Anti-Pop Consortium Turn It Back On

Lyrical gymnasts Anti-Pop Consortium return to the studio after a six-year hiatus.

After releasing an album on Warp and touring with Radiohead, the boundary-pushing Anti-Pop Consortium broke up in 2003.

Six years and various solo projects later, they reunited and returned to the studio to record a new album, Fluorescent Black. Here, Chicago-based filmmaker Joey Garfield gets an intimate look at Beans, High Priest, M. Sayyid and Earl Blaize as they get used to each other again after all these years.

Redshape “Garage GT”

Analog enigma Redshape is finally presenting his long-awaited first full-length on the fledgling Delsin label. The Dance Paradox is a collection of dark, atmospheric techno that is certain to be blasting out of speakers during late-night sessions during the coming months. One of the record’s strongest tracks, “Garage GT,” features deep kicks, tight tech-funk percussion, high-frequency synth washes, and a propulsive bass. With a regally creepy synth line worming its way in front of police sirens during the track’s middle section, the piece recalls slo-mo Detroit techno and Italian horror soundtracks. An exemplary slice culled from a faultless deep techno album, “Garage GT” will definitely get you doing your 4 a.m. shuffle.

Bound_Part_1_and_2

03 Garage GT

Casey Foubert & James McAlister “Bad Moth”

Culled from the third installment of Asthmatic Kitty’s Library Catalog Music series, “Big Moth” is a jamming example of a hi-tech take on the old school hip-hop breaks aesthetic, replete with intense polyrhythmy, sudden tempo changes, and the sound of record hiss. Though Foubert is most known for his collaboration and engineering work with indie juggernauts like Sufjan Stevens, and McAlister is well-noted as a member of Ester Drang, the two have created a piece that would be well-suited to hip-hop and breaks DJs for years to come.

BigMoth

Fool’s Gold Fool’s Gold

Los Angeles group Fool’s Gold’s indie-pop/African music sees globalization and the internet forging another successful cross-cultural artistic experiment. They have company—Afrobeat bands like S.F.’s Afrodesia, NY’s Antibalas, Chicago/Kenyan Benga project Extra Golden, and even high-profile act Vampire Weekend represent a new wave of Americans bringing the Mother Continent’s music to crusty festival goers. But unlike the 1980s’ “world music” movement abetted by Peter Gabriel’s Real World label and releases on Shanachie, today’s ethno-fusionists strive for authentic arrangements without sacrificing decidedly personal aesthetics. Hence, FG supplants Hebrew lyrics into the bittersweet Malian blues arrangement of “Ha Dvash” while “Momentary Shelter” sounds like Pavement jamming with Konono N°1. The album’s excellent musicianship and cheery exuberance will win over even skeptical global traditionalists.

Watch: “Surprise Hotel”

Patrick Cowley Remembered

October 18, 2009, would have been the eve of disco legend Patrick Cowley‘s 59th birthday, and in celebration of his life and achievements, San Francisco’s Honey Soundsystem and Mama Calizo Voice Factory are hosting a large, participatory multimedia event titled “Megatron Man: The Life & Times of Patrick Cowley.” Coinciding with the release of Catholic, Cowley’s unearthed collaboration with Jorge Socarras, the event will feature installations, screenings, speakers, and a memorial that will feature work from fans and friends all over the world. What’s more, the release party of Catholic will occur later in the evening at Honey Soundsystem’s weekly party at SoMa’s Paradise Lounge. Way ahead of his time and lost much too soon to AIDS, Cowley’s music continues to inspire all people to celebrate life and create great pieces of music. Since this is an open occasion, if you have any sort of work that you’d like to share about Cowley, submission guidelines for the living memorial can be found here, along with previews of the new album as well as more on Cowley and the evening’s events.

Exclusive: Mary Anne Hobbs Tour Blog #3

While touring the U.S. this month, BBC Radio One’s Mary Anne Hobbs supplied us with a fully detailed rundown of her trip. This is the third installment of her tour blog. Check back later this week for the last of her videocasts.

Sept 21

– My tour diet now consists principally of Tylenol and Diet Coke.

– I love LA. So many kindred spirits gravitate towards the city to charge at their dreams. They know that time is precious and life is short, and in this city, on this fertile ground, there’s every chance that their wildest ambitions can be realized.

– Hit a crazy pool party in Hollywood. They are showing synchronized swimming movies from the 1940s on a big screen and The Gaslamp Killer is rollin’ out the more humid aspects of his vast record collection.

