Quantec Cauldron Subsidence

Joined at the hip, sonically speaking, minimalist producers in Detroit and Berlin subverted standard (and increasingly stale) techno and house of the mid-1990s by reducing music to architecture you can dance to. Basic Channel, Chain Reaction, and Plus 8 artists all got there first, but youngish German Sven Schienhammer (a.k.a. Quantec) was apparently doing some active listening back then. Echoes of this shift in sound design and texture are all over Cauldron Subsidence, his second full-length in two years. It includes unreleased tracks from 2001 that show Detroit-Berlin (Kenny Larkin, Rod Modell, Mike Huckaby, Vainqueur, Scion) inspiration on “Absolute Level,” “Satisfied,” “Profound Experiences,” and “Deep Rooted.” Although it’s hard to tell where the archival stuff ends and more recent work begins, a detour into current dubsteppa territory is most clear-cut on “Pandemonium,” a sexy, shuffling bass jam that would feel right at home in a mix on Rinse FM.

Ben UFO Drops New Mix, Preps Boxing Day Bash

This time of year, most people are preparing for a few days of presents, overeating, and insufferable relatives. Ben UFO has other ideas. This Saturday the Hessle Audio label head will be spinning at Why Not?, a massive dubstep and drum & bass party going down at London’s Ministry of Sound. For this special Boxing Day edition, he’ll be part of a ridiculous lineup that includes Benga, N-Type, Youngsta, Untold, Oneman, Ikonika, Dusk+Blackdown, El-B, Horsepower, ShyFX, TC, Dillinja, and lots of others. Peep the flyer at the end of this post for all the details.

Those looking to get hyped for the party, not to mention folks who won’t be in London on Saturday night, will be happy to know that Ben UFO has put together a free new mix in advance of the event. Per usual, it’s loaded with unreleased and exclusive new tracks from many of the acts the XLR8R faithful have been freaking out about in recent months. Download the mix here and check the tracklist.

1. Mosca – Nike (Forthcoming Night Slugs)
2. Lighter – Skanker vs. Work (Unreleased)
3. Untold and Roska – Myth (Unreleased)
4. Deadboy – If U Want (Forthcoming Numbers)
5. Geiom – Sugar Coated Lover (Forthcoming Berkane Sol)
6. Mr Majika – Different Lextrix (Forthcoming Numbers)
7. Shortstuff – Swine Time (Unreleased)
8. Kode 9 – Sub Kontinent (Rephlex)
9. Seven Wonders – Crazy (DJs For Life)
10. Ikonika – Space Ugly (Unreleased)
11. Lumidee – Uh Oh [Target remix] (White)
12. Addison Groove – Footcrab (Forthcoming Swamp 81)
13. Joy Orbison – She Dressed In Her Best (Unreleased)
14. Joe – Percolate (Unreleased)
15. Ramadanman – Glut (Forthcoming Hemlock)
16. Pangaea – Because Of You (Forthcoming Hessle Audio)

Untold, Pole, and More Venture to North America With Unsound Festival

The Polish music and arts festival Unsound is taking its massive event Stateside for the first time in its near seven-year history. Unsound Festival New York will take place over a 10-day stretch starting February 4, and will feature a wide array of European and US talent. Performing everything from techno to drone, classical to dubstep, and just about every electronic music mutation in between, the musicians and producers will not only undertake the average festival showcases but also embark on the live soundtracking of vintage Andy Warhol films, classical reinterpretations of music from legendary punk label SST, and electronic music workshops for children, among other unique events. Check out the confirmed line-up thus far below, and see more detailed info at the Unsound websites.

