SECT feat. Ben Westbeech “In the Park”

Fresh from Wolf + Lamb and Soul Clap‘s recently released collaborative contribution to the renowned DJ Kicks series (artwork above), we have this track from Boston supergroup SECT, a collaboration between Soul Clap, Sergio Santos, and Tanner Ross. As it happens, the tune also features the vocals of burgeoning UK producer/vocalist (and recent XLR8Rpodcast contributor) Ben Westbeech. Mechanical percussion scrapes and rattles amongst a giant, sparse bassline and gorgeous pads as Westbeech provides a self-harmonizing chorus of voices which poetically describe an evening in the park. As the song progresses, it gently glides forward, sprinkled with moments taken by a lonesome woodwind, flowing gracefully around the track’s machine-made elements before returning to SECT’s vast production. “In the Park” is definitely not a burner, and it’s better for it, as the song proves to be a powerful example of the moving possibilities that lie in subtle, intricately made house music.

In The Park

Hessle Audio Announces Forthcoming Compilation

Considering the giant footprint that Hessle Audio has left on the future-music world since its inception, it can be somewhat surprising that the imprint has existed for just over three years now. And with a roster of releases that reads like a who’s-who of the post-dubstep elite, it’s only right that the UK-based label has a comprehensive compilation in the works. Entitled 116 and Rising, the double-disc compilation totes one disc comprised of brand-new tracks from every producer who has a Hessle 12″ to his name, including label founders Pangaea (pictured above) and Pearson Sound along with James Blake, Cosmin TRG, and Peverelist among others. The first disc will also feature a few non-Hessle artists whose styles fit seamlessly into the fold, from the likes of Addison Groove, D-1, and Randomer. The second disc is a retrospective of sorts, gathering 12 standout tracks from the label’s past and placing them back-to-back, bookended by Pangaea’s haunting “You & I” and Ramadanman’s genre-melding “Don’t Change For Me.” The whole affair is curated by the label’s fabled founders David Kennedy (a.k.a. Ramadanman), Ben Thomson (a.k.a. Ben UFO), and Kevin McAuley (a.k.a. Pangaea), so there’s no doubt that this comp will be of the utmost quality that we’ve come to expect over the years. 116 and Rising is set for release on May 16 as a double-disc CD along with a vinyl release of the new tracks from the collection’s first disc as a set of three 12″s. You can peep the artwork and drool over the complete tracklist below.

Trackilist:
CD 1
01. Elgato – Music (Bodymix)
02. Untold – Cool Story Bro
03. Blawan – Potchla Vee
04. Pearson Sound – Stifle
05. Joe – Twice
06. Randomer – Brunk
07. Pangaea – Runout
08. Cosmin TRG – Bijoux
09. D1 – Sub Zero
10. Addison Groove – FukTha 101
11. James Blake – Give A Man A Rod (Second Version)
12. Peverelist – Sun Dance

CD 2
01. Pangaea – You & I
02. Untold – Test Signal
03. Blawan – Fram
04. James Blake – Buzzard & Kestrel
05. Untold – I Can’t Stop This Feeling
06. Joe – Rut
07. Ramadanman – Blimey
08. TRG – Put You Down
09. Joe – Level Crossing
10. Pangaea – Why
11. TRG – Broken Heart (Martyn’s DCM Remix)
12. Ramadanman – Don’t Change For Me

XLR8R Couldn't find the embed function for type: "facebook" and source: "<iframe src="http://www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.xlr8r.com%2Fnews%2F2011%2F04%2Fhessle-audio-announces-forthcomi&amp;layout=standard&amp;show_faces=false&amp;width=450&amp;action=like&amp;font&amp;colorscheme=light&amp;height=35" scrolling="no" frameborder="0" style="border:none; overflow:hidden; width:450px; height:35px;" allowtransparency="true"></iframe>".

Red Bull Launches DJ App for iPhone and iPad

The good people at Red Bull have teamed up with German audio software developers Stereomusik Systems to create an incredibly in-depth app for DJing with an iPhone, iPad, or iPod touch. The Red Bull BPM app comes in a variety of forms depending on one’s device and desired use, whether you’re an amateur who simply wants to be prepared to throw down hot fire straight from your iPhone at a moment’s notice or the more professional DJ who needs a larger surface and instant access to a host of DJ tools. The app works rather intuitively for those with any experience behind the wheels of steel, and mimics the traditional DJ set-up of two decks and a mixer, except on a screen that you can touch. It’s also loaded with the necessary tools to craft a top-shelf mix such as the usual effects (echo, reverb, flange, lo-fi, and filter, which can all be tap-tempo controlled), four unique cue points per track, pitch control, and an automatic beat sync feature. Alright, alright, so the obvious question forming in any audio geek’s head is, “How good of audio quality can you really get from an iPad?” Not to worry—Red Bull has provided six different output modes that utilize WLAN, Bluetooth, or a special audio Split Adapter to use the app’s 32-bit sound engine which supports AAC, Apple Lossless, MP3, AIFF, or WAV. Red Bull BPM is available now through iTunes (there’s even a free Lite version for those who wish to test it out) and you can head here for the full details on the app.