– I had the great pleasure of meeting the LA Unifed crew and iconic photographer Theo Jemison, but sadly I was so broken from the road that I could barely form a sentence.

Sept 22nd

– Hit Amoeba Records in LA to film a “What’s In My Bag” feature.

– Among my picks I choose Dave Lee Roth. When he first released his solo LP, Eat ‘Em and Smile another member of his entourage that I knew very well said to me that every morning, the first thing that Dave would do was see his accountant. This guy would show up at Dave’s house—full suit on, briefcase in hand—and he would visit Dave in his bedroom before he emerged for the day. For years, everybody thought this guy was his accountant. But later it came out that David was struggling with thinning hair… and this guy was actually his hairdresser! He’d come over first thing every morning and weave in some fresh extensions so that Dave could come out with his hand grenade blond bomb of hair and nobody would ever know any different. The lesson from Dave here is, whatever you’re lacking, first thing in the morning have a guy with a suitcase come over, and bring him in as your accountant.

– I ride with Boreta and Ooah to Chapman University in Orange County to give a MasterClass to Steve Nalepa’s Advanced Music Technology students with Adam Freeland and journalist Matt Diehl.

– They’re a great class and include in their ranks many talented young electronic producers that I’ve already played on the BBC Radio1 show. I tell them my stories about running away to London at the age of 18 and living on a bus in a carpark for a year with a hard rock band called Heretic… my first step on the causeway.

– No Kip (as @TODDLAT would say)—that means I can’t sleep

Sept 23rd

– Preparing for my greatest night on earth at Low End Theory in LA.

– Me and Sara (my agent) run around Melrose and get our hair fixed up at Rudy’s in Silverlake. (A complete waste of time, as temperatures are running well in excess of 100 degrees inside the venue Airliner)

– It’s announced that Nosaj Thing (he is Legoman) and Flying Lotus are the surprise special guests tonight and Twitter EXPLODES!!

– Daddy Kev and GLK organize a lovely rooftop dinner, but I’m so excited I can only manage one teaspoon spoonful of coconut rice.

– The club is absolutely mobbed. The air is shot through with magic, tension, and anticipation. I see my homegirl Vaccine and her man Intex Systems for a total of eight minutes (even though they have driven five hours be here). The Glitch Mob, Niki Randa, Jneiro Jarel, Tokimonsta, half the Chapman University class, Ras G, Teebs, Take, Daedelus are all up in the place… and MIA came to check it too!

– The mighty Sam XL who does the sound is about to have a baby boy. Skream and Benga have been trying to persuade him to call the child Skrenga… haha!! BUT he’s actually settled on Croydon (the home town of dubstep in the UK!)

– The residents Daddy Kev, D-Styles, GLK, and Nobody play music I’ve never heard in my life before… and Nosaj and Lotus are simply mind-blowing.

– The heat and the energy is so intense on stage that all of us are soaked to the skin by the end of the sets and wringing out our clothes.

– This club is one of the most inspirational places on the planet for me right now… I post on Twitter: when i get to heaven… i hope it will be exactly like Low End Theory in LA

Sept 24th

– @ooah posts on Twitter: Low End Theory last nite was monumental! @MaryAnneHobbs @FlyingLotus @NosajThing & our fav LET residents… What more can u ask for. I <3 LA!

– You should see my bruises… next level purpleness!! I have no idea how I acquired them at all… shall I TwitPic the purple for Joker?

– Hung out with Fly Lo for breakfast and he treats me to a preview of some of the beats that will make his new album for Warp… Oh.My.Days. imagine a soundtrack to the genesis of some new galaxy a billion light years away… absolutely astounding music.

– Hooked up with GLK for dinner at his favourite Cuban spot. He’s raving about a new electronic trigger pad he’s found that he wants to get wired into his forearm!!

– Mini toothbrushes hotly recommended @boreta for all touring DJs http://yfrog.com/3dwujj

Sept 25th

– Sit on the tarmac for 90 minutes at LAX… the plane is broken… they’re now looking for another to take us to Denver.

– The woman next to me says: “My psychic told me not to travel today. I pay a fortune for her and she’s always right, but if I’m honest a lot of the time, I just don’t buy it…” a mildly confounding statement.

– @ferwerdaTRON posts on Twitter: @I_Skream @maryannehobbs Tonight is going to be LARGE! Driving over 700 miles to come see you guys! Can’t wait!

