Torkelsen “Travels”

XLR8R readers may remember earlier this year when Norwegian producer Kristian Torkelsen offered his self-titled debut on the internet as a free download. You may have also caught wind of the second beat tape he released in October, Torsnes Beats Vol. 2, in which he sampled from his heavy collection of vinyl and from the Torsnes countryside where he resides. Following his string of releases with the Oslo-based imprint Sellout!, the prolific beatmaker is now offering us a never-before-released exclusive. “Travels” displays the warm, vinyl-cut sound that Torklesen established early on in his work; subdued kicks build up into a cadence of bleary-eyed piano flourishes and unified humming, putting the listener right there with the producer in his beautifully dismal Torsnes landscape.

Travels

Lucy Finnegan

It’s hard to say whether Lucy is intentionally evoking the most impenetrable novel in the English language on “Finnegan,” but this EP of industrial-tinged techno does feel decidedly dreamlike and hallucinatory. Pairing one of the Italian-born, Berlin-dwelling producer’s own tracks with two remixes from the UK’s Pariah, whose dark instincts and shared fondness for gender-bending alter egos—with Blawan, he performs as Karenn—”Finnegan” is an intriguing prospect.

On the a-side, the Stroboscopic Artefacts founder fleshes out a sidewinding, metallic loop—an enigmatic collage of stupefying gongs, thuds, and ratcheting scrapes—with a glowering techno push, all mincing, long-tailed hi-hats and padded kicks. Smudged with the sonic fingerprints of musique concrète and dub, a sense of imbalance gives it an unexpected immediacy. The track dives into fitful snoring for a moment—daring a more overt reference to Finnegans Wake perhaps?—only to return with greater urgency.

In a gesture of international techno amity, Lucy hands the reins over to Pariah for somewhat interchangeable remix and dub versions. These are sleeker creations than the original, trading in the its suggestion of incoherence for a tighter focus. On both versions, “Finnegan”‘s central motif is refashioned as a subliminally jacking tom pattern. The contrast between Pariah as a representative of new British techno, and the multitudes it contains, and the somewhat more established Stroboscopic Artefacts sound makes for an interesting dialogue. That’s for the best, as the two remixes are only slightly different, with the first flying a pitch-tweaking synth line and the second meditating on an FX-laced bell sound. In the end, Pariah’s remixes are less interesting to return to than the original, though they’d probably go over well in a club. The approaches he and Lucy represent aren’t hugely different on the surface, but this EP exerts enough strange magnetism to bring the listener in to examine its details.

Myth Syzer “No Worry Guitar by Dream Koala”

The Parisian beatmaker known as Myth Syzer sends his regards from paradise with the track “No Worry Guitar by Dream Koala.” The daydreamy number starts off with an alien and indiscernible popping sound before flowing nicely into a relaxed hip-hop beat with nonchalant layers of tropical guitar and synths. Quickly gaining notably as a prolific artist with roughly seven releases dating back to June of last year, Myth Syzer’s new track is a less hyperactive, nearly lounge-like production compared to his prior output. Featured as part of the freely downloadable Hyt EP (released online yesterday via Plug Research), the track stands out within an even slower and less structured collection of songs. You can check out the rest of Myth Syzer’s free record here.

No Worry Guitar By Dream Koala

No Worry Guitar By Dream Koala

Trainwreck: DVA

Scratcha DVA (a.k.a. Leon Smart) is an animated guy. (We thought so even before he sent over the above depiction of himself as Raiden from Mortal Kombat.) His productions are obviously the work of an extrovert—check the wonky exuberance of his recent Fly Juice EP on Hyperdub for proof. And as the longtime host of Rinse FM’s Grimey Breakfast Show (he’s since switched to Hyperdub’s less frequent program), DVA frequently peppered his sets with his own hilarious charisma. However, there’s nothing funny about this harrowing tale from his early days. At the height of UK garage, Cyprus’ Ayia Napa was the setting for a story of mistaken identity, police brutality, gruesome bloodshed, and more.

You know Ayia Napa, when everyone was going there? Not now, cuz it’s different [now]. But I went there in 2002, so 10 years ago—garage days. I wasn’t a proper DJ or anything like that, but I had records—I wanted to be in the scene, so I just took loads of records out there, and hustled loads of DJ sets at [venues] like Twice As Nice and Faces, known places. Anyway, I played in one club—can’t remember what one—and I was with a few of my mates, cuz it was a bit of a holiday as well. I left my mates in the club—I said, “Listen, I’m going to take my records back [to the hotel].” I took my record bag, winged off on this moped. I go back to the hotel, and the door was open. This is like a chalet as well, it wasn’t like in a hotel where you’ve only got the room—the room was on the street.

