Mike Bones “What I Have Left (Brian DeGraw Remix)”

According to songwriter Mike Bones, most of the tracks on his sophomore album, A Fool For Everyone, “exist because of beautiful women and existential despair.” It follows then, that the album is a delicately constructed palate of acoustic guitars, string arrangements, and woeful lyrics about lost love. Then Gang Gang Dance’s Brian Degraw got ahold of the album’s single, “What I Have Left,” and gave it the experimental electronic touch his band is well known for. The track, along with additional remixes from Sian Alice Group and Silk Flowers, will be packaged up as a 7″ before the full album’s February 3 release date.

A Fool For Everyone
01 Today The World Is Worthy Of My Loathing
02 One Moment’s Peace
03 A Fool For Everyone
04 Like A Politician
05 I’m A Decent Man, I Kept Repeating
06 What I Have Left
07 Much More Than Love
08 Give Up On Guitars
09 Everyone Always Coming Down On Me

Mike Bones – What I Have Left (Brian Degraw Remix)

Best of 2008: dj/ Rupture

Soot Records’ main squeeze, dj/ Rupture the best and worst of global beats and bass.

Who was the best artist of 2008?

Paavoharju. Layers of warm self-conscious mysticism, short-circuited and relaxing. It sounds like folk but the logic holding it together is 21st century digital, melting ice on server farms across foreign steppes.

Who was the worst artist of 2008?

I try not to listen to bad music.

What was your favorite 12″ single of 2008?

Busta Rhymes “Arab Money.” This unites my love of Autotune in Maghrebi music with my love of Autotune in black music, plus I’m into Busta Rhymes’ heightened sense of irreality (fake Arabic on the hook is just one example here). This is my single of the month… by the way, who are we kidding? Singles aren’t built to last for a whole year!

What was the best music trend of 2008?

La cumbia! From Mexican sonidera (best bass, least press attention) to Argentine mutations to gringos writing about it with Yanquistani fervor.

What was the worst music trend of 2008?

“Global” sounds leveraged by a few Westerners with money. One example of this is friends from North Africa and South America routinely getting denied visas to enter the US for concerts. Another example is Sublime Frequencies’ aging punk aesthetics pushing context-hostile, consumer-friendly exoticism.

What was your favorite label of 2008?

Big Ship. Teen from a nice Kingston family slices open time, finds the sublime and malice and dark thrill in what comes out. Stephen McGregor was reggae innovation in 2008.. What did you do before turning 19?

Who was your favorite visual artist of 2008?

Kalup Linz. Awesome video pieces which are very funny and also brilliant, plus the yoke/slip/joke is on Kalup’s admirers who don’t realize that identity politics is over.

Best of 2008
Drop the Lime
Abe Vigoda
Bradford Cox
Andrew Jeffrey Wright
eLZhi
Cut Copy
Fucked Up
Evidence
Vivian Girls
Matt Furie
dj/ Rupture
Telepathe
The Death Set
Holy Ghost
Mochipet
CTRL
Plump DJs
Jose James
Worship Worthy
Peter Beste
Hercules and Love Affair
Magda
The Alchemist
DC Recordings

Shawn Lee & Clutchy Hopkins Clutch of the Tiger

Taking a break from his regular Ping Pong Orchestra moniker, Shawn Lee collaborates with the mysterious, and possibly fictitious Mojave Desert-dweller Clutchy Hopkins on Clutch of the Tiger. Regardless of who the supposedly elderly multi-instrumentalist Hopkins is, he and Lee make amazingly textured lo-fi tunes together. These jazz-inspired downtempo tracks are weirdly wonderful, pulling listeners in with the murky melodies created with dusty keys, sitars, accordions, and an abundance of random instrumentation. As un-formulaic as this album is, this isn’t free jazz–every song has a defined structure and drum base, even if songs like the funk-tinged “Dollar Short” feature numerous transitions. Bottom line: This devious duo pushes the boundaries of instrumental music without forgetting the importance of rhythm.

