Matthew Dear’s “Dog Days” Remixed

When Matthew Dear‘s Leave Luck to Heaven dropped on Ghostly in 2003, it was pretty much unanimously decided by the electronic music community that “Dog Days,” a punchy number featuring crisp beats and an arpeggiated synth melody, was the standout track on the release. Remix albums had yet to become the standard practice back then, and so we don’t have twenty versions of the track up on Discobelle, though Ghostly is about to change that with the September 9 release of Dog Days: The Robsoul Remixes.

DJ Sneak, Phil Weeks, and Chris Carrier, all members of the France-based label Robsoul, went to town on these versions of the original, and it’s nice to finally see how Dear’s famous track can be interpreted. Expect to wander up and down Collins Avenue at WMC 2009 hearing these tracks blasted from every roof party on the block.

Dog Days: The Robsoul Remixes
01 Dog Days (DJ Sneak’s 420 Dog Mix)
02 Dog Days (Phil Weeks Remix)
03 Dog Days (Chris Carrier’s Proplan Remix)
04 Dog Days (Chris Carrier’s Proplan Dub Remix)

Photo By Doug Coombe.

Randy Records Turns 50

Producer Clive Chin, son of Randy’s Records founder Vincent “Randy” Chin, has a great story about how his father recruited the Trinidadian singer Lord Creator to voice an ode to Jamaica’s independence. “[Creator] came to the island in 1962 to perform with a set of musicians from Guyana and Trinidad, and my father liked what he heard and said, ‘why don’t you do a song for my label–but do an independence song,’” recalls Chin, from his home in New York. “This is how the business relationship started between my father and Creator, with the song ‘Independent Jamaica’–that was a huge hit,” he says. “And the first flagship single that Chris Blackwell of Island Records put out in Britain was ‘Indpendent Jamaica’.”

That anecdote aptly conveys the influence that a small record mart and recording studio, founded in 1958 in downtown Kingston, had on the history of Jamaican music. Randy’s store eventually spawned Randy’s studio and label, and a move to New York in the 1970s saw the family establish reggae mega company VP Records.

Released on VP’s recently launched historical reissue imprint, 17 North Parade, Reggae Anthology: Randy’s 50th Anniversary collection is a dual CD and DVD collection that highlights both hits and rare cuts from this influential label and studio. Featuring Bob Marley & The Wailers, Dennis Brown, Peter Tosh, Alton Ellis, John Holt, and other greats, Disc One, 1960-1971, includes the early politically charged ska tunes, such as the aforementioned “Independent Jamaica” and the Skatalites “Malcolm X,” plus a youthful Toots & The Maytals’ hit, “John And James.” Disc Two, which covers studio works from 1971-1976, includes Horace Andy, Gregory Isaacs, and the great Dennis Brown.

The collection is rounded out by noted reggae authors Steve Barrow and David Katz’s liner notes and a complementary 40-minute DVD loaded with interviews, making Randy’s 50th Anniversary an in-depth audio/visual look at reggae during its most creative period.

Randy’s 50th Anniversary
Disc One–1960 to 1971
01 Lord Creator “Independent Jamaica”
02 Alton & Eddie “Like A Dream”
03 Roy & Paulette “Since You’re Gone”
04 Rico Rodriquez “Rico Special”
05 Lord Creator & Norma Fraser “We Will Be Lovers”
06 Lord Creator “Don’t Stay Out Late”
07 Basil Gabbidon “Goodbye Pretty Darling”
08 Cornell Campbell “Make Hay”
09 Charlie Organaire “Royal Charlie”
10 Joanne Gordon & Roland Alphonso “Blow Roland Blow”
11 Baba Brooks “Portrait Of My Love”
12 The Skatalites “Malcolm X”
13 Alton Ellis “Mouth A Massy”
14 John & Alton “Rum Bumpers”
15 The Maytals “John And James”
16 Delroy Byfield “Yagga Yagga”
17 Don Drummand “Machine Shop”
18 Stranger & Ken “Home Home Home”
19 Lord Creator “Such Is Life”
20 Bob Marley & The Wailers “Sugar Sugar”
21 Peter Tosh “You Can’t Fool Me Again”
22 The Gaylads “Wha She Do Now”
23 Count Machukie “Warfare”
24 Randy’s All Stars “End Dust”
25 Ethiopians “True Man”