The door had been kicked open—it was dark as well—I pushed the door open to see what was going on, and everything is smashed up, everything was everywhere. I was like: “Okay, cool. We’ve been robbed.” I didn’t even go in, because the biggest kitchen knife we had in the drawer—you know in hotels, where you put your card in to turn all the lights on? Instead of a card, it was our kitchen knife. I’m like, “This is fucking scary. I’m going to go straight to reception and tell them.” I went there, and the receptionist came out [to the room]. He does the same as me, doesn’t go in, just has a little look, and [he says], “Wait, I’m going to go get a security guard.” So I went back to reception with him.

When I went back with the security guard—I swear—the knife that was sticking out of the thing was gone! So whoever was in there, was still in there! Now I’m trying to tell the security guard there was a knife in there. He didn’t believe me, so he got a torch and walked in there, and he’s like, “Yeah, you’ve been burgled. I’m going to call the police.”

The police come [in a] black BMW, and two geezers get out the car. They didn’t look like policemen at all; they had gelled hair, and looked like they had come from the nightclub. They had a spare electric key, so they turned the lights on—for the third time, “You’ve been robbed.” The police are looking around, they’ve gone into all the rooms, and then one of them comes over to me and asks me to take my shoe off. I took it off, and he goes over to the door and measures up the footprint on the door! I just thought it was some sort of procedure, so I don’t think anything of it. Then he comes back over and hits me right in the face with the shoe! I’m like, “Listen, this is my apartment—me and my mates—and I’ve been robbed! I called you!”

And he’s like, “No, no, you got the stuff!”—slapping my face. And I’m thinking, “Oh my god, shit’s getting real.” I’m saying, “No, this is my room, I’m Leon Smart.” They’re not having it. They put me in the car and drove me to the fucking police station. On the way there, I was shitting my pants. I didn’t know what was going on. We got to the police station, which is like far away, and they just put me in this room. They got this other policeman to come in, and he’s like, “You English people, you come here, you fuck up our country.” I was now panicking because I was in the police station. I was sitting in this little plastic chair, and this fat dude comes over to me and puts his foot right in between my balls, and he’s squeezing down my balls—movie shit—and he’s going, “You going to tell me where the stuff is, you’ll never see England again!” He said they’re going to rape me and all this stuff in prison. I actually started to cry, cause I’m like fuck—I’m going to get bummed and everything and I haven’t even done anything!

They said, “Do you want any help?” And I said, “Yeah, get me help.” When the lawyer came, he was busting jokes with them in the corridor, and looking at me and laughing, so I thought, “This guy is never gonna help me.” So I said that I did it. They [had] said if I own up to it, they were going to drive me back to my room, then I would show them where I’d hid all the stuff. We get back in the car—I got two policemen in the back with me now, and one in the front. On the way back, the guy is trying to rip my ear off, going “I hate you black people and English people,” and all this shit. I said, “Listen, if you want to beat me up, just get me out the car now and beat me up, and just go away,” like is this going to end? By this time, it’s seven in the morning and my mates are there. [When] we got back, my mates are in the room. These policemen come in and they thought I brought the police to help, but [instead] they slap me up in front of my mates, and they’re like, “find the stuff.” And my mates are like, “No, I don’t know what you’re talking about, this is my room,” and then [the police] just fucked off! They just left! I didn’t even care to say what had been stolen—[I was just thinking,] “Get these fuckers away from me.”

Now I’m sitting there thinking, “Who the fuck robbed the room?” We’d only had girls in the room, and there was one other guy, from Hackney, who had been in our room. And he was working out there, so we thought straight away, “this dude.” Me and my mate—this is like eight in the morning—got on our peds, go winging up to this bar where this dude works. And he was there cleaning the bar, and all the staff said, “No, he’s been here all night, it’s impossible for him to have done it.” By the way, my mate was out of his face, cuz he’d been clubbing all night. We sat down and told the staff what happened, and they’re like, “Have another drink on us.” But we’re like, “Fuck it, we’re just gonna go back to the apartment.”

We got on our peds, we’re on the way back—at Ayia Napa there’s this massive strip, and everyone just parties and hangs out. There’s loads of people just loitering and being drunk. My mate’s fucked, he’s like waving in the road, and he nearly crashes into these girls, but he didn’t—he swerved and fell off the bike. But because I was so close behind him, I rode over his head! It was the most mental thing! I remember blood just going up in the air. This guy comes running over, takes his shirt off, wraps it around [my mate’s] head, and the shirt was just going red—from white to red. They called an ambulance, and we went to hospital and got that sorted out.

That was on the last night of our two weeks. We had to go back to the police station on the day we were leaving to get a letter of consent out of the country, because my passport was stolen. Funny thing—we were so dumb, we had all our phones charging at the same time in the room on the kitchen table, but they only took three of them, and they left one. And they went in my mate’s drawer—they left all his money, they left his digital camera, but they took his disposable camera. They stole my passport, they stole my mate’s glasses—they were about 400 quid—but [mostly] they just stole crap stuff and just fucked up the room basically. And my mate had to pay to get his head sorted out as well!

