The new EP is the duo’s third release on Mule, following on from 2016’s Subterranean Storm and Digital Harmony. Their more recent releases have landed on their own In Dust We Trust.
We’re told to expect a “heartfelt” EP that presents “different atmospheric spheres.”
Tracklisting
A1. A Comfort Zone B1. Educate The Heart B2. Pressure
Comfort Zone EP is out now, with clips streaming below.
Tommy Four Seven is set to return with his first solo EP since 2014, 47013.
47013 will land on 47, the Berlin-based artist’s own label which he launched in 2015 with the goal of bringing together like-minded artists for various artist EPs to create a cohesive package, and also to host events in Berlin and around Europe to purvey the same message.
After Tommy contributed one track on each VA from 47001 to 47008, the label has now switched gears and is on its fifth solo artist EP, coming from Tommy himself — following Headless Horseman, Killawatt, and VSK.
We’re told to expect Tommy’s “most diverse and resolute work yet across four tracks exploring low frequencies and broken beats.”
In addition to this, Tommy also shared some 2018 plans, announcing the next three EPs: Headless Horseman will be behind 47014, which lands in January; while 47’s 15th and 16th releases will come courtesy of VSK and Killawatt respectively.
Charles Lazare is a producer from Washington D.C. who will be dropping his debut album via xenonyms on October 13.
Titled Fascinating Climate, the album was birthed following a trip Lazare took to Reykjavik. The somewhat concept album looks to tell the story of climate and its role in our cultures and lifestyles. The tracks, like the climate itself, are deep and atmospheric cuts that are at times beautiful and delicate and others haunting and tense. The collection of diverse textures and emotions are a direct influence from Lazare’s time in Reykjavik, as he explains:
“Upon landing at the airport in Keflavik, I was immediately overwhelmed by ideas and emotions and I attribute this much in part to its weather and the integral role it plays in adding to a city’s character. I soon realized this was true of nearly everywhere I’d been, and that climate, in general, is somewhere within that grey space which constantly surrounds us yet is never really there. The same approach can be said of the songs on the album–often inviting the listener to completely disengage all surroundings altogether, while simultaneously provoking a sense of urgency and a want to backpedal to a time which now exists in that same grey space.”
Fascinating Climate drops on October 13 and in support of the album, Lazare and xenonyms have offered up “40 Days at Sea” as today’s XLR8R download, available via WeTransfer below.
Those fans of weirdo minimal house, electro, and off-kilter techno will surely be aware of Bodin & Jacob—formally Bodin Stojanoski and Jacob Chenaux. The Frankfurt-based duo have had a big few years, becoming something of a staple in many of the world’s finest purveyors of these playful sounds. Few would deny them their place in XLR8R‘s Best New Artists list of 2016.
Bodin met Jacob in 2013. Frankfurt’s electronic music scene, at the time, was rather stagnant—a far cry from the nucleus of club culture that it once was. The pair crossed paths in Freebase Records, where Bodin was then employed, and discovered a mutual appreciation for two things: intelligent dance music and electronic production. Inspired, they hit the studio together and paired up as a production duo, starting the collaborative project later that same year. Soon thereafter came the Action EP, a four-tracker featuring a collaboration with Julian Chenaux. It landed on Traffic Records, the label they co-founded alongside friends Martyné and Patrick Klein.
It was a big moment for both the duo and the imprint. Support for the EP came from some of the scene’s leading names. Rhadoo, Raresh, and Petre Insprescu, the Romanian trio, played it out heavily; while Ricardo Villalobos played all four tracks in a single set. Bodin, Jacob, and their fledgling label were now on the map.
Fast forward to today, and it’s a very different picture. Traffic Records and the boys sit at the forefront of what some are calling a Frankfurt renaissance. More releases have followed—albeit rather slowly—the most recent of which came in the shape of two tracks on the label’s recent Gesandt four-tracker. On the DJ front, they’ve recently signed to the Cocoon Booking agency, and they’re beginning to tour with increasing frequency. With semi-regular Traffic parties rocking local institution Robert Johnson and beyond, it seems the duo are going to be about for some time to come.
Their podcast for XLR8R acts as a window into their ever-evolving sound, presenting just under an hour of free-flowing minimal beats, raw house, and forgotten electro.
We want to combine different genres with a fluent flow. Not only one line with the same style.
Where do you think the mix is best listened to?
If you hang out with friends warming up for a proper club night
How does it differ from a regular club set?
It has the whole curve of a club set just in less time
How do you distribute your music?
For every release, we press several promo copies, which we give or send to some friends or artists we like.
How do you do the A&R for the label?
We mostly release our own tracks. If we choose other artists we really take care about their philosophy and style. It has to fit one hundred percent on our label.
How does it work in the studio with you both? Do you both have specific roles?
Since the first time we met to make music together we harmonized very well. We mostly have the same direction of sound in our mind. We always find different approaches to diverse moods. There is no specific role; we always switch around.
What highlights stand out for you from the last nine months?
We traveled all around Europe and played at several highly recommended clubs, from bigger to smaller places like Robert Johnson, Concrete, Amnesia, and Club der Visionäre. We are also going to play at Goa Club Rome next week with Martyné. We are really looking forward to this one.
What’s next for you and Traffic Records?
Next Traffic’s are already prepared. They will be from us with Martyné.
