Anne Clark “Sleeper in the Metropolis (Jordan’s Nocturne Edit)”

The English poet, musician, and composer Anne Clark is a renowned renaissance woman who is celebrated for her romantic musical stylings of the electronic and avant-garde. A spoken word artist, the subjects she grapples with her lyrics are often political and gloomy, which, when coupled alongside her ground-breaking analog compositions, had Clark’s tracks sitting on the cutting-edge of musical exploration in the 80’s and 90’s.

Her influence on techno has gone far and beyond anything she could have possibly imagined back then and to pay tribute to her considerable sonic significance in the scene, the Irish DJ-producer Jordan has offered up his edit of the classic track “Sleeper in the Metropolis” as today’s XLR8R download. With over a decade of experience behind his belt, Jordan polishes up the trailblazing, 80’s analog anthem to fit the modern club perspective while keeping the enigmatic, soulful, and oldschool genius of the track in tact.

A veteran of the scene, Jordan has news coming soon regarding a set of fresh tunes so be sure to keep yourself posted by checking out his SoundCloud page here.

You can download “Sleeper in the Metropolis (Jordan’s Nocturne Edit)” below via WeTransfer.

Sleeper in the Metropolis (Jordan’s Nocturne Edit)

Weekly Selections: DGTL Amsterdam, Apparitions Festival, Lee Burridge, Jon Charnis

Kicking off today, Apparitions Festival is a four day experience of non-stop electronic music in a stunning natural location in Todos, Santos, BCS, Mexico. Derrick May, M.A.N.D.Y., Kevin Saunderson and others will be gracing the decks.

DGTL Amsterdam to the NDSM Docklands this weekend. XLR8R will be hosting the Analog stage, with a different theme set for each day. Saturday’s line up focuses more on live performance, with sets by KiNK, Gold Panda and Gui Boratto & Elekfantz. The following day things will get a lot more techno, with DVS1Rødhåd and Kyle Geiger leading the way.

Lee Burridge and Jon Charnis bring the dreamy vibe to La Vibe in Hollywood this Saturday.

To search events in your city or to submit a new event, visit our events pageXLR8R ticketing platform is available for events in the US and internationally, interested promoters can get in touch here.

THURSDAY MARCH 24

Apparitions Festival 2016

Todos Santos, Baja California Sur – Mexico

Dirty Thursday: Free Dance Party with Dirtyfinger & 2Melo

House of Yes – Brooklyn, NY, US

KYLIAN – We Are Ready Record Release

House of Yes – Brooklyn, NY, US

SCHOOL NIGHTS WITH D’MARC CANTU [LIVE] * JUSTIN LONG * IKE RELEASE

Smartbar – Chicago , IL, US

MOVE NYC w/ Cosmo Baker

Kinfolk 94 – Brooklyn, NY, US

Ascend // Stray Landings Showcase

The Ladybird Bar – London, United Kingdom

Andrew Luce + Oneman b2b My Nu Leng

1015 Folsom – San Francisco, CA, US

Richy Ahmed presents ‘4thirtytwo’

London Fields Brewhouse – London, United Kingdom

secretsundaze Easter Special

Village Underground – Shoreditch London, United Kingdom

Stormzy

1015 Folsom – San Francisco, CA, US

FRIDAY MARCH 25

Outspoken invites Detroit Swindle Live (Heist Recordings) & Guests

Couture – Hollywood, CA, US 

Dirty Epic & Incognito Present: Los Angeles

The Vortex – Los Angeles, CA, US 

DGTL Festival 2016 – Amsterdam

NSDM Dockland – Amsterdam, Netherlands

Guillaume & Coutu Dumonts [LiVE]

Flash – Washington, DC, US

The Party By OSTBAHNHOF

House of Yes – Brooklyn, NY, US

Lee Burridge (All Day I Dream, UK) & Pink Mammoth (in the Loft)

Public Works SF – San Francisco, CA, US

Oktave with ADAM X * JEFF DERRINGER * SPECIAL GUESTS FORWARD ANTENNA TECHNOLOGIES

Smartbar – Chicago , IL, US

Chris Lorenzo B2B Shift K3Y

Verso – San Francisco, CA, US

Collect W/ SASHA, RICHY AHMED & MALBETRIEB

De Marktkantine – Amsterdam, Choose, Netherlands

Snax

Berghain/Panorama Bar – Berlin, Germany

SATURDAY MARCH 26

La Vibe ll Lee Burridge l Jon Charnis ll

Le Jardin – Los Angeles, CA, US

Second State: Pan-Pot

Studio Spaces E1 – London, London, United Kingdom

DIALOGUE feat. NITIN (No.19 Music, My Favorite Robot), Special Guest & MD

PRIVATE Location TBA – Downtown Los Angeles, US 

26.3 fabric // Richie Hawtin, Nastia, Stacey Pullen & more

fabric – London, London, United Kingdom

Subtract Open Air • Sebastian Mullaert LIVE [aka Minilogue]

Queens Wharf – Long Beach, CA, US

Mayaan Nidam, Kevin Knapp

Flash – Washington, DC, US

TheHundred Presents – Chris Lorenzo + Benji B + With You.

