Mosca Wavey EP

The beginning of 2011 had been considerably quiet for Mosca, but in the past few months, the UK producer has stepped out with a handful of impressive releases, including the XLR8R-picked “Done Me Wrong” b/w “Bax” for Numbers, followed by a free EP to commemorate attaining 5,000 Twitter followers, and now, he’s added a four-track EP for Martyn’s 3024 imprint, Wavey.

Always a bit of a shape-shifting artist, the Wavey EP once again finds Mosca doing something different, this time showcasing four (three on the vinyl, plus one digital-only) house-infused techno rollers that focus on rhythms and patterns more than melodic ideas and chord progressions. From the onset, the audio offered here is of the most absolutely pristine and detailed quality, to a point where its clean execution is almost unreal. The highs are crisp and clear, while the lows are punchy and warm without even the slightest trace of murk, and it’s these sonic characteristics that prove to be the record’s most rewarding aspect. The EP’s tracks seem to play into this idea, almost as if they were pieced together specifically to show off Mosca’s expert production chops.

There is no doubt that the record’s aim is entirely fixed on the club, with each track clocking in at well over five minutes and building in a mix-oriented fashion. Opening cut “Dom Perignon” is a deep, half-time excursion that approaches dub-techno territory with its delayed chord stabs and intricate percussion pilings, while the following two efforts, “Ja?ger” and “Orange Jack,” are more aggressive undertakings which bury inklings of soul-tinged, Detroit-indebted techno beneath their precise sheen and space-age FX. It’s a shame that the final offering, “Wray & Neph,” is available only in digital form, as it may very well be the Wavey EP’s most memorable outing. Beginning with a thick arpeggio and a few looped electric-piano-sounding chords, the tune quickly morphs into a seemingly bottomless piece of rolling techno which evokes the passion of a tribal, underground club track, but with the jaw-dropping sonic precision Mosca seems to have no trouble bringing to life.

Although the Wavey EP is definitively different from all other Mosca releases, to say it was a step in a new direction would be untrue when, really, all of Mosca’s offerings have occupied themselves with a new focus and aesthetic. This latest outing is simply another stopping point on the man’s yet-to-be-charted career map, and one that continues to prove Mosca is capable of taking on most any corner of the larger bass-music world. At this point, the talented producer can simply let his own imagination and musical inclinations dictate where he ends up next.

Broodlings “Fading”

Atlanta’s Embassy imprint is still relatively fresh on the scene, but the young label has already started to carve a place for itself within the world of Stateside bass music thanks to its inventive and forward-thinking takes on juke. Embassy’s next endeavor, which sees a release tomorrow, taps a burgeoning producer from its own scene, Broodlings, who infuses a decent amount of soul (via some skillful sample chopping) into his juke/footwork-infused compositions throughout his forthcoming five-track EP (artwork above). “Fading” is one such example, and sees the Atlanta resident utilizing a reconfigured soul sample and slightly off-kilter digital synth loops to serve as the song’s melodic and chordal cues while Broodlings’ 808 percolations give the track a steady, infectious bounce.

Fading

DVA “Madness” b/w “Polyphonic Dreams”

After having itself a relatively quiet 2011, Kode9’s Hyperdub imprint is wrapping up the year with a small flurry of releases, including the latest single from UK funky oddball and Rinse FM morning man DVA. “Madness” b/w “Polyphinc Dreams” is the London producer’s first proper single since 2010’s “Just Vybe (Soule:Power Mix)” b/w “Step 2 Funk,” and while it shows him to still be a master of the seasick synth line, the record also features an unusual collaboration with soulful crooner Vikter Duplaix.

“Madness” is the end product of that collaboration, and while it’s interesting, it would be a stretch to call it good. Although Duplaix’s pipes are more or less flawless, his vocals don’t exactly mesh with DVA’s dizzy melodies. The drum work is also a bit lacking, especially from an artist known for big snares and inventive programming. While DVA most likely dialed down the percussion to create some breathing room for Duplaix’s vocals, the off-kilter shuffle that he does employ comes off a bit limp. As such, even the instrumental version of “Madness,” which is also included on the release, does little more than meander.

