DJ /rupture & Matt Shadetek Solar Life Raft

From two of today’s most uniquely fascinating producers, Solar Life Raft arrives as less a mix than a statement of purpose: a repositioning of experimental bass music into the context of contemporary avant-garde artwork, as worthy of a gallery as the club. DJ /rupture has a storied history of meshing poets and sound artists with skull-crushing bass, but when joined with Dutty Artz compatriot Shadetek, Solar Life Raft relegates boundaries to irrelevance with surprising accessibility. Here experimental composers old (Luc Ferrari) and new (Nico Muhly) can meet dubstep’s finest (Shackleton, Stagga) while avant-poet Caroline Bergvall sits happily beside Gang Gang Dance. The result is strikingly exciting—something equally triumphant for dancer, smoker, or Tate Modern chin-stroker.

Hard Wax Celebrates 20 Years With Huge Berlin Party

The seminal Hard Wax record store, opened in 1989 by Mark Ernestus right before the Wall fell, is celebrating its 20th anniversary with a gigantic event at the legendary WMF club in Berlin. With performances from Soundstream & Prosumer, Shed, Mark Ernestus featuring Tikiman, and a host of other techno demi-gods, it is sure to be one of the don’t-miss events in Europe this autumn. But why such a grand affair for a record store? For the uninitiated (or those unfortunate enough to have never visited Berlin), a history lesson is in order.

Ernestus opened Hard Wax in 1989 because he found that the record shops in Berlin were increasingly unable to fulfill the demand for the house and techno music coming out at the time. The shop quickly became one of the focal points of Berlin’s burgeoning electronic dance music scene, and with Ernestus co-producing some of the most influential records of the ’90s with Moritz von Oswald under the Basic Channel moniker (among many others), the specialty store became a legend and a mecca for traveling techno fiends. Stocking a significant amount of vinyl that other stores can’t get access to, Hard Wax is now home to one of the most astounding mail-order operations in the world, and by next year, the online store will be selling digital tracks for the first time.

Hard Wax XX is happening on December 5 at WMF.

Etienne Jaumet Mixes & Discusses His Influences

French loop-stylist Etienne Jaumet‘s Night Music is one of our favorite albums of the year, but it isn’t a typical electronic music album by any means. With such a different sound, what could Jaumet’s influences be? Well, Domino has posted a new mix by the man himself, as well as some YouTube videos explaining his choices, offering a glimpse of what drives the exotic, dark aura of Jaumet’s full-length. With selections from Suicide, Harmonia, and Goblin along with many others, the mix is an hour-long trip through Jaumet’s musical mind.

Check out the tracklist and two videos after the jump!

Tracklisting:
HARMONIA “Watussi”
YOUNG MARBLE GIANTS “Eating Noddemix”
SUICIDE “Radiation”
FRANCOIS DE ROUBAIX “Les Caïds”
MAX MATHEWS “Bicycle Built For Two”
DAF “Der Sheriff”
GOBLIN “Flashing”
JACQUES TOLLOT “Enlevez Les Boulons, Le Croiseur Se Désagrège”
PELLOQUIN / SAUVAGEAU “Sterilization”
SUN RA “Love In Outer Space”
ALAIN GORAGUER “Le Bracelet”
FRANCO BATTIATO “Propiedad Prohibida”
ASH RA TEMPEL VI – MANUEL GOTTSCHING “Echo Waves”
HARUOMI HOSONO & TADANORI YOKOO “Malabar Hotel… Upper Floor… Moving Triangle”
HELDON “Back To Heldon”
USTAD BISMILLAH KAHN “Raag Todi”

Listen to the mix here.

Check out Jaumet on Suicide and how to listen to his own music below.

Mike Slott “40 Winx”

Young Harlem transplant Mike Slott crafts glitchy, futuristic beats that fall somewhere between dubstep, hip-hop, and old-school breaks. What’s most interesting about “40 Winx,” then, is that it is so soothing, featuring bass sounds that recall Ellen Allien, and shimmering high frequency loops that can best be described as dreamy. Fresh off of a collaborative effort with Hudson Mohawke, the rest of Slott’s latest mini-album, titled Lucky 9teen, is an exercise in creating ambient music from a jazzy, hip-hop perspective; in other words, the Irish native proves himself to be one of the more versatile and interesting producers working right now.

