Stream an Ominous Track from Steve Murphy’s New Project on Lobster Theremin

Italian DJ-producer Steve Murphy has returned to Lobster Theremin‘s Black Label offshoot as The Night Flyer to release a new three track EP. The release will carry the torch for the series’ growing back catalogue of dark, warehouse-friendly techno, joining Snow Bone, Daze, and Manse. With only eight Black Label releases under their belt within a two-year span, it goes without saying that the London imprint has developed a discerning ear in building their idiosyncratic discography.

The concise offering positions Murphy’s new project as a major figure within the intersecting techno, EBM, and industrial landscape forged globally by the likes of Ron Morelli, Helena Hauff, and Legowelt. From the sinister mission statement of his title track to the relentless acid of the EP’s “All Wrong” introduction, the short offering packs a menacing punch.

Stream the EP cut “All Wrong” exclusively via the XLR8R’s Soundcloud below, and grab the release by going here.

Jeff Mills Reveals Details of Next LP

Jeff Mills‘ next full-length, Free Fall Galaxy, will drop via his own Axis Records on June 24.

Free Fall Galaxy 
is set to become the ninth chapter in Mills’ Sleeper Wakes Serie, which is described by the producer himself as “a science fiction story about the structure, preservation, limits of the human species and existence, the assumed realm of other intelligent life forms, the other dimensional worlds and realities beyond the horizon of our imagination.” Other recent additions to it include 2014’s Emerging Crystal Universe and 2013’s The Jungle Planet.

The album follows Mills’ typical techno stylings. It is conceptualized around a fictional galaxy, one that is elusive in nature and has inexplicable predator-like features, endlessly consuming others without larger in mass or size. Based around that idea of its mysterious nature, the album begins not at track 1 “Medians”, but actually at track 11 ”Entering (Free Fall Galaxy).”

Free Fall Galaxy will hit stores on June 24, and can be pre-ordered at Juno and Bleep.

Tracklisting:
1. “Medians”
2. “The Hunter”
3. “Gravitational Lensing”
4. “Inner Synthesis”
5. “Solar Crossroads”
6. “Transformation In the Virgo Constellation”
7. “The Hunted”
8. “Rabid Star Clusters”
9. “Tri-angularism”
10. “Spectroscopic”
11. “Entering (The Free Fall Galaxy)”
12. “Irreversible Elliptic Orbits”
13. “Aurora”

Faster “Ankerslot”

This free download is exactly what it says it is. There are no secrets. There is no EP or album from which the track is drawn; it is nothing more then an unreleased track produced by Faster (a.k.a Suciu Laurentiu) offered to our readers for free.

For those of you who do not know, Faster is a Romanian DJ-producer based out of Bucharest, and founder of the Ruere imprint.

Earlier this year we also offered a stream of Faster’s set from Sunwaves Festival which is available here. 

Ankerslot

Cassy Donna

As a DJ, Cassy Britton has long been one of clubland’s best within a certain subset of house and techno—specifically, the sort that’s sensual, intimate and full of emotion. It’s a skill set that’s taken her far: over the years, she’s had residencies at the places including Panorama Bar, Rex Club, Trouw and Circo Loco—and on top of that, she’s on seemingly perpetual tour, playing clubs and festival across the globe. But her discography, comparatively speaking, is a bit bare. That’s certainly not to imply that her recorded work—otherworldly and warm, often graced with her own spectral vocals—isn’t top-notch; it’s just that there’s been just enough to whet our appetites, and just enough to leave fans of her sound craving more. Finally, after a period of personal upheaval—breakups, transoceanic relocations and more—she’s releasing her debut album on the Aus label. Sadly, though Donna is obviously a heartfelt project, it’s a bit of a letdown.

That disappointment is compounded by the fact that Donna was co-produced by the ever-reliable King Britt. In theory, the Philadelphia-based vet—whose discography stretches from Strictly Rhythm and Nervous through to Planet E and Hyperdub, would seem like a perfect match for Britton. Britt’s gifts, in part, stems from his affinity for forward-thinking soul, and Britton’s tracks have always had a simmering sea of emotion sitting just below their surface. Vibe-wise, the pairing definitely works: there’s an affecting aura of mood and melancholy—a poignant sense of loss runs throughout—that gives the project a cohesive feel. That consistency extends to the overall sound design, as well; there’s a warm, rounded feel to the album, one that tends to buff away any sharp surfaces. On an EP, that kind of tonal uniformity is welcome, but on a 12-track album, it can devolve into achromatic sameness.

