Breach Details New EP for Aus, Shares Remix of Kelis

After rounding off a prodigious year in 2013—a journey that we detailed extensively in our feature story back in Decemeber—multi-faceted UK DJ/producer/singer Ben Westbeech (a.k.a Breach) is continuing his industrious streak in 2014 with an upcoming EP for Will Saul’s Aus label. Set to release on April 21, Breach’s Artis EP is described as “bringing in bits of [Westbeech’s] past… along with some sounds newer to the moniker,” going on to say that “Breach gets beautifully moody here and will once again keep people guessing as to what’s coming next.”

Incidentally, a brand-new remix also surfaced from Breach recently, a buoyant house version of niche popstar Kelis’ “Rumble” single from her upcoming Food LP for Ninja Tune. That new production can be heard in the player below, where the artwork and tracklist for Artis is also included.

A1. Artis
B1. Ode Oshi
B2. This One’s For You You Know Who You Were

Listen to Tim Hecker Remix The Field

Following last year’s impressive Cupid’s Head LP, Swedish ambient-techno stalwart The Field and his longtime label home Kompakt have unleashed a deluge of remixes from the likes of John Tejada, Barker & Baumecker, and Vatican Shadow. And though the most recent offering in the Cupid’s Head Remixe series already arrived late last month, most of its music has been confined to the limited-edition 12″ form it arrived on, so we’re quite pleased to see that the remix of “No. No…” by Canadian noise auteur Tim Hecker (pictured above) has finally made it online for all to hear. This version of The Field’s darkly emotive track is as glacial and engrossing as any fan of Hecker would come to expect and hope for, with its titular vocal samples ringing out over a densely layered bed of prickly static and pockmarked synth swells. “No. No… (Tim Hecker Mix)” can be heard in its entirety below.

The Cyclist “Heated Cliff”

After being highlighted as one of XLR8R‘s best new artists of 2013, Andrew Morrison (a.k.a. The Cyclist) assumed a new handle, Buz Ludzha, for his only output of 2014 so far. But on Crash Symbols’ obscenely long, 33-track Touched By an Angle compilation (out today), Morrison steps back into his more familiar moniker to deliver the slow-brewing “Heated Cliff” as The Cyclist. The Liverpool-based producer pushes samples of dusty percussion and buzzing drones beneath increasing layers of Vangelis-like synthscapes (albeit ones ran through a distortion pedal) on his contribution to Touched By an Angle, which is joined by music from producers such as Vanilla Hammer and Cream Dream. All 33 tracks from the brand-new comp can be downloaded for a price of one’s own choosing via Crash Symbols’ Bandcamp.

Heated Cliff

Heated Cliff

Regis and Silent Servant Ready New EP as Sandra Electronics

Former Sandwell District affiliates Regis (a.k.a. Karl O’Connor) and Silent Servant (a.k.a. Juan Mendez) will soon release a new collaborative EP under an alias first used by O’Connor to explore pop-inclined industrial music in the late ’80s, Sandra Electronics. Having also appeared as Sandra Plays Electronics and The Fabulous Sandra Electronics, this iteration of the project finds O’Connor working with Mendez to deliver re-edited and re-mastered versions of three tracks off of an untitled 10″ released via his own Downwards label in 2010, along with three previously unreleased tracks.

The six-song Want Need EP is set to drop via Veronica Vasicka’s Minimal Wave label on April 30, ahead of Sandra Electronics’ performance at the Brooklyn Flea Record Fair for the RBMA NYC festival. Until then, the tracklist and artwork for Want Nedd can be found below. (via Juno Plus)

1. It Slipped Her Mind
2. New Purpose (Extended Version)
3. Protection Now!
4. Protection Now! (Demo)
5. Want Need (Live)
6. Publicity (Demo)

