Preview a Double-LP Retrospective of Disco Pioneer Patrick Cowley

Perhaps best known as a frequent collaborator of the Bay Area’s “Queen of Disco,” Sylvester, as well as the production force behind many classic cuts for the Megatone label (which he co-ran), Patrick Cowley was a legendary producer whose pioneering career was cut short when he became an early victim of the AIDS epidemic in 1981. Credited as one of the key innovators behind San Francisco’s hi-NRG sounds that came to dominate gay discos of the time, Cowley’s legacy will continue to be preserved thanks to the Dark Entries imprint, who, along with long-running SF party Honey Soundsystem, will issue a collection of newly restored Cowley productions unearthed from the garage of gay-porn company Fox Studio. Set to see a release on October 19, School Daze will offer 11 tracks of Cowley’s adventurous and spacey disco cuts restored across two LPs. In the meantime, the label has set up a website to help those curious about the man’s legacy gather some new insight, while also sharing 90-second previews of each song included in the School Daze collection—all of which can be streamed via the player below.

Video: Aleph “Fourth Way”

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19-year-old, Siberian producer Aleph has just shared a new video ahead of his blitzing, glitch-heavy EP for King Deluxe, Fourth Way. The three-dimensional images that appear throughout Aleph’s piece were created by Gero Doll, and are impressively strange, as they grind classic, Windows 97-like vibes into flashes of undulating graphics. On the musical side of things, “Fourth Way” is an expansive and cantankerous track filled with wind chimes and pianos frolicing over a chippy synths and IDM beats; combined with the video, the two are a force of raucous sensory overload.

Phaeleh “Make You Feel”

We last heard from Bristolian DJ/producer Phaeleh (a.k.a. Matt Preston) a little over a month ago, when we offered up Applebottom‘s remix of his tune “Storm.” Now, Preston has shared a new track to coincide with a North American tour, which begins on Thursday in Miami and wraps up on October 5 in San Diego. “Make You Feel” is a relaxed cut, with a slinky, 2-step-inspired beat worming its way around glistening synths, before the track fades out into an extended coda. Phaelah’s full North American tour dates can be found after the jump.

09/12 ­ Bardot, Miami
09/13 ­ Drake Hotel, Toronto
09/14 ­ Le Belmont, Montreal
09/18 ­ U Street Music Hall, Washington DC
09/19 ­ Boot & Saddle, Philadelphia PA
09/20 ­ Glasslands, Brooklyn NY
09/21 ­ Great Scott, Allston MA
09/22 Symbiosis Gathering, Oakdale CA
09/25 ­ The Loving Touch, Ferndale MI
09/26 ­ Schubas Tavern, Chicago IL
09/27 ­ Decibel Festival, Seattle WA
09/28 ­ Electric Owl, Vancouver BC
09/29 ­ Holocene, Portland OR
10/02 Casselman’s, Denver CO
10/03 ­ King King, Los Angeles CA
10/04 ­ 1015 Folsom, San Francisco CA
10/05 ­ Casbah, San Diego CA

Make You Feel

Listen to Jessy Lanza’s Debut Album for Hyperdub

After sharing the details of her upcoming album in June and premiering her stellar mix last month, Jessy Lanza has finally shared a full stream of her debut LP ahead of its release on September 17 via Hyperdub. Pull My Hair Back finds the oft-reliable UK label further expanding from its garage and dubstep beginnings, as the album is packed full of wound-up synth-pop and shimmering R&B choruses, courtesy of Lanza’s soft-cooing voice and co-production from Jeremy Greenspan of Junior Boys. The nine-song Pull My Hair Back can be heard in its entirety here, courtesy of Pitchfork Advance.

Stream New Tracks from Dusky and Leon Vynehall

With both artists ready to drop new records later this month, Dusky (pictured above) and Leon Vynehall have each shared streams of one of their as-yet-unreleased tunes for Aus and 3024, respectively. “Words Later On,” lifted from the upcomingCareless EP, finds Dusky continuing to work with thick basslines, straightforward dancefloor grooves, and dense atmospheres, while the closing track off Leon Vynehall’s imminentOpen EP, “XVII (Rox Out),” bangs around in a much more raw and dusty fashion—albeit with a similarly funky vibe. Both productions can be heard in their entirety below.