On the other hand, the record’s b-side, “Polyphonic Dreams,” is a stellar offering. It’s still a bit weird—this is a DVA tune, after all—but the song kicks off with hard, cracking snares and never relents throughout its five-minute runtime. While the pounding percussion is at the core of “Polyphonic Dreams,” the track’s colorful maelstrom of whirling, psychedelic synth melodies is just as potent, and the song’s lilting notes nimbly skate the line between sonic bliss and sonic overload. There’s a lot happening here, but digesting the multitude of melodies is well worth the effort.

L-Vis 1990 “Feel The Void feat. Para One & Teki Latex (L-Vis 1990 Street Reprise)”

“Feel The Void”, a track from L-Vis 1990‘s recent debut full-length, Neon Dreams—you may remember the video from a couple of weeks ago—finds Sound Pellegrino‘s Teki Latex reciting what sounds like a mantra of sorts, his steady monotone driving the colorful piece along as he repeats, “Feel the void/Take control/Let the darkness take control.” Below, you’ll find L-Vis 1990’s “Street Reprise” of “Feel The Void,” an interpretation that’s far from the vibrant atmosphere of the original, as the Night Slugs boss sheds some of the neon in favor of a deep, resonating kick and a grittier bassline, giving the track an update worthy of its “street” label. (via URB)

Feel The Void ft. Para One & Teki Latex (L-Vis 1990 Street Reprise)

Video Premiere: RBMA World Tour in Sao Paolo

The Red Bull Music Academy is about to kick off the second term of its huge shindig in Madrid, but we haven’t forgotten all the cool stuff that took place as part of the RBMA World Tour in the weeks prior to Red Bull officially setting up shop in the Spanish capital. XLR8R has been premiering each chapter of the video series documenting the tour, the latest of which showcases a cross-cultural conversation and collaboration that went down in Sao Paulo, Brazil. Recognizing the lack of dialog between Brazil and its Spanish-speaking neighbors throughout the rest of Latin America, RBMA brought in a group of artists from across the region—including recent XLR8R podcast contributor Rebolledo—to help open the lines of musical communication.

Talk In Colour “Nightshift (Microburst Remix)”

Microburst (pictured above) is one of the newest UK producers to appear on our radar, but given what he’s done with this rather harmless tune from British indie-pop/electronic hybrid band Talk In Colour, he’s definitely got our attention. Unraveling the innocent core of the original, Microburst makes room for deep textures, powerful drums, and skittering percussion, all of which drive his remix while glimpses of Talk In Colour’s vocals, harps, and guitar gradually swell along the track’s edges.

Nightshift (Microburst Remix)

Video: Omar-S “Who’s in Key”

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So hot right now: music videos based on vintage video games. The latest clip in this vein is the new video for Omar-S‘ “Who’s in Key,” a track featuring fellow Detroit veteran Theo Parrish that first appeared on High School Graffiti, the five-track EP he put together for Scion A/V earlier this year. Although the concept may not be 100% original, this video does present an interesting twist on the idea, as many of the visuals replicate what your Nintendo games looked like when there was something wrong and the graphics started to distort. Back then, you would have pulled out the cartridge and blown like hell inside the machine. This time around, you can sit back and simply enjoy Omar-S and his melodic house vibes. (via FADER)

Visionquest to Mix ‘Fabric 61’

Yes, it’s that time again, when Fabric announces the latest edition in its long-running mix series. This time around, the venerable club/label has tapped a clubland dream team of sorts in Visionquest—the combination of Detroit natives Seth Troxler, Lee Curtiss, Ryan Crosson, and Shaun Reeves. The DJ crew/label heads’ Fabric contribution will see a release on December 5, and finds the four men traversing a range of eras and styles, tapping four tracks from their own imprint and resulting in a mix which is said to move “from light atmospherics through into warm grooves and hypnotic basslines.” For better clarification on what that all means, you can check the tracklist below.