2562 (Netherlands)
ACME (USA)
Pavel Ambiont (Belarus)
Blondes (USA)
Eric Cloutier (USA)
Carl Craig (USA)
Marcin Czubala (Poland)
David Daniell (USA)
Vladislav Delay (Finland)
Ensemble LPR (USA)
FaltyDL (USA)
Groupshow (Jan Jelinek, Andrew Pekler, Hanno Leichtmann) (Germany)
Tim Hecker (Canada)
Luke Hess (USA)
Mike Huckaby (USA)
Petre Inspirescu (Romania)
Jacaszek (Poland)
Kadebostan (Germany)
Konque (USA)
Kwartludium (Poland)
Legowelt (Netherlands)
Lillevan (Germany)
Sebastian Meissner (Germany)
Moritz Von Oswald Trio (Germany)
Mountains (USA)
Neurotic Drum Band (USA)
Newworldaquarium (Netherlands)
nsi (Germany)
Tristian Perich (USA)
Derek Plaslaiko (USA)
Pole (Germany)
Barbara Preisinger (Germany)
Dave Q (USA)
DJ Qu (USA)
Radian (Germany)
Patrick Russell (USA)
Anthony “Shake” Shakir (USA)
Sepalcure (USA)
Jacek Sienkiewicz (Poland)
Spinoza (USA)
Tape (Sweden)
Tobias. (Germany)
TRG (Romania)
Bora Yoon (USA)
Xavier Van Wersch (Netherlands)
Untold (UK)
Zavoloka (Ukraine)
Zenial (Poland)

pictured Untold

Artist to Watch: Martin Kemp

Who:Martin Kemp
Where: London, UK

Although lots of folks might simply know him as Brackles‘ little brother, 22-year-old Martin Kemp has done a fine job skating the wobbly line between garage and dubstep in his own right. Citing artists like El-B, Horsepower, and Zed Bias as major influences—not to mention hip-hop demigods J. Dilla and Madlib—Kemp has been digging into leftfield beats since his teen years. He’s already released “No Charisma” on Brackles’ and Shortstuff’s Blunted Robots label, and more new tunes are on the way, including another Blunted Robots release and a Royal T remix on grime imprint No Hats No Hoods.

Listen/Download: Martin Kemp XLR8R Podcast

Listen: “No Charisma”

Listen: “Aztec”

The Juan Maclean “Accusations (Gavin Russom Remix)”

Leave it to Gavin Russom (a.k.a. Black Meteoric Star) to have one good idea and stick to it. On his version of “Accusations,” one of many stellar tracks from The Future Will Come by fellow DFA compatriots The Juan Maclean, Russom re-records the original bassline using one of his homemade synths and doesn’t falter from said melody throughout the song’s entire 7-plus minutes. The track is taken from a recent remix collection commissioned by Scion A/V, featuring other reworks from Shit Robot, House of House, and XLR8RArtist to Watch Canyons, and stands as a strangely natural pairing of one of dance music’s most pop-friendly acts with one of its more difficult to digest.

03 Accusations (Gavin Russom Remix)

Dixon Temporary Secretary

Though it’s probably the most incongruous track on Dixon‘s first official mix album since Body Language, Vol. 4, Fever Ray’s “If I Had a Heart” nevertheless provides an aesthetic and thematic foundation for the tracks that follow in its wake. Deployed near the beginning of this carefully constructed mix, the song’s vaguely tribal, low-key menace underscores similar resonances in the likes of Kiki’s “Good Voodoo (Visionquest Remix),” the Daphni version of Cortney Tidwell’s “Watussi,” and the artful juxtaposition of Precious System’s “The Voice From Planet Love” and Ben Klock’s “In a While.” Temporary Secretary is enthralling and beautifully paced.

XLR8R Annual Report: Best XLR8R TV Episodes 2K9

Keeping up with every XLR8R TV episode can be almost as exhausting as producing it week after week. So, we’ve made it easy for you—the tired, poor, huddled internet masses yearning to read end-of-year lists—and picked our five favorite episodes of Twenty-Oh-Nine.

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Episode 136: Tune in an Afternoon – Dam-Funk and Nite Jewel
Nite Jewel + Dam-Funk = Nite Funk. Two of our favorite LA producers team up to make a killer track and some funky magic.

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Episode 108: Genesis P-Orridge Is Better Than The Beatles
It’s been a longer, stranger trip for Throbbing Gristle’s legendary frontperson than it has been for probably 99.9% of the world.

