Pusherman “The People (Naive Machine Remix)”

London’s Pusherman has been all over the place; earlier this year, he released two EPs, Shake It Off and Still Feel, via LNUK and Dench respectively. July 30 marked the release of his third offering, this time for Audio Doughnuts, aptly entitled Donuts. While the “Donuts” single has been floating around for quite some time now (its video, which you can watch here, has been out since last year), it only received an official release this past Monday. However, Audio Doughnuts has padded the single with new material, including a remix of “Donuts” by Diamond Bass, a b-side titled “The People,” and a reworking of that same track by Naive Machine. Although Naive Machine’s members hail from the UK, the outfit’s collective mindset on this remix is rooted in Chicago’s footwork traditions; Pusherman’s original shuffling, syncopated beat is cast aside and replaced with frenetically repeating samples and skittering juke-inspired rhythms.

The People (Naive Machine Remix)

Check Out Mixes From MK and Krystal Klear

Today, we’ve come across two mixes that mine the more nostalgic realms of dance music, one from American garage icon MK (pictured above) and the other by Manchester-based up-and-comer Krystal Klear. While the veteran DJ/producer drops an hour-long set of mostly “rare dubs, forgotten classics, and a few unreleased exclusives,” the Irish-born artist has put together a smattering of house, disco, pop, hip-hop, and beyond into an “upbeat summer mix.” You can listen to both of those DJ sets below.

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Dave Smith Instruments Announces Mopho x4 Analog Synthesizer

Dave Smith Instruments, the company helmed by snyth-pioneer and “Father of MIDI” Dave Smith, has announced the addition of a new, four-voice analog synthesizer called the Mopho x4 to its reputable line. Essentially a larger, polyphonic version of the company’s popular monophonic Mopho unit, the x4 is a fully functional analog synth with a 44-note, semi-wieighted keyboard and an array of adjustable parameters availible on its front panel. Users will also have the ability to link up the x4 with other Dave Smith Instrument devices via the “Poly Chain Port,” which allows for the addition of further voices with the use of another synth such as the company’s Tetra box. Basically, this new synth looks like a quality piece of equipment. Check the video below to see a demo orchestrated by Mr. Smith himself and to get a better idea of everything that the x4 is capable of.

Face + Heel “One Hundred Years Deep (Fort Romeau Remix)”

It would appear that UK producer Fort Romeau has become the remixer of choice as of late. Every time we turn around, the guy has reworked some manner of electronic or synth-pop tune into a deeply bubblin’ house cut, the latest example of which is this version of Face + Heel‘s “One Hundred Years Deep.” The Cardiff-based duo (pictured above) has the energy turned up ever so slightly on its moody slow-jam, courtesy of Fort Romeau’s tradmarked analog synth pads and basslines and straightforward dancefloor rhythms. It’s nothing game-changing, but “One Hundred Years Deep (Fort Romeau Remix)” nonetheless offers a subtly powerful counterpart to Face + Heel’s original tune.

One Hundred Years Deep (Fort Romeau Remix)

One Hundred Years Deep (Fort Romeau Remix)

Watch Optimum In the Studio

The in-depth production tips videos from Point Blank Institute just keeping popping up, with the latest featuring Lodon producer and Hum + Buzz co-owner Optimum. After a brief interview touching on his musical past and how he got to where he is today, Optimum gets down to business, opening up his Logic session for “Max Power” and revealing some of the tricks and tools he used on his 2010 track for Planet-Mu. Those producers interested in tuned snare rolls, space-age sound effects, and bottomless bass should take notice.

Terrence Dixon Preps ‘From the Far Future’ Sequel

Twelve years ago, Detroit techno auteur Terrence Dixon issued From the Far Future, his first full-length and an effort that still stands out as one of his signature releases. Granted, Dixon has been releasing records since the mid ’90s and dropped another album, Train of Thought, in 2007, but it seems that From the Far Future made a mark so strong that Dixon has been compelled to revisit it. As such, he’s announced plans to release From the Far Future Pt.2 (artwork above) in late September on the storied Tresor imprint. Describing the album as a “statement,” Dixon says that he sought to make it “as huge as it could be.” If the volume of music being offered on From the Far Future Pt.2 is any indication, the album certainly appears to have the heft to back up his claims. The CD version contains 14 tracks, while the double-LP vinyl edition includes a selection of eight dancefloor-oriented cuts, only three of which also appear on the CD. Both versions are slated to appear on September 24, but in the meantime, the complete tracklistings can be viewed below.