Listen to Jacques Greene’s Remix of Autre Ne Veut

Seeing as how both Montreal DJ/producer Jacques Greene and Brooklyn artist Autre Ne Veut (pictured above) are both R&B obsessives, it feels wholly appropriate that the former has remixed the latter’s stratospheric “Play By Play” single from this year’s impressive Anxiety LP for Software. And even if we did hear a bit of this slow-burning production in the remixer’s recent Boiler Room set, having a crisp, high-quality stream of “Play By Play (Jacques Greene Remix)” to dive into is nonetheless satisfying. The track can be heard in the player below, underneath which Autre Ne Veut’s upcoming North American and European tour dates can be found.

10/03/13 @ TBA – Milan, Italy
10/04/13 @ The Parish w/ Wild Nothing – Austin, TX
10/05/13 @ Austin City Limits – Austin, TX
10/09/13 @ Marfa Ballroom – Marfa, TX
10/12/13 @ Austin City Limits – Austin, TX
10/25/13 @ Rock and Roll Hotel – Washington, DC
10/27/13 @ Mountain Oasis Festival – Asheville, NC
11/19/13 @ Kazimier – Liverpool, UK
11/20/13 @ Netil House – London, UK
11/21/13 @ Green Door Store – Brighton, UK
11/22/13 @ Hare & Hounds – Birmingham, UK
11/23/13 @ Brudenell Social Club – Leeds, UK
11/25/13 @ Rotown – Rotterdam, NL
11/26/13 @ Botanique Rotande – Brussells, BE
11/27/13 @ Trouw – Amsterdam, NE
11/28/13 @ Fleche d’OR – Paris, FR

Watch the New Video for Skream’s “Rollercoaster” Single

The music appeared late last month, and we now have the visuals for Skream‘s disco-focused single, “Rollercoaster.” Before the new tune drops via Rinse on October 27—complete with remixes from the Jimmy Edgar, Curses, Hrdvsion, and Route 94—its playfully apocalyptic video about a “disco comet” headed straight for Earth can be seen in the player below.

Podcast 312: Delroy Edwards’ New Forms Mix

Over the past two years, L.I.E.S. has become one of dance music’s most hotly tipped imprints, and there’s little question that the influence of the label’s raw, back-to-basics approach has crept across the electronic sphere. And though L.I.E.S. keeps even its most ardent fans busy with a high volume of releases from a variety of producers, a small circle of the label’s artists has become particularly sought after. Delroy Edwards is one those artists. Based in Los Angeles, the young beatmaker maintains a very low profile and still only has a handful of tunes in his official discography, but this small sample size hasn’t diluted the enthusiasm for his work. On the surface, Edwards is making house, but his unpolished approach to the genre incorporates elements of ’80s electro, acid, ghetto house, and the first iterations of Detroit techno. This weekend, he’ll be performing as part of the XLR8R-sponsored New Forms Festival in Vancouver; in anticipation of his appearance, the festival has enlisted Edwards to put together an exclusive mix for our podcast series. Filling the tracklist with unreleased and untitled tunes, Edwards has put together a compelling document that reflects the various aspects of his musical personality. Not many artists could compellingly marry obscure rap freestyles with harsh, distortion-laden techno, not to mention a late-’70s slowjam like Bobby Caldwell’s “What You Won’t Do for Love,” but somehow, it all makes sense in Edwards’ hands.

01 Canibus “Freestyle” (Loud)
02 Gene Hunt “Untitled” (L.A. Club Resource)
03 Delroy Edwards “Untitled” (L.A. Club Resource)
04 Delroy Edwards “Untitled” (L.A. Club Resource)
05 Lee Gamble x Delroy Edwards “Untitled”
06 Delroy Edwards “Let’s Go Home (Edit)”
07 DJ Paul “I’m Chucky”
08 DJ Screw “Untitled”
09 Bobby Caldwell “What You Won’t Do for Love” (Clouds)
10 Greg Beato “3” (Apron)
11 Low Jack “Untitled” (L.A. Club Resource)
12 Beau Wanzer “Two Orders” (L.I.E.S.)
13 Guru “Freestyle”
14 Boot Camp Clik “Freestyle (Screwed Up by Delroy Edwards)”