– big-up all the New Mexico crew reaching Denver for the show tonight too.. I salute the road warriors!! 🙂

– Nicole and the Bass Invasion crew are lovely people and they’ve built a thriving scene in Denver… and it’s so great to hook up with Skream (who headlines here tonight). We’ve both been on the road so much in 2009, we’ve barely seen each other at all.

– The first time I saw Skream play in 2005 there was only four people in the room… yet it remains one of the greatest sets I’ve ever seen in my life. Now he’s got a gold record for the La Roux remix and he’s about to go into the studio with Pharell, yet he never changes. He’s such a gentleman: funny, wild, witty, prolific, and buzzing about life…

– 900 rowdy dubstep lovers up in the place in Denver… and we blew the joint to bits.

– 4:30 a.m. in the cab back to the hotel and Skream and I reminisce about my Radio1 show Dubstep Warz in 2006 and also the impact he made on my stage at Sonar in 2007… the real tipping point for dubstep internationally. He says the video footage of the night up at youtube.com/maryannehobbstv still gives him chills.

– Dannydubstep wrote on Twitter:@i_skream and @maryannehobbs completely blew my mind. I can’t even find any other words to say. Everyone who missed this is a disgrace.

Sept 26th

– Caspa comes into Denver… Skream departs for LA… I leave for Seattle to play at Decibel Festival, where Benga and N-Type were last night, and I hook up with Mala at the airport, who’s come in from Vegas and has just been playing with Pinch. So many of the UK dubstep massive on the road right now in the USA… it’s nuts… we run tings!

– It’s the last night of the tour in Seattle at Decibel Festival… I feel wasted on love for America… bombed & f*cked and blissfully happy.

– Daedelus plays before me and he is absolutely next level… one of the most unique live performers on the planet right now. I also have the pleasure of meeting his wife, Laura, who has the voice of an angel.

– Seattle is LIVE… an incredible swansong for me. It’s always such a privilege to share a stage with Mala. I’m a child of the DMZ generation and it’s his music and his ethos that inspired me so much when I first discovered dubstep in 2005.

– Finish up the night sprawled on my hotel bed in the fluffy bathrobes eating pizza with my girl Sara Surefire at 3:30 a.m… breaking down the last three weeks and dreaming up new missions for 2010.

– The tour has been overwhelming: a devastating blend of elation, exhaustion, and chaos… a punishing and primal physical and mental test… everyone should try it once in this life.

– Much love, a million thanks, and maximum respect to all the promoters who took a chance on me… to the Surefire crew who put this together for me: Sara, Miro, Ryan, Alex, and Victor… to XLR8R massive for hosting this diary… and most of all to everybody who came out, represented, and made the gigs in every city so special, so incendiary, and so brilliant..

– The tour has been one of the greatest experiences of my life. I have so much love for America. Hopefully this will be just the first step on a long and fascinating journey through your country yet to come.

Thrill Jockey’s Limited 12″ Series

The folks over at Thrill Jockey keep busy, with an impressive number of releases appearing during any given season. Recently, the label has been putting out a number of limited 12″ records, and of course, the genres represented are wildly diverse. First, Thank You‘s Pathetic Magic slab is a Baltimore affair, featuring remixes of the group’s psychedelic punk from Dan Deacon, Lungfish‘s Asa Osborne, and others. Next up is the 21st-century psychedelia of White Hills, a new signing to the label. The quartet has been blowing speakers and minds for a while now, and with help from members of Oneida and Kurt Vile’s band, it’s no wonder that Thrill Jockey took them on. Finally, the electro-acoustic hypnotism of Mountains gets the vinyl treatment for a limited CDR that was originally distributed on their last tour, and in the spirit of unique editions, each jacket is hand-stamped. With even more coming from the Chicago stalwarts, including new stuff from Javelin and Radian, Thrill Jockey continues to push our ears beyond the blandness of so much contemporary music.

Codes in the Clouds “Don’t Go Awash in This Digital Landscape”

After a weekend filled with Indian summer sunshine, we here in San Francisco were greeted with a grey autumn Monday morning, the kind of weather perfectly soundtracked by the cinematic post-rock of bands like Codes in the Clouds. Sure, the UK quintet owes a serious debt to bands like Mogwai and Explosions in the Sky, but sometimes it’s okay to forget about originality for two seconds and just get all pensive and moody.

