Kid Koala To Release Your Mom’s Favorite DJ

One of electronic music’s true Renaissance men, Eric San, aka Kid Koala, always delivers albums that capitalize on his numerous talents, bringing together his experiences as a turntablist, graphic artist, illustrator, and puppet master. San has also been heavy into conceptualizing his work since he began releasing material almost a decade ago. Your Mom’s Favorite DJ is no exception to this. While certain parts of the tracks harken back to the seminal Scratchcratchratchatch cassette, the new album does show a slightly different side of Sans and proves he’s expanded his arsenal of sounds considerably. Also not to be missed is the reference to a book about a clarinet-playing mosquito that Sans is rumored to be working on as we speak.

Your Mom’s Favorite DJ is out September 6, 2006 on Ninja Tune.

Tracklisting

Left Side:
Start Heeeeers Koala
Stoppin Traffic
Tracks Etc.
Slew Test 1
Lunch With Pavlov
Robo-Cookie Factory
Things’ll Be Good Again
Dinner At 1.00a.m.
Party At Eric’s

Right Side:
Slew Test 2
Gimme A K!
Mosquito Vs. Waterbuffalo
Slew Test 3
Paper Route Days
Nufonia Noise Consultation Committee
The Denouement

Banksy Presents Barely Legal

Banksy is probably best known for his inimitable ability to deface things – artwork in the Met, religious paintings, and now magazine covers. If the flyer for his latest party, a three-day warehouse event in Hollywood, says anything, this one should raise some eyebrows.

Friday, September 15 – Sunday, September 17, 2006
Banksy Presents
Barely Legal
A three day vandalized warehouse extravaganza.
Exact address available on the day of opening from banksy.co.uk.

Tigarah: Preaching the Funk Grail

On the cover of her self-titled, self-released EP, 24-year-old Tigarah (born Yuko Takabatake) looks like a pop confection, blowing a bubble while clutching chopsticks. She raps and sings in both in Japanese and English so more people can understand her. But she also claims multicultural musical cred, utilizing baile funk-inspired beats and citing Baltimore club and grime as influences. Her song “The Game in Rio” (not her only political track) is an anti-globalization screed inspired by the sight of a one-armed beggar in Brazil.

“It’s all cultures mixed together in one musical style,” says Takabatake of her sound. “People can feel the new style. I think it’s great to inspire people, and music is the place to put the message.”

Tigarah’s music–which, according to her website, touches on themes like “fake friends” and “defending your own style”–springs from her experiences at school. A teenager from a privileged background, she entered the political science program at Tokyo’s Keio University seeking to make a difference in the world. But after meeting future politicians in class, she soured on the subject and turned toward music.

“About five years ago, I went to a house party and heard baile funk,” she said. “I’d never heard of that kind of music, but I started listening to it and doing my own stuff. At the time, nobody knew about it in Japan. I thought, ‘Maybe if I go to Brazil, I can do something.'”

In 2003, she moved to Rio to study abroad; at a nightclub, she handed Swiss-born DJ/producer Mr. D a demo tape. By the time Takabatake headed back to Tokyo a few months later, they had already laid down a number of tracks.

Despite the continental split, they’ve established their own Postal Service-like system. Mr. D, who lives in Venice, California, and runs his own studio, makes beats and emails them to Tigarah. After she strings together lyrics and selects a set of tracks, she flies to L.A. for a recording session.

Things began to move at light speed after the swift proliferation of her tunes on MySpace and her website (where they stream for free) led to media buzz. The duo spent this summer finishing up an album’s worth of new material to shop around to labels.

If it all looks and sounds like the success story of a certain Sri Lankan-born singer, it should. At her first U.S. gigs in Southern California in April, Tigarah boasted a similar stage setup to M.I.A., with two backup dancers and Mr. D spinning beats in the background.

The big difference, Tigarah freely admits, is her unabashed pop sensibility. Tigarah is a tiger, but one as imagined by the Sanrio toy company. It remains to be seen whether audiences will see her as a poster child for baile funk’s further globalization or a harbinger of its gentrification. Either way, Tigarah will keep striving to win people over. “I have to do something to make people feel better,” she says, “so I chose music.”

Soulwax To Release Night Versions

Normally after a successful album and an extensive tour, artists go into hiding for a while. Soulwax, aka David and Stepehn Dewaele, prefer to keep making music and forget about any kind of break in their workflow. Their new album, titled Night Versions, is a collection of tracks pulled from the Any Minute Now release that took over dancefloors when it was released in 2004. Now, joining forces with partners Stefaan Van Leuven and Steve Slingeneyer, the brothers have reformatted tracks from that album to be even more dancefloor friendly. Energetic, at times quirky, and always entertaining, the new album shows off both the band’s production work and their ability to rethink their own work.

