Juju & Jordash Collaborate on New iPad App

Earlier this year, the Amsterdam-based duo of Juju & Jordash collaborated with visual artist Paul Skawinski, creating an improvised performance to accompany the artist’s liquid projections (pictured above). Now, audio from this performance and Skawinski’s visuals have been turned into an iPad app which randomly combines those sonic and visual elements to create a so-called “Infinite Music Machine.” The app continuously combines pieces of recorded audio with the liquid visuals, allowing the user to set the length of time they wish for the parade of randomness to comandeer their screen. Below, you can check a video of the app art in action, and you can grab the Infinite Music Machine App over on iTunes for the agreeable price of $1.99.

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Video Premiere: Old Apparatus “Derren”

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Sullen Tone is a new imprint started by the mysterious Old Apparatus duo, whose releases last year for Mala‘s Deep Medi stable were some of the more haunting, visceral dub emissions to surface as of late. To inaugurate its new label, the production outfit is putting out a four-track EP on July 16, entitled Derren, which is preceded by this mesmerizing, somnambulate video for the title track. “Derren” is a soft, pastoral composition that is utterly saturated with washes of hiss and tape warmth; it’s a far cry from the menacing heft of Old Apparatus’ earlier work, but still retains their trademark two-step rhythms and spacious sound design. What appears to be color-rich MRI images splitting and spiraling in time with the melancholic guitar tones and oscillating vocals morphs constantly into new shapes and substances, never settling into a common camera angle or stationary visual.

David Douglas “Douglas Firs”

During his short-but-fulfilling life, intrepid Scottish horticulturalist David Douglas (1799-1834) scoured North America for then-unheard-of plants, which he meticulously catalogued and eventually introduced to much of Europe. Although the life and deeds of the man who discovered such treasures as the California golden poppy and Douglas fir remains unknown to most, one Dutch tunesmith has found inspiration in his compelling story. Utrecht-based producer David Douglas shares more than a name with the 19th century plant-hunting Scotsman; like the Douglas of old, the 20-something beatmaker is invigorated by the greatness of nature, and uses it as his muse when creating rich and atmospheric sounds. On “Douglas Firs,” Douglas uses synth pads and a wandering melody to create a warm and emotional track, but also delivers enough bass and kick to keep things constantly pulsating forward. The song appears on producer Douglas’ debut, Royal Horticultural Society, which explores the frontiers of disco, bass, techno, and ambient music while remaining rooted to the theme of the long-deceased botanist who shares his name. The eight-song record is out now through Applescal‘s Atomnation imprint, and can be streamed in full after the jump.

Douglas Firs

Uner Universe EP

With the Balearic isle of Ibiza resting just offshore and the standard-setting electronic-music festival Sónar now in its 18th year, Spain can officially be counted alongside London, Berlin, and New York as a DJ capital. It’s surprising then that there aren’t more Spanish artists receiving international accolades, particularly when so many big-name DJs call Spain, well, Ibiza at least, home every summer. Catalonian producer Uner may be the man to break the slump.

With releases spread across Cadenza, Cécille, Diynamic, and now Visionquest, Uner’s willingness to inject Latin percussion and jazzy chords into the predominantly mechanical tech-house world has made him a refreshing voice. His Universe EP may be the best example of this so far. Representing the warmth of the sun (“Sol”) and the cool glow of the moon (“Luna”)—a third track, “Cuac,” serves as a less thematic digital exclusive—this latest effort is a more nuanced, underground affair for Uner. It’s also what makes the effort such a good fit for Visionquest, a label that’s established a solid reputation for presenting a bold vision of house and techno that defies the expectations of populist dancefloors.

A-side “Sol” unfolds in a similar fashion to recent work from Uner peer and Cadenza top dog Luciano. Congas and the twinkling of a piano provide the track’s initial organic chemistry before its techno pulse kicks in; some atmospheric chatter and vocal chants add a sense of late-night hypnotism that surely appealed to Ryan Crosson and the Visionquest boys. A mid-song bass drop marks the entry of layer upon layer of live synth work, and the point when Uner’s ode to our closest star really begins to shine. It’s a slow-burning number that wears its inspiration well.

“Luna” succeeds in much the same way, playing up Uner’s artistic eccentricities with off-kilter percussion riffs and squawks, squeaks, and creaks that recall jungle noises at midnight. Imperceptibly at first, a steady crescendo of modulating organ tones grows stronger over two-thirds of the track, eventually peaking into full-moon worship. Dark but still uplifting, and meditative without being monotonous, “Luna” is the EP’s highest high.

Bringing things back to a place fans of his earlier work will appreciate, “Cuac” represents for the Spanish artist’s straightforward techno chops. Going with a similar melodic lead, it almost comes off as a more accessible, dancefloor-primed version of “Luna,” albeit one without as many peaks and valleys.