Club Vinyl – Denver, CO, US

RA in Residence: MOOD II SWING * ANALOG SOUL * MICHAEL SERAFINI

Smartbar – Chicago , IL, US

Detroit Swindle

Verso – San francisco, CA, US

Kill The Noise/ Point Point at Output

Output – Brooklyn, NY, US

Grounded 1 Year Anniversary Feat. Frank & Tony (Open to Close)

Re-Bar – Seattle, US

DE MARKTKANTINE PRESENTS SVEN VATH

De Marktkantine – Amsterdam, Choose, Netherlands

SUNDAY MARCH 27

Half Baked Easter Sunday Bank Holiday Special

Studio 338 – London, London, United Kingdom 

Eggstatic! An Easter Sunday Fundraiser

House of Yes – Brooklyn, NY, US

Oster Klubnacht

Berghain/Panorama Bar – Berlin, Germany

Bass Music Movement @ Ministry Of Sound ft. Flux Pavillion, Doctor P & More

Ministry Of Sound – London, England, United Kingdom

Patrice Bäumel/ Brad Miller/ Terron Darby | Sundays in The Panther Room

Output – Brooklyn, NY, US

silo x Âme

The SILO Building (Brussels Event Brewery) – Sint-Jans-Molenbeek, Belgium

The Gathering #004 – Easter Warehouse Rave

SECRET LOCATION – Los Angeles, CA, US

Premiere: Hear a Track from Ashworth’s Latest EP

With a label resume that includes W&O Street Tracks, Anjunadeep, Holic Trax, and Little Helpers, UK-based artist Ashworth will drop his latest on made of CONCRETE, the imprint run by Berlin-and-Dresden-based DJs fumée grise and Andreas Pionty.

Portland will be Ashworth’s debut on made of CONCRETE, presenting four tightly-wound cuts of atmospheric house and techno. Ashworth’s sound engineering background, as well as his history in composing film scores, is quite prevalent on Portland, which, although being very dancefloor focused, has a decidedly cinematic feel to it. Propped up by textured, reverberant atmospherics and hollowed-out noise, the EP is beautiful exercise in heady electronics—one that is as suited to home listening as it is on the floors of early morning warehouses.

Ahead of the April 1 release date, Ashworth and made of CONCRETE have offered up a full stream of the drony and minimalistic cut “Scatter,” which you can stream via the player above.

Bwana Returns to Aus Music

Following the recent news that Nathan Micay (a.k.a Bwana) will be releasing an EP titled Capsule’s Pride via LuckyMe, which features dialogue, music, and sound effects from the wildly influential manga blockbuster Akira, Micay is now set to present yet another EP on the profoundly influential imprint, Aus Music.

Having recently settled down in Berlin, The three-track EP which is titled Opening The Gate is beholden of the immeasurable hours that the young Canadian artist has spent both behind the decks and on the floor of one of Berlin’s most cherished music destinations, Panorama Bar.

Opening The Gate EP is set to drop on April 15. Check out Bwana’s previous two release on Aus Music via SoundCloud in the players below.

Tracklist:

01. Homeboy
02. 50% Maximum Power
03. Muscle Power’s Final Hours

Download an Exclusive Mix from Lum

Born in Argentina and based in Tulum, Mexico, the DJ and jungle enthusiast known as LUM has spent his life steeped in indigenous cultures. A treasured member of the Crosstown Rebels family, LUM’s musical dedication and unique South American sound has brought him a considerable amount of attention, making him a sought after remix candidate for artists such as Akbal Music, Blondish, and NU.

LUM is slated to make his Los Angeles debut on April 2 at Deep presents. “Venice Gets Deep,” with support from Goldcap and Marques Wyatt. The event is set to run from 9pm – 2am at The Rose Room in Venice, CA.

Ahead of this exciting debut, LUM has shared an exclusive and rare mix that is available for download below via WeTransfer.

You can buy tickets to this event via XLR8R.

