Ike Release Dance Equations EP

The Chicago dance-music institution Smart Bar has just launched its own label, Northside ’82, curated by music director Marea Stamper (a.k.a. the Black Madonna) and label manager Steve Mizek of Argot/Tasteful Nudes. The name Northside ’82 is rooted in the club’s origins on the north side of Chicago and the year it was founded, 1982; sonically, the label’s aim is showcase the considerable talent and diverse sounds of the club’s residents, ranging from disco to techno, while also leaving room for involvement from faces familiar to the club’s 33-year history, such as Derrick Carter.

The debut release on the label comes from Smart Bar resident Ike Release, a creator of dreamy deep house (and partner in Innerspace Halflife with Hakim Murphy), who shows off his physical and percussive side with this bumping three-track EP brimming with Chicago house flourishes. The EP’s title track, “Dance Equations,” is built around a hypnotic and shivering groove, with swirling synths and an insistent vocal sample—”dance me, and I dance you”—that locks itself into the listener’s ear. “Bijou” ticks the intensity up a notch with gasping vocals coming in between a low-slung sprawling rhythm and slamming drums; “Direct Current” closes out the release with a slow-building, introspective progression that suddenly kicks into gear, filling the floor with attacking synth riffs. While exporting the sound and experience of such an iconic club onto record is no small task, Northside ’82 is in good hands—and looks to be a label to watch.

Ike Release’s ‘Dance Equations’ EP is now available on vinyl; out digitally on August 14.

Sweatson Klank “Nightcap”

Opening with a bed of deep, atmospheric pads, rising synths, and buried percussion, LA producer Sweatson Klank‘s “Nightcap” gracefully engrosses the listener before unveiling its true drum & bass soul. With rolling percussion and soaring synth work, the track evokes an exuberant vibe of a city at night—possibly that of Los Angeles, Klank’s home city. Following on from a run of free downloads from the renowned beatsmith—all of which are available on his Soundcloud page—”Nightcap” is an XLR8R exclusive, which Klank has offered up for free download below.

Nightcap

PBR Streetgang Set To Release Whiplash EP In August

Bonar Bradberry and Thom Thorpe (aka PBR Streetgang) will release their next EP titled Whiplash this August on 20/20Vision, the Leeds based website which distributes quality electronic music around the globe.

PBR Streetgang have been on the rise over the past few years having locked themselves into a residency at Space in Ibiza and by releasing tracks for many of the current leading imprints such as Hot Creations, Futureboogie, and Wolf Music. Now the two are back on 20/20 with some fresh material following their ‘At Dez’ EP on the label in 2012. Starting off the Whiplash release, we are treated to a raw, tom-driven bass hook and sporadic stab sequences laid over seven minutes with a subtly unfolding dynamic. “Return To Page One” is the second original production on the release, which comes in with a lower tempo and lays the focus on a low-slung rhythmic drive.

On the B-side, “Return To Page One” gets two different reworks courtesy of Gerd Janson and Phillip Lauer‘s group, Tuff City Kids. The first remix is labelled as a “Disco Mix”, along with a second more vintage feeling edge on the “Electro Mix”. Both remixes are equally as great as the original, with Gerd and Phillip adding their own unique takes on an already respectable release.

The tracks will be available digitally in a little less than a month on August 3. Visit Juno Records online for clips and information about the release, and check out PBR Streetgangs last release that came out on Toy Tonics to get a feel for what these guys have coming up.

Premiere: Download a Track From Mophono’s New EP on DJ Shadow’s Liquid Amber Imprint

On July 24, DJ Shadow‘s Liquid Amber label will drop its fifth release, Mophono‘s M.O.3.

Built from a raw and rumbling low-end, opening cut, “VL MONO,” side-steps its way across the near-three-minute run time with a smorgasbord of sci-fi bleeps, coarse sound design, and unrecognisable samples, giving the listener a glimpse into the futuristic sonic universe created by the Bay area producer. From there, the EP continues along the futuristic trajectory, fusing chunky drum-machine beats with otherworldy sounds for an engrossing outing.

