Apple Pips to Release New Arkist 12″ Next Month

Bristol’s Appleblim-run bass music hub, Apple Pips, just announced its next release will be a two-track record from local UK producer Arkist. The label will drop “Rendezvous” and “Fill Your Coffee,” which are described as “two emotive slices of bass-led dancefloor funk,” on July 11. Before then, you can check out the label artwork for Arkist’s 12″ and listen to the record’s b-side, below.

1. Rendezvous
2. Fill Your Coffee

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Blondes “Business” b/w “Pleasure”

No matter how much you like Blondes, it’s pretty unlikely that you’ll find yourself humming one of their tunes. At the risk of making a serious music journalism cliché, Blondes’ music has always been about the journey, a trend that continues on the pair’s latest single. “Business” b/w “Pleasure” is the second chapter of a three-part singles series the duo announced earlier in the year.

As for the music, it’s basically an exercise in Blondes doing what they do best. What the duo lacks in sticky pop hooks it more than makes up for in its drawn-out psychedelic soundscapes, nods to classic rave and Balearic house, and undeniably epic scope. Each song hovers around nine minutes in length, and while both “Business” and “Pleasure” unfold at relatively standard house tempos, they feel slower, gradually morphing and blossoming instead of dramatically shifting gears or plunging into head-spinning drops. The hypnotic “Business” relies more heavily on swirling vintage synth sounds and a subtle bassline, while “Pleasure”—you may remember the video—thickens up the percussion, tosses in hints of an old-school piano-house melody, and utilizes a more active sound palette. Each production is incredibly detailed and intricate, a feat made all the more impressive by the fact that these tracks were recorded live, without overdubs, with the duo’s fleet of gear. It’s a testament to Blondes’ ability as electronic musicians, and a release that immediately raises the excitement for the forthcoming third and final chapter of the 12″ series, not to mention the subsequent album, all of which should drop before the year is out.

Darling Farah “Picture”

Detroit-born, Abu Dhabi-based techno producer Kamau Baaqi (a.k.a. Darling Farah) is set to release his first EP, Exxy, on June 28. At a youthful 19 years of age, the influence of Baaqi’s birthplace shines through his music. A gentle blend of dubby house and techno, Exxy is exactly what you would expect to hear in the early morning hours drifting out of a cavernous warehouse in Detroit. “Picture” is a perfect example of Baaqi’s dub-tinged style with its lush, chordal stabs filtered and drenched in delay, sweeping amorphously over the top of a swung house rhythm. Faint voices reverberate in the distance as the stabs pulsate around the beat, demonstrating Kamau’s ability to strip back beats while maintaining his productions’ simplicity and patience.

Picture

Native Underground “Night Vision (Jimmy Edgar Remix)”

Henry Maldonado (a.k.a. Son of Sound) and recording artist Javi Silva are the men behind Brooklyn-based vocal electro duo Native Underground. Reared in New York’s underground music scene, Maldonado first made a name for himself during the late ’80s and early ’90s by releasing cuts on various esteemed US house labels such as Strictly Rhythm, MAW, and King Street. It wasn’t until 2009 that he would meet future partner Javi Silva while auditioning male vocalists for a new project. The collaboration came to fruition with the release of “Til it Hurts” in 2010 and now the pair has released a new single, “Night Vision,” on Under the Shade. The new record features remix work from Ultracity, Iron Curtis, and Brennan Green. Here, the group has offered up a free download of the prodigious Jimmy Edgar‘s (pictured above) disco-house-inspired rework of “Night Vision.” Known for his sultry beats, unrivaled production technique, and eclectic taste, Edgar manipulates Silva’s vocals and turns them into a syncopated rhythm of syllables and phonemes. Take a listen to his handiwork and also check out the video for the original version of “Night Vision” after the jump.

Night vision (Jimmy Edgar remix)

Podcast 202: Diskjokke

For several years, Diskjokke (a.k.a. Joachim Dyrdahl) was the sort of producer whose music could fairly easily be put into a neat little box. Granted, it was a really nice box; Diskjokke’s lush, spaced-out productions expertly wove together Balearic strains of disco and house and were rightly lauded alongside those of Oslo contemporaries Lindstrom and Prins Thomas. However, things have changed with the release of his third album, Sagara, an ambient effort which takes its primary inspiration from Indonesian gamelan. Given that the album is such a drastic left turn from Diskjokke’s previous work, we figured that now would be a good time to invite him to particpate in the XLR8R podcast series. Steering clear of his own productions entirely, Diskjokke has instead assembled a lengthy DJ session full of sunny melodies, bouncing basslines, and feel-good grooves. If this mix is any indication, we can say with confidence that he hasn’t lost his nose for the dancefloor.

