The XLR8R Office Top Ten Album Picks, Oct 20

Peter and the WolfLightnessThe Workers Institute
The Workers Institute is infamous for pushing the orbits of new music by releasing records from Sigur Ros and Johann Johannsson, and Peter and the Wolf doesn’t fall far from WI’s commitment to releasing credible, avant-garde masterpieces. Part lo-fi, pastoral folk and part eerie country, Peter and the Wolf has set a new standard that could only be described as experimental, backwoods campfire music. In other words, this is rad.

VariousLabel SamplerSmooch
When it comes to gloomy bands from Denver, Smooch Records has got the entire game on lock. This haunting compilation showcases tracks by Andrew Douglas Rothbard (Slaves, Pleasure Forever), Jay Munly and the Lee Lewis Harlots, and 16 Horsepower amongst others. This is post-goth history from the mile high city.

KlaxonsXan Valleys EPModular
Is it posssible that Modular’s posterboys Wolfmother and Van She will have a run for their money? Probably. From the same school of !!!, Tussle, and Hot Chip comes Klaxons. With a promptly poppy flair and just the right amount of funk, there’s no doubt that Xan Valleys will have the same effect on the kiddies as their contemporaries.

OuterspaceBlood BrothersBaby Grande
Widely known as partners in crime with Philly’s murder rap icons Jedi Mind Tricks, Outerspace is the sound of urban despair and pestilence. The dark, melancholic beats of executive producer Vinnie Paz will surely have you moping around the slums of the mind with a feeling of hopelessness rarely heard in contemporary hip-hop.

Big SirUnd Die Schiesse Andert Sich ImmerGSL
It’s been a while since Sonny Kay’s GSL imprint released something as melodic and funky as Big Sir. Featuring really pretty female vocals, lots of wah effects, and grooving basslines, this will have fans of James Brown , Can, and Cocteau Twins psyched. God bless these tripped-out, German risktakers.

VariousWhat It Is! Funky Soul and Rare Grooves (1967-1977)Rhino
Back in the day, not every funk and soul gem made it to the charts, and that’s the premise behind this gorgeous four-disc set culled from the vaults of Atlantic, Atco, and Warner Bros. Records. Lesser heard soul giants like Clarence Carter and Artie Christopher share disc space with The Meters’ heavy trunk funk and Eddie Hazel’s inspired rendition of “California Dreamin’” for a wondrous ride through one of American music’s most overlooked eras. Check out the very limited compendium box of 25 original replica 45s to follow! Hotness!

Gang StarrMass Appeal: The Best of Gang StarrVirgin
Guru and DJ Premier set the standard for MC/producer teams in hip-hop, regardless of mainstream or indie classification. On Mass Appeal, the overlords at Virgin Records are giving the duo’s jazzy hits a rebirth with 21 songs that’ll remind you just how far hip-hop has come since the glory days.

Out HudStreet DadKranky
It’s been four years since Out Hud’s Street Dad was released and it’s still as innovative and moving as it was nearly half a decade ago. If this isn’t a part of your archive, we suggest you get down, because this was way ahead of its time.

The Future Sound of LondonTeachings From the Electronic BrainAstralwerks
There is no need for introduction. The Future Sound of London has easily been one of the forerunners of the digital revolution, having created some of the most archetypal electronic music of the last 15 years. Not only has the band released some of the most influential ambient singles of the past two decades, but they helped spawn a generation of experimental acts that have made electronic music the powerful force it’s become today.

My MySongs for the GentlePlayhouse
My My is a wild enterprise. Hailing from the night wilds of Berlin, the sometimes threesome, sometimes solo project makes glitchy house tracks that exemplify the way dance music is supposed to sound: dynamic and filled to the core with bounce. Between the collective’s use of crazy samples and pads panned from all angles, dancing will not end.

Coffee 2 Go Launches Podcast

Since 2004 Noah Zark has hosted Coffee 2 Go, an underground hip-hop show on New York’s freeform radio station WFMU. Frustrated with the state of the airwaves, where the majority of artists getting play were signed to major and indie labels (which is still the case), Zark geared Coffee 2 Go towards quality hip-hop artists as yet unsigned by any label. The half hour shows are hosted by Zark, DJ BrownBum and The Custodian Of Records.