Ahead of the release, Mophono has offered up a full stream and download of “VL MONO,” which you can find below; along with the full tracklisting.

Tracklisting:

1. VL MONO

2. THIZZ BITS

3. 50-50

4. FLOTSAM

5. 78DK

Stream a Track from New Pan-Pot Album, The Other

Eight years after the release of their debut LP, Panorama, Pan-Pot have announced plans for their highly anticipated second studio album, The Other.

Over the span of fourteen tracks the duo showcase not only their impeccable knowledge of sound craft, but also their uniquely diverse scope spanning an abundance of genres and influences. While the album has an abundance of big room techno productions like “Pina” and “12,” intricately scattered within are several shimmers of sound spanning from experimental bass to down-tempo, evidenced in tracks like “Sleepless” and “Riot”

In advance of the album’s September 25 release on Second State, “808 Nirvana” can be streamed in full below.

Tracklist:

01 Your Attention
02 808 Nirvana
03 Optimistic Grey
04 Pina
05 Sleepless feat. L.O.U.
06 Riot feat. Frankie
07 Get In feat. Kevin Knapp
08 Operator
09 Fist Bump From Destiny
10 Broken Engine
11 The Luxury Of Living Day By Day
12 Twelve
13 Fugitive (Pan-Pot & ABBY)
14 Punxsutawney

Arturia Announces Availability of BeatStep Pro

Arturia has announced—as of July 7—that its BeatStep Pro sequencer is available to the public.

The BeatStep Pro collectively blew minds at Musikmesse 2015 when it simultaneously sequenced eight MiniBrute, MiniBrute SE, MicroBrute, and MicroBrute SE units via its inbuilt connectivity. The BeatStep Pro is a fully assignable MIDI controller, live performance tool, and drum programmer, and features two analogue-style step sequencers. It can be connected to anything with USB, MIDI in and out, CV/Gate inputs, Clock in and out, or DIN Sync, and with its built-in clock SYNC, anything connected will stay in time. Each BeatStep Pro Project holds 16 sequences per melodic (monophonic) sequencer (SEQUENCER 1 and SEQUENCER 2) and 16 patterns for the DRUM sequencer —which gives the user over 4,000 possible combinations per Project.

For more information on the features, and purchase options, head to the Arturia website.

Watch a New Music Video From DJ Koze

Since releasing his addition to the classic DJ-Kicks mix series—this one being number 50—DJ Koze has been busy making psychedelic videos for his exclusive singles from the compilation. The video for track “I Haven’t Been Everywhere But It’s On My List” is a head trip through a tropical island location, complete with all the multi-colored waves of an individually wrapped sugar cube in tin foil, and is now streaming exclusively on Youtube.

The clip came from two different directors, Katharina Duve and Timo Schierhorn, who were inspired to produce the clip after Koze and company were “on their way to shoot some ancient hippie caves somewhere in the Atlantic Ocean,” when, according to Koze, they “incidentally met a lovely bloke cruising the beaches on his Omamobil. He showed us the ways of his island and the key to happiness. And then he sold us a lottery ticket.”

You don’t have imagine what type of life lottery you could win by hanging out with DJ Koze in the middle of the sea, but you can get the real deal by checking out the video below. For more info about DJ Koze and his 50th installment of DJ-Kicks, check out the DJ Kicks website and buy the album.

RVNG Intl. Announce Savant’s Artificial Dance

On September 4, NYC label RVNG Intl. will release a collection of music from Kerry Leimer’s Savant project.

Artificial Dance compiles 1983’s The Neo Realist (At Risk), with Savant’s debut 12″ and stack of previously unreleased tracks. According to the accompanied text, the 14-track compilation “chronicles and explores the unpredictable alchemy of music made in chance environments, revealing a revelatory document of tape spliced funk, fourth-world foraging, and nonconformist musical ethos colliding.”

Leimar invited a host of musicians from experimental and post-punk groups to record as Savant including ambient composer Marc Barreca, John Foster—founder of Op Magazine—and Jim and David Keller of the New Flamingos, but kept the lineup loose and often asked the musicians to “play instruments far outside their forté.”

