Gerry Read “Untitled” b/w “Legs”

Has anyone come up with a conclusive explanation as to why there seems to be such a substantial crop of relatively young producers consistently turning out quality music over the past few years? There’s definitely something to be said for the “computer age,” and the fact that many of these young up-and-comers have had access to sophisticated music production software since the beginning of their creative endeavors, but maybe there’s something deeper at work here. Perhaps there’s something intrinsic within this generation which allows individuals to consume and create at a much higher quality and much faster rate than ever before. Gerry Read is one such individual, and at the ripe age of 18 the UK producer has been picked to present two songs for only the second single to come from Ramp‘s newest sublabel, Fourth Wave.

Marking his second release of the year, “Untitled” b/w “Legs” sees Read moving past the UK bass/post-dubstep underpinnings that characterized the “Last Times” b/w “Patterns” single (which came out earlier this year on Dark Arx), and instead readjusts his focus on crafting two deep, gritty house tracks that bring to mind fragmented pieces of Detroit and Berlin while pushing their own way forward. Absolutely pumping from its onset, “Untitled” is a filtered, soulful jaunt through sample-based house, while “Legs” is more of an unrelenting club cut, pairing Notorious B.I.G. vocal chops and cut-up funk guitar against a bass-laden, percussive core. Taken together, the two tracks place Read at the edges of the UK scene, which has undoubtedly begun to lean more towards house as of late, but, with few exceptions, has been slow to venture this far out into the depths of adventurous, sonically rich, and undeniably straight-up house production. The combination of slightly distorted, overtly compressed drums, distant glimpses of soulful nostalgia, and well-placed, irresistible percussion elements make for much more than a promising release. If Read’s output grows better with age (which it appears poised to do), then it will certainly be something to keep an eye out for.

Efdemin to Release New EP in September

German techno minimalist Phillip Sollmann (a.k.a. Efdemin) is prepped to follow a slew of past releases for the Curle label with the brand-new, two-track Please EP. Each of the cuts featured on the record weigh in around the 10 minute mark, and the b-side was co-produced with Dial label mate Kassian Troyer. Before Efedmin drops his new EP on September 19, you can check out the artwork and tracklist below.

Farnsworth House
Blount

BD1982 “Calenture (Murlo Remix)”

Next Monday, Japan’s Diskotopia imprint is set to drop its fifth release since forming last year, an EP (artwork above) presenting two individual tracks from label heads BD1982 and A Taut Line, the former of which who has offered up this remix from UK-based producer Murlo. “Calenture” is already a soca-flavored piece of futurism in its own right, but Murlo manages to propel the track even further into the unknown with an array of sharp sinogrime synths, whirling marimba melodies, precise drum programming, and some really nasty bass to hold it all together. After peeping the remix below, you can check out the original version of “Calenture” and its accompanying video full of cut-up, tropical-themed footage after the jump.

Calenture (Murlo Remix)

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Courtship “Housed (Drifter Remix)”

San Francisco-based vocalist/producer Courtship (who, we should mention, is the alias of XLR8R‘s own Patric Fallon) has a slew of remixes on the way for his Eve EP (artwork above), tapping the likes of Drop/Dead, :papercutz, Albert Swarm, and, here, tender beatsmith Drifter. Beginning with a simple, looping hand-drum pattern, the remix gradually turns into a blown-out mass of pitched vocal gasps, sliding bass, and dubbed-out horns. Utilizing his penchant for crafting intricate rhythms, Drifter places skittering rims and hats in the nooks and crannies found within the billowing rework, taking this song from its original form as a subdued hip-hop hybrid and giving it new life as a stoney piece of tribal beat work.

Housed (Drifter Remix)

Ministry of Sound to Remaster Rare Recordings From Larry Levan, Todd Terry, and More

Started in 1991, and famously inspired by the legendary clubs of ’80s New York, London super-club Ministry of Sound has had a long and wild run. So long, in fact, that this September the Elephant & Castle mainstay will be celebrating its 20th anniversary. And what better way to celebrate than to go back to the style and sound that started it all: classic NY garage. As it turns out, that’s just what they’ve planned to do, as evidenced by the imminent release of Live & Remastered, a box set featuring five classic mixes recorded live from the decks, direct to DAT tape. Reppin’ the vibe of pre-Giuliani New York, the cast of characters gracing the box set includes such large figures as Todd Terry, David Morales, Kenny Carpenter, and Larry Levan (pictured above)—quite the occasion, as all the other surviving recordings of Levan from this period feature disappointingly poor sound quality. Of course, it wouldn’t be doing the Ministry of Sound right without a dash of Britishness, and providing said regionality is a mix from the club’s founder and original resident DJ, Justin Berkmann. Live & Remastered is set to be released on September 19, but in the meantime, you can check out the album art below. (via Beatsmedia)

