Roska “Grand Theft Audio”

Before his curated FABRICLIVE event goes down next Friday, July 13 (featuring folks like Doc Daneeka, Brackles, Seiji, and Raf Daddy of The 2 Bears), UK funky don Roska has shared an exclusive cut of skittering club rhythms and oversized bass tones, not unlike what Rinse Presents: Roska 2 offered a couple months back. “Grand Theft Audio” isn’t exactly pioneering new realms of dancefloor music, but we’re nonetheless happy to hear that even Roska’s unreleased productions are worth at least four-plus minutes of our listening time.

Grand Theft Audio

Listen to Maya Jane Coles’ Remix of 2:54

After dominating our servers with her remixes of Lianne La Havas and Bo Saris, the UK’s prominent deep-house talent, Maya Jane Coles, delivers her take on British indie band 2:54‘s “Creeping.” The producer trades gritty guitars for the gloss of flickering synths and dubbed out samples, while still retaining the brooding sound of the original, which was released in May as part of 2:54’s self-titled debut album. Maya Jane Cole’s vision of “Creeping” unites 2:54’s grungey darkness and rich vocals with her own penchant for churning low end and rounded synth notes, so the tune at once recalls the house phenom’s excellent production work and 2:54’s ramshackle indie rock.

Video: Matthew Dear “Her Fantasy”

Ghostly co-founder and multifaceted artist Matthew Dear has unveiled the video for “Her Fantasy,” the lead single from his upcoming album Beams. The clip is certainly a fantasy, but whether it’s “her” fantasy or “his” is not so clear: It’s a circus-themed montage of suggestive and warped shots of men and women that director Tommy O’Haver calls a “mash-up” homage to experimental filmmaker Kenneth Anger. The hallmarks of an Anger masterpiece are there—the aura of occult magic, surrealism, strange hints of erotica, etc.—which also makes the video look something like a polished Beats Antique performance starring Matthew Dear. Beams drops next month via Ghostly on August 27.

Sleepin’ Giantz “Hand Grenade”

We first caught wind of Zed Bias‘s grime supergroup Sleepin’ Giantz back in 2010, when the dubstep and garage innovator included “Badungdeng” in his XLR8R podcast. Since then, Zed Bias (a.k.a. Maddslinky a.k.a. Dave Jones) and his collaborators—Rodney P of the influential British rap group London Posse and grime/hip-hop emcee Fallacy—have composed a self-titled LP, which is out now. “Hand Grenade” is our first look into the album since “Badungdeng,” and boasts Rodney P’s and Fallacy’s energetic rap styles as they trade off vocal duties over the surging, low-frequency grittiness of Jones’ garage-leaning instrumental.

05 Hand Grenade

Podcast 254: Ben Sims

It seems like most techno veterans hail from either Detroit or Berlin. Granted, the key word there is “most,” as Ben Sims calls London home and has been dropping records and making his mark in the techno world since the late ’90s. Apart from his own numerous releases, Sims has been enlisted to remix a slew of techno heavyweights over the years, including Jeff Mills, Kevin Saunderson, Joey Beltram, and others too numerous to list. He also heads up the long-running Theory label, and more recently launched the Machine imprint with Kirk Degiorgio, which takes its name from the pair’s new-music-devoted London party. While many DJs who’ve been around this long are content to simply continue rehashing the past, Sims remains dedicated to forward movement and innovative sounds, which is why we’re excited to see where he takes things when given the freedom to assemble an exclusive mix for the XLR8R podcast series. Make no mistake, the mix has its share of old-school classics—many of which have been edited or remixed by Sims himself—but it also contains many newer selections, including several cuts from artists associated with so-called “bass music.” Genre tags aside, the podcast offers a remarkably cohesive listen, as Sims keeps the pedal to the floor throughout, serving up 70 minutes of hard, pulsing rhythms. But there’s more here than just four-on-the-floor thud; with his wealth of experience, Sims understands the importance of melody, soul, and, yes, nuance in a DJ set. There may be a lot happening in this podcast, but Sims’ steady hand proves more than capable of making it work and, more importantly, crafting a compelling listen.

