Tensnake Plots North American Tour

Back in December, German house producer Tensnake shared the details surrounding his forthcoming debut LP, Glow. We still have to wait until March 11 for the album to officially appear, but while he has us waiting, Tensnake has announced a lengthy series of upcoming tour dates across North America. The complete itinerary is below (although more shows will apparently be announced in the weeks ahead), and it seems that Tensnake will actually be hitting the road before Glow is released. He’ll be making stops at SXSW and WMC, and will also poke his head into both Canada and Mexico along the way.

Thursday March 6 – Output, New York NY
Friday March 7 – The Dolphin, Philly PA
Sat March 8 – Spy Bar, Chicago IL
Wed March 12 – Fri March 14th – SXSW – Austin TX
Friday March 21 – Mezzanine, San Francisco CA
Sat March 22 – Anderson Lofts, Los Angeles CA
Sat March 29 – WMC, Miami FL
Thursday April 10 – Club Social Rhodesia, Mexico City
Sat April 19 – Coda, Toronto (CA)
Sunday April 27 – Re-Bar, Seattle WA
Friday May 2 – Beauty Bar, Dallas TX
Saturday May 3 – U Street Music Hall, Washington DC
Friday May 16 – Bijou, Boston MA

Check out Legowelt’s and Xosar’s Sets for Beats in Space

Last night, Netherlands-based expat Sheela Rahman (a.k.a. Xosar) and Dutch techno wizard Danny Wolfers (a.k.a. Legowelt) appeared on Tim Sweeney’s Beats in Space radio show, and their sets are now available to stream in full. Starting off the latest edition of the long-running WNYU show was Xosar, whose knack for enchanted house rhythms and haunting techno beats shone brightly during the course of her live session, which was then followed by a DJ set from Legowelt that appropriately mirrored the night’s vibe.

Both sets can be streamed in full below, along with a lengthy mix from Cómeme affiliate Christian S, who was brought in to close out the show. All three sets’ accompanying tracklists can also be found below.

Xosar (Live Set):
01 Forbidden Gaze
02 Moonwave
03 Cave Ritual
04 Shadows & Substance
05 World of Illusion
06 4D Rising
07 Dream Worship
08 Psychick Torrent
09 Xantra
10 Sands of Venom
11 The Possession
12 Watching Waiting Wanting
13 The Pit

Legowelt:
14 J Velez – Airplanes
15 Roman Flügel – Iron Curtain
16 – –
17 Inner City – Back together Again
18 – Bad Cop Bad Cop
19 Actress – News
20 Xamiga – Cummulus
21 Starlox – Starlox Island
22 Xosar – Gone is Yesterday

Christian S:
23 Xano – Que Rico El Hmm (Cómeme)
24 Toto Colonia
25 Black Cock – Blue Love
26 – Casanova Brown (Glen Underground Edit)
27 Man Friday – Love Honey, Love Heartache (Vinylmania)
28 Bobby Konders – Nervous Acid
29 Rick Wilhite – Dreams Of Yesterday
30 Erotic Illusions – – (DNH)
31 Working Class – Non Stop Trancin (Groove On)
32 Les Sun Rae – Revelation (Free Beats) (Minimal Records)
33 Christian S – Drifting (Cómeme)
34 Zombies From Miami – Las Cruces (Cómeme)
35 Carisma – Talento Matematico (Cómeme)
36 Anthony “Shake” Shakir – No. 3 (Gigolo)
37 Alejandro Paz – El House (Christian S Late Night Mix) (Cómeme)
38 Unknown – I Hate The Job (Disco Devil)

P. Morris to Release His First Mixtape

After officially changing his production moniker from Morri$ earlier this year, LA-based Night Slugs and Fade to Mind affiliate P. Morris (a.k.a. Philesciono Canty) will soon be releasing his first-ever mixtape, which he’s elected to simply title Debut. The 12-track effort will be issued on February 25 via Bear Club Music Group, and can be pre-ordered now via Bandcamp. The mixtape artwork and tracklisting is below, along with a stream of the song “Hold Tight,” which happens to be a rework of a Justin Bieber track. While listeners will have to wait to hear the entire mixtape, both “Hold Tight” and closing cut “Mood Swing II” can be downloaded now via Bandcamp’s name-your-own-price system. They’re also available immediately to anyone who preorders Debut. (via Resident Advisor)

1. Mood Swing
2. Warning
3. Turtle Lounge
4. Affairs
5. Air Over Kansas
6. Submission (Devil Mix)
7. Gemini
8. Hold Tight (Album Edit)

9. Where I Wanna Be
10. A New Day (Album Edit)
11. Breakfast at Richmans
12. Mood Swing II

D / P / I “10”

D / P / I, one of many aliases from Alex Gray (perhaps best known as a member of the Sun Araw Band), has issued a new cassette called 08.DD.15 via Matthewdavid’s Leaving imprint, from which “10” has been pulled. A sleek, Mille Plateaux-reminiscent cut, “10” is the kind of track that seems to toy with its listeners. On one hand, the song’s swimming chords and hi-fi percussion appear to beg for us to nod our heads to and fro, but “10” never actually locks into a particular pattern—hesitating, glitching, and morphing into new shapes and sizes with almost every bar. Sometimes it can feel as if Gray’s new cut was the result of the producer running his track through a slow buffering process, but still, there is something inexplicably alluring to the fact that the tune is so hard to follow despite always seeming on the verge of revealing its hidden code.

