Animal Collective Readies New Album

Word was out this week that Animal Collective has a new album in the works, and while details about it are few and far between right now, a strange-yet-intriguing video on the band’s site suggests there may be a set tracklisting for Merriweather Post Pavilion. Just listen to the strange voice on the clip and wait for the hand-written song titles to appear on the screen. Or, okay, you can also read the new titles below. The album is rumored to be out in January 2009, on Domino

Animal Collective will finish up fall with several more dates across the pond, at which point they should be back Stateside in time for the new album’s release.

Merriweather Post Pavilion
01 “In The Flowers”
02 “My Girls”
03 “Also Frightened”
04 “Summertime Clothes”
05 “Daily Routine”
06 “Bluish”
07 “Guys Eyes”
08 “Taste”
09 “Lion In A Coma”
10 “No More Runnin”
11 “Brother Sport”

Dates
10/11 Berlin, Germany – Berghain
10/12 Warsaw, Poland – Fabryka Trzciny
10/13 Katowice, Poland – Jazz Club Hipnoza
10/14 Prague, Czech Republic – Archa Theatre
10/15 Vienna, Austria – Arena
10/16 Ljubljana, Slovenia – Menza Pri Koritu
10/17 Bratislava, Slovakia – A4
10/18 Zagreb, Croatia – Teatat
10/19 Belgrade, Serbia – Studentski Kulturni Center
10/20 Skopje, Macedonia – Mac MKC
10/21 Thessaloniki, Greece – Principle Theatre
10/22 Athens, Greece – Gangarin 205
10/23 Tel Aviv, Israel – Zabba
10/24 Istanbul, Turkey – Babylon
10/25 Valencia, Spain – Greenspace Festival
11/06 Santiago, Chile – Industria Cultural
11/08 Sao Paulo, Brazil – Planeta Terra Festival
11/09 Buenos Aires, Argentina – La Trastienda
11/13 Lima, Peru – Centro Funacion Telefonica

Photo by Adriano Fagundes.

Jean On Jean “Tonight”

Recall the year 2005, when Out Hud‘s Let Us Never Speak of It Again was released on kranky and we were all so enamored by the rock-club-meets-the-dancefloor-style music that we didn’t stop to consider the title of the album–which foreshadowed the band’s eventual split.

We no longer have Out Hud, but individual members of the band are still making music, and now we hear from Molly Schnick, cellist and founding member of the band who’s currently working under a new alias, Jean on Jean. Schnick will release her self-titled solo debut next month, an album supposedly written to address the Out Hud break-up, and also one that allows Schnick to pursue new musical directions. Rest assured, those who were fans of her skills on the cello won’t be disappointed, if this melodic gem is any indication. Maverick Newberry

Jean on Jean – Tonight

Digitalism, A-Trak on Kitsuné Compilation

Paris-based label Kitsuné has gathered tracks from some of the usual suspects in dance music and will finish out the fall by releasing said music on the latest installment of the label’s Maison compilation series.

A-Trak, Digitalism, Lo-Fi-Fnk, Autokratz, and other cool kids contributed rare and/or exclusive tracks to the compilation, but unlike previous editions, which have been tailor-made for the dancefloor, the word on the street is that Maison 6 is a much mellower affair. A recent press release states that the label “keeps on evolving towards ever more melody.” So does that mean the comp is more suited for the maison as opposed to the club? We’ll find out on October 27.

Kitsuné Maison 6
01 Lo-Fi-Fnk “Want U”
02 La Roux “Quicksand”
03 Pnau “With You Forever”
04 You Love Her Coz She’s Dead “Superheroes”
05 Ted & Francis “I Wish I Was A Polar Bear (Arctic Urgency Edit)”
06 Digitalism “Taken Away (Instrumental)”
07 Autokratz “Stay The Same (Edit)”
08 Beni “My Love Sees You”
09 Fischerspooner “Danse En France (D.I.M. Remix)”
10 Etienne De Crecy Et Monsieur Jo “Hanukkah”
11 Streetlife DJs “We Love the Disco Sound (Radio Edit)”
12 A-Trak “Say Whoa”
13 We Have Band “Hear It in the Cans (DIY Version)”
14 Heartsrevolution “Ultraviolence”
15 Grovesnor “Drive Your Car (Hot Chip Remix)”
16 David E Sugar “Although You May Laugh”
17 Appaloosa “The Day We Fell In Love”
18 Piste Presque “Fantôme”
19 The Shoes “Let’s Go”

Photo of Digitalism by Piper Fergueson.

