5kinandbone5 “Make U Understand” b/w “Reset”

Well, this was certainly unexpected. Mere months after dropping what was essentially a based hip-hop single on Sinden’s Grizzly imprint, the unfortunately named San Francisco/Los Angeles duo known as 5kinandbone5 has re-appeared on upstart UK label Unknown to the Unknown with two tracks that owe a greater debt to 2-step garage and vintage dubstep than anything resembling rap music. Granted, the implementation of these kinds of shuffling drum patterns isn’t the most innovative approach in 2012, especially when paired with tweaked R&B vocal snippets (yes, some of those are here too), but “Make U Understand” b/w “Reset” makes up for its lack of originality with solid production and the producers’ stylistic restraint.

“Make U Understand” kicks things off with a sparse garage rhythm and a few lines lifted from “More to Love,” a relatively anonymous 1996 cut from Case. In a way, the vocal’s use recalls the work of Brenmar, as 5kinandbone5 builds a catchy hook and even pairs it with a chorus to “oohs” to fill out the melody. However, that’s where the comparison stops, as 5kinandbone5 keeps the production relatively mellow, eschewing ravey synths for a stabbing bassline and some subtly wobbling notes. While any sort of wobble is usually a giant red flag, on “Make U Understand,” it’s used to accentuate rather than dominate, and works quite well.

On the flip side, “Reset” is the more upbeat offering, but the song employs a similar sound palette and many of the same production tricks as “Make U Understand.” This time around, it’s Usher’s vocal chords that are being put to use; the track’s main hook is taken from his song “Stranger,” and again finds 5kinandbone5 flashing a real pop sensibility similar to that of the duo’s Grizzly compatriot Brenmar. Yet even though “Reset” is more suited for the club than its a-side counterpart, the production is remarkably bare, combining a steppy snare pattern with a thick, warbling low-end. There’s an effective use of sonic white space, and this ability to hold things back is key component of what makes 5kinandbone5 an interesting production outfit. Granted, neither “Make U Understand” or “Reset” is reinventing the wheel, but they’re not throwaway blog dreck either. In the increasingly cliché-flooded world of bass music, that counts as a win.

Video: Marco Del Horno v DJ Swerve “Just Rewind feat. Blacks & Lady Chann”

With the proliferation of digital technology in the internet age, the concept of rewinding is beginning to be lost on members of the younger generations. Since we no longer rewind our music and movies after use, about the only time we come close to committing that archaic act is when we’re trying to catch a second glimpse of an impressive sports play on television. In this video, Marco Del Horno, DJ Swerve, Blacks, and Lady Chann take us back to the days of VHS and magnetic tape as they spit out some solid, fast-paced grime. The clip shows Blacks and Lady Chann rapping in a room full of disemboweled VHS tapes, whose use these days seems to be limited largely to retro decoration or ironic viewing, while the track’s producers get some brief exposure on the video’s old-school television sets. The “Just Rewind” single was released in December on UK imprint Black Butter.

Zebra Katz Drops “Ima Read” Video, Free EP for Jeffrees

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Jeffrees—the Mad Decent-associated net label responsible for dropping a free release every Thursday—unveiled its latest offering today with this new video and a free six-track EP from vogue upstart Zebra Katz, which features remixes from MikeQ, DJ Sliink, and more. The completely stripped-down “Ima Read” serves to showcase the clever (and vaguely threatening) turns of phrase from Zebra Katz and collaborator Reddd Foxxx, and the darkly simple, school-themed video is just about the perfect accompaniment. After checking the video above, you can stream the Ima Read EP below or download the whole thing here.

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Actress to Drop Third LP via Honest Jon’s

Schizoid techno producer Darren Cunningham (a.k.a. Actress) has been sporadically keeping his name in our ear since the release of 2010’s excellent Spalzsh LP, dropping free tunes, random remixes, and confounding 12″s from time to time. Finally, a proper follow up to his sophomore album has been announced. R.I.P., which the artist unveiled on his always-interesting this picture. We know the record will drop via Honest Jon’s, but its arrival date is not currently available. While we wait for that information and a snippet of the music featured on R.I.P., you can check out its cover art up top and the tracklist below. (via FACT)

1. R.I.P.
2. Ascending
3. Holy Water
4. Marble Plexus
5. Uriel’s Black Harp
6. Jardin
7. Serpent
8. Shadow From Tantarus
9. Tree of Knowledge
10. Raven
11. Glint
12. Caves of Paradise
13. The Lords Graffiti
14. N.E.W.
15. IWAAD

Star Eyes “The Night (kkoee Remix)”

