The influential and long-running UK electronic outfit Black Dog has just announced the imminent release of its first EP for 2011, Liber Kult (1 Ov 3). Hermetically titled and a little cryptic, the release is intended as a dancefloor complement to the outfit’s recent ambient explorations: Music For Real Airports and their work as The Dadavistic Orchestra in collaboration with members from The Psychick Warriors Ov Gaia. Comprised of two bass-heavy techno joints, Liber Kult (1 Ov 3) amps up the tempo and evokes, “dark rooms, smoke machines, strobes and massive systems,” says the press release. The single drops August 1 on Dust Science Recordings, but in the meantime check out the tracklisting and album art below.
Last week during a quick trip to Toronto for the city’s 17th annual NXNE Festival, we managed to wrangle a few of our favorite artists to get their take on the city and chat about what they’ve been busy with musically. Here we sit down with Toronto techno kingpin and Thoughtless Music boss Noah Pred to talk about his label’s NXNE showcase, the Vancouver riot, and who’s hot in Toronto these days.
XLR8R: This is your first time playing NXNE. It’s a pretty rock-heavy festival, yeah? Have you attended in the past? Noah Pred: Incidentally—not because it was NXNE, but because there was something happening or a friend was doing something; it wasn’t like I was looking at the North By schedule, but there’s always so much happening in Toronto…
Are there any Toronto bands that you’re really big into right now? Well, my favorite Ontario band is probably Junior Boys—big fan, their new album is great! Art Department, who are no longer really officially ‘Toronto,’ and then I could rattle off a whole bunch of artists on [Thoughtless]. Tonight, you’re gonna hear these guys who are the closest thing to a band on the label. Most of the artists we work with are solo producers, but it’s two guys who go by the name Co-Op—really cool, super-kinetic live performance. One guy is working with a computer, mixer, and controllers, and Karim plays live guitar and keys, so it’s got a really engaging musical component to it. They’re really talented, and slowly working on a full-length for us, so that’s exciting.
How did you go about putting tonight’s showcase together? Well, we’d been doing parties in Toronto for the last couple years—we’ve done about a dozen so far. They’ve done really well because of how many people we have involved in the label locally, I guess. We’ve been doing some of those events at the Drake, and they periodically get these 4 a.m. licenses for festivals, NXNE being one of them… The parties have been getting a lot of momentum and it’s cool that they picked us to do a showcase there.
How would you describe Toronto’s electronic music scene? Well, techno and house—it’s a huge scene here. And I’m most familiar with just a segment of it; I don’t have an overarching view of like—there are a lot of pure house-music parties, like with Victor Calderone and those guys, that I don’t end up at. There’s all kinds of trance parties at the Guvernment that I never participate in either. And those are huge amounts of people. So the techno scene I can speak to a little more directly—underground techno and house. There’s sort of an old guard of people who’ve been in the scene for close to two decades, like people who originally went to parties in Detroit, Chicago, and midwest raves. But there’s a lot of new energy from kids who were sort of inducted into this scene three or four years ago with, like, MSTKRFT and Deadmau5 and that big-room electro sound, who’ve now gotten more into house and techno through blogs and following that sound into deeper realms, artists like Azari & III and Nacho Lovers and guys like that. So it’s a really exciting time because that older guard and younger crowd are starting to commingle.
So who do you consider Toronto’s old guard? Arthur Oskan, who’s on the label, has been around for a long time, and he’s just been slaving away for years and years. And with the parties we’ve been doing, he’s really honed his live set, and just within the last two years, particularly this year around his full-length, people are really starting to recognize what he’s doing and I don’t think he could do what he’s doing without that longer-term sensibility of the origins of the music in Detroit. It’s hard to talk about the old guard without mentioning a lot of the people that have moved to Berlin over the years, like Jeremy Caulfield, Mike Shannon, Adam Marshall, Jeff Milligan, Pantone, Jake Fairley, a lot of guys who’ve done pretty well over there all have Toronto roots, or at least Ontario roots. I can’t really call myself Toronto old guard, but maybe Canadian, in a way.
Where else did you live? I lived in Vancouver ’til I was around 23. I moved to Montreal for four years and lived there, kind of during the Montreal heyday before a lot of the Montrealers moved to Berlin. Then I moved back to BC for a year and a half, before coming back to Toronto.