Azymuth Butterfly

While heralded for bringing a unique edge to the jazz-electronica fusion scene in Brazil, Azymuth unsurprisingly sounds like shades of Weather Report and Earth, Wind, and Fire. The only thing is, this is 2008, not 1978, around the time the band first formed. What has been impressive about Azymuth is the remixes of their material, and indeed, even on their latest, there are some fine contributions of saxophones and drums. But the basslines sound like smooth jazz muzak, and the repetitive vocal mantras are laughable. The overall effect reminds one of being on a tour cruise with nowhere to go but overboard. It’s a shame, because this band has had its time, but that time is long gone.

Masta Ace “Sittin’ On Chrome (Mr. Flash Sittin on Cr02 RMX)”

Brooklyn’s famed rapper Masta Ace meets Ed Banger’s Mr. Flash on this remix, another track from Delicious Vinyl’s RMXXOLOGY compilation that pairs legendary hip-hop artists with contemporary electronic music producers. Originally released in the 90s, this track, in the capable hands of Flash, has been updated for the dancelfoor.

Masta Ace-Sittin_On_Chrome-Mr_Flash_CR02_RMX

Knitting Factory Plans Grand Finale

By now, most of clubland is aware of the fact that New York institution, the Knitting Factory, is about to close the doors of its current location and reopen in the new year with a brand new venue in Brooklyn.

The club will host a farewell party to commemorate their time spent on 74 Leonard St., with a Akron/Family-curated going-away fiesta on New Year’s Eve. All three stages will be put to good use that night, with performances by Dirty Projectors, Deerhoof, Deer Tick, DJ Thanksgiving, and yet-to-be-announced guests.

Photo of Deer Tick by Kendall Pavan.

Fol Chen “The Believers” (Clifford Lidell Remix)”

Recent Asthmatic Kitty signees Fol Chen will release their debut album on February 17, but the Highland Park, CA-based band are already unveiling bits and pieces of the album. The style of the music on their self-titled release is hard to pinpoint, with tracks including disparate rhythms, wobbly vocals, and chaotic horn sections all in the span of a few seconds, but one thing this number proves is that Fol Chen lends itself well to the remixes.

Fol Chen
01 The Believers
02 No Wedding Cake
03 You and Your Sister in Jericho
04 The Idiot
05 Red Skies Over Garden City (The Ballad of Donna Donna)
06 Winter, That’s All
07 Cable TV
08 Please, John, You’re Killing Me
09 The Longer U Wait (Version)
10 If Tuesday Comes

fol_chen_-_the_believers_-_clifford_lidell_remix

The 12 Days of Christmas, Day 3

Each December, the XLR8R staff takes a few minutes every morning to spout off about what we’d like to see wrapped up and under the tree come December 25. Next, Ken Taylor embraces his inner-exhibitionist with Katie West’s photo book, Low Self-Esteem.

Weird fortune-cookie message of the day: “You are a sexual being.”

So you might as well let it out of the bag. Go on, don’t be afraid. Tell your girlfriend/boyfriend/wife/husband/partner/lover/mother/whatever: You dig him or her plenty, but you dig other babes and dudes, too. You’re not trying to be weird or anything, but that outmoded “for your eyes only” concept is corny bullshit–especially in the age of amateur internet porn, digital photography, and self-publishing–and it’s time to make things interesting. To know thy sexuality is to know thyself, right? And sharing is caring, right?

In that quest to reconnect your body with all that surrounds you, let Katie West’s Low Self-Esteem–an ironically titled 80-page tome of self-shot, sometimes-nude portraits, photographed mostly in my hometown of Windsor, Ontario–be the soft entry point for your newfound freedom.

It’s a freedom that West has been playfully exploring for a few years, and its visual manifestation is hardly pornographic, but still highly stylized and intensely erotic. Sometimes West’s eroticism emerges from expected places, as in the look of voyeuristic surprise on the book’s cover. Other times it’s borne of banality–a stark body perched on an old couch, set against wood-paneled walls or a stoic topless pose in front of a Dave Matthews poster. At the next turn, it explores fantasy–like stumbling upon a pixie-ish nude in a forest you traversed as a kid or in Cindy Sherman-esque dress-ups, both elegant and grotesque. And then it’s exhibitionistic, except that with West’s publicly shot images–where she slinks carefully alongside the sinks in a bathroom at her and my alma mater, the University of Windsor, or rests half-undressed under a lecture-hall desk–the nude-at-school dream is made as sense-appealing as it once was nightmarish.