Disc Two–1971 to 1976
01 Augustus Pablo “Java”
02 I-Roy “Hospital Trolley”
03 Junior Byles “King Of Babylon”
04 Horace Andy “Don’t Go”
05 Jimmy London “A Little Love”
06 Dennis Brown “Cheater”
07 John Holt “For The Love Of You”
08 Alton Ellis “Too Late To Turn Back Now”
09 Donovan Carless “Be Thankful”
10 Hortense Ellis “Woman Of The Ghetto”
11 Senya “Children Of The Ghetto”
12 Gregory Isaacs “Lonely Soldier”
13 Black Uhuru “Going To Zion”
14 Lloyd Parks “Ordinary Man”
15 Impact All-Stars “Ordinary Man Version 3”
16 1 African Brothers “Hold Tight”
17 Keith Popin “Righteous Man”
18 Errol Dunkley “Created By The Father”
19 The Gladiators “The Race”
20 The Heptones “My Guiding Star”
21 Hubert Lee “Something On Your Mind”
22 Charlie Ace & Dirty Harry “Country Boy”
23 Carl Malcolm “No Jestering”
24 Knotty No Jester “Big Youth”
25 Carl Malcolm “Fattie Bum Bum”

Pictured: Randy and Clive Chin. Photo by David Corio

Get Physical Launches Get Digital

Berlin’s Get Physical imprint is keeping up with the times. The dance music label run by the members of M.A.N.D.Y. and Booka Shade just launched a brand-new, digital-only sister label, the cleverly named Get Digital. The imprint will function as a digital platform for many of Get Physical’s future releases, though the company’s founders are quick to point out that this is not the end of the original label, but rather, a new development. Releases will be exclusively available on the Get Digital site for about four weeks, before they’re sold through other digital download sites (ie: Beatport, iTunes, etc.).

First up in the release queue is “Kaskazi,” a collaborative effort from U.K.-based producers Simon Baker and Jamie Jones. The label is offering 1,000 copies of the inaugural release as a free download. Stay tuned for future tracks from M.A.N.D.Y., Booka Shade, and DJ T.

Jake One Readies New Album

Jake Dutton, who prefers to go by the graf-writer handle Jake One started off making beats in the mid-’90s for Seattle-based Conception records. Since then, he’s been able to straddle both independent and mainstream hip-hop, working for the G-Unit production team, while maintaining ties with underground artists.

Dutton will blend both worlds on his new album, While Van Music, out in October on respected indie imprint Rhymesayers–home to Brother Ali, Atmosphere, and Pslam One. The entirely self-produced new album features guest verses from MF Doom, Young Buck, Slug, M.O.P., Busta Rhymes, Little Brother, Prodigy, Keak Da Sneak, and more.

The results should surprise hip-hop fans that believe radio-driven artists only rhyme well over predictable canned beats. For White Van Music, Dutton has cooked up a set of soul-drenched and innovativly programmed backing tracks that draw on his extensive beat-digging library, as well as influences such as Pete Rock Dr. Dre, and others.

Other artists and collaborators signed on for the album include producer/MC Alchemist, Hiero crew’s Casual, Dilated Peoples MC Evidence, Detroit’s eLZhi, Royce Da 5’9″, De La Soul’s Posdnuos, and Ish (a.k.a. Butterfly of Digable Planets).

White Van Music
Track List
01 I’m Coming feat. Black Milk & Nottz
02 Gangsta Boy feat. M.O.P.
03 The Truth feat. Freeway & Brother Ali
04 Turn It Down
05 God Like feat. D. Black
06 Bless The Child feat. Little Brother
07 Oh Really feat. Posdnuos & Slug
08 Hi
09 Trap Door feat. MF DOOM
10 Dead Wrong feat. Young Buck
11 Kissin’ The Curb feat. Bishop Lamont & Busta Rhymes
12 How We Ride feat. Freeway
13 White Van feat. Alchemist, Evidence & Prodigy
14 Big Homie Style feat. J. Pinder, GMK & Spaceman
15 Scared feat. Blueprint
16 Great Sound
17 Get ‘Er Done feat. MF DOOM
18 Feelin’ My Shit feat. Casual
19 Soil Raps feat. Keak Da Sneak
20 Glow feat. eLZhi & Royce Da 5’9″
21 R.I.P.
22 Home feat. Vitamin D, C Note, Maine & Ish

DJ Panik “Te Ves Buena”

Texas is not a place you’d expect to find artists pushing cumbia, the dance music native to Colombia that’s fast making a name for itself around the world. But there is an apparent cumbia crunk scene in the Lone Star state, and DJ Panik is one of the forces behind the movement combining the Latin American sound with Southern hip-hop beats. “Te Ves Buena,” off the new Bersa Discos #3 EP, uses the aforementioned sounds alongside samples of a classic reggaeton tune from El General, and is a fast-paced number with slightly off-kilter beats that are made for dancing.