01 Tin Man – Wasteland [Global A]
02 STL – Portside Waves [Perlon]
03 Soul Center* – Hal 2010 [Shitkatapult]
04 Seuil – In The Moon [Supplement Facts]
05 Konnrad Black – Doodimbouttogay [Visionquest]
06 Cassius – The Sound Of Violence (Franco Cinelli Remix) [Cassius]
07 Terje Bakke – Ekaterinburg [Be Chosen]
08 Kollektiv Turmstrasse & Florian Schirmacher – Uneins (Aril Brikha Remix) [Connaisseur Superieur]
09 Catz ‘n Dogz feat. Paul Randolph – I’m Free (Carl Craig Remix) [Mothership]
10 Phreek Plus One feat. Mr. White – Passion (DJ T. Remix) [Compost]
11 Loosefingers – Winterflower [Alleviated]
12 My Favorite Robot – Forest Fires [Visionquest]
13 DVS1 – Polyphonic Love [Transmat]
14 Green Velvet – Abduction [Relief]
15 Aquarius Heaven feat. Dani Siciliano – Can’t Buy Love [Wolf + Lamb]
16 Tale Of Us & Footprintz – Tale/Foot Break [Visionquest]
17 Footprintz – Heaven Felt Like Night [Visionquest]
18 Wildcookie – Song With No Ending [Tru Thoughts]

Essáy and Stumbleine “Rhiannon”

Essáy, a self-proclaimed crafter of “emotional” electronic music, has released a number of worthwhile (and mostly free) tunes over the course of 2011, but the collaboration between the German producer and UK resident Stumbleine—another producer who’s not afraid to get in touch with his softer side—is perhaps the most emotive offering to come from the Essáy moniker to date. “Rhiannon”—which, yes, does sample the Fleetwood Mac song of the same name—comes close to being worthy of a “chillwave” categorization, yet still somehow eludes it, trimming the superfluous bells and whistles (well, maybe not the bells) that usually define the sun-drenched, bliss-hop vibes of the blogger-friendly genre, and instead focusing the attention on superb production, rich tones, and really rewarding songwriting. That’s not to say that the tune doesn’t tap into the blissed-out warmth you’d expect from this pairing, just that it comes across in a much more refined package than you might expect, and is much, much better for it.

Essáy & Stumbleine – Rhiannon

Rhiannon

Listen to Champion’s Mix for Dazed Digital

Already boasting a considerably prolific 2011 to his name, rising UK funky DJ/producer Champion shows no signs of slowing down with a new EP, Sensitivity, slated for release in the coming days on his own Formula imprint and another EP set to drop early next month on Roska’s Kicks and Snares. Through it all, the folks at Dazed Digital somehow managed to reel the man in for a quick interview and a 30-plus minute mix of drum-laden gems. The mix, which blazes through 20 tracks in it’s short run, puts Champion’s own productions up against some of his best contemporaries, including tunes from Mosca, Funkystepz, Roska, Terror Danjah, and more, yielding a fine effort with enough badman riddims, stabbing chords, and powerful bass to satisfy any UK funky junkie. You can check the tracklist below and head to Dazed Digital to listen.

Tracklist:
01 Princess Nyah “Crazy (Champion Dub)” (CDR)
02 Champion “Lighter VIP” (Formula)
03 Funkystepz “Trouble” (Hyperdub)
04 Notion “Watch Here” (Formula)
05 Champion “War Dance” (RKS)
06 Notion “Untitled” (Formula)
07 S-Tee “Crunk VIP” (Formula)
08 Ill Blu “Meltdown” (Numbers)
09 Roska “Jackpot” (Rinse)
10 Champion and Ruby Lee Ryder “Sensitivity” (Formula)
11 Champion “Selectah” (RKS)
12 Champion “Tun Up Di Bass” (Formula)
13 Platnum “Signals (Champion’s Gassed Up Mix)” (AATW)
14 Funkystepz “Shocker” (F.L.Y)
15 Champion “Lose Control” (Hardrive)
16 Serious :”Ghost” (Formula)
17 Mosca “Bax” (Numbers)
18 TRC “Oo Aa Ee (Royal-T’s I <3 Garage 130 Mix)” (Butterz)
19 Terror Danjah and Ruby Lee Ryder “Full Attention” (Hardrive)
20 Terror Danjah and D.O.K “Morph 2” (Hyperdub)

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