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Episode 129: Freestyle 101 with Doseone and Jel
Oakland teenagers blow minds with clever, rapid-fire freestyling—a skill they learned in Doseone’s Wednesday-night class.

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Episode 118: Tune in an Afternoon – Lemonade
The Brooklyn trio took our 40 bucks, bought groceries, slapped some fish around, sampled it, and cooked up an insane calypso kid’s show tune.

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Episode 124: FaltyDL – Garage Beats and Sushi Rolls
Another culinary-themed episode found Drew Lustman (a.k.a. FaltyDL) waxing philosophical on making sushi and garridge beats.

Au Revoir Simone “Take Me As I Am (Max Cooper Remix)”

UK producer Max Cooper (pictured above) is known for his dancefloor-oriented techno—check his recent rework of Abe Cooper and Blake Baxter for proof of that—but this remix of Brooklyn’s Au Revoir Simone finds him applying a softer touch. Reducing the girls’ vocals to ghostly reverb while delicately layering tinkling keys and warm sub-bass over the song’s delicate original melodies, he transforms “Take Me As I Am” into six-plus minutes of sublime bliss. With remixes on the way for artists like Hot Chip and DJ Hell, not to mention more of his own original productions, 2010 is shaping up to be a big year for Cooper.

AuRevoirSimone-TakeMeAsIAm-MaxCooperRemix(192)

AuRevoirSimone-TakeMeAsIAm-MaxCooperRemix

Bodymovin Bodymovin

Bodymovin, the self-titled debut album combining the efforts of German producers DJ Friction and Thomilla, maintains a head-bobbing groove while avoiding unnecessary ornamentation. With patient construction, the Stuttgart-based duo weaves a subtly textured disco landscape of analog synths, buzzy basslines, pretty female vocal accents, and occasionally crooning robot voices, as on the infectious “Yeah!” and later amid the serene oscillating sunset synths of “More & More.” Halfway through the album, “Everybody” takes the funky vibe that pops up on “It Wasn’t Calf” and “Hold Back” and Bodymovin rubs it around in the dirt with some sinister keys and deeper bass. With its blissful synths and an introspective beat, “Get Down” artfully dissipates the funk and lays the album to rest.

XLR8R Annual Report: Best Podcasts 2K9

You like lists and we like self-important navel-gazing, so here it is, another mind-blowing collection of some of XLR8R‘s top-notch content from 2009. Over the course of the year, our weekly podcast series ran all over the musical map, courtesy of guest mixes turned in by some of our favorite artists. Picking the best of the lot was a King Solomon-esque task, but these were the podcasts we found ourselves coming back to again and again.

Matías Aguayo
It’s unclear whether the native Chilean is returning to his roots or simply enjoying the exploration of a new sonic palette, but we’re certainly fascinated by the results. On this exclusive mix, Aguayo’s penchant for experimentation continues, as he combines several of his own productions with everything from classic cumbias to Latin-flavored flea-market finds.

Awesome Tapes from Africa
In 2006 Brian Shimkovitz launched Awesome Tapes from Africa, a blog devoted to sharing hard-to-find musical gems from Africa with audiences outside the continent. Here at XLR8R, we’ve long been fans of the blog, so we tapped Shimkovitz to put together an exclusive mix.

Brackles
Something interesting is brewing on the fringes of dubstep, and 24-year-old Rob Kemp, better known as Brackles, is right in the thick of it. We somehow convinced him to put together this exclusive mix for XLR8R. Full of unreleased gems and a few underground classics, the results are absolutely thrilling.

Chavy Boys of London
Baltimore club music has a rep for being energetic, but from the sounds of this mix, which is primarily just that, the Chavy Boys of London must keep an entire fridge stocked with Red Bull—and pound a few down when commissioned to do DJ mixes.

Douster
Youthful French producer and ZZK compatriot Douster has certainly made a splash in 2009 with his clubby European take on the various tropical rhythms (and riddims) emerging from around the globe. Whether it be dancehall or kuduro, cumbia or UK funky, Douster can be counted on to deliver an uptempo, chopped-and-sliced dancefloor filler.