Night Versions is out September 12, 2006 on Modular.

Tracklisting

1. Teachers
2. Miserable Girl
3. E – Talking
4. Compute
5. Slowdance
6. I Love Techno
7. Krack
8. Accidents and Compliments
9. NYC Lipps
10. Another Excuse (DFA Remix)

The Urban Forest Project

Times Square should be extra thronged this fall due to The Urban Forest Project, a two-part occasion highlighting some of the world’s best designers, artists, photographers, and illustrators.

First, 185 banners designed by these artists will be hung around Times Square. The banners each use the form of a tree as the basis for their design, and create, according to the project’s website, “a forest of thought-provoking images at one of the world’s busiest, most energetic, and emphatically urban intersections.” The banners will be on display from September 1 – October 31, 2006.

Next, each banner will be taken down and made into a tote bag that will sold at auction. Proceeds will go towards scholarships for visual art students.

Small thumbnails of each banner are available for viewing at the project’s website, but we recommend you get up to New York and see the real thing for yourself.

Net Gains: Political Promise?

Unfortunately, most people only remember Howard Dean’s presidential run for “the roar,” his outrageous and earnest “Yearghh!” blurt that circled on the internet for months after the 2004 caucuses. Beyond his derision-spurring yell, that presidential campaign is also remembered for jumpstarting online political action. Between Dean’s fundraising and the deployment of high-tech organizing tools–Meetup.com groups, blogs like Daily Kos, and the community-building success known as MoveOn.org–it seemed like progressives ruled online politics.

But this year’s midterm election, as well as the 2008 vote, will be the real proving ground for the internet’s political potential. In fact, Senator Harry Reid already addressed the first Yearly Kos political blogging convention earlier this summer. According to Julie Germany and Carol Darr, both of the Institute for Politics, Democracy & the Internet at George Washington University, most of the signs point towards a huge increase in online political activity, with interest groups learning how to leverage social-networking sites.

What are progressive groups, who rely on grassroots organizing, doing to make their mark online in 2006? Answer: MySpace. Germany points out that the site’s potential, which bolsters blogging and email tools, has already been utilized by groups like Planned Parenthood, which has a huge presence on the site and recently ran a MySpace-oriented campaign in Louisiana.

The social-networking behemoth is so ubiquitous (and fast-moving) that the BLOC Network (Building Leadership Organizing Communities) recently developed Mybloc.net as a MySpace for the left. Debuting this July at the Hip-Hop Political Convention in Chicago, it’s designed to enable organizers to stay in touch after large national meetings, create profiles for groups or campaigns, and plot strategy–all without ads or Fox prez Rupert Murdoch (who recently purchased MySpace).

Additionally, Germany and Darr point out that in countries like Nepal and the Philippines, political movements and protests are being organized using text-message technology. Even groups like the Sweet Relief Musicians Fund charity now allow donors to text small contributions.

But will it work for bigger campaigns? According to Mervyn Marcano, Communications Director of the League of Pissed-Off Voters, anything that assists street-level organizing and enables people without computers to participate in politics helps.

“The internet plays a very big role [in] trying to get people out for initiatives and keeping them clued in to what we’re doing,” said Marcano. “But a lot of people who work with us do not [have access to] the internet…We have an affiliate in New Orleans, and that’s not the place to do online organizing right now. At the end of the day, going on campuses and [to the] streets in our neighborhoods is still the best way to make people know what we’re doing.”

Though it’s easy to get carried away with new innovations, it’s important for organizations to maintain focus. Sascha Lewis–founder of the Flavorpill family of online entertainment newsletters, which launched a political newsletter called Activate in June–says it’s still all about crafting the right message. Emails remain the killer app, and the best way to keep members informed, but no matter what medium is used, political groups will falter if they don’t stay focused.

“The web is amazing because it’s enabled everybody to be a publisher, and the democratization of publishing is something we all should embrace,” says Lewis. “But you need to respect what that means and define the cause. If [you ‘re] going to make a stand or position [yourself] as a leader, you [have] do it with a certain set of standards so that people take you seriously.”