We work a lot in the studio so that we improved our sound. We also try to further develop our own style.
What have you got in store for the rest of the year?
Soon there will be a split EP on Pressure Traxx by Martyné and us. Also, there will be some other releases which we can’t mention now.
En Mouvement is the second album out under Angèle’s given name, following on from 2013’s Kourouma and her earlier singer-songwriting work as Klima and with electronic art-rock band Piano Magic. Musically, Angèle explores the interaction between rhythm, melody, structure, and emotion via hypnotic piano lines, saxophone, woodwind, strings, and searing vocals.
Ahead of the release of En Mouvement, Angèle has shared a tense and haunting short film for album cut “V. for Visconti,” directed by award-winning Finnish director Pete Riski, who said of the project:
“In late 2016 when I heard Angèle’s track “V for Visconti” for the first time, it immediately created a picture of a mother protecting her child, running away from something very dark. I wanted to keep the story as simple as possible and focus on the relationship between the mother and child. That pure love that she feels. Of course, the casting is one of the key elements in a story like this. We went through several options and soon discovered Milla who seemed perfect in every way for the part. On the shoot, she got very deep into character and delivered a truly amazing performance.’
You can watch the video in full via the player below, with En Mouvement available to pre-order here.
The album, titled Inside, was a result of a friendship sparked within the fringe music scene in Madrid, and fuses Miguel’s electronic-music-focused past with Stefan’s years of experience in rock band Placebo, resulting in a sprawling hybrid of club-based sounds and organic instrumentation.
On the album, the duo take to a Moderat classic in “Rusty Nails,” a cover recorded with a string quartet, as Miguel explains:
“‘Rusty Nails’ is a cover from the band Moderat. When we made it we felt like we were inside a music box. The string quartet was at hand in the studio and Stefan played the broken piano riff of the song and these together made it a perfect scenario to emulate a music box. It is a very soft vision of the original song.”
Inside will be released on limited-edition, white-colored vinyl, CD, and digitally via Kobalt Music Recordings on October 13. Ahead of that release, you can stream “Rusty Nails (Cover)” via the player below.
Oscar Mulero‘s Warm Up label will soon mark 50 releases with a two-part EP, Contents.
The two-part EP features eight reworks of cuts from Mulero’s limited edition vinyl only Pattern series, a sequence of four records that were meant to showcase “abstract pieces of modern techno.”
Both releases will be preceded by a digital compilation which includes all the original cuts of the series, some of which have never come out digitally before. This will land on November 1 and can be streamed in full below.
Tracklisting
WU50A Pattern Series Remixes Part 1
A1 / 1. Color (Silent Servant Remix) B1 / 2. Form (Kangding Ray Remix) B2 / 3. Texture (Cassegrain Remix)
WU50B Pattern Series Remixes Part 2
A1 / 1. Texture (Shlømo Remix) B1 / 2. Color (Donato Dozzy Remix) B2 / 3. Form (Chevel Remix)
Pattern Series Compilation
01. Epley Manuever 02. Gravity 03. Particle Repositioning 04. Balance And Acceleration 05. Pain 06. Kinesthetic Sense 07. Lights 08. Arcade 09. Echoes 10. Form 11. Texture 12. Color
Pattern Series Compilation will land on November 1, followed by Pattern Series Remixes Part 1 on November 10. Pattern Series Remixes Part 2 is scheduled for on December 1 release.
Hidden Vibes is a “music family based out in Moscow.” It started two years ago, founded by FREE.D, Spieltape, Roma Moss, and Mik Kartl. Since then the family has been crafting the releases with all its passion. First EPs such as Thinking Fast & Slow by FREE.D with remixes from Powel and Mario Aureo, were a great success. “We had no plans to get so high from the first releases and actually it played a tricky thing with us. After this success we had already overwhelmed expectations for all our next releases,” comments FREE.D. “On the other side the level was set and all the team has to fit in.” Shortly after, “Liberate Your Mind” by FREE.D with Rhadow remix reached the same high level in sales and that set the stall found the sound a vision of the label.
The label will now celebrate two years with a various artist compilation featuring tracks from the catalog, titled Two Hidden Years and scheduled to land on October 25. In advance of its release, you can gab FREE.D feat. Roubs “Liberate Your Mind (Rhadow Remix)” via the WeTransfer button below.
fabric 96 consists almost entirely of unreleased material, mixed live in one take on three decks and a Zone 92. There are no less than 16 forthcoming tracks from HUSH and Mistress, all of which are due for release next year, including fresh entries from Steffi, Oscar Mulero, Steve Bicknell, Mark Broom, and ROD, and new tracks by Lando and Kirill Mamin due on Mistress Recordings. New works by Planetary Assault Systems, Truncate, Henning Baer, Psyk, and Sirko Müller also feature.
“This mix CD concept was much more difficult to put together than I had imagined. As I don’t do mixes and haven’t released any mixes in over four years, I kept going back and forth in my mind leading up to selecting music about what style and vibe to present confined to the length a CD allows. Most people know me for techno, but I love such a broad range of music and had to find a way to limit myself to have a focus. In the end, I decided on a snapshot of a more straightforward focused mix…Created from asking friends and colleagues, known and unknown to send me unreleased music. I gathered what I was sent and tried to extract the parts and pieces and a few released tracks that stood out in my current mindset. This mix is a moment in time captured.”— DVS1