Codes In The Clouds – Don’t Go Awash In This Digital Landscape

Codes In The Clouds – Don’t Go Awash In This Digital Landscape

Inbox: Cougar

In this week’s edition of Inbox, Milwaukee-raised experimental electronic quintet Cougar steps into our parlor in the midst of preparations for an impending European tour. Members David Henzie-Skogen (drums, percussions, beats) and Aaron Sleator (electronics, guitars, synths) give the rundown on unfavorable impromptu high school dances, air organs and Brazilian percussion, brain implants, and working intensely with Todd Hill. Cougar’s album, Patriot, is out now on Counter/Ninja Tune.

XLR8R: What are you listening to right now?
Aaron Sleator: We’re sitting on the stoop outside David’s house, listening to people chastise their dogs in the park.

What’s the weirdest story you have ever heard about yourself?
David Henzie-Skogen: We played a show and some girl thought our singer was sick. She said she thought we played quite well, considering.

In what band did you want to be when you were 15?
DHS: Eddie Palmieri’s band.
AS: Lynyrd Skynyrd.

Worst live show experience?
DHS: An undisclosed location in England, which turned out to be essentially a high school dance. There were 15-year-olds slow dancing in the front row and making out during the acoustic numbers.

Favorite city in which to play?
DHS: Ljubljana, Slovenia sticks out in recent memory. It was an old converted film house. The stage was massive, the vibe was warm (though the toilets were cold), and the audience was very receptive.

Favorite studio toy?
AS: Magnus air organ.
DHS: Pandeiro (the Brazilian drum that’s like a heavy tambourine; key to a number of snare sounds and rattle effects).

What is one thing you couldn’t live without (excluding the obvious essential, i.e. air, water, etc.)?
DHS: Practice pad.
AS: Coffee.

What is your favorite item of clothing?
DHS: Blue Hoodie.
AS: Yellow Hoodie.

If you could reduce your music to a single word, what would it be?
DHS: Oops.
AS: Midwest.

If you could come back as any animal, which would you choose?
AS/DHS: Not even going to justify with the obvious.

For what did you always get in trouble for when you were little?
DHS: Muddying up high-tops.
AS: Repeating things.

With which other artist would you most like to work with next?
AS: David Henzie-Skogen.
DHS: Aaron Sleator.

What’s the last thing you read?
DHS: Number 9 Dream by David Mitchell.
AS: Modern Architecture by Kenneth Frampton.

Complete this sentence: In the future…
DHS: Getting sick in America will probably still be God’s punishment for being poor.
AS: One word: brain implants.

Stupidest thing you’ve done in the last 12 months?
AS: Accidentally burning “COUGAR” into the university’s laser cutter while making a stenciled design for poster screen prints.

What’s next?
AS: Producing Todd Hill’s solo record, Too Cold For Lightning.
DHS: Directing Todd Hill’s first video single, “She Makes The Money.”

Santiago Salazar’s New Podcast

The man known as S2 has a new podcast up over at Little White Earbuds, and it’s filled with enough unreleased tracks and amazing remixes to make fans of Underground Resistance drool. The member of Los Hermanos and Galaxy 2 Galaxy is definitely keeping himself busy. Tracklist and download link after the jump!

Little White Earbuds Podcast 30, available here.

Tracklisting:

01. Santiago Salazar, “Partida” (LAX a SFO mix) [*]
02. Santiago Salazar, “Materia Oscura” [Rush Hour Recordings]
03. Santiago Salazar, “Corazon” [Historia y Violencia]
04. Santiago Salazar, “RELEASE: Stress Valve” [*]
05. Santiago Salazar, “Sci-Fi Xicano” [Rush Hour Recordings]
06. Ican, “Trucha” [Planet E]
07. Los Nite Owls, “LNO Theme” [*]
08. Silent Servant, “La Noche” [Historia y Violencia]
09. Open House ft. Placid Angels, “Aquatic” (Rennie Foster Dirty Works Mix) [Rhythmic Tech]
10. Carl Craig, “Future Love Theme” [Warner Music Japan]
11. Suli Belarto, “Copa Verde” [Huastec*]
12. Ican, “Caminos Del Niño” (Martyn’s Oscuro Mix) [Ican Productions]
13. Omar-S., “Psychotic Photosynthesis” (S2 Dub Mix) [*]
14. Ican, “East Los Revival” [*]

(Tracks marked with an asterisk are unreleased!)

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