Stingray313 Electronic Countermeasures EP

When it comes to legit Detroit techno credibility, it’s hard to top Stingray313 (a.k.a. DJ Stingray a.k.a. Sherard Ingram). The man is affiliated with Urban Tribe and Underground Resistance, pals around with Moodymann and used to serve as Drexciya’s tour DJ. He also heads up his own imprint, Micron Audio Detroit, on which he’s releasing this new EP, Electronic Countermeasures.

As one might expect, the EP is stacked with the sort of raw, machinelike sounds that the Motor City is known for. More than anything, Electronic Countermeasures is an exercise in hard, menacing electro. Its four tracks all clock in above 140 bpm and ride fiercely on the back of stripped-down breakbeats and a harsh, almost industrial sound palette. Stingray’s economical approach to production is especially impressive, as the songs on Electronic Countermeasures have plenty of space, at times seeming to be built around only a handful of sounds. Yet throughout the EP, the music remains dark, ominous, and, most importantly, effective. Granted, these tunes are most likely only suited for a very particular sort of dancefloor, as songs like “Signal Analysis” and “VLF Device” could be described as downright scary, particularly when the former’s nightmarish voiceover begins or when the latter brings in some klaxon-like bursts and a pinpoint synth “melody” that truthfully feels like its drilling through your skull. “2.4 GHz ISM” and “Spread Spectrum” could be described as marginally lighter, but only in comparison to the EP’s other offerings.

Electronic Countermeasures is not a feel-good release. Here in the XLR8R office, it’s been described—only half-jokingly—as the perfect soundtrack for murdering someone. In all seriousness though, the EP may not be tailored for the average dancefloor, but it’s undeniably excellent and Stingray’s uncompromising approach is a big part of that. Even if it’s only suitable for bad dreams and the sketchiest of late-night warehouse raves, we imagine that Stingray wouldn’t have it any other way.

Alejandro Paz vs. Roman “La Hora de Bailar (Versión Alejandro Paz)”

Last week, we tipped you to Chilean-born, Spanish-residing DJ Alejandro Paz and his kwaito-tinged remix of Auntie Flo’s “Oh My Days.” Now, he’s back with a free, brand-new single from his collaborative project with fellow Chilean producer Roman. Freshly released on Discos Pegaos, “La Hora de Bailar” sees the two producers putting their own unique spin on the material from a live jam session. Alejandro sent us his version as a way of introducing the project, and “La Hora de Bailar (Versión Alejandro Paz)” rides a bongo-led rhythm through a wild party of Arthur Russell-style vocals and detuned orchestral stabs. The full single is available for download from the Discos Pegaos website.

La Hora de Bailar (Versión Alejandro Paz)

Discobelle to Release First Guy Andrews EP; Hear it Now

If you’re still not familiar with Brighton bassman Guy Andrews, please take the time to introduce yourself to his kind of minimalistic, percussion-heavy club productions via our Bubblin’ Up feature and this premiere of “Klikkr”. Now that you’re all caught up, prepare yourself for the newcomer’s first-ever EP, which is on its way soon from Discobelle. But before Andrews’ Your Notion record (pictured above) drops on September 12, you can stream the whole thing below.

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Neon Indian Introduces the PAL198X

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We always had a sneaking suspicion that Alan Palomo (a.k.a. Neon Indian) had a decent sense of humor (you’d kind of have to with song titles like “Terminally Chill”), but who knew that he could be downright funny? And informative, too! This piece of colorfully warped VHS footage is a sort of infomercial for a miniature analog synth the Texan producer helped create with Bleep Labs, the PAL198X. Palomo and friends exhibit the many ways to use and apply the noisy little device, with a bit of kitsch and all-around weirdness thrown in for good measure. If we caught this on the tube at 3 a.m. on a Wednesday, we just might buy two.

Willy Joy “Gimme Dat”

Chicago-based artist Willy Joy sent this fresh cut over to us with the note, “It’s a little different for me,” which we assumed to mean that “Gimme Dat” would be something he wouldn’t normally produce. And sure, “Gimme Dat” is a bit more experimental and less melodic than what we’re used to hearing from the DJ/producer, but the high-quality sound design, booming dancefloor riddims, and high-energy vocal samples are still there, making the song less of a revolution and more an evolution of the club-ready style that he’s so well-versed in.

Gimme Dat

Hum & Buzz to Release Two-Song Dro Carey 12″

For the third release on Ikonika’s and Optimum’s growing Hum & Buzz imprint, young Sydney-based producer Dro Carey will drop a two-track 12″ on September 5. The double-a-side record will feature “Candy Red” and “Hungry Horse,” tracks that are said to “assimilate everything from classic techno and house to R&B, rap, juke, and grime, to produce a peculiar skewed aesthetic.” You can hear snippets of both tunes before they’re released, below.

