Yoin “Marital Status”

Up-and-coming producer Yoin technically hails from Scotland, but judging from this tune off his recently released 7″ for the Tuff Wax imprint (Aberdeen Truth Vol.2), he could just as conceivably be a resident of Bangor, Maine (as in, “That shit’s a banger, mang”). Starting off with some tasty percussion and classic claps, Yoin unfolds a propulsive kick pattern and almost-too-far pitched vocals over the course of the track’s first 50 seconds or so. Following that, we get our first taste of bangerdom with ravey stabs and a locked-groove rhythm, leading to the customary breakdown/build-up somewhere around the two-minute mark. Then—of all things—the young producer decides to pitch up the vocals even further and chop them into an inescapable loop. And after that? He serves up even more rapid-fire percussion and stuttering snare fills.

Martial Status

Video: Creepy Autograph “Curiosity” (produced by Jimmy Edgar)

This montage of suggestive, low-quality webcam footage doubles as a music video for Detroit-reared producer Jimmy Edgar‘s side project, Creepy Autograph. The cold, techno-leaning “Curiosity” is the first tune to surface from the elusive outfit in over three years, and will drop via Thug Records soon. (via Resident Advisor)

Jack Dixon “Coconuts (Disclosure Remix)”

It’s an all-London affair with the burgeoning Disclosure duo flexing some serious remix muscle on Jack Dixon‘s “Coconuts.” Whereas the original is a pretty smooth slice of funky UK sounds, the remix is nothing but 100% silky-smooth goodness. Taking Dixon’s percussion and vocal sampling to its utmost potential, the young pair of beatsmiths unleash a gliding chord progression and some quasi-fusion ’80s bass to wrap it all up in the warm, R&B-infused fashion we’ve come to expect given Disclosure’s small but impressive discography.

Coconuts (Disclosure Remix)

Soul Clap Gives Away Free EP by MAM

Just over a year after Boston DJ/production duo Soul Clap shared its second installment of the FreE.P series, we’re treated to the third collection, courtesy of Outcross Records boss MAM. The Leeds-based artist shares three “bonafide dancefloor bombs” on The MAM FreE.P., all of which showcase his ulta-funky, slow-motion house sound. You can stream and download the entire EP below.

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Gang Colours “Dance Around the Subject (Pedestrian’s Dusty Warehouse Remix)”

This lengthy slice of iridescent, rave-friendly music is taken from the remix EP for UK producer Gang ColoursIn Your Gut Like a Knife record. Fellow British tunesmith Pedestrian elongates the rubbery “Dance Around the Subject” to make roughly eight minutes of dancefloor brilliance. You can grab the rest of Gang Colours’ free remix EP here.

Dance Around The Subject (Pedestrian

MA1 Elektron EP

London’s MA1 is a veteran DJ, someone who came up in the late-’90s/early-’00s garage scene and eventually found his way onto Rinse FM, where he continues to pilot a weekly show. Although he oversees his own Karnival Music label, he hasn’t exactly been a prolific producer over the years, which makes his latest offering, the four-song Elektron EP, quite possibly the highest-profile MA1 release to date.

It’s no surprise that the Elektron EP is being released via the Deep Teknologi imprint, as MA1’s relationship with label heads T. Williams and S.E.F. goes way back. Furthermore, the EP follows an aesthetic that’s very much in line with the label’s previous output, in that the music is rather stripped down and doesn’t feature much in the way of bells and whistles. The big drums—which, of course, have a distinct UK shuffle and display an undeniable African flavor—are what’s most important here, and while there are melodies to be found, they’re simplistic to the point that they almost function as another rhythmic element within each track.

That simplicity is both the EP’s most glaring drawback and its biggest strength. Plainly put, nothing on the Elektron EP is particularly groundbreaking. Even the strongest selections, “Elektron” and “Kente,” both of which nod heavily toward kwaito and South African house, aren’t exactly memorable, especially when consumed on their own.