Catch these raw, unmastered demos in Podcast form now. Download the MP3 of the show every other week to hear a new batch of unsigned acts well worth hearing. Underground hip-hop artists take note!

wfmu.org

Coffee 2 Go

Westbam: Off The Wall

What’s in a name? Quite a bit if you’re 41-year-old Maximilian Lenz, better known as Westbam. The moniker–a combination of his home province Westphalia with that of his musical idol Afrika Bambaataa–dates him as a teenager of the ’80s, and suggests what he would eventually become famous for: being one of the first DJ/producers to incorporate hip-hop influences (especially breaks) into house and techno. Though the name Westbam may be dated, Lenz stands for ideals that are timeless. He’s a Berlin legend, channeling punk energy to the dancefloor with his Low Spirit label (founded in 1985), co-founding the Loveparade and Mayday raves, and even representing his country during a 1988 DJ performance at the Seoul Olympics. XLR8R spoke with Lenz about the effects of reunification on the club scene.

XLR8R: What was your first encounter with hip-hop, which initially got you into DJing?

Westbam: As a teenager, I was into punk rock. In the early ’80s, a lot of punk rock was new wave and electronic. It was about trying something new and innovative. So when I first heard hip-hop, especially tracks like Bambaataa’s “Death Mix” that focused on mixing, it struck me as a new form of minimal electronic music. It was hardcore and not commercial and appealed to me.

What was the club scene like in Berlin before the Wall fell?

West Berlin was an island in East Germany and a weird place to live. In the rest of West Germany, you had to draw for military service, but in Berlin, you didn’t. It attracted freaks from all over the place. If you wanted a career, you would have gone to another big city. If you were a freak, you went to Berlin. People would listen to underground music, drink vodka, and take cheap drugs.

What were the clubs like?

In the early ’80s, the best club for dance culture was Metropol, this big, dark, half-gay spot. There were a lot of smaller spots playing industrial stuff. The first acid house club was the UFO club, an illegal cellar; a stinking, dark hole you’d enter by climbing down a ladder.

How did the club community react to the Wall falling?

Before that happened, we had radio stations in West Berlin broadcasting dance music on Saturday night. Kids from East Berlin would listen to them, so when the Wall fell, the scene got packed with these new kids that knew all the music. Suddenly UFO was packed, and the street would be lined with all those funny-looking East German cars. These days techno isn’t a fashion–it’s a way of life. But all the clubs are in East Berlin now; it’s by far the hipper place. All the changes are happening in East Berlin, where the West is like any other part of West Germany.

Did you ever play in East Berlin before the Wall fell?

A few times. Of course, the police would listen to every record when you crossed the border to find out if it had anything against the regime. That’s why we didn’t do it very often.

What was the inspiration behind starting the Loveparade?

It was a typical, anarchistic Berlin idea. We only had this little club, UFO, so we thought, “Let’s do the ultimate trick and go to the police and say we want to do a demonstration for peace and love. We’re citizens, right? We’re going to get police protection and have a party on Berlin’s main street. Let’s do something obvious, with weird people and weird sounds that people won’t understand; and if they want to join us, that’s cool.” It was thrilling. Now everybody says they were on the float during the first Loveparade in ’88, but the first one happened in ’89.

Triple Five Soul Launches Flagship Store In Japan

Brooklyn-based clothing company Triple Five Soul has been expanding internationally for a few years now, pushing their brand of lifestyle gear into Europe, Australia, The Philippines, and other countries, and gaining a presence with different music and cultural communities. The new Japan flagship store, which opened officially on October 7, marks their first serious venture into the East.

Set in Tokyo’s Harajuku district, the two-story location is aptly placed in a neighborhood where the fashion subculture rules and where any and all kinds of creative expression can be seen on the streets. According to company CEO Troy Morehouse, in a press release, the location is key to Triple Five Soul’s growth in an ever more competitive international market.

The Harajuku store is open daily from 11am to 8pm.

