Nicola Ratti From the Desert Came Saltwater

New York’s Anticipate Recordings keeps its hot streak going (Klimek’s Dedications and Morgan Packard’s Airships Fill the Sky were two of 2007’s best long players) with another splendidly chill release, this one by Italian electro-acoustic producer Nicola Ratti. Virtually absent of beats and possessing only the deep hum of extended bass guitar chords on the low end, From the Desert Came Saltwater nonetheless contains no dead air in any of the six long tracks. Ratti stuffs his sound palette with sad-sweet guitar and piano, occasional muffled vocals, field recordings, and electronic effects to create a quiet storm filled to the brim with emotional strength and beauty. Gorgeous.

Common Market “Tobacco Road”

Tobacco Road begins in rural Kentucky, at a Southern Baptist sermon, and follows the struggles of a proverbial farmer who is, one learns along the way, one and the same person as Common Market‘s MC RA Scion. Beneath the introspective lyrical content, producer Sabzi has laid tightly composed beat compositions, melodic pianos, and string arrangements. Fans of Atmosphere’s latest album will enjoy this track.

Common Market – Tobacco Road

Listen Close (Rehearsal)

Raoul Sinier, the Bo Jackson of the multimedia world, is the epitome of a hardworking man. In addition to producing intricate, gritty sound structures that fall somewhere at the meeting point of IDM, hip-hop, and breakcore, the Paris-based artist also happens to be damn good at illustration and animation as well. Assuming any and all duties for his latest video, Sinier pairs his sinister, über-glitched beats with live rehearsal video footage, CGI animation, and some mildly creepy alien webcam creatures. WTF!

Atjazz Full Circle

Lesson in contemporary musical production, part one: “Underlined,” the third track and first minor masterpiece on Martin Iveson’s new album under his Atjazz moniker, Full Circle. Vocalists Ernesto and Cee Rock do a none-too-shabby job lending soulful hooks and Native Tongues-style rhymes–par for the course on this album of collaborations with a series of vocalists from the pan-nu-jazz multiverse. But it’s Atjazz’s ability to layer droplets of subtle tones like archaeological strata that makes these tracks bump-worthy for the dancers and discussion-worthy for the pundits. Where nu-jazz has gone complacent, Atjazz has delved deeper into the technology’s organic possibilities, allowing for both “I Forgot You,” which ticks and tocks with bass-heavy club appeal, and “With You,” which fits neatly into both your iPod’s ‘back to mine…’ and “Blue Note” playlists. Subtly complex, danceable, and gorgeous: Even three years in the making, Full Circle appears not a moment too soon.

The Faint Fasciinatiion

The Omaha five-piece commemorates its first self-released work (and fifth studio album) with Fasciinatiion, which figuratively serves as a retrospective of their Saddle Creek-era material. Fasciinatiion hews closely to the themes previously explored over the band’s 10-year history: sex, death, and (re)birth. While filled with shout-outs to the masochistic nihilism of Blank-Wave Arcade (“The Geeks Were Right”) and the minimalist, pensive songwriting from Wet From Birth (“Fulcrum and Lever”), the record never fully achieves the ecstatic gothic synth glory of Danse Macabre. Instead, the group favors a more delicate approach to keyboard and melody, offering a few blompy nods to spazz-rock (a la We Are Scientists), and a few chugging, bass-heavy numbers for the dancefloor.

Podcast 47: The Bang Gang Deejays Teaser Mix

Modular, home to The Presets, Cut Copy, and a never-ending catalog of party music, is set to unleash a new double mix CD from Aussie electro hooligans the The Bang Gang Deejays. Before D is for Disco, E is for Dancing drops though, the boys are unleashing a sneak preview of the release exclusively on XLR8R.com. Ploughing through 45 songs in about 10 minutes, the boys cover everything from Ghostface Killa to a clip from A-Trak’s recent Nike Run track to Kid Cudi, Treasure Fingers, a little baile funk, and a lot of disco. Dancing is the undisputed top priority here.

D is for Disco, E is for Dancing will drop in late October/early November worldwide. Stay tuned for details.

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Laibach Plots Rare U.S. Appearances

Slovenian industrial outfit Laibach has made a career of revealing militant social commentary through art and attire, and for the band’s Volk release last year, the members looked to various nations’ national anthems and crafted a dark album of geopolitical commentary (For further indication of how sinister this album is, check the track “America,” which opens with abrupt gunshot noises).

The avant-garde group will bring its controversial songs Stateside this fall, with a very brief and very rare set of tour dates around North America. Cross your fingers that mysterious visa issues don’t arise beforehand, as they so often do in cases like these.