But what of the songs themselves? One of the reasons that Britt was brought on, presumably, is that he’s something of a sonic polymath, equally adept at funky R&B and jazzy hip-hop as he is at house and techno. The good news is that, style-wise, there’s a healthy measure of variety on hand; the bad news is that the tracks that veer away from the four-to-the-floor paradigm are among Donna’s weakest.

Britton’s doesn’t have the world’s strongest voice, but there is an affecting, almost shy passion to it—and that quality serves her well on “Strange Relationship,” a wistful slow-jammer where she almost sounds like Pharrell in sensitive-falsetto mode. The problem is the instrumentation: the cut’s cocktail-jazz electric piano and fluttering synth lead it into the realm of cliché. Lead cut “This is How We Know” has the bones of a low-key skeletal-funk number—but the song never quite reaches the kind of sensuality that it’s reaching for, and doesn’t quite hit. Similarly, the bossa-inspired rhythm of “Cuando” gives off little in the way of tropical heat, while “You Gotta Give” is a nice approximation of ’80s-inspired electronic R&B, but almost feels like a schematic diagram of the sound, rather than the sound itself. The components—warm pads, spiralling synths, luscious melody, syncopated kick—are all there, but they never seem to fully coalesce.

Props to Britton for trying out new templates—but she’s on firmer ground when she’s in her 4/4 comfort zone, and Donna’s at its best when it plays to her emo-house strengths. “Keep Trying,” layers Britton’s swirling voice over gentle keys to hypnotic effect; the propulsive “All I Do” strips things down to the core, focusing attention to the “all I do is think about you” vocal, which in the context of the track somehow comes off as a confident rather than disconsolate declaration; a rousing synth, entering midway through “Move,” gives the tune a feel that hovers somewhere between majestic and wistful. Britton’s at her most commanding with songs like these—they’re sometimes delicate, they’re occasionally poignant, but they’re always brimming with vitality.

Tracklisting:
01. This Is How We Know
02. Feel
03. Back
04. All I Do
05. Strange Relationship
06. Cuando
07. Route To Thonon
08. Keep Trying
09. Move
10. Without You
11. What If
12. You Gotta Give

Aus Music will release Donna on June 24, 2016.

Berlin Atonal Announces Second Wave of Artists

Berlin Atonal has unveiled the second batch of names added to its 2016 lineup.

The annual Atonal festival will return to its home of Berlin Kraftwerk late this August. Moritz von Oswald has just been added to the bill, performing alongside Rashad Becker—it will be the second time their fathom project (which is based around the arrangement and reprocessing of live piano) has been given an outing.

Joining them are Thomas Köner & Andy Mellwig, who will play a live set as Porter Ricks, as well as Finnish artist Mika Vainio who will team up with Daniel Pflumm for an audio-visual show. Argentinian producer Jonas Kopp and experimental filmmaker Rainer Kohlberger also join forces for an AV project, while experimental techno heads Justin K. Broadrick (a.k.a. JK Flesh) and Orphx give their first ever collaborative performance. Finally, live shows are booked in from visiting American acts Prostitutes, Ron Morelli and 51717.

For more information, the full lineup and tickets to the festival, head to the Atonal site.

Learn Synth Drum Sound Design in Native Instruments’ Massive and Battery

Following on from the previously released Massive tutorial, Point Blank has shared its latest Friday Forum Live video, which once again focuses on Massive—this time creating drums in NI’s premier synth, with further manipulation in drum behemoth Battery.

In the video, Carter looks at creating analog-like drums from scratch, as well as beefing up your existing samples, and further tricks and treatment in Battery.

You can watch the video in full via the player above, with more information on Point Blank here.

Watch a Haunting Video from Subtext Recordings and Eric Holm

Subtext Recordings is set to release Eric Holm‘s Barotrauma on June 24.

Following on from Andøya—Holm’s debut for Subtext that was composed primarily out of two 30 second recordings of power lines in arctic Norway—Barotrauma was recorded in the Nordic Fjords south of Oslo while Holm was training at the Norwegian School of Commercial Diving (Norsk Yrkesdykkerskole). During the training, world oil prices collapsed, leaving Holm with an uncertain future and the catalyst for his latest endeavour, which was to capture “the lonely calm of his isolation in the dark water.”