Across all three songs, there’s a musicality that goes well beyond a man sitting in front of a computer or twiddling knobs. Uner has a grasp of live instrumentation and knack for marathon house workouts that never tire. It’s perfect fodder for the all-nighters on the island in his country’s backyard, and if he keeps up with output of this caliber, he just might find himself receiving the kind of Ibiza star treatment that’s usually reserved for the non-Spaniards who play there on a regular basis.

Video Premiere: Christian Loeffler “Blind”

This sensual and slightly disconcerting video comes courtesy of Frankfurt artist Christian Loeffler, whose debut LP A Forest will soon be out via his own Ki imprint. Lead single “Blind” is a heart-wrenching blend of ambient pads, rolling percussion, and softly distorted bass that doesn’t shy away from drama, but rather embraces its emotional intensity with distant coos and an elegiac, wandering atmosphere. The accompanying video is in fact an “esoteric dance film,” shot with a keen eye for early morning tranquility and seeing the human body as an art form. Following a series of women as they meander drowsily through graffiti-streaked cityscapes and sun-pierced foliage, the Natasha Todd-helmed production makes for a nice companion piece to Loeffler’s organic and sentimental take on dance music. A Forest will be available on June 18, but you can take a look at the cover art and tracklist before then, below.

01. A Forest
02. Pale Skin
03. Eleven feat. Mohna
04. Ash & Snow
05. Feelharmonia feat. Gry
06. Signals
07. Blind
08. Eisberg (Hemal)
09. Field
10. Swift Code feat. Marcus Roloff
11. A Hundred Lights
12. Slowlights

H-Sik “oOo rD Eye”

Fledgling Amsterdam-based producer and recent Error Broadcast signee H-Sik‘s influences are eclectic; genres ranging from instrumental hip-hop, juke/footwork, and glitch, among others, are present throughout his music. On paper, “oOo rD eye” may seem a bit ambitious, but on wax, it is a well-executed journey through a number of different electronic music scenes, as the producer born Hervé Sika warps synth chords and quick arpeggios over fast moving rhythms touched in equal parts by elements of Chicago juke and his African background (he hails from the Ivory Coast). Be on the lookout for the rest of H-Sik’s genre-bending EP, Cocody, which will be released on July 2.

oOo rD Eye

Richie Hawtin Reveals Lineup for Ibiza Residency

Richie Hawtin, the veteran techno icon also known as Plastikman, has announced the lineup for his first solo residency at Ibiza’s Space venue. Taking over Thursday nights at Space starting on July 5, Hawtin will curate five areas of the venue for ENTER., which is said to be “built on the principles of music, sake, technology, and experience.” Headliners for the event’s twelve nights this summer will include Sven Väth, Maya Jane Coles, Nina Kraviz, Carl Craig, Marcel Dettman, and many more excellent DJs and producers from Berlin and beyond. Each session will see different artists playing the venue’s five themed spaces. You can watch a teaser video for Hawtin’s ENTER. series below.

Video: Gacha “Bowl”

Georgian producer Gacha will be releasing an EP for the recently revived R&S sub-label Apollo later this summer, and Anna Kobakhidze has directed a video for that record’s b-side, “Bowl.” Using a seemingly random assortment of women loosely dancing in unison to the wispy, blissful house song, the quirky piece alternates between close-ups and wide shots for a surreal-yet-endearing effect. There’s also a variety of slick, albeit humorous dance moves performed solemnly by the group of six ladies, which matches ideally the playful-yet-soothing vibe of the tune itself. Gacha’s two-track 12″ will drop on July 2.

PhOtOmachine “Throb”

Young Brixton producer PhOtOmachine recently released his second EP through fledgling imprint 2020 Midnight Vision, a joint project between Somethinksounds and Leeds label 2020Vision. “Throb” is one of the records’ four tracks, and sees PhOtOmachine blending the percussive intricacies of UK bass with vocal stylings reminiscent of old-school Chicago house. The song’s tempo rests at a typical house speed, and incorporates sounds appropriate for a late night in the Midwest, but also employs a syncopated, garage-style drum pattern that betrays PhOtOmachine’s London roots. The On U EP is out now, and can be streamed in full after the jump.

Throb

Alva Noto and Byetone Collaborate as Diamond Version

Raster-Noton co-founders Alva Noto and Byetone have joined forces to form Diamond Version, a new project that will see five EPs and a full LP released via Mute. Following acclaimed solo albums in 2011 from both artists, this new effort was reportedly “born out of a live situation” where the artists would “occasionally [perform] encores together after [their] solo sets.” The opening EP of Diamond Version’s series, Technology at the Speed of Life / Empowering Change, promises “crisp, synthetic surfaces and hyperreal imagery” that will utilize subversive humor and corporate satire as an inspirational touchstone. Look for that record to drop on July 23, and have a look at the trailer for the inaugural release below.

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