Jungle Return with Two New Tracks

Jungle have returned with two new tracks, “Happy Man” and “House in LA,” out now via XL Recordings

Towards the end of 2013, Jungle released their first two singles: “The Heat” and “Platoon.” The ensuing years saw them go from anonymous production duo to a personality-filled seven-piece live band built around the core duo of Josh Lloyd-Watson and Tom McFarland, whose debut album (2014’s self-titled Jungle) was one of the year’s defining debut records, selling over half a million copies. 

They’ve now returned with a set of new songs,  “Happy Man” and “House In LA,” both taken from the band’s forthcoming second album. Josh and Tom describe it as “a post-apocalyptic radio station playing break up songs.” The album was written in the Hollywood Hills and finished in London.

“Happy Man” sees the band visiting themes of disenfranchised youth in an era where the dreams of the Baby Boomers are out of reach for a younger generation (lyrical terrain previously explored in “Busy Earnin”). It’s accompanied by a video that, for the first time ever, gives you a glimpse inside Jungle’s world by introducing the band and new Jungle member Zangi who can be seen dancing in the video.

“Happy Man” and “House in LA” are out now via XL Recordings, with both streams below. 

Bogdan ‘Listopad’

Having made a strong impression with the first two releases on Bromus, a new series from Paris’s YYY Distribution camp, Bogdan steps over to Not An Animal, the London-based label of Chris Stoker and Andy Bainbridge

He leads in with the understated Italo thrum of “Parovoznikov,” riding a stuttering arpeggio and leaving plenty of room for the punchy drums and fluttering synth touches. Justin Van Der Volgen does a sensitive job of the remix. “Listopad” is a more mellow affair, though there’s no shortage of fuzzy, vintage lead lines, before Kito Jempere’s remix closes the release with his first contribution to the label. 

Mayan Warrior, Innervisions, Afterlife, and More Scheduled for The Brooklyn Mirage This Summer

The Brooklyn Mirage is set to open its summer programming on May 19.

The sprawling outdoor venue’s second season will open with The Cityfox Experience party, featuring sets from John Tejada, Martin Buttrich, ANNA, Holmar, Jon Charnis, and Serge Devant, among others. For the rest of the season, The Brooklyn Mirage has scheduled showcases from All Day I Dream, Afterlife, Burning Man favorites Mayan Warrior, NYC venue Output’s Outpost, Innervisions, Modeselektor, Afterlife, Jamie Jones’s Paradise, Bedouin’s Saga, and PLAY by Listed, which are all set to run from the May 19 kick off until the Cityfox closing on September 29. 

Like last year’s season, The Brooklyn Mirage will once again feature its impressive KV2 Audio VHD5.0 sound system, state of the art lighting, 3D video projection mapping, and various other creature comforts throughout the venue.

You can find the full schedule below, with more info here.

XLR8R and Dialogue to Host SIT in LA

On May 20 in Los Angeles, XLR8R and Dialogue will host SIT (short for Sideways Invisibility Theory), the collaborative project of Amphia label heads Cristi Cons and Vlad Caia.

The duo are fresh off a standout four-vinyl LP on Sushitech, titled Invisibility, as well as a hyped set at the recent Sunwaves 23, playing before Ricardo Villalobos and, by all accounts, delivering one of the best sets of the festival.

The event is set to take place at an intimate, open-air venue in Downtown LA from 3 p.m. to 10 p.m., with support from WXC (John Wander and Luke Cheadle) and Dialogue residents MD.

You can find more information and tickets here

Premiere: Hear a Haunting Dub Track From SabaSaba

May 18 will see the release of SabaSaba‘s self-titled debut album via Maple Death Records.

Connecting with Torino’s deep connection to black magic, SabaSaba is a trio comprised of Tommaso Bonfilio (tape loops, drum machine, organ), Andrea Marini (electronics, flute, guitar, bells), and Gabriele Maggiorotto (drums, percussion, effects). With their array of off-kilter machines, the trio produce a deep and cinematic dub-focused style, focusing on the darker, primal realms of the genre, whilst touching on elements of post-punk and psychedelia. Their debut album delivers a truly mind-altering mix of warped electronics, voyaging into dark ambient, rippling drone, and harsher, industrial outings. 

Ahead of the May 18 release, you can pre-order SabaSaba here, with album cut “Drops” streaming in full via the player below.

