HxdB “Mustard (Cure Rerub)”

How can you speculate on the future of something as inherently futuristic as bass music? Since its inception, the subgenre’s parallel relationship with new developments in technology has always placed it at the event horizon of the soon to be. Enter Canadian producer HxdB with his upcoming compilation, Future of Bass Volume 1, which features 19 bleeding-edge tracks from the likes of up-and-comers DFRNT, Submerse & Resketch, Cedaa, and HxdB himself. Now, to get you thinking about the future, HxdB has offered up Cure‘s “Rerub” of his own “Mustard.” Built on a blur of undulating synth pads and a funky, snare-led, stop-start rhythm, “Mustard (Cure Rereub)” drops into a deep pocket that suggests the future might not be so elusive after all. Download the cut below and check out the rest of Future of Bass Volume 1 when it drops June 27.

HxdB – Mustard (Cure Rerub)

R&S to Drop New 12″ From The Chain; Listen Now

The more-or-less-infallible R&S imprint just announced its next release, and this time we’ve got one of the label heads to thank. The Lostwithiel EP comes from the British production duo of Dan Foat (half of R&S’ administrative driving force) and Nathan Boddy, collectively known as The Chain (yes—inspired by the Fleetwood Mac tune), and will be released on June 20. Unless you’re sadistically into withholding happiness and joy from yourself, we suggest you take a listen to that three-song record, which is streaming in full below.

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Nyx “Letting Go”

Continuing with its recent record label endeavors, Rebel Magazine will launch its first-ever compilation series, called Heretic, which tastefully spans the realms of bass music, beat music, and other club-friendly styles—including sounds from the likes of Clicks & Whistles, Mike Gao, Abel, and more. The culture hub will celebrate the release of its first volume this Friday, May 27, with a party in Silverlake (check out details here), but before that, we bring you an early taste of the featured music with Nyx’s “Letting Go.” This hot-footed 2-stepper takes its time swelling to full size, and lays down its skittering groove for a while longer before it’s through. It’s a propulsive cut that begs a few repeat listens if only to hear the infectious “Oh, baby” sample again and again and again.

Letting Go

Forthcoming Virgo Four 12″ to Feature Caribou and Hunee Remixes

Not long ago, Amsterdam’s Rush Hour imprint released an album of unheard tracks from Chicago house progenitors Virgo Four (who are also responsible for one of our latest podcasts), and will soon follow that up with a 12″ single for “It’s a Crime.” The three-song record is scheduled to drop sometime around late June and early July, and will feature two lengthy remixes from dancefloor convert Caribou and Berlin house devotee Hunee. While you wait for the record, take the time to revisit Virgo Four’s “It’s a Crime,” below.

“It’s a Crime”

Listen to Tracks from Bok Bok’s New EP on Night Slugs

Next week, Night Slugs boss Bok Bok will finally be releasing an EP on his own label. XLR8R broke down all of the details regarding the Southside EP a couple of weeks back, but now Bok Bok has slid us a pair of tracks to stream here on our website. Both “Charisma Theme” and “Silo Pass” find the London producer flexing his love for musclely grime rhythms, although both tunes also display Night Slugs’ trademark neon synths and inventive percussion patterns. Take a listen to the songs below.

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Five Star: People Like Us

Audio-visual collagist/sample plunderer People Like Us (a.k.a. Vicki Bennett) tells us about her favorite types of sound sources

1. Perfect partners
Perfect partners are two sources that, for some reason, play perfectly next to one another without doing much at all to them. For instance, “Perhaps Perhaps Perhaps” by Doris Day mixed with “Stand By Your Man” by Tammy Wynette, or “The End” by The Doors (in this case from Apocalypse Now) with “The Sound of Music” sung by Julie Andrews. It always feels very magical when these tunes or singers decide to collaborate, and I feel just like the person who opened the virtual stage door to let them in and bear witness.

2. Whistling, humming, and voice music
It can be difficult to work with sources that are too dense, because there is less room for transformation or collaboration with other sounds. However, it is very effective to choose intros, endings, solos and vocal parts. A single breath, one note, a hum, or a collective whistle are sometimes all you need. Here are some examples that contain these elements:

Ennio Morricone “Giù la Testa”
Alice in Wonderland“I’m Late”
Les Voix Du Monde Une Anthologie des Expressions Vocales
Burt Bacharach “Do You Know The Way To San José”
Indonesia, South Pacific Music, from the Nonesuch Explorer Series “Lullaby”
João Gilberto “Ela É Carioca”
People Like Us “Whistle Song”

3. Happy Music
I like happy and lively music because it sometimes sounds demented or even makes me feel a little depressed, which in turn makes me smile. Really, I just like sample sources that can be made into what they are not—or what they are hinting at, if you listen with a sense of humour.

