High Five: Grimes

Claire Boucher has been on something of a winning streak over the past couple of years. Starting with a 15-song cassette debut in 2010, the Montreal-based artist known as Grimes has quickly developed from her beginnings as a nascent experimentalist into the darling of homemade pop music with the quiet release of a second LP and her more celebrated split EP with fellow Canadian d’Eon, Darkbloom, in 2011. Now, as Boucher sits merely weeks away from the release of her third album, Visions, via 4AD (along with her own Arbutus imprint), she already seems poised to ascend to a whole new level.

When listening to the bouyant hooks from “Oblivion” and the oddly serene beats on “Genesis,” some of Grimes’ current influences are a bit obvious right off the bat; the haunting falsetto of Cocteau Twins’ Elizabeth Fraser and contemporary Asian pop music’s aberrant giddiness immediately come to mind. And yet, there’s far more at work inside the 13 multi-layered pop tunes featured on Visions, so we thought it necessary to have Boucher give us five examples of the kinds of sounds that helped fuel its creation. It turns out that she owes quite a bit to her diverse musical “family” in Montreal, but still has a lingering soft spot for R&B and dance pop. Grimes gives us the details in her own words, below.

Blue Hawaii “Dream Electrixra”

Blue Hawaii is a band that needs to get really famous. They’re a big part of my family in Montreal, and this song especially is a banger. Haha… Plus, my friend Rosa made the video, which is creepy as fuck. But yeah, [producer] Alex [Cowan] taught me how to use GarageBand, so this band is sort of directly responsible for my existence as a musician.

Tonstartssbandht “Hymn Eola (Acapella)”

I’m super into hymns and super into acapellas. Tonstartssbandht is probably my favourite live band, but this song showcases its softer side. Plus, I don’t know why, [but] this video is super beautiful.

Dog Leather “Troll Spray”

This video and song to me is sheer charisma. I don’t know why, but I can’t stop obsessing over it. I also really love Renaissance fairs. I’m always learning from bands like this what a live performance is really about.

2NE1 “Hate You”

K-pop is certainly trending, but I feel like a lot of the time the visuals are really great and the music is just sort of OK. But this song… I really fucking love this song… This is a fucking sensational hit. It evokes, like, futuristic Asian Ace of Base, and for some reason, this video is really emotional to me.

How to Dress Well “Suicide Dream 2”

I had the wonderful experience of touring with How to Dress Well this summer, and I feel like this song made me tear up every night. I had kind of “moved on” from my experimentation with R&B, but after this tour I got really re-inspired, went home, and immediately wrote [songs that] are, in my opinion, the best shit I’ve ever done. HTDW has been a really powerful influence on me musically.

South South Million “Baff Speech”

Detroit duo South South Million—a project that “centers around the collage of live instrumentation, samples, and found sounds”—has a new full-length scheduled to drop on March 6 via Brooklyn imprint Triple Down, and is sharing one of Wind Hand Caught in the Door‘s 16 handmade tunes ahead of its release. “Baff Speech” is a prime example of Trevor Naud’s and Daniel Clark’s production style: A vinyl-ripped jazz beat unfurls its chopped bits on a loop, as it’s gradually surrounded by sitar riffs, guitar strums, the odd piano flourish, and buried vocal coos, most of which you can never be quite sure if they have been sampled or not. It pretty much sounds like a collaboration between Bibio, Flying Lotus, and Simon & Garfunkel. If that piques your interest, make sure to sign up for South South Million’s mailing list on its website, so you can get your free digital copy of Wind Hand ahead of its release date.

Baff Speech

The 2 Bears Be Strong

After more than a decade of well-received writing and performing, four critically and commercially successful albums, and even a top-ten hit, Hot Chip has cemented itself as one of the UK’s premier electronic acts. But with success comes elevated expectations, and given the run that Hot Chip is on, any new material from the group will surely be met with scientific scrutiny. Perhaps that’s part of the reason why the group’s songwriters, Joe Goddard and Alexis Taylor, have been stepping outside of the Hot Chip brand to release more personal and less polished music under their given names. More recently, Goddard has gone further, teaming up with Greco-Roman Soundsystem DJ Raf Rundell to form The 2 Bears, which, after releasing a series of EPs, has now put out its self-titled debut full-length.