Triple Five Soul Harajuku
YO Building 6-7-15, Jingumae
Shibuya-ku Tokyo
triple5soul.com

New At The XLR8R Podcast Interview Series

Released just this week on Kranky, Précis marks the first official full-length album for Thomas Meluch, known here as Benoît Pioulard. It might mark the first “official” release, but the 21-year old has actually been making music for some time now, layering guitars and his own vocals on top of bells, dulcimers, feedback, and others sounds on numerous homemade CDRs and cassettes. XLR8R’s Fred Miketa recently sat down with Meluch to discuss the new album, how his moniker came into being, and his take on making multi-instrumental music with an ambient twist.

For an added bonus, check out this week’s INCITE Online where you can download the song “Triggering Back” off the new album.

Download the XLR8R Podcast. iTunes 4.9 or higher recommended. 

pioulard.com

Violence In The Air

Maybe all that violence the US is wrapped up with in the Middle East is coming back to bite us in the arses, or maybe the industry players are fed up with a lackluster year in music. Whatever the cause, there’s definitely been an increase in artist violence over the last week:

On Friday the 13th (spooky!), a show indie-rockers Two Gallants were headlining in Houston received a noise complaint, followed by an officer walking onstage waving a flashlight. After the band refused to comply, ruckus ensued. The officer shot several people with a Taser gun, and numerous arrests were made. The jury is still out on who started what, but the key players here are officer G.M. Rodriguez and Vogel and Trainwreck Riders‘ Andrew Kerwin and Sean Kohler, who were onstage at the time.

If you didn’t read yesterday’s news, it was reported that Friday the 13th (spookier!) also saw DFA Records’ Juan Maclean jump offstage and punch a drunken fan. Granted, taking a microphone stand and banging it on the table where the decks sat wouldn’t have warranted a hug from the DJ, but since when did stooping to the level of a drunken imbecile become cool?

Meanwhile, Wilco frontman Jeff Tweedy reportedly decked a fan at a Monday night show in Springfield, MO. According to stereogum.com, where you can view a video clip, an excited fan jumped onstage, overtaken by the moment. What a mistake! Tweedy did, according to Stereogum, an unexpected “come-from-behind, fan-to-Tweedy contact” though we enjoyed the groveling apology to the audience afterwards.

At the rate things are going, you might very well see Hot Chip trashing hotel rooms and Jimmy Tamborello throwing phones at hotel clerks any day now.

Jeff Tweedy: Deceptively Serene

Juan Maclean looking edgy.

Oh shit.

Marok: Design Power

I track down elusive Lodown editor Marok (born Thomas Marecki) in a non-descript Kreuzberg building that houses the magazine’s office. His desk is in the back of the room, behind a floor-to-ceiling bookcase that houses all 52 issues of the magazine, plus a predictable collection of limited-edition vinyl toys and limited-run books. Rangy and tan, with watery blue eyes and a weathered look that bespeaks years of board sports, 34-year-old Marok very much resembles a much quieter version of Tony Hawk. He’s known for answering questions with no more than one carefully measured sentence.

A similar economy can be found in his design, which mixes sharp photos and clever fonts with the odd well-timed slogan (“Fill your culture with content,” “We shall overcome mediocrity”). Marok makes the street/skate lifestyle look classy; eschewing anything over-the-top, he’s like a puppet master, gently pulling strings and creating magical backdrops while generally trying to keep himself as invisible as possible. “I would rather go abstract in thinking about type or patterns,” he explains. “I’m not a big fan of illustrations unless they really have something to say.”

Born and raised in the Wilmersdorf district of West Berlin, Marok spent his teens tagging, listening to Hieroglyphics, reading Thrasher, and skating in baggy Droors shorts–in other words, consumed by the American underground lifestyle of the ’80s. Having a graphic designer for a father, he honed his aesthetic early on, then got a graphic design degree; but the turning point was a half-year spent in San Diego, CA, where he was surrounded by his surf and skate idols and the groundbreaking layouts of former Transworld art director/RayGun founder David Carson.