Panther: Hair Today, Gone Tomorrow

Sometimes you start out doing something for fun and it becomes a job. Ask Charlie Salas-Humara. He originally conceived Panther, a drum machine-driven solo project, as a respite from his “other” band, synthy art-rock outfit The Planet The. “There was really no concept,” says Salas-Humara on the phone from a tour stop in Washington, DC. “I was just making crappy beats and singing crazily. It was a guerrilla thing–I would do these weird performances around town.” Not long after, his friend E*Rock stepped in to smooth out some production glitches and ended up putting out Panther’s 2007 debut, Secret Lawns, on his Fryk Beat record label.

The Planet The broke up and suddenly Panther–anchored by Salas-Humara’s tortured, Prince-like falsetto and charmingly spastic dancing–was a full-time gig. (Check the video for “How Well Can You Swim?” for synchronized moves from Panther, with E*Rock and 31 Knots’ Jay Winebrenner as back-up dancers.) Though he’s toured with noise bands Yellow Swans and Wolf Eyes, Panther became known as a dance act, Salas-Humara resembling a sort of lo-fi Jamie Lidell with his glitchy R&B stylings and voluptuous head of hair. This displeased him.

“I got completely tired of most electronic and dance music,” he says. “I wanted to make my music more organic and have more punk and free-jazz elements to it. I was listening to a lot of psych and world music–especially Puerto Rican and Cuban stuff and boogaloo, the stuff I heard my grandparents play growing up–and I wanted to go in that direction.” Salas-Humara enlisted longtime friend Joe Kelly (formerly of 31 Knots) on drums, and set about making this year’s 14kt God (Kill Rock Stars). “Joe has a natural swing to his drums, which is weird because he was a metal drummer. Now he can only make dancey-style beats. So we thought we’d build these loops and see how rhythmic we could get and how many guitars we could layer.”

14kt God bares little resemblance to its predecessor: Spazzy, surprising rhythms remain, but they’re played live alongside guitar, bass, and cello; the effect is shouty punk-funk that couldn’t be further from electro party jams. “I got hate emails, which I thought was really funny,” says Salas-Humara of his stylistic change. “This is kind of pretentious to say, but I don’t give a shit: Music should be art first. We’re not really making pop records here, so you should be able to change and do whatever you want.”

Haters aside, Salas-Humara has bigger things on his mind right now. “Charlie has hair issues,” says Kelly. “He has real nice, full hair but he just got some bug up his ass and thought that he wanted to look like Norman Bates. Now he cut it and he’s real bummed.”

MP3: “Puerto Rican Jukebox”
Outtakes: An Interview with Panther

Favorite Portland artist:
Joe: Our friend Brad Atkins. He’s got a really good blog.

Charlie: Yeah, Brad is super-high-concept and barely puts anything out or makes any money. He’s a thorn in half of Portland’s side. And I’ve always liked E*Rock’s stuff. He’s really fun.

Benoît Pioulard “Idyll”

When he’s not running through fields and discovering creepy abandoned houses, Portland’s Thomas Meluch is busy making experimental pop songs under his Benoît Pioulard moniker. The music on Temper, set to drop next week on the esteemed kranky imprint, pairs acoustic guitars with software generated static, smooth cello arrangements with staggered percussion, and Meluch cites everything from T.S. Eliot to Italian neo-realists as his inspirations for the album. “Idyll” sweeps through a broad palette of the aforementioned sounds, while Meluch’s gently sung vocals add the finishing touches.

Temper
01 Ragged Tint
02 Ahn
03 Sweep Generator
04 Golden Grin
05 The Loom Pedal
06 Ardoise
07 Physic
08 Modèle d Eclat
09 Idyll
10 Brown Bess
11 Cycle Disparaissant
12 A Woolgathering Exodus
13 Détruisons Tout
14 Loupe
15 Taprye
16 Hesperus

Benoit Pioulard – Idyll

Digitalism Digitalism: Kitsuné Tabloid

German duo Jens “Jence” Moelle and Ismail “Isi” Tüfekçi have stitched together a gem of a mix CD for France’s Kitsune imprint. What renders Tabloid so enjoyable is not just its strapping, dancefloor-tailored mixing, but the surprising appeal of these eclectic yet unabashedly commercial tracks, which veer seamlessly from commercial rock to tech-house. Check The Human League’s “The Things That Dreams Are Made Of” for one of the most driving (and keenly lyrically comical) moments on this mix, and Jonzun Crew’s utterly nonsensical, funk-steeped joint “Space Cowboy.” A strong indicator that you should immediately locate Digitalism’s next nearby DJ gig–and bring some recreational substances with you.

Blitzen Trapper Furr

Not one minute into this Portland experimental rock quintet‘s fourth album, and first for the chameleonic Sub Pop, is a guitar solo that would do Lynyrd Skynyrd proud. On Furr, the celestial, electronic embellishments noticed in Blitzen Trapper’s previous work are mostly buried beneath the power chords, flutes, nature sounds, harmonicas, rickety old pianos, and whatever else Blitzen is banging it out on. Lead member Eric Earley proudly waves his Northwest freak flag as a producer, but as a lyricist he succeeds beyond most in indie rock. He becomes a storyteller, describing the whispering wind and the howling of wolves by moon- or firelight.