Holm started recording his dives, collecting video and audio of the interference—engines, equipment, and drilling—he would encounter. The recordings were then manipulated and processed, forming his vision of the underwater environment in Barotrauma.

In anticipation of the forthcoming release, Subtext and Holm have shared a trailer for the ambitious project, which you can watch in full via the player above.

Exclusive: Alix Perez Crafts a Mesmeric Drum & Bass EP; Stream Title Track Now

Last summer, Alix Perez and Eprom clothed themselves in all black and hit the road as Shades, following the duo’s self-titled EP on Alpha Pup. The tightly crafted bass music spread like wildfire and the two artists even came together to deliver one of our most popular podcasts of 2015. This summer, Perez has decided to take a break from his Shades project with Eprom and step back amongst his drum & bass roots. With a new imprint of his own, called 1985 Music (pronounced one-nine-eight-five), Perez has released a spectacular EP titled Elephant Dreams that is refined, unequivocal, dark, and straight up bewitching.

Perez provides further insight into his new label, saying: “Starting my own imprint has been on the cards for a quite a while, and I feel now is the right time. My vision for the label is very solid; it’s is a platform rooted primarily in the 85 / 170 bpm bracket but also going beyond with no rules applied. I want to push and support good, forward thinking music that I believe represents the focus of 1985.”

Having just dropped his label’s inaugural release today, Perez has graciously offered XLR8R an exclusive stream of his EP’s title track “Elephant Dreams” (feat. Skeptical).

You can purchase Elephant Dreams via Beatport by going here.

Vinyl and merch pre-order here.

Exclusive: Alix Perez Crafts a Mesmeric Drum & Bass EP; Stream Title Track Now

Last summer, Alix Perez and Eprom clothed themselves in all black and hit the road as Shades, following the duo’s self-titled EP on Alpha Pup. The tightly crafted bass music spread like wildfire and the two artists even came together to deliver one of our most popular podcasts of 2015. This summer, Perez has decided to take a break from his Shades project with Eprom and step back amongst his drum & bass roots. With a new imprint of his own, called 1985 Music (pronounced one-nine-eight-five), Perez has released a spectacular EP titled Elephant Dreams that is refined, unequivocal, dark, and straight up bewitching.

Perez provides further insight into his new label, saying: “Starting my own imprint has been on the cards for a quite a while, and I feel now is the right time. My vision for the label is very solid; it’s is a platform rooted primarily in the 85 / 170 bpm bracket but also going beyond with no rules applied. I want to push and support good, forward thinking music that I believe represents the focus of 1985.”

Having just dropped his label’s inaugural release today, Perez has graciously offered XLR8R an exclusive stream of his EP’s title track “Elephant Dreams” (feat. Skeptical).

You can purchase Elephant Dreams via Beatport by going here.

Vinyl and merch pre-order here.

[a]pendics.shuffle “A Wave”

Kenneth James Gibson is a man of many personas. Back in 2010, we were happy to be able to share a cut from an album he produced under his birth name. Six years on, and his workload has grown to be as substantial as the catalog of aliases that he has created it all under. Earlier this year, he released an ambient full-length via Kompakt (The Evening Falls), and now he is preparing for the release of another under his [a]pendics.shuffle alias: set to drop this July on Adjunct, Aware Sequence Found Life is the first [a]pendics.shuffle album in over a decade.

The recent boost in productivity stemmed from a relocation: last year, Gibson found himself on the mountaintop of Idyllwild, California, and ended up staying. Both of this year’s new albums were conceived in his new home, surrounded by nature and his own space.

Taken from the forthcoming dancefloor-oriented Aware Sequence Found Life LP,we are fortunate in being able to offer “A Wave” for download today. A deep, subby bassline pulses under unpredictable abstract noises, muted vocal snippets, and the occasional stab of a synth. The track is as schizophrenic as its producer’s multiple personalities, going through all sorts of divergent phases, yet somehow maintaining a thread between them all. It’s a good insight into what to expect from the album, which promises plenty of variety.

Download “A Wave” via WeTransfer below. You can pre-order Aware Sequence Found Life at Deejay.de.

A Wave

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