10

Watch FunkinEven and Anthony Naples Go B2B in a Car

Hardware-funk guru FunkinEven and rising Brooklynite Anthony Naples have appeared in a new video in which the two producers play tracks back-to-back whilst cruising in a sedan. Produced by the Cipria blog, the 25-minute video finds the artists taking turns playing five cuts each while providing insightful commentary on their choices. The resulting set weaves through a number of funk-infused cuts from the likes of 3 Chairs, Roy Davis Jr., Château Flight, and more, aptly complimenting the chilled-out vibe of two friends going for a leisurely late-night ride. FunkinEven’s and Naples’ B2B session for Cipria can be watched in full below. (via Resident Advisor)

Clark Readies New Single for Warp

Warp mainstay and former XLR8Rpodcast contributor Clark is set to drop his first single of the year via his regular label outlet next month. The forthcoming “Superscope” b/w “Riff Through the Fog” single will be the first original work released by the the UK-based artist since his Iradelphic LP and Fantasm Planes EP dropped in 2012. Set to see a release on March 10, Clark explains that with the new single he wanted to create tracks “that had subtle depth and longevity but were simple and hooky enough to work on the dancefloor.” Fortunately, before “Superscope” b/w “Riff Through the Fog” sees its official release next month, a 30-second taste of what’s to come from the dynamic artist can be heard below.

Weeknight “Dark Light (Com Truise Remix)”

With less than a week left before his Wave 1 EP drops via Ghostly (streaming in full here), synth maestro Com Truise has unleashed a brand-new remix. Tasked with reworking Weeknight‘s “Dark Light”—from the NYC pair’s upcoming Post-Everything LP for Candian label Artifical—the East Coast producer peels back the original tune’s layers of crisp distortion, electing to open up the song to a more galactic soundscape where the producer’s trademarked brand of uber-compressed drums and ’80s-inflected synth tones take the lead.

Dark Light (Com Truise Remix)

Hypercolour Preps New Maya Jane Coles Remix Package with Reworks from Bonobo, Kowton, and Dark Sky

Back in 2011, UK label Hypercolour issued Don’t Put Me in Your Box, a four-track EP from an up-and-coming producer named Maya Jane Coles. Since that time, Coles’ profile has exploded, as she’s become firmly entrenched in the top tiers of the international electronic circuit. Given that, it’s not a total surprise that the Hypercolour camp has elected to revisit some of her early work in the form of an all-star remix package. The three-track collection is simply called Don’t Put Me in Your Box (The Remixes) and will be released February 24 on vinyl; the digital release will follow on March 17. Preview streams have not been made available, but the remix pack definitely includes efforts from Bonobo and Dark Sky, who take on “Something in the Air,” along with Kowton, who applies his sonic signature to “Parallel Worlds.” The EP artwork has been revealed, and can be seen below.

Video Premiere: AM Version “I Called…Isn’t that Enough?”

When we last heard from San Francisco producer Eric Kozak, he was producing tracks as one half of White Girl Lust and helping to run the Solid Bump label, which developed into solid outpost for electro and disco sounds in the late ’00s. Those projects have been dormant for a little while, but Kozak recently re-emerged with a new moniker, AM Version, a new record called For Our Love, and now, this video for EP cut “I Called…Isn’t that Enough?” The trippy clip invokes several ’90s tropes, which is appropriate given that the music itself often channels the soul-drenched techno sounds of early ’90s Detroit. The For Our Love EP is out now via Roam Recordings, includes a remix from Black Catalogue boss Monty Luke, and can be streamed in its entirety below.

Juju & Jordash “Waldorf Salad” b/w “Third Planet from Altair”

On their releases for Dekmantel, Golf Channel, and a handful of other labels, Gal “Juju” Aner and Jordan “Jordash” Czamanski have favored abstraction over linearity, the sudden surprise of a wrong note to predictable perfect pitch. Their skill with delirious breakdowns and eccentric timbral shifts peaked on 2012’s Techno Primitivism, which satisfied an increasing demand from many listeners for music that sounded like it was on the edge of collapse rather than encased in Lucite. Presenting a warped alternative to the slick-and-sleepy deep house of the moment, the diversity and sheer fun of Techno Primitivism elevated Juju & Jordash to new levels of critical acclaim; the pair’s wonky, unrehearsed live sets have even become increasingly common on the international festival circuit. At its best, the duo’s music is improvisation without academic suffocation, and asserts abstraction as a capable party-starter.

Juju & Jordash’s new 12″ on Dekmantel continues the pair’s focus on improvisation rather than prolonged compositional processes, with plentiful burps and hiccups suggesting loose knobs and finicky keys. There’s a distinct relationship here to the churning unease of Joey Anderson’s recent Fall Off Face EP on Dekmantel, as well as the one-take tracks of raw newcomers like Jay Daniel. The kaleidoscopic melody on “Waldorf Salad” is elusive enough to encourage multiple listens, while ossified, jacking percussion suggests that in their continuing exploration of wild improvisation, Juju & Jordash have reached an elevated understanding of the power of pure simplicity. The song’s crunchiness is a tad wearing, but sonorous blobs of bass and other accumulated filigrees add refinement to the hardware jams. “Third Planet from Altair” has a more celestial feel, but does meander a bit, its runtime clocking in at nine-plus minutes. Sporting a clenched-fist kick tempered by intricate synths, it’s a well-balanced piece of shimmering techno, one that never strays too far toward melodic cheese or percussive monotony.

On the whole, both tracks here manage to sound casual yet utterly composed, offering a rebuke to aimless hardware jams. Improvisation this spirited rarely holds up to sharp editing, as manic energy is often sacrificed during the process of compacting hours of tossed-off riffs and rhythmic mishaps. However, in the skilled hands of Juju & Jordash, the music’s numerous twists and turns coalesce into an engaging journey.

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