Earlier this week, NYC record hub Trouble & Bass released its first record of the year, “The Night,” by Brooklyn’s queen of bass, Star Eyes (a.k.a. Vivian Host, pictured above). The single includes the original tune, a vocal-driven bass number with plenty of low-end wobble, and a few speaker-rattling remixes courtesy of Hostage, Deathface, and Bad Looks. This remix by Berlin-based producer kkoee does not appear on the single, but it’s certainly not for lack of merit. The tune straddles the line between house and techno, starting off with a bouncy rhythm and Host’s chopped vocals before dropping into the meaty part of the song with a ferociously heavy bassline and punchy percussion. kkoee does an exemplary job with his remix, re-crafting the original vocal and synth work in a way that allows the song to flourish as a heavy-hitting dance track while keeping the dark and mysterious vibe of the source material.

The Night (kkoee Remix)

WOLS “Adam Beam”

WOLS last brought us “Solo Walz,” a gloomy dirge made with vintage Soviet synths that wasn’t particularly danceable. Now, the Moscow duo has offered up the club-ready “Adam Beam,” which still draws on the raw textures of analog gear, but is a whole lot more fun than the pair’s previous output. The track shuffles about at 123 bpm, lush with glittery pads and deviant basslines, making for a fine piece of Cologne-influenced tech-house. It is part of a fantastic winter compilation from the Wicked Bass imprint, which features music from Klic, Volta Cab, and more. Preview the six-track compilation after the jump, and download it for free, here.

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Adam Beam

Video: Fatima Al Qadiri “How Can I Resist U”

In this new video from Fatima Al Qadiri, director Sophia Al-Maria inter-splices various clips of Middle Eastern culture in London, including a sexualized form of dancing known as Ma’alaya, to create a collage which ostensibly shows an Arab perspective of London-as-Babylon. The fancy cars, public housing projects, and dancing girls show the London dream of heathen sensuality and indulgence, and, as is customary with found-footage videos, the clip also contains altered colors and superimposed shapes, along with an array of strobing and kaleidoscopic effects. The song originally appeared on Al-Qadiri’s excellent Genre-Specfic Xperience EP, and the video comes ahead of a Genre-Specfic Xperience remix package set for release on March 27, which will include reworks from Kingdom, Girl Unit, Ikonika, DJ Rashad, and more.

Albert Swarm “Aging Out (Bam Spacey Minimal Remix)”

The Gulf of Bothnia, the massive body of water that separates Sweden and Finland, fills with ice during the dark, Scandinavian winter. Malmö, Sweden native Bam Spacey (pictured above) has reached across the cold gulf to remix “Aging Out” by the Finnish-born Albert Swarm. Fittingly, Swarm’s dark beat music is stretched into an icy chunk of minimal techno, awash with cutting hi-hats and desolate vocal snippets. The moody cut is part of the remix EP for Albert Swarm’s debut release, Held, which dropped last year via Brooklyn imprint Ceremony. Held (Remixed) premiered just the other day over on The FADER, but is also available for free download, here, and to stream, after the jump.

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Aging Out (Bam Spacey Minimal Remix)

Boddika and Joy Orbison Announce New Collaborative 12″ Series

After the success of “Swims,” which was finally given an official release this week in 12″ format, UK collaborators Boddika and Joy Orbison are set to continue their partnership by releasing a series of 12-inches on newly launched imprint Sunklowun. The first release, “Froth” b/w “Mercy,” (artwork above) is set for release on February 21, and is already available for pre-order via distributor Rubadub. (via FACT)

Meech “I Want (Raziek Remix)”

In recent months, gripes about the oversaturation of recent bass music with edited bits of R&B have become more prevalent on XLR8R, as one producer after another seems content to simply lift an old R&B hook and pitch-shift it into oblivion. While most of these efforts are not worthy of much praise, our complaints do come with the caveat that some tracks are better than others. In the case of French producer Raziek’s bass-laden take on “I Want,” we do like and recommend the tune, but we must also point out that it is something of an absurdity that the chopped and sped-up vocal samples on his remix are taken from Ashanti’s “Hey Baby,” the very same tune utilized by Montreal duo Sibian & Faun on recent single “I’m Sorry.” (To compound the oddity, note that “Hey Baby” was only a minor hit in 2007 and never had a physical release in the US.) On “I Want,” Raziek reconstructs the rhythm of the track, turning a steady house beat from Toronto’s Meech into a swinging garage pattern while adding a bit more punch to the bassline, but leaving the piano riff largely intact. This song, along with the original and three other remixes, can be found on the forthcoming I Want EP (artwork above), due out February 6 via Demento Mori.

I Want (Raziek Remix)

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