What’s your favorite place or thing to do in Toronto? I’m a big fan of Trinity-Bellwoods Park. High Park is nice, too, but I don’t get there as often.
Any Toronto delicacies that should not be missed? Yeah, Trinity-Bellwoods at night, in the summer, picnic and drinking with friends—that’s the vision. But a delicacy… Toronto is incredible for food, so it’s hard to pin down. Foxley Bistro on Ossington, that place is great. And just south of that on Ossington, probably my favorite Vietnamese spot, The Golden Turtle. In Kensington Market, there’s a tiny hole-in-the-wall Mexican place called Agave Y Aguacate that’s just amazing. It’s cheap and you don’t get fresher than that. One more I’ll mention, because I really haven’t experienced it anywhere else, but Gandhi on Queen near Bathurst, the roti there, it’s sort of this East Indian/West Indies fusion where they do like a Caribbean-style roti but the filling is all East Indian curry, and it’s really spicy and so good.
So, your Canucks last night… feelings? Do you care? My feelings are that Canadians clearly cannot handle hockey and that we should probably make it illegal… I kind of could have predicted that would happen if they lost, and that is what happened 20 years ago. I find it a little bit sad what people get fired up about these days; I guess it’s a sign that we have it pretty good overall. But anyhow… not to harp on that.
We’ve been covering quite a bit coming from the Seclusiasis camp lately. Orbiting that label is Yokohama-based producer BD1982, who just last year started the Diskotopia label with fellow Seclusiasis affiliate and Japan resident Matt Lyne. Releasing material with a close kinship to Seclusiasis, Diskotopia has been rapidly making a name for itself in the realm of bass music. Take for example “Rock the Flock,” the title track from the label’s latest EP from recently signed London-based producer Visionist. Dancing diagonally across the hard grid of the TR-808’s sequencer, “Rock The Flock” is a skittering and hypnotic bass-driven dancehall number that reaches for the future while remaining approachable in the present. The release is set to drop July 4 with remixes by Shy One, Lamin Fofana, and BD1982 himself; those of you hungry for more can check below the jump for the official video for another EP cut, “Survive.”
The prolific techno conglomeration known as Underground Resistance has announced that it will be remastering and reissuing songs from five of its most celebrated and hard-to-find releases: Galaxy 2 Galaxy’s Hi-Tech Jazz, Dark Energy, Electronic Warfare, The Turning Point, and Interstellar Fugitives. The release will mark the end of a long-held plan to reissue classic UR material halted by the death of legendary Detroit record cutter Ron Murphy. Taking his place is Complete Mastering‘s Dietrich Shoenemann. These new remastered editions will take the most essential cuts from the originals’ double-pack format and put them on relatively space-efficient single slabs of vinyl. No word yet as to when the singles will drop, but details will be announced soon on the Underground Resistance website. (via FACT)
As husband-and-wife duo Rainbow Arabia gets set to embark on a heavy slate of summer touring—with a new expanded lineup that now includes drummer Butchy Fuego—the LA-based pair has commissioned a new remix of standout Boys and Diamonds cut “Blind.” Reworking the tune is Frite Nite label head Salva (pictured above), who has infused the tropical electro-pop of the original with his own thicker percussion, some angular, stretched synths, and a hint of ’80s electro flair. Singer Tiffany Preston’s vocals are left largely intact, and when paired with Salva’s electronic craftsmanship, comparisons to the chilly pop efforts of groups like The Knife come into play. Grab the remix below, and find Rainbow Arabia live at any of the many dates they’ve lined up around the globe in the months ahead, all of which are listed after the jump. (via FACT)
US DATES
6.24 KEXP LIVE at 9:30am 6.24 Tropidelica @ Waldorf Hotel, Vancouver BC 6.25 Wildrose Pride @ The Wildrose, Seattle WA 6.28 CAMM Tuesdays @ Mesa, Costa Mesa CA
EUROPE DATES 7.2 – NL – Source Festival – Utrecht 7.4 – DE – Schocken – Stuttgart 7.5 – FR – Festival du Monde Autour – Dijon 7.6 – SP – Nocturama @ Contemporary Art Museum of Sevilla – Sevilla 7.9 – UK – 1, 2, 3, 4 Shoreditch Festival – London 7.10 – FR – Bêtes de Scène – Mulhouse 7.11 – AT – Poolbar festival – Feldkirch 7.12 – DE – Waschhaus (Ruby Tuesday Party) – Potsdam 7.14 – SE – Hultsfred Festival – Hultsfred 7.16- PT – Manta Festival – Guimaraes 7.20 – FR – Petit Bain – Paris 7.21 – FR – Festival Plages de Rock – St Tropez 7.23 – RU – Picnic Afisha – Moscow 9.9 – DE – Berlin Festival – Berlin 9.11 – UK – Bestival – Isle of Wight
Fans of Zomby‘s mysterious bass music still have to wait until July 11 to hear the entirety of his Dedication LP for 4AD, but before then, you can get your paws on the limited-edition 7″ that just dropped, as well as download one of its songs for free. The record features the tunes “A Devil Lay Here” and “Basquiat,” both of which are from Zomby’s forthcoming full-length. You can find more info on that release here, and download “A Devil Lay Here” for free below.
