Delsin to Release New Claro Intelecto EP, Reissue MK and Luke Slater Tunes

Amsterdam-based imprint Delsin is primed to start 2012 with a couple of big releases, including a brand-new EP from UK deep techno tunesmith Claro Intelecto and a split 12″ reissue of tracks from house icon MK and Luke Slater as The 7th Plain (pictured above). Claro Intelecto’s three-song Second Blood EP—which is said to precede a forthcoming new full-length—is scheduled to drop on January 23, and will be followed by the reissue of classic MK/Slater tunes “The MKappella” and “Lost,” which will flank either side of Delsin’s second installment of the X-DSR re-release series. You can check out the artwork and tracklist for Claro Intelecto’s EP below.

1. Second Blood
2. Heart
3. Voyeurism

Ghost Mutt “Only One”

UK producer Ghost Mutt has released a four-track EP of Keith Sweat reworks on Brighton bass imprint Donky Pitch. Titled Sweat Mode, the producer run Sweat’s soul growlers the modern prism of 2012 UK house and bass, which itself draws heavily from the R&B influence of Sweat and his late-’80s/early-’90s contemporaries. “Only One,” the first track from Sweat Mode, introduces us to the chopped-up feel of the rest of the EP, and features processed vocals and synth presets culled from the height of the new-jack-swing era. The full EP is available for free download on Donky Pitch’s Bandcamp, here.

01 Only One

Various Gem Drops Two

When and how the LA beat scene expanded its influence all the way up the coast to Oregon and Washington is something that’s hard to pinpoint, but the fact is, it happened. Gem Drops Two, the second free compilation in as many years from the Portland-based Dropping Gems label, is the most comprehensive collection yet to document the resulting scene. While the tracklist doesn’t exclusively consist of homegrown artists, the 20 tracks on display here frame a time and place for the entire scope of West Coast beat music, which finds the new-found hubs of the Pacific Northwest intertwined with the genre’s homeland of Southern California and beyond.

The challenge of putting together any compilation (especially one of this length) is doing so with a sense of cohesiveness, and Gem Drops Two struggles to present a theme that is easy to follow. But this shouldn’t be discouraging, as the contributions here are generally solid. Impressive tracks from relative newcomers bookend the release with New Jersey’s mndsgn enveloping the listener in a sunken slice of G-funk on “intenshnnns” while Wires for Salu‘s “Wild” does a fine job of serving as a contemplatively blissful closing piece of boom-bap. In between, the gleaming presence of bass music is undeniable on a number of the efforts, and the artists who dip into the futuristic sounds of their UK counterparts usually end up better for it. Co. fee‘s “Florence” and Nocow‘s “Sever Ties” are especially impressive in this manner—albeit in quite different directions—with the former crafting a coke-rap-meets-bliss-hop beat, and the latter channeling a bit of Sepalcure-style sample manipulation to add to a host of rich sonic textures. Of course, there are a few bumps in the road along the way though, with Daedelus‘ misguided sample-collage-meets-juke-meets-downtempo “California” and the bizarrely proggy space beats of Timeboy and The Great Mundane proving to be the most extraneous of cuts.

But the blemishes are truly brief and few, and the patient listener is eventually rewarded in full with three absolutely stunning tracks rising above the pack, the first of which is credited to burgeoning Texan LDFD. Wrapped in a swirling ensemble of off-kilter synth meanderings, “SkiFREE” rolls with a sluggish beat that begs for proper head-nodding but never allows you to be completely sure where your neck should snap next. Shortly thereafter, rising PDX producer/vocalist Natasha Kmeto unveils the compilation’s most repeatable listen with “Belly,” a furiously intricate endeavor which layers (what we’re assuming are) Kmeto’s own vocal harmonies behind a decidedly tribal beat. Even better are the touches of smooth chords which float in and out of the effort at precisely the right moments. It should be no surprise that Gem Drops‘ most developed outing comes from Ryan York’s Asura moniker. “The First Wound (Burning Water)” begins with almost complete silence, serving as a welcome rest from the almost non-stop sonic impressions which precede it. Eventually building to a soaring composition, the track is led by expertly manipulated drum programming, twisting and turning at every chance yet still maintaining a groove worth following. Gorgeous melodies then build on top of each other, moving through different sections with subtle tweaks and intriguing rearrangements, resulting in a track that is at times reminiscent of Aphex Twin’s more musically inclined endeavors, or perhaps a more serious, modern Dntel.

Whether or not intended by its curators, this collection is an almost-perfect picture of the scene from which it stems—a fractured, but still vibrant West Coast movement of beatsmiths. And even with Low End Theory well beyond its fifth year of existence (not to mention its ongoing expansion around the globe), the LA-rooted beat scene—to its credit—still seems unwilling to lay down its feet in any one place, thanks in a large part to the droves of talented producers operating just beneath the surface of the genre’s bigger names. Gem Drops Two has done us all the favor of gathering many of these talents in one place, and for the hard-to-argue-with price of “pay what you want.”

To download Gem Drops Two, head here.