XLR8R Couldn't find the embed function for type: "facebook" and source: "<iframe src="http://www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.xlr8r.com%2Fnews%2F2011%2F04%2Fred-bull-launches-dj-app-iphone-&amp;layout=standard&amp;show_faces=false&amp;width=450&amp;action=like&amp;font&amp;colorscheme=light&amp;height=35" scrolling="no" frameborder="0" style="border:none; overflow:hidden; width:450px; height:35px;" allowtransparency="true"></iframe>".

Becoming Real “Closer (Pictureplane’s No Body Remix)”

In the middle of last month, relatively prolific UK bass producer Toby Ridler (a.k.a. Becoming Real, pictured above) dropped his fifth release in under a year, the three-track “Closer” b/w “Antarctic City” 12″, on the brand-new Cold World Industries imprint. Along with Ridler’s original tunes came a remix of “Closer” by Night Slugs acolyte Jam City, and here we have Pictureplane‘s own take on the production, which is equally enticing despite the fact that it doesn’t appear on the official release. What’s really interesting here is that the Denver-based artist doesn’t quite sound like the gothy, trance- and rave-obsessed producer we’ve come to know and love; this remix sounds more like the kind of angular, leftfield 2-step made by Zomby, Untold, and the like. Maybe Pictureplane decided to just go with the original vibe of Becoming Real’s skittering bass tune as a one-off experiment, or maybe he’s turning a new leaf—either way, we’re happy with what’s he done here. If you’re fiending for a bit of old-school Pictureplane, make sure to check out these mixes that he just dropped for DIS Magazine. The post features a sort of retrospective of his work—including rare and unreleased gems like the April Fools’ Day track he did for us—and a live recording, and apparently precedes the release of a new LP coming soon. (via Pitchfork)

Closer (Pictureplane’s No Body Remix)

Closer (Pictureplane’s No Body Remix)

Closer (Pictureplane’s No Body Remix)

Zomby Signs to 4AD, Preps Limited-Edition 10″

It may seem totally odd, but it’s completely true: The longstanding hub for tasteful, ground-breaking independent music known as 4AD has signed elusive UK garage/hardcore/bass experimentalist Zomby. The first offering scheduled to come from this surprising pairing is a limited-edition 10″ record for the track “Natalia’s Song,” which is apparently the first single from an album due late this year. You can check out a snippet of that forthcoming tune before it’s released on May 10, below.

Mark E “Deny This (Extended Version)”

Though UK producer Mark E has been hard at work crafting and releasing an array of minimally minded techno/house singles since 2005, he won’t have a proper full-length under his belt until Ghostly sister label Spectral drops it on May 17 (read more about the album here). Stone Breaker is a nine-track behemoth of a debut LP, and this extended version of “Deny This” is just a taste of what those lengthy dancefloor burners have to offer. While the kick drum’s incessant pulse carries Mark E’s composition across its nine-plus-minute runtime, clattering percussive sounds, bouyant basslines, simple synth melodies, and ominous vocal samples come and go seemingly at random. Things rarely pick up in intensity on “Deny This (Extended Version),” and even when they do, the sonic shift is subtle and short lived. We look forward to hearing what other aural nuances are in store when Stone Breaker is released next month.

Deny This (Extended Version)

Oneohtrix Point Never, Ariel Pink, Actress, Junior Boys, Kode9 & The Spaceape, and More to Play Poland’s OFF Festival

For the fifth annual OFF Festival in Katowice, Poland, three days of excellent musical performances, film screenings, art exhibitions, and more will take place in the Three Lake Valley, “a beautiful green oasis in the heart of industrial Silesia.” Among the myriad artists scheduled to play between August 5 and 7 are Matthew Dear, Barn Owl, Actress, Oneohtrix Point Never (pictured above), Gang of Four, Junior Boys, Kode9 & The Spaceape, Primal Scream (performing Screamadelica), Neon Indian, Mogwai, Ariel Pink, Xiu Xiu, Glasser, and many others. Tickets, which start at 35 euros, can be purchased here, and you can check out the full lineup for OFF Festival 2011 here.