West’s larger body of work, which can be viewed on her Flickr page, encompasses nearly every style of photography, from high-art fashion and formalism, to high-contrast documentary, to simple vacation-hotel snapshots, to extremely vulnerable confessional records and MySpace-style quick pics. Yet despite the sometimes strange, oft-askew poses and environments she finds herself in, her pictures are not the least bit incredible or surreal–rather they’re all entirely credible and real, drawing in (and upon) real eyes and real bodies for a genuine, sensual experience that seems at once everlasting and ephemeral.

Alas, the ephemeral theme runs deep: Low Self-Esteem is only available until December 31, so snag it before the clock strikes ’09.

MSRP: $49.95

Day 1: Keurig Platinum B70 single-cup coffeemaker
Day 2: Score! Merge Records: The First 20 Years
Day 3: Low Self-Esteem by Katie West
Day 4: New Balance 420 and PF Flyers’ Number 5
Day 5: Essential Art House: 50 Years of Janus Films
Day 6: Kenwood TT756SL 2-Slice Radio Toaster
Day 7: The Ghostly Box
Day 8: Pentax SMC DA* Series 16-50mm F2.8 and 50-135mm F2.8 DSLR lenses

Podcast 66: Dapayk Live at Deeper Moods, Los Angeles

Niklas Worgt, better known to the music world as German-born producer and liveact Dapayk solo Dapayk Solo, has dabbled in multiple musical styles over the course of his 15-year career, with drum & bass, breakbeat, and tech-house being the most notable. For this exclusive, hour-long, mix, Worgt gave us a live set from his November 9 show at the Deeper Moods party in Los Angeles, and since he’s been crafting minimal techno cuts of late, he took the opportunity to show off his abilities in that genre with this mix. It seems he’s also is bent on introducing us to the dark side of dance music, with cut after cut of foreboding bass and creepy-sounding vocals.

Dapayk Live at Deeper Moods, Los Angeles
01 Dapayk Solo “Scratch the Surface”
02 Marcus Kaes “Roboto (Dapayk Rmx)”
03 Dapayk Solo “Hagen”
04 Dapayk Solo “How Low”
05 Dapayk & Padberg “Sister”
06 Dapayk Solo “Right Here with Me”
07 Dapayk Solo “10 Minutes of Fame”
08 Dapayk Solo “A Saw Attacks”
09 Mimo & Schmahl “Sometimes (Dapayk Rmx)”
10 Dapayk Solo “Acid Pornofski”
11 Marek Bois “Memento Moments”

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Podcast_Mix_2008_12_11

Best of 2008: Matt Furie

San Francisco’s witty surrealist Matt Furie jocks praying mantises and Ray-Bans.

What was the best album of 2008?

John Maus Love Is Real. Keeps my mind stuck in a twisted joke with a great soundtrack. Its funny and kinda gothic at the same time.

Who was the best visual artist of 2008?

Shary Boyle. She draws things like a colorful witch French kissing a boy while riding on the back of a horse made of a cloud that is flowing out of a crying girl that is laying in a giant mysterious green hand with sharp nails and pink and blue veins. Holy shit.

Who was the worst style trend of 2008?

Everybody in the world is wearing Ray-Bans, including me. It’s the worst.

What was the best media item of 2008?

Wholphin Vol. 6 DVD magazine. There is a part on this disk where you can watch in incredibly vivid detail a praying mantis eat the eyeballs, head, and entire body of a fly. It’s awesome.

Best of 2008
Drop the Lime
Abe Vigoda
Bradford Cox
Andrew Jeffrey Wright
eLZhi
Cut Copy
Fucked Up
Evidence
Vivian Girls
Matt Furie
dj/ Rupture
Telepathe
The Death Set
Holy Ghost
Mochipet
CTRL
Plump DJs
Jose James
Worship Worthy
Peter Beste
Hercules and Love Affair
Magda
The Alchemist
DC Recordings

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