01 Wbeeza “Laying Here (Loop)” (Third Ear)
02 Midland “What We Know (Motor City Drum Ensemble Dub)” (Aus)
03 Tripmastaz “Guess Who” (Plant 74)
04 Tom Trago feat. Tyree Cooper “What To Do (KiNK Peak Time Dub – Sims JFF Edit)” (Rush Hour)
05 A Made Up Sound “Hang Up” (Clone Basement Series)
06 Marcel Dettmann “Duel” (50 Weapons)
07 Stephen Brown “Polar (Ben Sims Remix)” (Theory)
08 Ø Phase “Binary Opposition (Ben Klock Process)” (Token)
09 WK7 “Do It Yourself” (Power House)
10 Leonel Castillo “When You’re Jumpin'” (Aux)
11 JR from Dallas “Second Life to the House Music” (Gourmand)
12 The Nighttripper “Phuture (Robert Hood Remix)” (Underground Liberation)
13 Reese & Santonio “The Sound (Ben Sims 25th Anniversary Edit)” (KMS)
14 Presk “Headway (Loop)” (Ten Thousand Yen)
15 Mike Dehnert “Pneumatic (Sims JFF Edit)” (Ann Aimee)
16 Blawan “Breathe Them Knees In” (Black Sun)
17 Gerry Read “Rhino” (Fourth Wave)
18 Ben Sims “Smoke & Mirrors (Jerome Sydenham Remix)” (Drumcode)
19 Ruff Draft “Lone Ranger” (Ruff Draft)
20 Robert Hood “The Cure”
21 Joss Moog “That’s What U R” (Robsoul)
22 Ben Sims “Orbit”
23 Geeeman “Fire Extinguisher” (Clone Jack For Daze)
24 L-Vis 1990 “Rubber Crash” (Night Slugs)
25 H+M “88 (Sims JFF Edit)” (Axis)
26 Bandshell “Rise Em'” (Hessle Audio)
27 R. Stankevich “Seeu at Sea (Paul Mac Remix)” (Stimulus)
28 Skudge “Man on Wire (Marcel Dettmann Remix)” (Skudge)
29 Cosmin TRG “Sommer” (50 Weapons)
30 Reese & Santonio “How to Play Our Music (Ben Sims 25th Anniversary Edit)” (KMS)
31 Ben Sims “Move in Time” (Drumcode)
32 Skudge “Convolution (Marcel Fengler Remix – Sims JFF Edit)” (Skudge)
33 Ben Sims “Straight from Bolivia” (Theory)
34 Reese “Bassline (Joris Voorn Remix – Sims JFF Edit)” (KMS)
35 Model 500 “Time Space Transmat (Ben Sims 25th Anniversary Edit)” (Metroplex)
36 Marc Romboy feat. Blake Baxter “Muzik (KiNK Dub Mix – Sims JFF Edit)” (Systematic)

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XLR8R_Podcast_Ben_Sims_2012_07_03

Andy Petr “Yesterday”

Milwaukee’s Andy Petr is poised to drop his debut EP, Obsession, via Mixpak, and has offered up one of the tracks as a free download. “Yesterday” deals in distinctly mechanical sounds, from laser-like zaps to the heavily modified vocal sample, which sometimes sounds nearly indistinguishable from the sighing synth breaths. Petr, a “young producer not yet of legal drinking age,” will officially release the seven cuts that make up the Obsession EP on July 10.

Yesterday

Yesterday

Various Artists Modeselektion Vol. 02

With a giant primate emblazoned across just about everything Modeselektor does these days, the duo’s well-known mischievousness seems perpetually not far behind. Like two kids who can never quite sit still, Berliners Gernot Bronsert and Sebastian Szary are at their best when channeling that short attention span into music, be it their own, or as label owners, into an artist roster. In this latter role, the duo is having no trouble spotting, commissioning, and releasing tracks from a spectrum of producers representing a broad range of electronic music. With the second volume of what seems set to become an ongoing series from the duo’s flagship label, the Modeselektor boys have compiled 18 exclusive tracks that go from bass music to techno to glitch to juke to what are essentially experimental electronic works, and they’ve managed to do so without the typically schizo, jarring qualities that often plague label compilations.

This seamless movement across genres has long been an essential quality of the Modeselektor charm, and it’s something that’s displayed front and center when Bronsert and Szary are working in a curatorial capacity. As always, the main building block is techno, but few of the inclusions here come across as even remotely straightforward. Early on, fellow German duo Monolake gets a surprisingly breaks-heavy edit from premier techno DJ Electric Indigo on “Hitting the Surface.” Monkeytown signee Addison Groove keeps it playful on the aptly titled “Manic Miner,” which somehow manages to incorporate ravey sirens, old-school hip-hop bongo breaks, looping samples, and a “Percolator” pop. Modeselektor’s own “Chaik the Chicken” adheres most faithfully to a 4/4 beat, churning out a Berghain-worthy heater, while “ModeOperator (Beispiel A)” by Diamond Version (a.k.a. Alva Noto and Byetone of the minimal Raster-Noton collective) nods ever so slightly to Kraftwerk, albeit with a lot more heavy distortion.

It’s this darker side of the proceedings that pervades much of Modeselektion Vol. 02. Beginning with “Levitate,” the comp’s opening track from Night Slugs’ bass-music modernist Egyptrixx, the collection is colored by a sort of brooding tone. Lazer Sword and Martyn carry that torch, the former adopting a bass-juke hybrid laced with distant R&B samples on “Landscape,” and the latter hovering closely to the dubby techno sound he’s become so well known for with “Red Dancers.” Shitkatapult alum Phon.o offers a modicum of relief, his “Fukushima” injecting a soulful “save me” into a tasteful dubstep roller. A similarly intelligent vibe returns at the compilation’s end, albeit in a more stripped-down form, with the eerie tribal thuds of “Distorsione for Strings” by studio engineer turned producer Jan Driver and the half-time techno of “Observing the Patterns,” a looming, symphonic, and meditative closer from Anstam.