Podcast 541: Sami Baha

Sami Baha is a Turkish producer based in South East London. He has roots in the music of his homeland and first got into producing through being a rapper himself, working with local MCs in Turkey and producing beats for them. Only more recently has he started to focus on production, having involved himself in the UK bass scene. His music was introduced to the world via his 2016 Planet Mu EP Mavericks, and he’s now returned with a debut album, Free For All, featuring Yung Lean, DJ Nate, and more. The production is refined and elegant, with familiar tropes reassembled in original ways via instrumentation that reflects his background and influences simultaneously. 

His podcast for XLR8R flows on from the album, giving a glimpse into what we can expect from Sami in the future via 60 minutes of head-nodding beats and warped electronic soul.

How did you first get into music? 

I was rapping as a teenager and got into beat making like that. My childhood was spent outside in a city setting so music coming from carparks, shops, and stadiums was all a part of it. Istanbul is a loud city.  

What was it like growing up in Turkey?

Growing up in Turkey was basically filled with playing football on the street and long BBQs with family and music. School is all day and summers are long. Later in high school, I would get together with friends and try to make music. I spent a lot of time indoors and I’m still pretty much doing the same thing.   

What music were you listening to growing up?

I grew up listening to Turkish music at home, which is vocal led, emotionally loaded, and arranged maximally. Also rapping and listening to hip-hop influenced me especially starting up as a producer. My life changed with DJ Screw and the South sound. I feel like people of my generation really represent the influence of hip-hop globally, mixing it with sounds of wherever they came from.

When did you relocate to London, and how has this influenced your music? 

I moved here first in 2015 and was located in South London. The first thing that got my attention was the Latin and African music on the streets. Playing around in clubs and radios, I met other people with great music also and I feel like some of them became my family. I feel good in London. Compared to Istanbul, my daily routine here is more isolated and silent, so there is a good chance of me making music every day. I enjoyed that a lot during the process of making the album. It has a different mood than Mavericks.

What inspired the move from rapping to production? 

I felt like I was expressing much more via producing music than rapping and I definitely have more fun. It was a very organic process as I grew up. I still pick up the mic during sets and have fun. My style was more on the comedy and fun side, and I love to bring that into my sets. 

How did the relationship with Planet Mu come about? 

Mike [Pasadinas] emailed me about some of my demos on Soundcloud and he wanted to release it. It was good timing as I wanted to settle down in London.

What have you been up to lately?

After finishing the album, me and Beyza Ucak did the visuals and we produced it together so I spent time on that. I’m very happy with it. Nowadays I’m enjoying the rare sun in London and getting ready to hit the road in a week. First stop will be Berlin. 

When and where was the mix recorded? What equipment did you record it on?

It was recorded in my room and took some time. I used my computer and Traktor to mix it. 

How did you select the tracks that you included?

I wanted to bring new and fresh material I’ve been doing lately. There are unreleased songs and few songs from FFA. Then it moves on to a more trance.

Was there a particular idea or mood you were looking to convey?

I’m excited about it because it is the first time I’m playing people some of my new songs. I also wanted to bring a feeling of what happens when I play at the club. It’s a good mix of what I do.

What’s next on the agenda?

I want to travel more and continue doing collaborations with other people. Planning to go Japan and work with Kufu-ra, who was also featured on the album. There are exciting projects I’m looking forward to. 

Tracklisting

01. Smokullah “Test”

02. Kingdom ft. SZA “Down 4 Whatever” (Sami Baha Remix)

03. Sami Baha ft. Dimzy “Discreet” 

04. Sami Baha “Try”

05. Sami Baha “Gambit”

06. Sami Baha “Halcyon SB”

07. Bladee ft. Sami Baha “Cover Up”

10. Sami Baha “Path Riot”

11. Sami Baha “Exist”

12. Sami Baha ft. DJ Nate “Thugs” 

13. Sami Baha “Cold Pursuit”

14. Sami Baha ft. Kuedo “Cataphract”

15. Smokullah “Cuw”

16. Sami Baha “Panik”

17. Kamixlo “Mi Sabor”

18. Sami Baha & Rihanna “BBHMM” (Total Freedom Edit)

19. Sami Baha “Hacked”

20. Why Be & Sami Baha & Young Thug “Maverick Dome Edit”

21. DJ Torba “Koppa”

Dubfound ‘421’

Dubfound is a highly-talented Chișinău-based producer, DJ, and label owner of vinyl-only labels Swoon, Nurum, and one%. He has also released on renowned labels such as Sleep Is Commercial, Cadenza, Vinyl Club, and Fox Trax, and helms Jezellic, a side project focused on textured minimalism. 