DEEP Pres “VENICE GETS DEEP” feat LUM, GOLDCAP & MARQUES WYATT

The Rose Room – Venice, CA, US

April 2 @ 9:00 pm – April 3 @ 2:00 am

Real Talk: Fred P

Real Talkis a series of artist-penned essays that appears on XLR8R from time to time; this instalment comes from deep house specialist Fred Peterkin (a.k.a. Fred P or Black Jazz Consortium). The New Yorker has long been at the forefront of a rich and productive East Coast scene that has churned out the likes of Jus-Ed, DJ Qu and Levon Vincent. Peterkin’s style is one that shows great thought and skill—the dark atmospheres created in his tracks are always well-balanced, never over-bearing, but with a strong emotional kick. More recently, he has also turned his hand to more techno experiments, though his deep touch always prevails. His label, Soul People Music, is an expression of that style, curating a catlog that features the likes of Brendon Moeller, Dubbyman and October, as well as a lot of his own output. In this essay, Peterkin explains just how powerful a force he believes music can be.

Sequential Rhythms of Life. The Future Is Now
Looking forward, the future is bright. Music is beginning to push beyond the past and find its feet in the present day. Although there are enduring classics that are worthy of their place in timeless halls of history, forward-thinking music is becoming the standard. Original pieces of art are actually being produced by some fearless students of life. Who dares to tread into uncharted territory but the artist? Only the artist can have a foot in both worlds, and bring back the essentials for all to bear witness.Is not art for the Good of All Beings that behold it? But this is merely one perception—one of many. One must look deep into the other and form an opinion.

My journey began as a youngster in the late ‘70s. My parents loved music and, in good times, the music was lively, vivid, and loud; in dark times, the music was moody, dark, and melancholic. This ran deep into the core of my being, and I began to relate emotion with sound. I didn’t realize how much this would shape and mould my existence. To feel is a glorious gift. To allow oneself to be open to that vast universe of colors and texture by way of vibration gives depth and meaning to even the most trivial thing. It’s a choice—one of many—that may or may not define one’s experience. However, for me, it is the experience— the only experience, as I have come to learn. Because of this way, this knowledge, this form of communication, we are all connected. Technology has made our ability to create and express ourselves much more quick and efficient, and so this way has become universal. There are no more models; you merely create your own model and share your truth. We are in the 21st century, and the world has become a village where we can share a thought in a moment with millions. It’s a global consciousness that is becoming more vast and self-aware, and at its core is creative energy. The future truly is now, and it’s time to feed our minds so that we may develop the roadmap to the oasis.

Vision of Oasis:
The mind is the most powerful operating system. If you design it, the mind will bring it forth. The only limitation is one’s ability to believe it so. Easier said than done. Life is a field of dense moving vibrations that one must navigate to survive. Although we have history as a guide of how to be proactive, most people live reactive realities. This is more common than not, and so it becomes a common stream of consciousness; a normality not often questioned except by the artful thinker—the personality that is drawn to the abstractions of things. Why this attraction to what seems unusual or uncommon? This counter-perception that feeds on curiosity is the fuel. It’s the questions, the draw of the unusual, this need to understand so one might find meaning in one’s experiences. This creates a space, which is the beginning of one’s own creative insight. How one finds it is inconsequential, as long as one becomes aware that it is an awakening of one’s inner world. It is this world that transcends all others and opens the door for an enriching dialog with the universe. As earth hangs in space, ever moving forward, so do our own states of mind moving right along with it. The oasis is where we have an opportunity to evolve, and to elevate the consciousness of the entire organism into a blissful peaceful state. Art, in my opinion, is a manifestation of this phenomenon. Beings at different rates of vibration relate in different ways. At any level, one would feel something. This is what makes music such a wonderful gift. In the hands of one that is truly open and has the right thing in mind, it can be felt clearly, powerfully, and it can be quite influential. It is a creative space, a vibration for the explorer, the one that is willing to journey into the other.