Techno and bass excursions may be obvious inclusions here, but electronic music’s experimental side has also become prominent part of the Monkeytown sound, particularly since the label signed Mouse on Mars last year. The veteran producers recontextualize Chicago footwork as a sort of jazzy, 8-bit juke workout with their contribution, “Humoslab.” The track is in good company with the handclap-fueled booty techno of “Pixel” by wild-haired Parisian Bambounou and the frantic jazz breaks of “Nordic Wilt” from esteemed digital composer Clark.

Working as a bridge of sorts between these experimental moments and the glitch-hoppy beats that dominate this edition of Modeselektion, former TTC mates Teki Latex and DJ Orgasmic, who jointly operate these days as Sound Pellegrino Thermal Team, meld footwork rhythms, crunk, and a very Ninja Tune-esque aesthetic on the trap rave of “Activate” before a staticy boom-bap feel takes over on the swaying digi-crunch of Brooklynite Soft Circle‘s “Finna Fury.” It’s at this point that Modeselektor’s love of hip-hop-style production shines, as the comp offers up a run of tracks that includes the groove-based shuffle of Prefuse 73‘s “Death by Barber pt. 1,” the cowbell-boasting “Sudaka Invasor” by Argentina’s Frikstailers, and the heavy stomp and squelch of “Modern Talk” from Monkeytown regular Siriusmo.

With fingers in this many pies, Modeselektion Vol. 02 really shouldn’t have come across as a cohesive statement, yet it does. Not every track is an out-and-out winner, but the depth and breadth of artists, scenes, locales, and musical movements showcased here is not only impressive, but also serves as a pristine snapshot of what a credible tastemaking unit Modeselektor is.

Ghosting Season “A Muffled Sound of Voices (Alternate Version)”

Manchester’s shoegaze band-turned-production duo Ghosting Season (a.k.a. Gavin Miller and Thomas Ragsdale) has offered up this alternate version of “A Muffled Sound of Voices,” one of the cuts from its recent debut album, The Very Last of The Saints. According to Miller, this incarnation of the song is the version he and Ragsdale play live, which we imagine is quite an expereince. The production is as ominous and haunting as the group’s name, layering endless reverb over thinly stretched vocals, gliding synths, heartbeat-like kicks, and a restless rhythm to make a powerful companion to Ghosting Season’s original production.

A Muffled Sound of Voices (Alternate Version)

Mike Huckaby The Tresor EP

There is likely no better current interpreter of that power sonic-groove thang shared by Detroit and Berlin than Mike Huckaby. The operative word above being “power.” Huckaby’s skillful, jazz-inflected house productions and remixes are equally stellar, true enough. But on the three-track Tresor EP, we get treated only to the hard, freaky stuff that, 20 years on from when the transcontinental cultural relationship between the two cities was first forged in sound, still sounds essential.

Side A’s “Tresor Track” is a pure dub-techno adrenaline rush, akin to early-’90s dance experiments like Basic Channel’s “Phylyps Trak” and Maurizio’s M-Series. Those Berlin artists—and their corresponding brethren in Detroit, Rob Hood and Carl Craig—changed the course of beat-driven music by tweaking the rhythms, pulling the bass and drums up slightly in the mix, and adding elegantly nuanced overtones in between. It was like a new language appearing, one that Huckaby is still speaking. Amazingly, his homage to this shape-shifting era has not a whiff of “retro” about it. The production is clean and fresh, the kick never relents, the layers of percussion add density, and deep synth chords and rolling basslines keep your body in motion from start to finish. As a bonus, there is even a vague hint of syncopated disco phrasing in the outro. In short, it’s a killer track.

The flipside’s “Basement Trax” and “Upstairs Lounge” are only a notch below in quality. On B1, Huckaby comes ready to jack and delivers a scorching Chicago-Berlin hybrid piece, the kind of track that has become a signature moment in the post-4 a.m. window on the dancefloor. “Upstairs Lounge” is similarly acid inspired, but contains more dub elements, crispy drum patterns that recall UK garage and rave, and an ugly backbeat that brings Huckaby full circle back to his Detroit roots.

Brogan Bentley “Ask When I’m Night”

Matthewdavid‘s Leaving Records has introduced California artist Brogan Bentley with the release of “Ask When I’m Night,” the lead single from his upcoming debut EP. The tune, which the label referrs to as an “after-hours, summertime dance jam for the fam,” also comes with a video (embedded after the jump) that tinkers with the sort of easygoing psychedelia Matthewdavid and his LA-based imprint specialize in. Unfocused lenses, abstract light patterns and fleeting cuts of a chandelier accompany Bentley’s cooing samples and hooting synths for a soothing effect, much like the laid-back energy of a warm summer night. The Brogan Bentley EP will feature three original productions from the new producer, and will be released July 10 on both cassette and digital formats.

Ask When I’m Night

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