Pleasure Pump – Fantasize Me (Dub mix)
Jus’ Friends – As One
Ceybil – Love So Special
Trilogy – Love Me Forever Or Love Me Not (The Dub Of Doom Mix)
Soft House Company – What U Need
Soft House Company – A Little Piano
Robert Owens – I’ll Be Your Friend
Sounds Of Blackness – The Pressure
4 To The Bar Feat. Alexis P. Suter – Slam Me Baby
4 To The Bar Feat. Alexis P. Suter – Slam Me Baby (X-Rated Mix)
Crystal Waters – Makin’ Happy (Hurley’s Happy House Mix)
Crystal Waters – Makin’ Happy (Basement Boys Happy Club Mix)
Planet X – Once Upon A Dancefloor (Tony Humphries Remix)
Black Sheep – Strobelite Honey (Def Mix)
Richard Rogers – All I Want (Hitmans Dub)
Shafty – Deep Inside (Of You) (Soul Trance Mix)
Lil Louis – Club Lonely (Radically Lonely Mix)
Linden C – Deep Beats Vol 1 (Cee’s Siren Dub)
Gypsymen – Hear The Music (Def Club Mix)
4th Measure Men – 4 You
Phuture – Rise From Your Grave (Wild Pitch Mix)
Inner City – Pennies From Heaven (Reese Dream A Lot Mix)
Tevin Campbell – Goodbye (Tevin’s Dub)
The Daou – Surrender Yourself (Ballroom Revisited)
Degrees Of Motion – Do You Want It Right Now (Scream Up Mix)
Chez Damier – Can You Feel It (MK Dub)
Mission Control – Outta Limits (Shelter Mix)

o1o “Moonstalk”

We’ve noticed that a lot of the good beat music we’ve been hearing lately has been coming from the more northern regions of the West Coast—as opposed to its usual home in Southern California. Case in point: Aybee (a.k.a. o1o) and his Deepblak label. The Oakland resident just released A Futurespective (via Seattle-based Further records, incidentally), a collection of tunes crafted throughout the past decade, the same amount of time his imprint has been active. “Moonstalk” is taken from the album, and demonstrates how o1o’s music is informed by hip-hop rhythms, but also offers a skewed take on the usual ‘beat-scene’ sound by infusing it with elements of techno, ambient music, and IDM. It’s an odd mix of styles that works surprisingly well, and might just help reignite our hope in the future of California’s beatmakers. (via Altered Zones)

Moonstalk

Moonstalk

Moonstalk

Call Super “Timora”

Emerging producers Matt Waites and JR Seaton have come together to form Call Super, a duo dedicated to exploring the possibilities of dark, yet slightly off, dance music. The pair recently released its debut EP, Staircase (artwork above), for the newly minted London imprint Five Easy Pieces. To help introduce the project, they’ve gone ahead and shared “Timora”, which kicks off strong on an analog futurism tip before eventually revealing itself as a full-fledged techno endeavor. Utilizing brooding arps and dissonant synth blurbs, the duo keeps things moving with enough nostalgic drum-machine work to equally please both techno classicists and dancefloor junkies. In addition to this tune, the Staircase EP comes with two more original productions (of the muscular house sort), a re-work of the duo’s own “Nosebleed” track, and a remix from burgeoning Berliner Objekt.

Timora

Oneohtrix Point Never Announces New Album

Brooklyn resident and accomplished conjurer of meandering soundscapes, Oneohtrix Point Never, has announced he will follow up last year’s excellent Returnals LP with a new full-length to come this November on Software/Mexican Summer. Although we’re sure that the forthcoming release, entitled Replica, will be full of dark and majestic ambient outings, we are a little surprised to hear that it has been described as “an electronic song cycle based around lo-fi audio procured from television advertisement compilations.” We’re not quite sure what that is going to entail, but at this point Oneohtrix has gained our trust enough that we will eagerly be awaiting the results. You can check the artwork and tracklist for the release, which hits the streets November 8, below and visit the album’s Tumblr where hopefully some LP previews will begin popping up in the coming months.

Tracklist:
Andro
Sleep Dealer
Power of Persuasion
Remember
Replica
Nassau
Submersible
Up
Child Soldier
Explain

New Mosca Single to Drop Via Numbers

The bass music badman behind our favorite track of last year, UK DJ/producer Mosca, is set to drop his first (and probably only) record of original material in 2011 on September 12 via Glasgow tune hub Numbers. Before that 12″ drops, you can stream snippets of “Done Me Wrong” and “Bax” in the player below, and check out more info here.

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Check Out a Funkineven Mixtape

London-based analog-house revivalist Funkineven has had a pretty good year, largely thanks to his basement-style acid track “Roland’s Jam,” which dropped via Eglo in July. XLR8Rprofiled Funkineven last year, and apparently, we’re not alone in our fandom, as URB recently unearthed and posted a previously lost mixtape from the producer. Sounding like the result of a successful dig at Chicago’s famous Kstarke Records, the mix seamlessly moves between first-wave techno, new wave, obscure Trax releases, and acid cuts of his own invention. Click here to give the mix a spin and peruse the complete tracklist.

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