40 Winx

Inbox: DJ Koze

Bar none, XLR8R‘s favorite compilation of 2009 was DJ Koze‘s Reincarnations remix collection on Get Physical—hell, it ranks up there amongst the year’s best records period. The Hamburg DJ/producer gave his signature treatment to tracks from artists as disparate as Chilean house god Matías Aguayo and ’60s German torch singer Hildegard Knef. Everything Koze touched—Matthew Dear, Wechsel Garland, Nôze—turned to gold, and he left our tongues wagging in anticipation of his upcoming 2010 full-length. So we shot Koze a quick email with the hopes of exploring his idiosyncrasies, his colorful past, and discovering what lies ahead.

What are you listening to right now?
Dudley Perkins, Holy Smoke, High Places, Bibio.

What’s the weirdest story you have ever heard about yourself?
That I will be the leader of a new generation and I can change the world with my wonderful music and stuff like that.

What band did you want to be in when you were 15?
Public Enemy. I was thinking maybe I could replace Terminator X ’cause I can scratch better than him, and fight shoulder-to-shoulder racism.

Worst live show experience?
I don’t know, but my last strange experience was in Bogotá three days ago, where two minutes after I started my set, the technician tangled himself in a cable and completely wiped out the DJ set-up, breaking the table. We were able to fix it a few minutes later, and the sound came back, and the atmosphere was even better than before. Let’s all make mistakes!

Favorite city in which to play?
Bogotá.

Favorite studio toy?
My balafon.

What is one thing you couldn’t live without?
I have a small favorite soft pillow. I can’t sleep without it.

What is your favorite item of clothing?
I have a clothing problem.

If you could reduce your music to a single word, what would it be?
Warm.

If you had to listen to one song on repeat for the rest of your life, which one would you choose?
Maybe a part of Steve Reich’s Music for 18 Musicians. It’s so long and there is so much to discover.

What did you always get in trouble for when you were little?
Being honest.

Which other artist would you most like to work with next?
Iwillnotsay. If he/they read it now, it would be a bit embarrassing for me.

What’s the last thing you read?
Tom Wolfe’s I Am Charlotte Simmons.

Complete this sentence: In the future…
I want to paint more and become a better person.

Stupidest thing you’ve done in the last 12 months?
After [many] years I bought myself a new laptop. It was not easy to get all the stuff copied from the old one, but finally I got it. Three days later I put my laptop on the security belt at London City Airport and forgot to take it after scanning… but—Swahimi-style—they found it and I got it back.

What’s next?
Starting our the PAMPA label, which I just founded with my friend Marcus Fink to release good music from nice human beings.

The Juan Maclean “Happy House (VHS or BETA Remix)”

Given the success of The Juan Maclean‘s “Happy House,” it’s no surprise that the DFA decided to release a load of new remixes of the disco-house banger. Dance-pop auteurs VHS or BETA actually disco up the track a bit more, making the handclaps chunkier, adding some laser-synth stabs, and inserting a violin run that screams 1979 at Studio 54. While the remix doesn’t really alter the original enough to make it a great departure, it adds an element of campy disco fun to an already excellent piece of dance music, and with other remixes from Will Saul & Mike Monday, Chateau Flight, and Lazaro Casanova, there are plenty of reasons to check out this new remix package.

02 Happy House (VHS or BETA Remix)

02 Happy House (VHS or BETA Remix)

2562 Unbalance

On 2562’s debut, Aerial, songs like “Greyscale” and “Techno Dread,” both dub-centric meditations defined by roving basslines and gratifying percussive taps and crashes, suggested that the Dutch producer dabbled in a single color palette—gray. On Unbalance, Dave Huisimans plays a bit more Pantone, weaving in classic dance sounds for a more slinky, refined voice. Smeared keys, hovering synthetic strings, and dull acid tones creep into the mix, providing more textures for him to slip in and out of his unfolding tracks. “Flashback” buzzes and occasionally slides into a locked groove, but never loses momentum. The flinty shuffle of “Yes/No” is filled with scrapes and restraint, small little strikes with varying degrees of decay and sustain. Huisimans still has bass on lock, unfurling plenty of rumbling, catchy low end. Now it just anchors a slightly more ambitious and satisfying set of clockwork dubstep compositions.