Returning to Berlin, he printed up 3,000 issues of the 48-page, full-color Lodown #1, which covered street skating, BMX, fashion, and music in German and English. “In the ’90s, it was all about special layouts,” recalls Marok. “I was just trying to fuck up the grid system as hard as I could. In the beginning, we were so idealistic. Any company we didn’t think was cool, we wouldn’t accept their ads. We stuck with this, and it worked for us.”

Following issue #50, Marok turned over Lodown‘s design to guests (Berlin’s Studio Anti and Floor 5, and the tag-team of Don Pendleton and Matt Irving) to concentrate on other projects–such as the gigantic silkscreens about “the collapse of traffic” he’s just done for a gallery in Copenhagen. When pressed for sage words of wisdom for the young’uns, he demurs. “I can’t really give any advice, except persistence–follow what you believe in.”

Skeletons & The Girl Faced Boys: New Name, New Album

You know Matt Mehlan’s ever-changing project as Skeletons & The Girl Faced Boys, and from the band’s 2005 album Git. Always ready to mix things up a bit, the band has seen new members in the last year and a name change as well.

Skeletons & The Kings Of All, as they’re now known, continue tweaking their brand of organized musical chaos with their latest release Lucas, out on Shinkoyo. Pressed on grey-vinyl, the album will come in limited quantities (500 total) with special artwork and track sequencing by artist Justin Craun, and is scheduled for a release that coincides with their November 2006 tour. The CD and digital versions will be released on Ghostly in Spring 2007.

Track List

1. What They Said
2. Fake Tits
3. Hay Wh’ Hppns?
4. Don’t Worry
5. The Shit From The Dogs
6. Like It Or Not
7. Let It Out
8. Sickness
9. Push ‘Im Out

Meanwhile, the band takes their new name on the road for some live dates this fall.

11/15 New York, Cakeshop
11/16 Baltimore, The Bank
11/17 Pittsburgh, Brillobox
11/18 Columbus, Andyman’s
11/19 Champaign, Cowboy Monkey
11/20 Chicago, Empty Bottle
11/21 Madison, Cafe Montemarte
11/22 Milwaukee, Stonefly
11/14 Lansing, Temple Club

Zion I East Coast Tour Dates Added

It may be a bit of a mouthful to say, but Heroes in the CIty of Dope, latest release from East Bay hip-hop duo Zion I and their cohort The Grouch, is well worth picking up at record stores. Producer and DJ Amp Live and emcee Zion have been working together since 1998, pushing their lyric-packed tracks to the streets of Oakland and beyond and garnering a lot of good press in the process. East Coast and Canadian fans will be stoked to see a slew of new dates that have the boys traveling that way this fall. Check ’em, then check the album.

Heroes in the CIty of Dope is out now on Om.

Tour Dates

10/19 Vancouver, The Plaza
10/20 Bellingham, The Nightlife Lounge
10/21 Missoula, The Other Side
10/22 Bozeman, Zebra Cocktail Lounge
10/25 Salt Lake City, The Urban Lounge
10/26 Ft. Collins, The Aggie Theatre
10/28 Denver, Larimer Lounge
10/29 Durango, The Abbey Theatre
10/31 Dallas, Haileys
11/01 Austin, Emos
11/03 Albuquerque, The Sunshine Theatre
11/04 Phoenix, Venue TBA
11/06 Flagstaff, Orpheum
11/07 San Diego, The Casbah
11/08 Los Angeles, The Knitting Factory
11/16 Saskatoon, Odeon Theatre
11/17 Red Deer, Venue TBA
11/18 Edmonton, Sidetrack
11/20 Calgary, Hi-Fi
11/21 Fernie, Royal Hotel
11/22 Nelson, Hume Hotel
11/23 Karmloops, Venue TBA
11/24 Whistler, Venue TBA
11/25 Victoria, Venue TBA
11/28 Allison, Great Scott
11/29 Burlington, Nectar’s
11/30 Baltimore, Sonar
12/01 Brooklyn, Southpaw
12/02 Philadelphia, The Fire
12/05 Hamilton, Casah
12/06 London, Ontario, Call The Office
12/07 Ann Arbor, Venue TBA
12/08 Chicago, Abbey
12/09 Madison, Annex
12/10 Minneapolis, 7th St. Entry

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