09/22 Seattle, WA: Showbox
09/23 Portland, OR: Crystal Ballroom
09/25 San Francisco, CA: The Independent
09/26 Los Angeles, CA: The Key Club
09/28 Tijuana, Mexico: El Foro
09/30 New York, NY: Fillmore

Bassnectar Announces Tour Dates

Prepare to shake them (white) dreads. The self-proclaimed maker of electronic music and freakshow experimentation known as Bassnectar will hit the road this fall for a lengthy tour that’s supposedly to include no less than 75 dates around North America (some of which are yet to be announced). A much-loved performer at festivals, the man born Lorin Ashton will be traveling to all corners of the U.S. with live showings of his strange mix of break-beat, hip-hop, dubstep, and grindcore. Let the wobbling and womping ensue.

Pre-sale tickets are currently available through the Bassnectar site.

Dates
08/10 Salmo, BC: Sambala Music Festival
08/16 Berkeley, CA: Greet Theatre
09/05 Secret Performance TBA
09/06 Morrison, CO: Red Rocks Amphitheatre
09/13 Ranchita, CA: Ranchita Rocks 2008
09/24 Northampton, MA: Pearl Street Club Room
09/25 South Burlington, VT: Higher Ground Showcase Room
09/27 Los Angeles, CA: We the People Festival
09/29 Cleveland, OH: Grog Shop
10/01 Grand Rapids, MI: The Intersection
10/02 Milwaukee, MI: Miramar Theatre
10/03 Chicago, IL: Metro
10/04 Lawrence, KS: Granada Theatre
10/06 Columbia, MO: Mojo’s
10/08 Oxford, MS: Proud Larry’s
10/09 Memphis, TN: Newby’s
10/10 Austin, TX: La Zona Rosa
10/11 Dallas, TX Lizard Lounge
10/15 Nashville, TN: Exit/In
10/16 Huntsville, AL: Crossroads
10/17 Athens, GA: Georgia Theatre
10/18 Birmingham, AL: Zydeco
10/29 Carrboro, NC: Cat’s Cradle
10/30 Charleston, SC: The Pour House
10/31 Asheville, NC: Orange Peel
11/01 Charlotte, NC: Neighborhood Theatre
11/05 Boston, MA: Paradise Rock Club
11/06 Philadelphia, PA: Theatre of Living Arts
11/07 New York, NY: Bowery Ballroom
11/08 Washington, DC: Rock and Roll Hotel
11/14 Portland, OR: Wonder Ballroom
11/15 Seattle, WA: Neumos Crystal Ball
11/22 Vancouver, BC: Commodore Ballroom

Ane Brun New Album, Tour Dates

XLR8R readers are probably familiar with the instrumental space-disco music emanating mysteriously from Norway by producers like Hans Peter Lindstrøm, Prins Thomas, and the whole Feedelity Records camp. Truly, we bask in their warped euphony. And what Norway lacks in population–about four million residents total–it makes up for in talent.

One such gem is singer-songwriter Ane Brun, an enchanting chanteuse who drops her fifth full-length (the second released in the U.S.), Changing of the Seasons, on Cheap Lullaby October 14.

Although trading mostly in folky, indie-pop numbers, Brun has allegiances with club audiences via her single “Headphone Silence,” which was remixed by Henrik Schwartz and Dennis Ferrer for the latter’s Objektivity label. A full remix project, Ane Brun Objektified, is due out soon.

Songs from Changing of the Seasons featured on Brun’s MySpace page reveal complex arrangements incorporating her fragile, Stevie Nicks-esque voice and acoustic guitar work sculpted with orchestral string touches. Brun’s music is classic A.M. radio balladry that sounds like a druggy Dolly Parton singing haunted Nick Drake tunes.

Seasons entered the Scandinavian charts at number one, and its prospects for North America have “breakout” written all over them. The album was produced by Valgeir Sigurdsson (Björk, Sigur Rós, Múm, Bonnie Prince Billy, Coco Rosie, Maps, and more). Look for Brun performing on these shores soon.

Changing of the Seasons
01 The Treehouse Song
02 The Fall
03 The Puzzle
04 My Star
05 Ten Seconds
06 Changing of the Seasons
07 Lullaby for Grown-Ups
08 Raise My Head
09 Armour
10 Round Table Conference
11 Gillian
12 Don’t Leave
13 Linger with Pleasure

Dates
10/22 New York, NY: The Living Room
10/24 Arlington, VA: Iota Club and Café
10/25 Norfolk, VA: Attucks Theatre
10/28 San Francisco, CA: Café Du Nord
10/30 Los Angeles, CA: Hotel Café
11/01 Chicago, IL: Schubas Tavern

Photo by I Made This.

DJ T. Unleashes New Single

Full details have yet to be announced for DJ T.‘s next full-length, but word on the street is that the producer and Get Physical co-founder, born Thomas Koch, has been hard at work in the studio, collaborating and experimenting for the upcoming album.

The first track to trickle out of these sessions comes in the form of “Outbreak,” and possibly hints at what’s to come later in the year from Koch. The single will feature the slick, streamlined house he’s known for on the a-side, then a b-side that finds him delving into Detroit techno territory.

DJs, pick this one up on August 6 via Get Physical, and stay tuned for details on a new full-length.

“Outbreak”
A “Outbreak”
B “Outbreak (True School Mix)”

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