01 Alexkid “Yemsa (Fabrizio Maurizi Remix)” (WetYourSelf)
02 Nicone feat. Narra “Caje” (Stil Vor Talent)
03 Tuccillo “Invisible” (Rebirth)
04 Pleasurekraft “Breastfed (Loulou Players Remix)” (This Is)
05 Cascao & Lady Maru “Tropical Tasting (Rodion RMX)” (I Am Single)
06 Kid Who “Galactic Juju (Kid Who Edit)” (Mister Mistery)
07 TDL “Africa” (Unreleased)
08 Blood Orange “Toshito (In Flagranti Remix)” (Domino)
09 Friendly Fires “Live Those Days Tonight (Tim Green Remix)” (XL)
10 Azari & III “Manic” (Loose Lips)
11 Whim-ee “Singing Yep” (Young Society Neon Edition)
12 Gavin Herlihy “Krypton Factor (Delano’s Deep Space Mix)” (Apparel)
13 Compuphonic “Sequoia (Lee Jones Remix)” (Union Match)

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XLR8R_Podcast_Diskjokke_2011_06_14

Kouta “Granola”

On his recently self-released EP, 22-year-old Bay Area producer Luca Young (a.k.a Kouta) delivers four tracks of preciously handcrafted electronics that all lean heavily on slow-moving beats and fractured vocal hooks. Productions like the syrupy “Granola” maintain an essence of early-’00s electro-pop—think DNTEL’s more pensive moments—while simultaneously recalling more contemporary artists, such as Baths and Gold Panda. It’s not the most original thing you’re likely to hear today, but Young’s attention to texture and mood certainly make these tunes worthwhile. You can download the rest of Kouta’s Orinda EP here.

Granola

Video: Starkey “Lost in Space”

Bass culture stalwart Paul Geissinger (a.k.a. Starkey) has put together a video for his track “Lost in Space” featuring Charli XCX. The futuristic motif that ties together most of Starkey’s releases is pushed even further, as Starkey himself is portrayed as a lost, lonely astronaut cast deep in outer space. The video also features Charli XCX belting out her vocals from inside the safety of a ship while Starkey floats aimlessly along a cosmic backdrop. The clip coincides with the release of Space Traitor Vol. 2, Starkey’s new EP on Civil Music. (via FACT)

Sduk & Halp “Lunge”

After years of operating as separate entities, sister labels Slit Jockey and Seclusiasis have teamed up to offer a series of free promo singles under the name Seclus Jockey. The idea behind the series is to showcase unique collaborations and remixes that seem to fall in between both labels spectrum of sound and to highlight the relationship between them. The first single released, “Lunge”, is a collaborative effort from UK producer Sduk and Rotterdam beatmaker Halp (pictured above), the result of which is a hard-edged, arpeggio-laden, 8-bit number. “Lunge” opens with a saw-wave melody that gives way to the half-time drop. Heavily-overdriven bass and cleverly-distorted drums push the track forward underneath the shiny, arpeggiated square-wave lead. Keep your eyes peeled for upcoming Seclus Jockey releases and grab “Lunge” below.

Lunge

Video: Chad Valley “Now That I’m Real (How Does It Feel?)”

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UK electro-pop producer Chad Valley drops his new EP, Equatorial Ultravox, on Cascine on June 20. He has also teamed up with director Lucy Bridger to create a video for opening track “Now That I’m Real (How Does It Feel?),” a light-hearted black-and-white clip in which a playfully intertwined young woman and man are enraptured by a glass sphere. Grab Equatorial Ultravox when it drops, and enjoy the video in the meantime.

Local Action to Release Next EP by Damu

Manchester-based DJ/producer and recently featured Bubblin’ Up artist Damu has just announced that he’ll be responsible for the next record set to drop from the burgeoning Local Action imprint. The forthcoming 12″ is a four-track EP called Mermaid, which features three original productions and one remix of the hyperactive “Beat of Zen” cut by Chicago footwork dons DJ Rashad & DJ Earl. You can check out clips of all those tunes before they’re released next month, below.

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