DJ Panik – Te Vez Buena

Olympic Airways

When one’s in the great outdoors, nothing passes the time more than destroying things. Don’t worry, the Oxford, U.K.-based indie rockers in Foals aren’t burning trees or killing birds. Rather, joined by a crew of floppy-headed young lads, the band goes bezerk in the wooded enclave and smashes some TVs and furniture, not to mention the odd plastic crate and tire swing. Perhaps it’s a statement of what man might become if left to his own devices in the wilderness. Perhaps we should ask David Ma, who directed the video.

Meanwhile, the digital single for “Olympic Airwaves” will be out as a 7″ and on CD October 6, as well as in digital format as an iTunes exclusive. The latter contains two extra tracks, remixes of the original by Supermayer and Diskjokke.

Telepathe “Chrome’s On It”

Telepathe may have risen from Brooklyn’s avant-garde music scene, but the duo of Melissa Livaudals and Busy Gangnes dabble in many different genres on their first IAMSOUND EP, Chrome’s On It. Commissioning The Mae Shi, Free Blood, Bobby Evans, and Mad Decent, the duo has unleashed four tracks that traverse experimental pop, hip-hop, dub, and other styles as each artist assumes remix duties and interprets their own version of the title track as well as the b-side, “Bells.” The original, here, shows off Telepathe’s taste for dense instrumentation, unpredictable rhythms, and unique approach to electronic music.

Chrome’s On It
Side A
01 Chrome’s On It
02 Chrome’s On It (Mad Decent Remix)
03 Chrome’s On It (The Mae Shi Remix)
04 Chrome’s On It (Frankmusik Remix)

Side B
01 Bells
02 Bells (Free Blood Remix)
03 Chrome’s On It (Bobby Evans Remix)

Telepathe – Chrome’s On It

Luciano Fabric 41

It’s funny that the “minimal” genre has an abbreviation, because increasingly mnml’s aims seem marathon, counterbalancing big room’s exaggerations by becoming as drawn out as trance was drawn up. And with his second commercially released mix, Cadenza Records’ Luciano continues the denouement denouncement, condensing a session of well-flogged 2008 live staples–parts down-turned miniminiminimal, deep tribal house and auroral techno. Like fellow Chilean DJ/producer Ricardo Villalobos, Luciano aerates wonky riffs, sub-dermal bass, and groined melodies, in this case by artists including Rhadoo, D’Julz, Los Updates, Reboot, Inner City, Kenny Larkin, and Chymera. The Latin soul-distilled Detroit-lite threading is interrupted only by low-end modulations and M83’s starry-eyed pause for breath. Whereas some mixes are a statement, this one is merely a thoughtfully sourced souvenir.

Fenin Been Through

Having been on the Shitkatapult wagon since the beginning, Fenin sits among the ranks as one of the original dub-techno production gurus. On Been Through, steady rhythms and smooth pads set an after-hours mood, while dubbed-out tape delay effects create hypnotic builds and improve the flow of each track. The most obvious element here, though, is the use of vocals and harmonies to reach out to an even more diverse audience. Conscious lyrics from the likes of reggae artists Gorbi and Scorcha make for a much more irie listening experience and add to Fenin’s overall curb appeal.

Fashions from Ellen Allien

As much as there is a Berlin techno sound, there is a Berlin techno look: clothing is cut comfortably but cleverly, lines are clean, colors muted and minimal. It’s not flashy or fraught–it’s fashion designed to take you from a luxury hotel to the apocalypse in style. And perhaps no one sports this look better than Ellen Allien, DJ/producer, Bpitch Control label head, and, in the last few years, fashion designer.

Allien’s current collections aren’t fanciful affairs. SOOL is a t-shirt series that borrows its graphic (a galaxy-like maelstrom of different-sized dots, designed by Pfadfinderei) and title from her recent album of the same name. We’re still not sure if SOOL stands for “Shit Out of Luck” or “Simple Object Oriented Language” (we’re guessing the latter), but we could definitely use a gunmetal-grey SOOL tote bag to carry our club scarf collection around in.

While SOOL price points fall around 30 Euros, Allien’s high-end line, PLUS, matches incomes of more Hawtin-like proportions. T-shirts and mini-dresses printed on thin jersey cotton go from somber (the Kreis shirt with its simple black line on grey) to playful–like the genre’s newest statement tee, “I’m Techno and You’re Not.” Most of the line features organic shapes frolicking on white cotton–some simple triangles and circles, others suggesting Miró paintings or fallopian tubes and eggs at play. (Allien says they “represent the human body’s energy flux.”) And yes, these are the sort of clothes that look better on organically fed and party-emaciated bodies, but if you like your fashion like you like your techno–minimal and striking–then pony up.

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