got the patient producer to discuss the challenges of making his new album, recount when he met Brainfeeder boss Flying Lotus for the first time, and tell us why—of all people—Dracula is his personal hero.

1. Where were you born?
Bronx, New York

2. What was the first album you ever purchased?
I remember buying Tha Alkaholiks feat. ODB “Hip-Hop Drunkies” single. My first album though, was probably something from Del or Cannibal Ox’s The Cold Vein.

3. What was the last thing you Googled?
“Who owns McDonald’s?”

4. When you’re hungry, what is your go-to snack?
Leftovers, coffee, Jamba Juice, or any other kind of juice deal usually.

5. Name a track or artist that you think is criminally underrated.
Co. Fee

6. At what hours are you usually making music?
9 a.m. – 2 p.m. or 3 p.m. – 7 p.m.

7. Does your music and painting inform and affect each other?
Yes. Switching mediums is an amazing way to refresh the want to continue experimenting and searching while working. They also help each other by completing each other’s sentences—I feel as though I split my expressions and ideas between those two practices a lot, and when they come together, the whole picture begins to unfold.

8. Is there a current visual artist whose work you find particularly inspiring?
Dion Banks

9. What is the first Prefuse 73 track that blew you away?
The One Word Extinguisher LP is something else, but really, the break on “Another One Long Gone” is something out of this world.

10. What was your first impression when you met Flying Lotus?
“He’s tall” was my first thought. The first real moment I remember was when we both killed each other with “shoryukens” in a heated game of Street Fighter. We realized how incredible that moment was, and had to leave the “Double KO” screen on for a while. That’s when I knew that he was the kind of guy I would love to hang around outside the music stuff.

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11. Did you intend to wait almost four years before releasing your second full-length?
LOL. No, it just happened that way.

12. What was the most challenging part about making E S T A R A?
Knowing which songs best fit the album.

13. If you could describe your new record in three words, they’d be…
It’s finally here.

14. What possession have you owned for the longest?
My Alkaholics CD.

15. What’s your ideal day off?
Noticing my phone is dead and not being anywhere near a charger.

16. What’s the best part about living in the LA area?
Living near my friends.

17. Who is your personal hero and why?
Dracula. He gets to sleep for days, but still gets everything he needs to do done.

18. Are we alone in the universe or is there something or someone else out there?
Never alone.

19. What’s your favorite memory of a night at Low End Theory?
First time ever playing a live set there. I opened for Ras G.

20. What’s the first thing you’ll do after answering these questions?
Look for something ridiculous to send to Thundercat.

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