The Heatwave’s Funky Bashment Mix
Recent months have seen a whole lot of hullabaloo surrounding the burgeoning UK funky house scene, but significantly less attention has been given to how these rhythms are intermingling with the world of dancehall. In search of more information, not to mention a sampling of new music, we turned to The Heatwave, the London-based DJ and production crew headed by Gabriel Myddelton that has spent much of the decade firmly planted on dancehall and reggae’s bleeding edge.

Jahdan Blakkamoore: Full Hundred Mixed by Matt Shadetek
Shadetek gathered numerous tracks featuring Jahdan’s fine lyrcial flow and mashed them into Jahdan Blakkamoore Full Hundred. It’s a mere 22 minutes long, but Shadetek packed an impressive amount of music into that time, and if you had musings over just what tropical bass mashed into melodic dancehall and hard-hitting dubstep sounded like, here’s your mix.

Martin Kemp
Loaded with high-quality tunes—many of which are forthcoming or entirely unreleased—this mix assumbled by Martin Kemp (a.k.a. Brackles’ little brother) occupies that unique space where garage, 2-step, funky, and house bubble together in a uniquely potent brew.

Kid606: Megachurch Meltdown
Pulling from a collection of current club tracks and old favorites, the man born Miguel Depedro has crafted a bouncy, bass-heavy techno-meets-dubstep-meets-booty-house mix that’s as close to an actual night in the club as one can hope to get.

Future Blappin’ with Lazer Sword
Lazer Sword delivers a 36-track set that features hip-hop, future-bass, electro, and more. Many of the tracks are remixes the boys have made themselves, and, in true Lazer Sword fashion, names like Dr. Dre and Keak Da Sneak crop up on the tracklisting.

Move D Live in Portugal
Veteran house DJ and producer David Moufang, better known as Move D, is a hard man to pin down, so when he offered up a portion of a recent live set for the XLR8R Podcast, we jumped at the opportunity. Recorded over the summer at Plano B in Portugal, this set features the Heidelberg, Germany native weaving his way between cuts both classic and cutting edge.

Nosaj Thing’s LA Mix
We head south into the wilds of Los Angeles for a heavy dose of spaced-out future-hop, courtesy of native son Nosaj Thing. With a litany of unreleased and exclusive tunes at his disposal—many of them coming from Low End Theory compatriots like Flying Lotus, Daedelus, and The Gaslamp Killer—Mr. Thing assembles a mix that captures the boundary-pushing spirit and chilled-out vibes of Southern California.

Traxx: Entrance to the Alter
Chicago is home to a lot of house music history, and veteran DJ/producer Traxx has long been in the middle of it all. As he prepared to unveil his debut full-length, Faith, the man born Melvin Oliphant was also kind enough to pass along Entrance to the Alter, an exclusive mix that weaves through a variety of jackin’ beats, including a number of unreleased tunes and a couple of sneak peeks from his album.

Labels We Love: Type Records
Whittling down the candidates to make XLR8R‘s annual list of Labels We Love is no easy task, but the inclusion of experimental U.K. label Type Records was a no-brainer. In fact, we like the label so much that we commissioned label head John Twells (a.k.a. Xela) to put together a mix encapsulating the imprint’s unique mix of ambient and drone sounds with just enough pop melodies to keep things interesting.

Untold
Taking an open-minded approach and liberally utilizing his stock of unreleased tunes, Untold slots heady and experimental tracks alongside animated dancefloor cuts, and even finds time to dabble in some classic house and B-more club. If this mix is any indication, dubstep’s future remains bright.

Labels We Love: Wireblock Records
Glasgow has a reputation for gloomy weather, but you’d never know it from the crunked-up glitch rave turned out by the Wireblock Records gang. The label, which we recently profiled in greater detail, is home to artists like Rustie and Hudson Mohawke and is headed up by brothers Neil (a.k.a. Nelson) and Calum (a.k.a. Spencer) Morton, along with Dress2Sweat’s Jack Revill. Here, the Morton brothers have teamed up to put together a genre-hopping, bass-heavy mix that’s simply bursting with tunes, including plenty of unreleased goodies.

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