Be Strong is an endlessly fun and accessible dance record that teems with silliness, soul, and party vibes. For the listener, it’s a treat to listen to, but it also sounds as though the producers themselves enjoyed the writing process. The music has the easy-going quality of a record created by a bedroom producer who isn’t sure that anybody but his friends and family will ever hear the results. As such, it never feels forced or contrived, instead coming off like a painting one would make for their own home. Make no mistake, the album has weaknesses, and perhaps full-fledged errors, but it sounds like Goddard and Rundell thought about touching it up in many places, only to ultimately decide that the imperfections gave it a quaintness that would only give way to overproduction and blandness with further editing.

Hot Chip’s music drifted towards more serious, mature territory with 2010’s One Life Stand, but Be Strong goes the opposite direction. It’s a juvenile vacation for Goddard, who blasts fun, bouncing basslines without caring too much what people think about it, most notably on the goofy single “Bear Hug” and the record’s celebration of unpretentious musical selections, “Be Strong.” Even the group’s name is over-the-top silly, conjuring images of large, hairy homosexuals who don’t look particularly unlike The 2 Bears themselves. The lyrical content is frequently outrageous, with songs about hugging it out on the dancefloor, ghosts and zombies, getting high, and staying high. The tunes are full of asides (“Music for days and days and days. Trust me”), self-aware exclamations (“This is ridiculous!”), and a constant barrage of references to bears (of both the human and animal variety). While the silliness is all in good fun, it often feels like a sort of crutch to prop up some otherwise weak lyrical themes. It’s not that songs extolling the virtue of hard work (“Work”) and being sincere about music (“Be Strong”) are particularly bad, but they do seem like an awkward first attempt at putting words to music.

The vocals are a particularly weak point on the record, with Raf Rundell’s soft and low voice lacking the confidence and charisma to fully grab the listener. Most songs have the vocals altered in some way; they’re usually pitched down, as on “Bear Hug” and “Warm and Easy,” and occasionally Auto-Tuned, like they are on “Ghosts and Zombies.” Other times, the thick, crunchy production keeps the vocals from sticking out, or backup vocalists add a boost to Rundell’s quiet croon. To his credit, the songs become more vocal based as the record proceeds, yet Rundell’s vocals don’t become tiresome. Instead, by the time one reaches the record’s final trio of vocal-heavy tunes, his voice has become an endearingly imperfect default.

Not surprisingly, the album’s production is strongly reminiscent of Hot Chip, especially the kooky dance jams of 2006’s The Warning. On Be Strong, dance and pop music are cleverly blended; there are singalong choruses when one might expect a breakdown, and the duo offers drops when one is looking for a hook or a bridge. It’s largely a disco and house record, but the album is dramatically eclectic, showing influences from a range of music that also includes garage, reggae, and decades of pop. While not as complete or precise as any major release from Hot Chip, this is a strong debut album, even after factoring in the slightly elevated expectations based upon Goddard’s previous successes. The 2 Bears show up to have fun with Be Strong, and even though they might not be the coolest or best-looking folks at the party, they’re so enjoyable that everyone wants to hang out with them anyways.

Brownswood Announces New Compilation Curated by Kutmah

London-via-LA producer, DJ, and visual artist Kutmah—who was infamously deported from the US back in 2010—has curated a new compilation of idiosyncratic and provocative tracks for Brownswood, dubbed Kutmah Presents Worldwide Family Vol. 2. The compilation draws heavily from his roots in LA’s beat scene, tapping Southland producers such as Flying Lotus, Dibia$e, and Samiyam, but also touches on UK bass with tunes from the likes of Slugabed and Hudson Mohawke. The compilation is set for release on March 26, and the record release event featuring The Gaslamp Killer will take place on March 9 in London. The artwork for the release, which was crafted by Kutmah himself, is above, while the compilation’s entire tracklisting is below.