Stream a Brand-New Track from Nosaj Thing

The sophomore full-length from LA producer Nosaj Thing, Home, is set to arrive next month (roughly three years after his debut LP was released), and after unveiling a video for lead single “Eclipse/Blue” last week, the longstanding beatsmith has now offered up another taste of what’s to come. The instrumental “Snap” tune is somewhat more familiar than the album’s initial sample, as its strong mood, hip-hop-inspired drums, and engrossing melodic touches are more closely related to Nosaj Thing’s past productions. In the player below, you can listen to “Snap” before Home drops on January 22 via Innovative Leisure.

DJ Harvey, Richie Hawtin, Loco Dice, and More to Play BPM Festival

DJ Harvey, Loco Dice (pictured above on right), and Richie Hawtin (pictured above on left), among 250 other artists, are scheduled to play the BPM Festival early next year. Taking place between January 4 and 13 in picturesque Playa del Carmen, Mexico, BPM boasts hundreds of parties, featuring performances from the likes of Masters at Work, Art Department, Josh Wink, Cassy, Carl Cox, Guy Gerber, and Seth Troxler, to name a small handful. You can peruse the entirety of the massive lineup over on BPM’s site, here, and grab tickets for the events here.

Levon Vincent to Release New 12″ this Week

The Berlin-by-way-of-New York DJ/producer Levon Vincent has quietly readied a three-track 12″ for the vinyl-only Novel Sound label. Featuring an original production first heard on his excellent contribution to the Fabric mix series earlier this year, “Stereo Systems” will serve as the record’s a-side, and will be joined by two new tunes—”Together Forever” and “Specks Jam”—on the b-side. There’s no fanfare and no artwork for this one, but we suspect that Vincent’s latest is still a record that’s likely to go fast once it starts officially shipping tomorrow. (via Juno Plus)

Shigeto “Friends and Lovers”

Today, New York electronic music portal and event series Percussion Lab (run in part by Praveen Sharma (a.k.a. Braille, half of Sepalcure) released a compilation featuring the likes of Machinedrum, Daedelus, XLR8R‘s own Contakt, Lando Kal, Sepalcure, Mux Mool, and many more. Here, we have Shigeto‘s contribution to Percussion Lab Presents: Cambio, called “Friends and Lovers,” which is a touch warmer and more cohesive than what we’ve come to know the Detroit-based artist for. A relaxed-yet-regal melody stands out almost like a bell tower, while a jazzy bassline and some delightfully energetic keyboard riffs eventually join in on the instrumental love song. You can grab the rest of Percussion Lab Presents: Cambiohere.

Friends and Lovers

Stream Albums from Ruff Sqwad and Heathered Pearls

Following the announcement of its White Label Classics release, longstanding London grime crew Ruff Sqwad has uploaded its new compilation onto the internet for your streaming enjoyment; incidentally, Brooklyn ambient producer Heathered Pearls (pictured above) also has his upcoming debut LP available online for all to hear. Courtesy of FACT, you can listen to Ruff Sqwad’s tunes before they all drop on December 10, here. For Heathered Pearls’ melodic and dreamlike Loyal album, head to Resident Advisor, here, before Ghostly releases the record on December 11.

Motor City Drum Ensemble Preps New EP, European Tour

Following his release of a free track in celebration of !K7‘s 27th anniversary a few months ago, Germany’s Motor City Drum Ensemble has announced his next EP will arrive in early 2013. The Send a Prayer EP will drop via the DJ/producer’s own MCDE imprint and the always excellent Rush Hour, an outpost which was just featured as part of our Labels We Love series. Motor City Drum Ensemble’s four-track record will be released on January 30, around the same time he’ll be on tour throughout Europe. Before then, you can scope Send a Prayer‘s artwork and tracklist, as well as the upcoming tour dates, below.

A1. Send A Prayer Pt.1
A2. Send A Prayer Pt.2
B1. The Stranger
B2. SP11

15.Dec.2012 @ Panorama – Berlin
26.Dec.2012 @ Mumu – liverpool
31.Dec.2012 @ Trouw – Amsterdam
05th of Jan.2013 @ Twisted Pepper – Dublin
11th of Jan.2013 @ Hidden – Solothurn
19th of Jan.2013 @ Louche – Leeds
03rd of Feb.2013 @ Bungalup Festival – Zeewolde
08th of Feb.2013 @ Club Bonsoir – Bern
22nd of Feb.2013 @ Privat Party – Milano
02nd of March.2013 @ Studio Spaces – London
09th of March.2013 @ Kim Tim Jim – Stuttgart
16th of March.2013 @ Landmarkt – Bergen
28th of March.2013 @ Audio Farm – Manchester
13th of April.2013 @ Arma 17 – Moscow

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