Sebastien Tellier Announces New Album

Sebastien Tellier, who last released new material in 2008 in the form of lascivious synth-pop record Sexuality, has announced a new full-length to be released via the Record Makers imprint on April 16. The new effort, titled My God Is Blue, is already being touted as “his most profound and fully-realized album yet” and the album on which Tellier “achieves his spiritual maturity.” How he manages to upstage a record whose cover shows him riding a horse over a woman’s naked body remains to be seen, but judging from this teaser video for “Pepito Bleu,” Tellier’s realm of self-actualization appears to be downright messianic. For those worried about Tellier moving toward pretentiousness, we recommend taking a look at this XLR8R TVepisode from 2009, which shows that he’s not one to take himself too seriously. Take a peek at the tracklist for the new album, as well as some artwork, below.

01. Pepito Bleu
02. The Colour Of Your mind
03. Sedulous
04. Cochon Ville
05. Magical Hurricane
06. Russian Attractions
07. Mayday
08. Draw Your World
09. My Poseidon
10. Against The Law
11. My God is Blue
12. Yes It’s Possible

Lianne La Havas “Forget (Shlohmo Remix)”

Aside from putting the finishing touches on his three-song release due next month for Friends of Friends, NYC-via-California producer Shlohmo has also found time to remix this tune by rising UK singer Lianne La Havas (pictured above). On his remix, Shlohmo removes the acoustic guitar from the original break-up tune, and, after some playful chopping and pitch-bending, places the chanteuse’s smoky vocals over simple synth tones and hip-hop beats, resulting in a tender and passionate refinished product. “Forget” will be released on February 13 as the lead single for Lianne La Havas’ upcoming debut full-length on Warner Brothers, and will contain a remix of the song by London beatmaker Two Inch Punch.

Forget (Shlohmo Remix)

Bullion to Drop New Single Via R&S

London tunesmith Bullion is set to follow up his much-loved You Drive Me to Plastic LP with a new single that will be released via the illustrious R&S label. The “Say Arr Ee” b/w “What Does She Know” 12″ will drop on January 30, but is preceded by a full stream of its sample-heavy a-side, which you can hear below. You can also preview the record’s b-side, here. (via Pitchfork)

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Archie Pelago “Prospect Dub (kuxxan SUUM Remix)”

Brooklyn-based label end fence, an imprint devoted to releasing free batches of electronic music, has offered up an EP featuring five remixes of NYC trio Archie Pelago. “Prospect Dub,” one of the band’s jazzy, horn-laden shufflers, is warped here by New York producer and end fence co-founder kuxxan SUUM, who converts the original cut into a speeding, brooding piece of techno. The saxophone that noodled through the original now courses through kuxxan SUUM’s remix, sped along by new, echoing synth stabs. It is a specifically inorganic take on a band whose trademark has so far been a careful mix of live instrumentation and electronic processing. (To see Archie Pelago in action, watch this in-studio performance video.) The rest of Prospect Dub Remixes EP is available to stream and download after the jump.

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Prospect Dub (kuxxan SUUM Remix)

Maya Jane Coles to Tour UK and Ireland in February

2011 was a breakthrough year for Maya Jane Coles, who brought us a slew of greatEPs and established herself as a hardworking, globetrotting DJ. The young Londoner looks to make 2012 a busy one, as well, with a lengthy world tour in the works. The tour will take her brand of energetic house from country to country over the first half of the year—hitting Asia, North America, Ibiza, and more. First off, Coles will travel across the UK and Ireland during February, the dates of which are listed below. Fans can also expect a full-length album to drop later this year.

February 3 – Stealth, Nottingham, UK
February 4 – The Rainbow Warehouse, Birmingham, UK (Earlier Set)
February 4 – Just Jack, Bristol, UK (Later Set)
February 10 – The Arena, Middlesbrough Arena, UK
February 11 – Mint Club, Leeds, UK
February 16 – The Twisted Pepper, Dublin, Ireland
February 17 – Audio, Brighton, UK
February 18 – Fabric, London, UK
February 24 – The Arches, Glasgow, UK
February 25 – Shine @ Stiff Kitten, Belfast, UK

Ohbliv “Freekphone”

The rise of cassette releases appears to be continuing unabated, which hopefully means that we can count on upstart labels like Culture Dealer to regularly supply the world with blasts of homespun weirdness. One of its latest offerings is Freekbeat (artwork above) from Virgina-based producer Ohbliv. Part of the Chocolate Milk collective, Ohbliv seems quite adept at crafting funky slices of beat-driven electronic pop. ’80s funk and boogie are obvious touchstones in his music, and “Freekphone”finds him indulging in that era’s laid-back sense of collective cool while piecing together chopped-up strings and breezily bouncing beats.

Freekphone

James Welsh “Integra”

James Welsh spent the first half of the ’00s in Austin, TX punk band The Rise before recently moving on to exclusively make electronic music. Nonetheless, Welsh’s productions are sure to get bodies moving en masse. But maybe his beats are more likely to make listeners move their hips rather than headbang, as “Integra” is four minutes of techy grooves defined by a fat, swirling bassline and retro organ-like stabs. This fine deep-house cut is a digital-only bonus track offered by the producer in advance of his Air Waves EP, which will drop on January 30 via Hypercolour‘s Losing Suki imprint.

Integra

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