That said, these songs aren’t meant to be listened to that way. First and foremost, MA1 is a DJ, and within the context of a DJ set, a few minutes of any of these tunes could do some serious damage—in a good way, of course. MA1’s tracks may not be complex, but they are incredibly effective DJ tools, and the thick, rolling basslines, snappy drums, and hooky synth melodies that populate the Elektron EP are clearly geared towards booming soundsystems. It’s hard to appreciate this concept when the music is emanating from laptop speakers or standard-issue iPod earbuds, but MA1 is an artist who spends a lot more time behind the decks than he does in the production studio. And as the Elektron EP demonstrates, his mind remains centered on the dancefloor.

Video: HTRK “Synthetik”

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With the release of its latest LP for the Ghostly imprint, Work (Work, Work) (which you can stream in full here), just over a month behind us, HTRK have released this hauntingly simple video for the album’s second single, “Synthetik.” A bit reminiscent of Chris Cunningham’s robot love-themed clip for “All Is Full of Love”, the Pussykrew-directed “Synthetik” video features two masked bodies intimately groping each other in intense slow motion, fitting the track’s lazy yet harrowing feel perfectly. The Australian outfit is currently in the midst of an international tour to support Work (Work, Work), the remaining dates of which you’ll find below.

HTRK Tour Dates:
October 24 London, UK – The Garage
October 26 Glasgow, UK – The Captain’s Rest
October 27 Aberdeen, UK – The Tunnel
October 29 Kortrijk, BE – Sonic City Festival
November 01 Paris, FR – Point Ephemere
November 03 Prague, CZ – Meetfactory
November 04 Milan, IT – Downtown
November 05 Jesi, IT – CSA TNT
November 06 Brescia, IT – Letits
November 07 Faenza, IT – Clandestino
November 10 Berlin, DE – Chez Jacki
November 18 Melbourne, AU – Melbourne Music Week
November 19 Melbourne, AU – Raobgab (Buffalo Club)
November 24 Sydney, AU – Goodgod Small Club
November 25 Melbourne, AU – St. Michael’s Uniting Church
November 26 Brisbane, AU – The Bridge Club

Ghosting Season “Far End of the Graveyard (Enjoyed Remix)”

What began as an eight-plus minute expedition into meandering, spacious techno, “Far End of the Graveyard” has been reworked by a number of up-and-coming producers on Ghosting Season‘s (pictured above) recent remix EP. Here, we have a contribution to that release from UK newcomer Enjoyed, whose hybrid combinations of Balearic pop and chilled-out house we first caught wind of a few weeks back. Electing to forgo the elongated structure of the original, Enjoyed quickly moves into a swirling production that leans heavy on the house side of his sonic palette, placing a bouncing combination of kicks and claps alongside an array of heavenly pads and glistening melodies. After peeping Enjoyed’s take on “Far End of the Graveyard,” you can stream the rest of the EP (which features contributions from Polinski, Nedry, and Relmic Statue), here.

Far End Of The Graveyard (Enjoyed remix)

Video: Marcel Dettmann Interview

A month before Berlin native Marcel Dettmann drops his long-awaited second mix album, Conducted, the techno DJ/producer and Berghain resident talks to N.E.W.S.tv for this illuminating video. Dettmann tells us about how he came to fall in love with techno, takes us into the studio where he created his new mix album, and shows us the record store that helped form his current tastes, Hard Wax. Look for Music Man to drop Conducted on November 14.

Daniel Klauser “Rootz”

Nascent Chilean producer Daniel Klauser is set to release his debut EP, Rootz, later this month through French label Get Flavor. The title track is a chugging, tropical-flavored house number with shuffling drum patterns, thudding bass, fast-paced, dancehall-style vocals, and a looping, high-pitched sample of what sounds like a flute. In addition to three other originals, the EP also contains remixes by The Phantom, Look Like, and Mantanza.

Rootz

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