Juan MacLean/Maserati Drummer Jerry Fuchs Dies in Elevator Accident

Gothamist reports that Juan MacLean live drummer and full-time member of Maserati, Jerry Fuchs, died early Sunday morning after a fall from an elevator shaft in a Brooklyn apartment building. ABC news reports that Fuchs, 34, was attempting to jump from the broken elevator when his clothing caught on something, causing him to fall five stories.

OPP: Other People’s Podcasts

Although we’re obviously proud of our weekly XLR8R Podcast series, we also spend time scouring the internet for high-quality offerings that appear on other websites. OPP is a monthly round-up of our favorites.

Mike Shannon for FACT

Mike Shannon, one of the most consistently awesome techno/house DJs in North America, put together a great mix for our buddies over at FACT, showcasing the releases from his Cynosure label. Featuring gems from Deadbeat, Akufen’s Horror Inc. alias, and Shannon himself. Essential!

Maurice Fulton’s Bubbletease podcast # 53

Every month, Maurice Fulton gives a gift to the world—BubbleTease-roughly half an hour of unreleased (maybe “never-to-be-released” is more appropriate) material. Each installment is a new mutation, with different dubs, mixed-and-matched rhythms and basslines, and transposed vocal tracks. The podcast always offers an insight into the disco/house/boogie mastermind’s process, and this month’s installment is particularly great, as he intersplices many BubbleTease favorites with some new gems featuring East African vocal stylings from Mim Suleiman.

Jackmaster RIP Dress2Sweat mix for Numbers

RIP Dress2Sweat! The original UK-bass-ified-ghettohouse-B-more-booty label is consolidating into Numbers (along with Wireblock and Stuffrecords). To celebrate, label head Jackmaster has dropped an epic mix showcasing Dress2Sweat’s mighty 12″ back catalog. Great after that afternoon coffee.

Laurent Jeanneau Ghulja for Touch

In September of this year, sound artist and ethnomusicologist (and Sublime Frequencies contributor) Laurent Jeanneau traveled to the volatile region of Xinjiang (“new frontier” in Chinese) or Eastern Turkestan, a massive province marked by ethnic tension and militaristic paranoia that stretches from Mongolia to Afghanistan. Jeanneau put together this mmesmerizing mix of processed field recordings, acoustic recordings, and sound collages from his journey.

Theo Parrish live at the The Do-Over

LA’s favorite summertime BBQ and party spot, The Do-Over, just made Theo Parrish‘s live set available for download. The Detroit house legend lays down a signature deep set perfect for drinking sangria on a warm Los Angeles evening. Check out their blog where you can find lots of other great stuff, like archived live sets from Jneiro Jarel and Bullion.

Jus Wan Hotflush Podcast 005

London’s Hotflush label has been straight-up killing it with releases from artists like Untold and Joy Orbison, but they’ve also been doing a series of high-quality podcasts. The latest offering comes from San Francisco producer Jus Wan, who assembled a smoldering mix of leftfield dubstep, 2-step, garage, and a nice dab of vintage ~scape.

Liars Ready to Show Us a Whole New World

The occasionally unclassifiable and constantly interesting Liars have just confirmed suspicions that they’ll be following up their latest, self-titled album with the release of Sisterworld sometime in early 2010. While very little specific info has been shared (i.e. lead single, tracklist, or release date), we’ve been told that the forthcoming album finds Liars exploring their interests in “…the alternate spaces people create in order to maintain identity in a city like LA. Environments where outcasts and loners celebrate a skewered relationship to society.” Well, of course it does. Sisterworld is also the band’s only album to be made entirely in the US since 2004’s They Were Wrong, So We Drowned, and was recorded with the help of Tom Biller who has also worked with the likes of Kanye West and Beck. Entrance to the “Sisterworld” may be accessed here.

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