Pon Di Wire: Macka Diamond, Bescenta

Max Glazer’s Federation Sound, in association with Ward 21, is offering a new, free mixtape titled Badda Badda Gang… 3 The Hard Way, featuring Timberlee, Natalie Storm, and Tifa, three of dancehall’s most important new female artists. The mix highlights the artists’ wealth of new tracks and strong crossover appeal. Watch out M.I.A. and Gwen Stefani!

Speaking of women on the move, Macka Diamond has formed her answer to Bounty Killer’s Alliance crew–Galliance. The crew includes Macka, Lady G, and Queen Paula, plus new artists Black Queen and Champagne. “It is a group of friends who’ve come together for the advancement of female artistes as a collective in the business,” Diamond told Jamaica’s One876. “We realize that the selectors are not playing the women DJs in the dance, so we felt that if we organized as a force, maybe it would change their attitudes towards females.”

Mavado’s passport has been reauthorized and his travel ban lifted, which paves the way for U.S. appearances. The artist born David Brooks will kick things off at the Return of The Gully God show, on October 25, at Club Amazura in Queens, New York. Mavado’s new album, Mr. Brooks: A Better Tomorrow, is slated for release by the end of this year.

Itation Records has an excellent new roots collection called the World Go Round riddim, available from all digital retailers. Artists on the Tune In Crew-built riddim include Pressure, Sizzla, Delly Ranx, Turbulence, Chezidek, and Jah Mason.

If you’re a fan of sweet singers like Tarrus Riley, Beres Hammond, or Lukie D, you can add another great to that list: Bescenta. The roots crooner is climbing the charts with his latest single, “Calm Down Your Nerves.” Previously, Bescenta hit in 2006 with the lovers rock track, “Special Night.”

17 North Parade has teamed up with Wax Poetics and New Era caps to commemorate the new vintage reggae collection, Reggae Anthology: Randy’s 50th Anniversary, out October 28. Two hundred limited-edition New Era 59FIFTY fitted caps will be offered with the album in a special 50th Anniversary bundle, available at New Era flagship stores in New York and Toronto.

U.K. DJ veterans Tippa Irie and Pato Banton perform in California Friday October 17 at Orange County’s Brixton South Bay, 100 J-Fishermans Wharf, Redondo Beach. Tippa Irie is celebrating the release of his new CD, Talk The Truth, and will do further So Cal dates in LA, Long Beach and San Diego.

The Mighty Diamonds play live in Philly Wednesday October 29 at The North Star Bar, 2639 Poplar Street, 9 p.m.

Reggae Vibes October 1978 Flashback Chart
1. TeTrack “sn’t It Time” (Rockers)
2. Hugh Mundell “Great Tribulation” (Message)
3. Augustus Pablo “Armageddon” (Message)
4. Tapper Zukie “Freedom Street” (Stars)
5. Phillip Frazer “Come Ethiopians” (Freedom Sounds)
6. Sugar Minott “In The Residence” (Lightning)
7. The Meditations “Think So” (Black Art)
8. Rod Taylor “Behold Him” (Message)
9. Ken Boothe “Who Really Cares” (Roots International)
10. Junior Delgado “Armed Robbery” (Crazy Joe)

Pictured: Macka Diamond. Photo by Debbie Bragg.

Au “All Myself”

Never mind the fact that this track is called “All Myself.” Au architect Luke Wyland actually had a ton of help here, as well as on the whole of his sophomore full-length, Verbs, released earlier this summer. The Portland-based songwriter not only chose to surround himself with a proper band for the album, namely in the form of multi-instrumentalists Jonathan Sielaff and Mark Kaylor, but he also enlisted 30-plus people to swing by the studio and make a contribution. Thus, Verbs is a grandiose affair that includes guests spots from Parenthetical Girls, Evolutionary Brass Band, Becky Dawson, Team Love darlings A Weather, and, well, you should just listen to the album to get the full effect. For “All Myself,” Wyland would settle, it seems, for nothing less than a full horn section, layers of percussion, flute interludes, and robust vocal choruses. It’s sort of like the aural equivalent to eating a seven-course dinner. Maverick Newberry

Au – All Myself

Ragged Tint

Benoît Pioulard‘s latest video has all the trappings of a good suspense drama. There’s him running through a field of tall grass, clearly to get away from something frightening. Then there’s the abandoned house, where he finds a little metal box and its unsettling contents. Add fire, gasoline, and an eerie night, and you could sit back and narrate your own twisted storyline to the video while the track plays in the background. Jennifer Marston

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