Ahead of the release, “Stationary Dance” is streaming in full below, along with the full tracklisting.

Tracklisting:

01. Using Words
02. Indifference
03. The Neo-Realist
04. Shadow In Deceit
05. The Shining Hour
06. Knowledge And Action
07. Heart Of Stillness
08. Stationary Dance
09. Sensible Music
10. Deceit In Passion
11. The Radio
12. Facility
13. Falling At Two Speeds
14. Fault Index

Hear Soul Clap’s Remix of Art Department’s “Kisses For Roses”

Yesterday, No. 19 released Art Department‘s Kisses For Roses Remixes EP, featuring reworks from The Martinez Brothers and E-Funk masterminds Soul Clap.

With Art Department now the solo project of No.19 label head Johnny White, this remix EP represents the first step in the new chapter. Opening proceedings is the slamming, energetic house rework from The Martinez Brothers, who inject their infectious energy into the original. Next up is the two brilliant remixes from Soul Clap, the first being a loose and swinging mid-tempo soul jam, and the second, a dub-tinged deep burner with seductive pads and swirling synths.

Out yesterday on No.19, you can stream Soul Clap’s remix in full below.

Ghostface Killah & Adrian Younge 12 Reasons to Die II

Ghostface Killah has always served as the Wu Tang Clan’s Quentin Tarantino-in-residence. Where his partner-in-rhyme Raekwon’s braggadocio sprang from a hard-boiled Scorsese-style underworld, Ghostface was always more in tune to the technicolor excess that gave Pulp Fiction its DayGlo sheen. The throwback blaxploitation that runs through so much of Ghost’s catalog has realized its most complete manifestation in his latest release, 12 Reasons to Die II.

Teamed for the second time with producer Adrian Younge, Ghostface has resurrected the spirit of crime lord Tony Starks, whose hard knock tale of accession, betrayal and ultimately revenge was first presented to the public on their initial 12 Reasons to Die collaboration. On this sequel, Younge once again blesses Ghost with his unique take on the kind of cinematic ’70s soul pioneered by the likes of Isaac Hayes and Curtis Mayfield, and kept alive in the hearts of OG hustlers ever since. Backed by a full band—and an ear for moody harmonics—Younge provides a neck-snapping canvas of brooding hip-hop funk onto which Ghostface splashes wide-angle panoramas of street life violence on a mythical scale. While Stark’s corporeal form was destroyed on the first 12 Reasons, his spirit carried on after his ashes were pressed into a collection of vinyl LPs. This new adventure finds him guiding the exploits of a rising capo by the name of Lester Kane, played by Raekwon. In order for Kane to sit atop the throne he needs to bring down the Deluca family, the same syndicate responsible for Stark’s death.

Having reigned in the absurdist bent driving his early lyrics, Ghostface’s more direct brand of storytelling gets a lift from the bugged-out elements of Younge’s production. This outing finds the two more in sync than on their first effort, allowing each man to step forward with an increasingly assured delivery. Younge’s beats do more with less: He seems to have fully internalized the minor-key minimalism perfected by the Wu Tang Svengali RZA, who shows up as narrator throughout the album. Joined by a number of his Wu brethren on the mic, Ghostface sounds at home getting lost in the space between Younge’s drums and off-key guitar riffs. Hearing Ghostface rip lyrics within this familiar context is basically rap comfort food for old fans—but at no point on the album does he sound more energized than when he is joined by upstart MC Vince Staples, and the mere presence of a rapper so young poses an unspoken challenge that the veteran clearly relishes. Based on the enthusiastic reception of both 12 Reasons albums, we’re all but assured of a third outing someday—and incorporating a new crop of rising rappers could be just the thing to keep Ghost nimble in the midst of his nostalgia. In the meantime, the knotty lyricism and psychedelic rumble of 12 Reasons to Die II should be more than enough to keep Ghostface fans satisfied.

Stream ’12 Reasons to Die II’ here.

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