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XLR8R_Podcast_Delroy_Edwards_New_Forms_Mix_2013_09_10

Stanky “Pavement Etiket (Nuances Remix)”

Operating under his abstract-leaning handle Nuances, Brighton producer Manni Dee envelops “Pavement Etiket” in towering layers of crisp textures and dusty noise on this remix. Pulled from Stanky‘s (pictured above) forthcoming Midnight Snacks EP, the original “Pavement Etiket” is already a rather abstract affair, but Nuances manages to take the tune even further out into the depths of leftfield dance music, delivering a rework that blurs the lines between sound design, ambient production, and techno in an intirguing manner. This version is not included on Stankys forthcoming EP, but the eight original Stanky productions that are can be previewed after the jump, before Midnight Snacks lands on September 16 via the Shades imprint.

Pavement Etiket (Nuances Remix)

DJ EZ Fabriclive 71

A set from UK garage savant DJ EZ comes with certain expectations. In the decades since he first started in London’s pirate-radio circuit, EZ has developed a particularly distinct and recognizable style. One can always count on hearing plenty of DJ drops, specifically the same perky earworm he’s used for decades, which features a jewel-bright female voice chirping his name. His mixing is usually choppy and complex, as his style involves nimbly juggling beats with neat, precise movements. And of course, the KISS FM host’s staccato transitions will likely connect classic 2-step to grime records and contemporary garage cuts. EZ delivers all his signature moves on his contribution to the longstanding FabricLive series, and the result is a breathless and thoroughly entertaining tour through the last few decades of pop-oriented garage and grime.

FabricLive 71 is not a mix that’s stuffed with overlooked treasures from the golden age of garage or even little-known gems from today’s underground heroes. EZ does, however, supply plenty of classics, such as Dem 2’s XL-endorsed “Destiny” and MJ Cole’s 1998 hit “Sincere,” and his contemporary selections don’t dive much deeper than crossover acts SBTRKT and Disclosure. Of course, EZ is first and foremost a pop-radio DJ, so it makes sense that he’d favor the breakthrough stars of the recent garage-oriented revival. At the same time, it’s hard not to see his inclusion of three tracks from Disclosure as overkill. There’s the smooth and bubbling “You & Me,” a rework of Artful Dodger’s “Please Don’t Turn Me On,” and the comparatively conservative, low-slung “Control.” They’re all strong tracks that work well in context, but EZ’s focus on the most buzzed-about acts means that FabricLive 71 only scratches the surface of the genre’s evolution.

EZ is prone to overindulgence, and not just with respect to Disclosure tunes. He’s an enthusiastic and highly passionate DJ who’s not afraid to play too many DJ drops or exclusive dubplates that throw his name into the mix; on “Please Don’t Turn Me On (Disclosure Remix—DJ EZ Special),” vocalist Zoe Kypri belts “This is the sound of DJ EZ/Playing the tunes for me” in lieu of the opening lines from Disclosure’s original remix. On “Let’s Go Back,” grime MC Majestic’s homage to the old school, he laments that he missed out on seeing EZ spin in the halcyon days of UK garage and grime. Granted, a certain amount of cheese is par for the course with any EZ mix, but he occasionally goes a little overboard.

That’s not to say that his enthusiasm doesn’t pay off in the form of an undeniably fun, no-holds-barred romp from banger to banger. There’s not a dull moment on FabricLive 71, as EZ keeps things constantly moving and changing; furthermore, his speedy mixing allows him to cram 32 tracks in over the course of a little more than an hour. The mix opens with “EZ Intro 7,” a version of the uplifting garage track he used on the Pure Garage compilations, and he navigates deftly and suddenly into bass-heavy grime boomers like Cause & Affect’s growling “Kamikaze” and “I Know You Want Me,” a sub-smashing cut with a pinched rave vocal from Royal T. From there, he comes back around to hands-in-the-air garage anthems like Todd Edward’s bright, noisy “Javid Khan” and strings together time-honored 2-step tracks from the likes of Ed Case and Smokin’ Beats. EZ doesn’t pull any punches or try any uncharacteristic tricks on FabricLive 71; he’s got a successful formula, and he’s sticking to it.

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