Danny Kaye “Wonderful Copenhagen”
Enoch Light “Fascinating Rhythm”
Klaus Wunderlich “Tie a Yellow Ribbon”
Queen “Don’t Stop Me Now”
Elmer Bernstein “The Great Escape”
People Like Us “DrivingFlyingRisingFalling”
People Like Us & Ergo Phizmiz “Blue Moon”

4. Honking, donging and doofing
Whether it be the sound of a euphonium or the blow of a horn, it is the incongruous sounds within music and field recordings that can shift and elevate other sound sources to different places in one’s mind.

Indonesia, South Pacific Music, from the Nonesuch Explorer Series “Lagu Kodok (Frog Song)”
Anthology of World Music: The Music of Laos“On the Mekong (long khong)”
People Like Us & Ergo Phizmiz “Social Dance Song”

5. Old friends
These are the tunes that I have been referencing for years across many compositions. I believe that much like a book with many chapters or stories, the same characters are always most welcome when they turn up unexpectedly. Some sources that have reoccurred over the past 20 years of People Like Us include:

Elton John piano parts
Dolly Parton: too many to mention here
Bert Kaempfert “Strangers in the Night” and “Dancing in the Dark”
Heino “Bier Bier Bier”
Petula Clark “Downtown”
Lenny Dee “Gravy Waltz”
Rod McKuen: too many spoken-word parts to list
The Swingle Singers “Largo”
The Carpenters “Close To You”

People Like Us’ Welcome Abroad is out now on Illegal Art.

Zanshin “You I I You”

Austrian electronic imprint Affine will release the debut EP by fellow countryman Zanshin, a six-track record of subversively unique compositions called The Humdrum Conundrum. Like on “You I I You,” the producer’s music contains the hallmarks of many genres currently in vogue: the tenderness of post-dubstep, the energy of club-friendly bass tunes, the dense atmospheres of drifty synth music, and the vocal hooks of futuristic house cuts. Even more impressive is the fact that Zanshin finds a way to spread that array of sounds through an eight-minute track without running out of steam or allowing the composition to grow tiresome. It’s certainly a promising start for the young music maker. You can hear the rest of Zanshin’s forthcoming release here.

You I I You

Video: Grimes “Crystal Ball”

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In case the litanyofposts in recent weeks didn’t make it clear, XLR8R is in severe danger of developing a full-blown crush—entirely musical, of course—on Grimes. This new clip for “Crystal Ball” certainly isn’t helping matters. The track is taken from her split 12″ on Hippos and Tanks with fellow Montreal avant-pop auteur d’Eon, and its accompanying video finds Grimes walking her pixie-ish self through a barren, snowy landscape. Just for fun, she also spends a good portion of the Tim Kelly-directed piece wearing an insane hat that’s approximately the size of a giant log. (via Gorilla vs. Bear)

Listen to the New Holy Other EP on Tri Angle

In barely more than a year, Tri Angle Records has become a remarkably reliable source of… well, it’s hard to pinpoint, but the artists on the label roster all seem to inhabit a shared space that intermingles dark, lo-fi electronic music with hazy R&B and bits of gothy drone. The next Tri Angle release on tap is With U, the new EP from shadowy UK beatmaker Holy Other, whose music also displays an undeniable affinity for classic Balearic house. Although it won’t be officially released until June 7, the entire five-song effort is available to stream now, courtesy of Altered Zones. Check out the player below and give it a listen—With U just might be the perfect soundtrack for the most melancholy bedroom rave you’ve ever imagined.

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Roly & The Rio Rhythm Band “Carnival da Casa (Hackman Remix)”

At this point, it feels like just about every permutation of UK funky has been tried at least once, but it appears that the London-based Shifting Peaks label may have stumbled across something new—UK funky mixed with cubaton (a variant of reggaeton that incorporates Cuban percussion). What at first sounds like a run-of-the-mill Latin party tune from Roly & The Rio Rhythm Band goes to new heights once remixer Hackman jumps in with his kinetic, shuffling snares and rolling bassline. Combined with a Caribbean piano melody, the song perfectly guides the UK bass world into more tropical territories. “Carnival da Casa (Hackman Remix)” can be found on Nasty Rips and Shifting Peaks Vol. 1, a compilation which came out earlier this week and also features appearances by Emvee, Brackles, FaltyDL, Sekta, and others. The artwork is posted above and the complete tracklist can be found after the jump.

1. Hackman – Always (Original Mix)
2. Emvee – Windrush
3. Roly and the Rio Rhythm Band – Carnival da Casa (Hackman Remix)
4. Sekta – Hakka Rhythm
5. Tessela – Acid Test
6. HideousMen – Tangled (Sekta Remix)
7. Sekta – I Need
8. Mr Huevo – Rejalate (Emvee Remix)
9. Graphiks – Blue Top
10. Tessela – Yes You Can
11. Sekta – Deep IN the Woods
12. Emvee – Strength
13. Hackman – Multicultural
14. Tessela – Yes You Can
15. Hackman – Always (FaltyDL Mix)
16. Graphiks – Brain Said to Me
17. Sekta – Liquid
18. Hackman – Always (Brackles Dub)

Carnival da Casa (Hackman Remix)

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