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Kode9’s renowned Hyperdub imprint saw its latest release, a three-track 12″ from UK funky producer Ossie, hit the ground running this week, and we’ve got the video for the EP’s title track here for your viewing pleasure. What starts with a loose “day in the life” storyline turns into a “hit the streets” kind of all-out dance fest by the end. Really though, with the track’s immense layers of percussion, acid-tinged bassline, and glistening electric piano, how could any video treatment have done it justice without some ape-shit dancing through the streets of London?
Preceded by many years of impressive singles and EPs, former Spectral regular Kate Simko has finally released her debut LP, Lights Out (digitally at least, the physical goods won’t arrive until next month), and has elected to share the album’s lead single, “Mind On You.” A fact we hipped you to back in our review of Simko’s album was that her time spent in Buenos Aires served as a great source of inspiration for this newest release, evidence of which can be found all over “Mind On You.” Of course, there are the obvious elements that point clearly to South America, such as the use of hand drums and bouncing percussion, but the more poignant—albeit somewhat subtle—aspect that really feels like Buenos Aires is the uncanny warmth Simko has managed to infuse into her traditionally dark and exact techno stylings. For now, we’ll have to savor the heat from this track and its album’s couterparts and wait to see if this new-found inspiration comes to characterize Simko’s work or just serves as a touchstone in the time-tested producer’s career.
As we wait for September to bring us the seventh annual TodaysArt festival in The Hague and Brussels, the folks behind the art and music celebration saw fit to share with us the first wave of acts confirmed to perform. The artists announced to play in The Hague so far include Luomo, dÉbruit, Raime, Todd Terje, Vladislav Delay Quartet, Awesome Tapes From Africa, and Elektro Guzzi (pictured above), among others. You can check out the current lineup here, and nab tickets for TodaysArt here.
Another budding talent from Chicago’s juke/footwork scene is set to release an album on what is arguably the highest profile label to be pushing the genre right now, Planet Mu. Karlis Griffin (a.k.a DJ Diamond) will see his debut LP, Flight Muzik—named after the crew of beatmakers that he heads—hit the streets August 8, with 16 tracks of home-grown, chopped-the-fuck-up footwork, which, of all things, has been described as having a more “intriguing, deeper, dreamlike feel” than the usual juke fare. Unfortunately, we don’t have any audio to back up this claim yet, but judging from Griffin’s two contributions to last year’s comprehensive Bang and Works Vol. 1 compilation (“Ready Mother Fucka” and “Freakazoid”), that statement might not be too far off. You’ve got the artwork above, and you’ll find the tracklist as well as streams of DJ Diamond’s aforementioned tracks below.
01 Rep Yo Clique (Remix) 02 Speakerz ‘N’ Tonguez 03 Uh 04 Pop the Trunk 05 Horns 06 Vibe 07 Torture Rack 08 Decoded 09 Down Bitch 10 Wreckage 11 Digimon 12 Rep Yo Clique 13 Burn Day Boy 14 Snare Fanfare 15 Go Hard 16 I Choose You