CD Version:
1. Self Centered
2. Dark City Of Hope (Main Mix)
3. Fountain Of Life
4. My Journey Here
5. Path To Mystery
6. The Switch
7. Horizon
8. Vision Blurry
9. The Auto Factory
10. Lead By Example
11. Navigate
12. Tone
13. Blinking & Flashing
14. The Study

LP Version:
Light of Day
Sleight of Mind
Horizon
11th Floor
Band Together
The Study
Dark City of Hope (Hard Mix)
Fountain of Life
Intermission (Digital Bonus)
State of the City (Digital Bonus)
Life Events (Digital Bonus)

Lionheart “Infinite Vista”

Lionheart is a new name in the XLR8R lexicon; the producer born Frank Styles has been making music for two years, but he’s already performed a number of DJ sets around his home of London and even dropped a few remixes under his moniker, despite not yet having a debut release. However, that’s about to change with this exclusive offering of the title track from his upcoming debut, Infinite Vista, which is purportedly slated to be released around the end of the summer. “Infinite Vista” oozes sex appeal; the beat, which is interspersed with pitched-up soul samples, moves at a seductively slow crawl underneath vibrant cascading washes of synth melodies.

Infinite Vista

Terror Danjah Dark Crawler EP

Since 2001, veteran grime DJ/producer Terror Danjah has unleashed hundreds of badman street anthems, recognizable by the robotic demon baby laugh that is his signature. Like Timbaland (from whom this laugh idea is presumably lifted), he is first and foremost a rhythm don, providing bloodthirsty instrumentals that have provided a weighty backdrop for the scene’s top MCs and their rapid-fire chat. Terror is arguably at his best when working with vocalists—the right cadence can elevate his haunted synths and industrial drums into something sublime—and on “Dark Crawler,” he travels with one of the best: grime godfather Riko.

With a menacing ragga flow that recalls the glory days of Bounty Killer, Riko Dan sets the dance on fire with terrifying warlord lyrics about flying bullets and killing family members over a relentless construction of gunshot snares, kicks to the head, and bloody stabs, with some ambulance sirens thrown in for good measure. Against the current backdrop of trap’s laid-back swing and new-school grime’s buzzing instrumentals, “Dark Crawler” goes hard enough to strip paint, with a violent and visceral temper that recalls Terror’s early days with Nasty Crew and Aftershock Records. (American brethren: If you liked those Vice grime compilations, you’ll like this.)

On the flip, our dark soldier draws for a surprisingly sunny and tropical beat on “Fruit Punch,” a doozy sangria of shakers and congas dancing a futuristic samba around bleeping techno pulses and hammering bass notes. This is UK funky house done the Terror Danjah way, so it’s far from light—unusual percussion forms a stiff-limbed skank while intensive bass ensures this rum punch is stronger than it seems.

These two tracks are a teaser for Terror Danjah’s Dark Crawler full-length (his second for Kode9’s Hyperdub label), which drops September 25. The record is due to have appearances from singer Ruby Lee Rider and MCs Trim and Kossie, as well as collaborations with scene stars (and labelmates) D.O.K. and Champion. If the beats here are any indication, it promises to be a riveting assault from the harder edges of UK bass.

Mathew Jonson Revives Itiswhatitis Label, Readies New EP

Originally formed in 2001, Canadian imprint Itiswhatitis Recordings was a launching pad for many of the country’s West Coast upstarts, including Hrdvsion, Cobblestone Jazz, and Mathew Jonson. Over the next several years, Itiswhatitis dropped a steady stream of releases, but eventually fell dormant in 2007. Now, after five years of silence, the label has been purchased by Jonson, who’s decided to relaunch the imprint and begin releasing a combination of new music and reissues of the Itiswhatitis back catalog. The first offering will be a new EP from Jonson himself, “Panna Cotta” b/w “Passage to the Other Side” (artwork below), two songs that were actually produced around the same time as his 2003 classic, “Typerope.” The record is scheduled see light of day on September 3, and will be followed by a digital reissue of another Jonson track, “New Identity,” which was previously only available on vinyl. Yesterday, Jonson did a quick interview with Resident Advisor, in which he gave more details about the Itiswhatitis back story, why he decided to revive the label, and his future plans for the imprint.

RUMTUM “New Lands”

Seattle producer RUMTUM (whom you may remember from his collaborations with Monster Rally) is set to release a split EP, titled New Goth Gypsies, with New York artist Catamaran as a part of Gold Robot’s ongoing split 7″ series. Characterized by its playful and lush soundscape, “New Lands” holds a power that evokes the energy of the dancefloor while maintaing a sleepy vibe more apt for leisurely listening. RUMTUM’s new track opens with ascending arpeggiated synths, bubbling noises, and crackling percussion, eventually booming into a deep rhythmic segment led by the bass and hi-hat and interlaced with obscured vocal samples. Look for the rest of the record when it’s released on September 4.

New Lands

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