Podcast 334: Efdemin

In recent years, the term “deep” has been used and reused, to the point where the word has almost no concrete meaning in the context of electronic music. That’s why artists like Efdemin (a.k.a. Phillip Sollmann) are so important; there’s little question that his work is “deep,” but in Sollmann’s case, the descriptor has a lot more to do with the actual depth and nuanced nature of his music than it does any specific sonic signifiers. He’s long been associated with Dial Records, an imprint with a long history of thoughtful, detail-oriented house and techno. On March 31, the label will be delivering Decay, Efdemin’s third full-length and an effort that was largely recorded in the serene environs of Kyoto, Japan. Ahead of its release, we’ve enlisted the veteran German producer to put together an exclusive mix for the XLR8R podcast series.

For those familiar with Efdemin, the podcast will contain little in the way of surprises, though that does nothing to detract from its quality. Throughout his career, he’s repeatedly hit paydirt when enriching standard techno rhythms with bits of noise and field recordings, and that holds true here. Even when the music’s energy is peaking, the podcast feels like a long, slow burn, as subtle atmospheres and melodies gently give rise to thundering layers of percussion. The blends are long and the narrative is deliberate, making for a particularly immersive listen. Sure, there are ace bits of house and techno at work, not mention more pensive melodic passages that provide a little time for introspection, but this is an effort in which the final product is truly greater than the sum of its parts.

1. Efdemin “Parallaxis (The Borderland State Remix)” (Dial)
2. The Persuader “Hymn to Him” (Concrete)
3. Asusu “Rendering” (Livity Sound)
4. DJ Qu “Eden” (Yygrec)
5. Octave One “Meridian” (430 West)
6. Prince of Denmark “Cut Untitled Cut” (Forum)
7. Rennie Foster “Monochasm” (Xplor)
8. The Oliverwho Factory “Moonhacker” (Madd Chaise)
9. Karlist “Skins Off” (Russian Torrent Versions)
10. Jeff Mills “DeJohnette” (Purpose Maker)
11. Staffan Linzatti “On Whose Behalf” (Searchlights)
12. Steve Stoll “Echoepark” (Synewave)
13. DJ Qu “Undescribed (Believer)” (Semesters)
14. Planetary Assault Systems “Serc” (Mote Evolver)
15. Kim Rapatti “Untitled” (Plug Research)
16. Claudio Mate “Everything’s Okay in Detroit (Deep Mix)” (Klap Klap)
17. Kim Rapatti “The Future” (Dum)
18. Terrence Dixon “The Study” (Tresor)
19. Eshu “Cesium” (Eshu)
20. Christian Morgenstern “Miscellaneous 02” (Kanzleramt)
21. E.R.P. “Pith” (Frustrated Funk)

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XLR8R_Podcast_Efdemin_2014_03_11

Oceaán “Turned Away”

Manchester-based producer Oceaán is set to unleash his debut, self-titled EP via Chess Club at the end of the month, and has shared smooth EP cut “Turned Away” to give us a taste of its sounds. Rife with soulful R&B samples and warm synth tones, Oceaán’s sultry, slow-grooving jam rides a playful beat made of pops, snaps, and claps as it accentuates the organic vocal sounds. Furthermore, the UK artist also sent over a mix of influences, one filled with sweeping dancefloor cuts from the likes of Brendon Moeller, Pearson Sound, Bok Bok & Tom Trago, and Ben Klock, among others. That DJ set and its tracklist can be checked out after the jump, before the Oceaán EP drops on March 31.