01 – Mo Kolours – “Ridda Mountain”
02 – Groundislava – “Creeper Shit”
03 – ESMK – “Blunt Hopes”
04 – Seven Davis Jr. – “Thanks”
05 – Slugabed – “Sex”
06 – Sam Irl & Ritornell – “Three”
07 – Dibia$e – “Remind Me Somethin'”
08 – Hudson Mohawke – “Are You Feelin’ Hot”
09 – Tehbis – “Higher”
10 – Lapti – “Leaving Home”
11 – Shash’U – “LA”
12 – The Darkhorsemen – “Taking Over Empires”
13 – Samiyam – “Medallion”
14 – Mono/Poly – “With Grace”
15 – Bruce Haack – “Ancient Mariner (Jonwayne Remix)”
16 – Tadd Mullinix – “Exchanging Modes”
17 – Flying Lotus – “Samsfav”
18 – Dakim – “Typeofblue”
19 – Doc Daneeka & Abigail Wyles – “Tobyjug”
20 – Gaby Hernandez – “Twin Flame”
21 – fLako feat Dirg Gerner – “Lonely Town”

Command V “Lost on Me (Optimo Remix)”

After buying a MacBook and discovering Apple’s GarageBand recording software, Cynthia Sley of famed NYC no wave outfit Bush Tetras has elected to make her return to music with a new group, Command V (take a look at your Mac keyboard if you don’t get it). The original “Lost on Me” is sparse and strange, but also rather pretty, reflecting the noncomformist attitude of Sley and her bandmates. On the other hand, the Optimo remix marches with a severe and protracted four-on-the-floor, peppering the proceedings with pieces of Sley’s vocals and dark synthesizer parts. Command V’s self-titled debut album drops on March 14 via Mush, while “Lost on Me,” the lead single (artwork above), gets a February 7 release with remixes by Jacques Renault, Nite Plane, and others.

Lost On Me (Optimo Remix)

Brainfeeder Drops Free Compilation

After claiming the top slot of the Label category in Gilles Peterson’s Worldwide Awards, Los Angeles beat guru Flying Lotus and his Brainfeeder imprint have shared a sampler of free tunes from its growing roster of artists. The 12-track compilation includes music from Lapalux, Martyn, Samiyam, Tokimonsta, The Gaslamp Killer, Teebs, Matthewdavid, Mono/Poly, and more, and can be downloaded at no cost, here.

Video: Moon Bounce “Telephone”

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We first came across Phildelphia’s jack-of-all-trades Corey Regensburg (a.k.a. Moon Bounce) when he shared a track from his Darn Your Best Frock EP a short while back, which he is set to follow up with a “currently untitled LP scheduled for release this spring.” The homemade video up top is for “Telephone,” our first sneak peek of that upcoming album. In the piece—which was created by Michael Boyce, Kyle Stetz, and Kerry Gilbert—Regensburg fiddles with an old-school telephone, busts out some strange dance moves, and stares blankly into the camera, all while the images become progressively contorted and psychedelic. And if you dig the ramshackle soul of Moon Bounce’s accompanying track, make sure to download it from the player below.

Cedaa “Patagonia”

LA’s up-and-coming Fade to Mind imprint has announced the start of an “official bootleg” series with this whimsical tune from Pacific Northwest bass aficionado Cedaa. Producer Simon Ho melds together oddball sound bytes, crushing bass frequencies, bubbly synth tones, and an array of percussive elements on “Patagonia,” which collectively evoke some kind of alien marshland dance party. And if you’re in Southern California this Friday, February 3, make sure to check out Fade to Mind’s fourth blowout in Los Angeles with Nguzunguzu, Total Freedom, Kingdom, Prince William, The Claw, and Massacooramaan.

Patagonia

Stream Blondes’ Debut LP Now

Brooklyn duo Blondes gradually amassed a collection of slow-building dancefloor epics throughout 2011, and will soon release them all together with a couple of extras and an additional disc of remixes. Until then, you can stream the eight tracks featured on Blondes. Below, you’ll find the forthcoming record, which will drop on February 6 via RVNG Intl., and if you missed it, make sure to check out Teengirl Fantasy’s on-point remix of “Wine,” here. (via Drowned in Sound)

The-Drum “Night Driving”

We don’t know for sure if Chicago duo The-Drum‘s production moniker is a direct reference to The-Dream or not, but we wouldn’t be at all surprised if it is. As “Night Driving”—a smooth cut from the pair’s Heavy Liquid EP, which dropped today—indicates, these guys use many of the same ideas and techniques as pop genius Terius Nash (slow-grooving rap beats, sensuous atmospheres, infectious melodic hooks, et al), albeit in a much more loose and drifty fashion. Assuming those sorts of things are up your alley, we highly suggest you check out the rest of The-Drum’s seven-track record.

Night Driving

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