T Mobile Goes Techno

Few would have guessed the mobile phone company’s next move. After all, they are the wireless provider for Starbucks and used to feature Hollywood celebrities in their TV commercials. We definitely didn’t see T-Mobile producing a DVD called Slices – Pioneers of Electronic Music, with Volume 1 featuring the life and work of techno god Richie Hawtin.

Skeptical, we had a peep and it turns out this is one of the best documentaries about techno to come out in a long time. Drawing on events from Hawtin’s personal and professional life, the DVD spans a twenty-year career and creates a three-dimensional portrait of one of the genre’s icons, with interviews from Hawtin, his parents, Derrick May, Sven Vath, and many others.

Slices – Pioneers of Electronic Music is slated to be a quarterly DVD, and as long as there’s no danger of Volume 2 being about someone like Paul Oakenfold, we’re ready and waiting for its release.

eb-slices.net

Pinback to Release Rarities Album

Armistead Burwell Smith IV and Rob Crow joined forces in 1998, aiming to make a modest collection of tracks to be released in their native San Diego. They weren’t anticipating the media frenzy that followed their appearance at the North By Northwest festival that year, the interest from labels like Absolutely Kosher and Touch & Go, and the wealth of music they’d eventually create together. Now, eight years after their initial union, the duo is ready to unleash a collection of B-sides and previously unreleased material to the masses. Nautical Antiques covers the years between 1998 and 2001, and offers up some classic Pinback sound as well as a few musical sides of the band fans might be less familiar with.

Nautical Antiques is out September 5, 2006 on Ace Fu Records

Tracklisting

1. Messenger
2. Versailles
3. Anti-Hu
4. Bzyantine
5. Water Run
6. Avignon
7. Seville [demo]
8. Concrete Seconds [demo]
9. Clemenceau
10. Avignon (Full Band Version)
11. Messenger (Full Band Version)

New At INCITE Online, August 22

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Defari‘s latest album Street Music is aptly named since the hip-hopper points out that the genre is rooted and grew up on the streets. The lyrics reflect the mission statement of the whole album, which is to bring hip-hop back in to its true state, the one that existed before P Diddy and Kanye. The punchy rhythm of the vocals and no-nonsense topics he raps about further help Defari make his point.

This is the first release on his own Digital imprint (available exclusively through Dancetracks) for Jamal Moss, aka Hieroglyphic Being. Armed with budget mixers, a drum machine, and not much else Moss represents a new deviation in the term minimalism, one where the creative process is truly reflected in the finished product. Sounds are stripped down to capture the raw flavor of the instrument and remind us that sometimes less is definitely best.

Lazarus Taxon is the paleontological term for a species that disappears, then reappears in the fossil record, but we hope that doesn’t happen to Tortoise just because they’ve chosen to name their much-anticipated box set after the phrase. The collection of tracks includes rare singles, previously unreleased material, and the 1995 album Rhythms, Resolutions & Clusters, now out of print. Definitely not the stuff of fossils.

Oh No debuted with his 2004 release The Disrupt, and since then is known as a producer and MC in his own right instead of merely being Madlib’s brother. Exodus Into Unheard Rhythms further solidifies his reputation as an innovative hip-hop producer willing to take chances. The album is comprised entirely of beats taken from Galt MacDermot (writer behind the 60’s musical Hair samples. Now that’s a concept album.

Beeda Weeda is another artists in the crew of East Bay hip-hoppers devoted to spreading the gospel of hyphy and keeping their genre real and on the streets. The 22-year old producer uses his Oakland neighborhood, with its violence and mayhem, as a backdrop for his tracks, which are impressively produced and lyrically mature for someone his age. Beeda follows in the footsteps of fellow East Bay artists like E-40, Hieroglyphics, and Too Short, but don’t expect him to stay confined to one part of the country forever.

XLR8R’s 100th Issue Hits Newsstands Today

The issue explores the latest projects from some of music’s most groundbreaking and innovative individuals, such as Jimmy Tamborello (The Postal Service/Dntel/James Figurine), Girl Talk, the Dubstep scene and DC Recordings. Issue 100 also features a retrospective look at the magazine, including our top 100 albums from the last thirteen years, a pull-out poster featuring the artwork of Ian Wright and XLR8R’s 100 covers, a contest featuring 100 prizes for one lucky winner, and much, much more to commemorate this landmark issue. Not bad for a mag that was originally made on newsprint for $400 and hand distributed for free.

XLR8R will be celebrating the 100th issue in select cities during the month of September. Commemorative 100th issue hats by New Era Caps and T-shirts from Puma will be available at each event. Check our events page for full details.

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