XLR8R Couldn't find the embed function for type: "facebook" and source: "<iframe src="http://www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.xlr8r.com%2Fnews%2F2011%2F04%2Foneohtrix-point-never-ariel-pink&amp;layout=standard&amp;show_faces=false&amp;width=450&amp;action=like&amp;font&amp;colorscheme=light&amp;height=35" scrolling="no" frameborder="0" style="border:none; overflow:hidden; width:450px; height:35px;" allowtransparency="true"></iframe>".

Five Star: Rainbow Arabia

The LA-based genre mashers tell us about the major influences on their new album, Boys and Diamonds.

DJ Beppe Loda’s 1985 Mix
DJ Loda was part of the Italo-disco scene, and a resident at the Typhoon club from 1980 to 1987. This mix goes through a collage of electronic sounds mixed with funky guitar riffs and Kraftwerk synth leads. He has a way of going off into totally different tangents, which he somehow makes flow perfectly.

OMD’s Orchestral Manoeuvres in the Dark
OMD‘s keyboard sounds are points of reference when adding sounds to our songs. The opening to “Almost” is probably the best opening synth line in a song, and we love how they use hissing hi-hat sounds. And “Electricity” is one of our all-time favorite songs.

Scientist’s Scientist Rids the World of the Evil Curse of the Vampires
Scientist has his signature sound in dub with his bleeps and reverb crashes. He made dub almost sound like electronic music. This album has probably some of the best production of drums, and is also filled with evil laughs and lines like “I want blood.”

Congotronics 2: Buzz ‘N’ Rumble From the Urb ‘N’ Jungle
This was the second release of the Congotronics series. It is filled with electrified likembes and makeshift percussion instruments, like spray cans and car parts. All of this is played through their homemade soundsystem. It has the sound of primitive electronic trance music.

Giorgio Moroder’s “From Here to Eternity”
This song kicks ass. The ultimate dance song, with a tight beat and an arpeggiation that fades in, bringing you to Moroder‘s futuristic disco sound. Plus, he had such smooth, cool style.

Boys and Diamonds is out this month on Kompakt
ranbowarabia.wordpress.com

Pulseprogramming “First They Fire”

Marc Hellner’s Pulseprogramming project has a new LP on the way next month, and “First They Fire” is the initial offering to surface from the forthcoming release. Starting off with about as carefree an electro drumbeat as one could imagine, the track moves steadily into wispy, shoegazey electro-pop territory with a host of washy guitars and low, steady bass providing the bed for Hellner’s nonchalant synth lines and Chanel Pease’s serenely delivered vocals. As the tune calmly drifts through the tranquil space of its own creation, one could easily miss the mumbled details of the unusual (although metaphorical we’re sure) chorus lyrics, “I’m on fire/ I’m on fire.” Not quite the subject material we were expecting, but we’re not going to let that stop us from happily clapping along. Pulseprogramming’s forthcoming album, Charade is Gold (artwork above), is set to be released on May 3.

first they fire

First They Fire

Matmos, Christopher Willits, and Nate Boyce Set to Release Collaborative EP

Before departing for the complete opposite coast of the continental United States, the formerly San Francisco-based duo Matmos (pictured above) had joined forces with SF’s resident blissful guitar manipulator Christopher Willits and local videographer/musician Nate Boyce for an “expectation-less” collaboration of sorts. As one would imagine, the resulting four tracks are a glistening mix of leftfield electronics and dense soundscapes that are now set to see their release as an EP from Willits’ own Overlap imprint. This current mix of musicians, simply deemed Boyce + Matmos + Willits, are no strangers to working together, having already contributed, along with Zach Hill and Carson McWhirter, to another EP for Overlap back in 2009 as Flossin. The newest result from these adventurous sonic manipulators, entitled Subconscious Attraction Strategies, will be released April 26. You can check the artwork below.

XLR8R Couldn't find the embed function for type: "facebook" and source: "<iframe src="http://www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.xlr8r.com%2Fnews%2F2011%2F04%2Fmatmos-christopher-willits-and-n&amp;layout=standard&amp;show_faces=false&amp;width=450&amp;action=like&amp;font&amp;colorscheme=light&amp;height=35" scrolling="no" frameborder="0" style="border:none; overflow:hidden; width:450px; height:35px;" allowtransparency="true"></iframe>".
Page 2324 of 3781
1 2,322 2,323 2,324 2,325 2,326 3,781