Following his most recent EP on Pleasure Zone, S.L.I.G., Dubfound has offered up two unreleased cuts recovered from a recent hard drive crash as XLR8R downloads. From the driving acid of “421” to the tripped-out minimal grooves of “491,” both tracks are sure to please fans of stripped-back dancefloor tunes—and a rare digital release from one of the best producers operating in the minimal scene. 

You can grab both tracks via WeTransfer below.

Joji Shares New Single

Joji has today released his first new music since February’s In Tongues EP. 

Joji is the Osaka, Japan-born singer whose songs are characterized by down-tempo, melancholic themes and soulful vocals, layered over lush grimy textures, blending elements of trap, folk, electronic, and R&B. 

New single “Yeah Right” is an anthemic yet dark and brooding party ballad written and produced by Joji himself. It’s out now, with a video streaming below. 

DJ Lilocox EP Next on Príncipe Discos

The next release on Príncipe Discos comes in the shape of a solo debut from DJ Lilocox, titled Paz E Amor (“peace and love”). 

A longtime core member of Lisbon’s Príncipe label, Lilocox is one-third of the PDDG (Piquenos DJs Do Guetto) crew beside DJs Firmeza and Maboku, and also accounts for half of CDM (Casa Da Mãe), also with Maboku. With the CDM project on hold for now, Lilocox now presents his solo debut and a “more mature” sound. 

This EP follows 2016’s “La Party,” Lilocox’s 2016 contribution to Príncipe’s Mambos Levis D’Outro Mundo compilation.

We’re told to expect “deeply rugged Batida, compatible with tribal house, afro-beats, UKF, and Kwaito.”

Tracklisting

01. Vozes Ricas

02. Ritmo & Melodias

03. Paz & Amor

04. Samba

05. Fronteiras

Paz & Amor LP will land on May 25, with “Vozes Ricas” streaming in full below. 

Recondite Next Up in Ask the Experts; Send Him Your Questions Now

Lorenz Brunner, the artist better known as Recondite, is up next in our Ask the Experts series, following on from Moby and Daedelus, whose answers will drop imminently.

Few producers can elicit as much emotion with their music as Brunner. He grew up in a rural Bavarian neighborhood, surrounded by forests and fields that became deep-rooted inspirations for his minimal, melancholic, and contemplative compositions. 

He was introduced to electronic music in 2005 via Superpitcher’s mix CD Today, becoming instantly enamored by the music’s atmospheric quality and sparse use of melody. Within no more than 12 months, he had committed himself to a life as a musician, studying hard to teach himself the ropes of production, before continuing his pursuit with a move to Berlin in 2009. Later that year, he launched his own Plangent Recordings label, where he released his first EPs, titled Plangent #001 and Plangent #002, before his debut album, On Acid, landed in 2012, giving Brunner his first taste of international attention and attracting the interest of US imprint Ghostly International, who would go on to release his second album, Hinterland, in 2013. 

Around this time, Brunner was also gaining the support of DJs in the techno world thanks to tracks like “Cleric” on Dystopian and “DRGN” on Hotflush. Following this, Recondite’s third album Iffy arrived on acclaimed German label Innervisions. He’s since shared two more full-lengths, 2015’s Placid and 2018’s Daemmerlicht, a 12-track effort that sees Brunner combine his love of instrumental hip-hop and downbeat with ambient and classical music. 

As a live act, Brunner is similarly established. His sets, which feature only a laptop and consist entirely of original material, are powerful, entrancing, and emotionally provocative affairs, with messages of happiness, sadness, melancholy, and anger all wrapped up into one. He was voted Resident Advisor‘s number one live act in 2014. 

Whether it be playing live, production, label management, or just about anything else, all questions should be sent to [email protected] with “Recondite” as the subject line. We’ll pass them along to Brunner who will then select his favorites, and soon we’ll publish his answers.

Recondite will be performing at this year’s Sonus Festival alongside Charlotte de Witte, Rødhåd, Praslesh, Rhadoo, Sonja Moonear, and many more. This year’s edition runs from August 19 to 23 on Zrce Beach, Croatia, with more information available here

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