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Podcast 213: Gui Boratto

Brazil’s Gui Boratto is many things. He is not, however, a DJ. That said, his 2007 debut, Chromophobia, was one of those rare techno albums that transcended the genre, largely thanks to Boratto’s use of vibrant, colorful synths and unique ability to embed sticky pop hooks within a larger, dancefloor-oriented template. That effort continued on his 2009 follow-up, Take My Breath Away, and now he’s getting ready to drop his third full-length on September 12, the appropriately titled III, once again via touring schedule, we asked Boratto if he’d like to assemble an exclusive mix for the XLR8R podcast series. As a non-DJ, the prospect intially presented a bit of a problem, but then Boratto offered a rather unique solution, electing to record a run-through of one of his live sets. As such, the podcast does tend to be pretty Gui Boratto-centric—not that we’re complaining—and also includes modified versions of some of his best-known songs, along with a couple of selections from the new album and an unreleased Massive Attack remix. If a Gui Boratto set can sound this good comping out of computer speakers, we imagine the live show will truly be something to behold.

01 Gui Boratto “Azzurra” (Kompakt)
02 Massive Attack “Unfinished Sympathy (Boratto’s Remix)”
03 Gui Boratto “Take My Breath Away” (Kompakt)
04 Gui Boratto “No Turning Back” (Kompakt)
05 Gui Boratto “Flying Practice” (Kompakt)
06 Ada “Lovestoned (Gui Boratto’s Remix)” (Kompakt)
07 Gui Boratto “Destination: Education” (Kompakt)
08 Gui Boratto “The Drill” (Kompakt)
09 Gui Boratto “Chromophobia” (Kompakt)

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XLR8R_Podcast_Gui_Boratto_2011_08_30

Jimmy Edgar & Luke Vibert “Disco”

No need to do a double-take. Your eyes are not deceiving you. Jimmy Edgar and Luke Vibert have indeed collaborated, and this is one of the fruits of their labors. The funky, sample-heavy “Disco” is a bonus cut from the forthcoming Universus Vol. II compilation (pictured above), which features exclusive tunes from a handful of artists in the Circuitree roster. Look for that record when it drops on September 24.

Disco

Myrryrs Feel U EP

Discobelle records are a mixed bag, in more ways than one. Truly, there’s no ‘Discobelle sound.’ Nearly every record the blog-cum-label drops jumps from one entry-level producer to another and one forward-thinking, club-friendly subgenre to the next, but you can safely assume none of them will be out-and-out stinkers. That’s not to say they’re all stellar, though. Brenmar’s At It Again EP might very well top Discobelle’s discography, but releases like the hyperactive Turned On Vol. 1 compilation offer far more duds than not. Qualitatively, the label’s latest record, a six-track EP called Feel U by anonymous tunesmith Myrryrs, exists just about equidistant from either of those poles.

Of the three original productions and three remixes that make up the Feel U EP, maybe two are outstanding, two are passable, and two are forgettable at best. The biggest obstacle between the listener and full enjoyment of Myrryrs music is its pace. Both the title track, “Feel U,” and “C?U?M” wallow in mid-tempos, and neither have anything remotely exciting going on to make up for its sluggish pace. The music isn’t bad per se; it’s sort of like a not-so-syrupy, not-so-deep Holy Other. But isn’t this supposed to be club music? “Without U” comes out ahead of the previous two, thanks to a more fully realized soundscape made of deep synth pads, skittering 808 rhythms, catchy vocal snippets, and just enough random sound effects to keep things unique.

Save for Teki Latex & Bambounou’s version of “Feel U,” which is almost completely ruined by an unwieldy “rap” repeated ad nauseum, the remixes on Myrryrs’ EP tend to outshine the originals. LA DJ/producer Samo Sound Boy makes the best use of the title track’s synths and vocal samples on his energetic, percussive rework, and Clicks & Whistles delivers a strangely emotive, bass-centric take on the track that would be perfect for segueing into mellower territories during your next late-night DJ set. The Feel U EP isn’t exactly a misstep in Discobelle’s growing discography, but there have certainly been better releases from the Swedish imprint.

Listen to George FitzGerald’s RA Podcast

Hotflush acolyte and Man Make Music label head George FitzGerald contributed a mix for the latest installment of Resident Advisor’s podcast series. The house- and bass-heavy DJ set premiered yesterday (a week before the release of his new single) on the electronic music hub, and features fresh tunes from many of the DJ/producer’s cohorts, like Appleblim, Scuba, Braille, Sigha, SBTRKT, and more. Check out the full tracklist below, and listen to RA.274 George FitzGeraldhere.

Tim Hecker – Incurably Optimistic! – Alien8 Recordings
Sigha – The Politics of Dying – Our Circula Sound
Appleblim – Moonlight – forthcoming Vitalik
Braille – A Meaning – forthcoming Hotflush
Josh Wink – Sixth Sense – S3
George FitzGerald – Feel Like (Rough Mix) – forthcoming Hotflush
Jack Dixon – Low Tide (Rick Grant remix) – CDR
DFRNT – True (Jack Dixon remix) – Nu Directions
Jazz Neversleeps – Diepgank – On Point
George FitzGerald – Shackled – forthcoming Hotflush
Scuba – Adrenaline – forthcoming Hotflush
SCB – Overlay – forthcoming Hotflush
SBTRKT – Wildfire (Objekt Dub Mix) – Young Turks
George FitzGerald – Reset – Aus
George FitzGerald – Hearts – forthcoming ManMakeMusic

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