1. Ben Klock – Red Alert
2. Dense & Pika – Mooger Fooger
3. Cloud 9 – Do You Want Me Baby (Dusky Remix)
4. Brendon Moeller – Adjust To The Fading Light (Ben Klock ‘Just in Time’ Remix)
5. Technasia – Heart Of Flesh
6. Sia – Little Man (Exemen Works)
7. Pearson Sound – WAD
8. Ø [Phase] – Binary Opposition (Ctrls Process)
9. Bodyjack – I Wanna Be
10. Matador (IE) – Spooks
11. Bok Bok & Tom Trago – Get Me What You Want
12. Patrice Scott – Do You Feel Me
13. G Strings – Images
14. Henrik Schwarz – Chicago

Turned Away

Video Premiere: Titts “Woef”

Titts, a collaborative effort from Jameszoo and Y’skid, has unveiled its upcoming single “Woef” and shared the track’s new video ahead of its release. Created by Opslaan Als, the bizarre, CGI-rendered story follows a peculiar man—donning only a pair of bright-pink boxer shorts—in his surreal quest to find his daughter’s missing dog in a forrest, while Titts’ wonky tune leads the narrative. A series of silly and unfortunate events lead to the climax of “Woef,” during which the lead character is spliced together with the dog (à la The Fly) and the monstrous creation barbarically murders the mother and lovingly embracing the daughter. Titts will drop “Woef” on March 24 via Rwina, and has plans to follow up the single with another EP later this year.

Listen to a New Track from Teebs’ Upcoming Sophomore LP

With just under a month before the release of his second album for Flying Lotus’ Brainfeeder imprint, beloved SoCal beatmaker and multi-talented artist Teebs has unveiled another track from his long-awaited E S T A R A LP. “Holiday” is an expectedly balmy production littered with gauzy textures, dusty samples, and deceptively simplistic beats, all of which is joined by an understated vocal performance by fellow producer/singer Jonti. Teebs’ new tune is our second taste of his 12-track sophomore LP, following the woozy “View Point” from last month, and will arrive with the rest of E S T A R A when it drops on April 8.

Boiler Room’s ‘Beats Unraveled’ Series Continues with a Version of Shlohmo’s “Places”

Dutch producer Binkbeats (pictured above) has been dropping new installments of his Beats Unraveled series for more than a year, and the latest chapter surfaced just today. Last month’s episode was the first one since the show found a new home with Boiler Room, and documented the enterprising artist doing a live recreation of Caribou’s “Bowls.” Now, he’s shifted his focus towards the LA beat scene, specifically the sounds of Shlohmo. The song he’s selected to tackles is “Bad Vibes,” a woozy number that originally appeared on Shlohmo’s 2011 debut LP, Bad Vibes. Once again, what Binkbeats has come up with is remarkably faithful to the original track, but what makes the clip truly enthralling is that the whole song has been reconstructed and performed live, in real time. The video can be viewed below.

AKAI Unveils APC40 MkII and Rhythm Wolf Drum Machine and Bass Synth

In anticipation of the Musikmesse conference in Frankfurt later this week, AKAI has unveiled a slew of new products—including a revamped version of its classic APC40 controller and the Rhythm Wolf, “an analog drum machine and bass synthesizer module with built-in sequencing.”

Described in a press release as “an authentic analog instrument that combines the coveted sounds of early electronic and hip-hop music with genuine Akai Professional workflow,” the Rhythm Wolf is essentially a five-voice analog drum machine and synth featuring an onboard 32-step sequencer, six MPC-style pads, and a “Howl knob” which controls a “custom distortion circuit for additional sound design.” AKAI’s Rhythm Wolf will be available this summer for a street price of $199.99. AKAI’s full announcement for the forthcoming unit can be read here.

In addition, AKAI has also revealed a slew of new additions to its APC line, the most notable of which is the APC40 MkII (pictured above). The new version of AKAI’s popular controller appears to have streamlined the functionality of its predecessor, fitting a 5×8 RGB LED clip matrix, eight channel faders, a master fader, and eight device controls onto a sleeker, more compact surface. One major change appears to be the absence of the dedicated “Sends” section, which will now be accessed using a “Send button” that will allow users to “press and hold Send and use the Track Selects to choose one of eight sends.” The unit is expected to ship this summer, retailing for around $400.

Lastly, AKAI has also revealed two other forthcoming units, the APC Key25 and the APC Mini—the full details of which can be found alongside the complete specs for AKAI’s APC40 MkII here.

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