Sound Destination:
We are all longing for connection, to belong to something bigger than ourselves—to live a life of purpose, and hopefully to serve our fellow beings in the process. It’s funny how all roads tend to lead to the same outcome. Music, in my opinion, is for the good of the people. To allow us to have a rest in the middle of everything. It’s a space, if you will allow it, that lets the mind run free so that one might remember the nature of what is, and become one with the universe. Rhythm is life perpetuated by cycles constantly flowing, keeping continuity as nature expresses itself in the form of reality. In reality, we find one another in that very rhythm that is consistent with nature, which proves the artfulness of nature itself. My idea with Soul People Music has always been, and will always be, to bring soul to the people with the music. It is this form of communication that allows me to let nature manifest itself in my need to express myself to the masses. Reactions of Light, Structure, The Incredible Adventures of Captain P, Codes and Metaphors, Modern Architect, Sound Destination and Selected all represent this expression. As a musical artist—it is only this honest expression that drives my life. This connection to my fellow beings translates the dialog of my inner world to your understanding of it. It is my humble offering to share this journey and introduce others who have taken to the cause of artistic expression with music. There is a soundtrack and it is the beat of your heart. Forever translate and be in the sequential rhythm of life…

Prins Thomas Announces Full Pupp Sub Label

Norwegian DJ and producer Prins Thomas, has announced details of a forthcoming Full Pupp sub-label. Named “Horisontal Mambo,” the imprint will be inaugurated next month with the release of two new interpretations of Thomas’ own productions, done by jazz musician and composer, Bugge Wesseltoft. As reported by RA, the label was inspired by old “jams” in the producer’s hometown in Norway where, “everything from medieval lute and harp records to underwater sounds via Elton John, Grateful Dead, Basic Channel and ECM albums,” were often played.

Tracklisting:

A Prins Thomas – Bobletekno (Bugge Wesseltoft Steinway Grand Version)
B Prins Thomas – Bobletekno (Bugge Wesseltoft Yamaha SK-15 Version)

Bobletekno: Bugge Wesseltoft Versions will land via Horisontal Mambo on April 8, 2016.

Tobias Freund & Valentina Berthelon Recent Arts

As a platform for the more adventurous end of electronics, Tobias Freund’s Non Standard Productions lives up to its name. Over the past decade, a stream of curious releases have trickled out of the label, with widely ranging tempos, styles and themes, leaving only a common thread of fine-tuning, and attention in the details. Freund’s collaboration with Chilean visual artist Valentina Berthelon as Recent Arts is no different. Having previously teamed up for the techno-oriented performance of A Series Of Shocks, the duo now turn their hand to experimentalism, and an album that comes off the back of their audiovisual project of the same name.

The project utilized an application developed by Max Loderbauer and Tom Thiel which loops musical patterns, and subsequently modifies them to prevent them sounding similar, in an ongoing process. As a live performance, it would run in tandem with the manipulation of shape and imagine. Translating that multi-sensory experiment into an album set for private consumption raises questions as to whether its essence might be lost during the reduction process.

The result is ten tracks of varying lengths, all totally beatless cuts. Ambient influences are definitely present, but is far from a relaxing affair, as the pair generate peculiar atmospheres—emphasis is stacked onto the overall experience, and artistic merit over anything else. It is a tapestry of lighter, organic sounds (that begin to sound like field recordings), juxtaposed with Freund’s ever-present dark, sci-fi techno touch. Unpredictable throughout, deficient in melody and pretty serious on the whole, it demands the right frame of mind to really engage with it.

For much of the album, Freund and Betherlon traverse bleak soundscapes. Opener “History of Darkness” is a jolty and disorientating track—drones pierce what sounds like a gathering storm, pursuing you from all directions. It’s a note picked up in “Emptiness Syndrom,” a haunting affair plagued by faraway cries. At other points on the record, that despondency can become a bit much: the relentless white noise that defines “Static Universe” for example, or the breathless gasps of “Branwelt.”

Yet, it is these dark moments that provide the stark contrast with breaks for light, crafting a handful of powerful episodes. The gentle chimes in “Extension of Expansion” feel euphoric after everything that went before, as low-key as they may be. They are followed by the organ-driven “Into Infinity,” a track that resembles a twisted reconstruction of the opening bars to Prince’s “Let’s Go Crazy.” At these points, the rest of the murkiness makes sense, providing the balance it needs with the unnerving complexities of its other half.

Tracklisting:
01. The History Of Darkness
02. Emptiness Syndrom
03. Colors In Motion
04. The Form Of Time
05. Static Universe
06. The Extension Of Expansion
07. Into Infinity
08. Zero Theorem
09. Branwelt
10. Recent Dawn

Recent Arts LP is scheduled for March 30 release via Non Standard Productions.

Ctrls Returns to Token

Danish techno producer Troels Baunbæk-Knudsen (a.k.a. Ctrls) is lined up for Token Records‘ 60th release, which will hit stores mid-April.

As Ctrls, Baunbæk-Knudsen has released a number of EPs, all via Token, the techno imprint run by Kr!z (also home to the likes of Inigo Kennedy, Ø [Phase] and Antigone). He returns to Token after last year’s Two Worlds, with Nonuser, an EP that the label describes as taking his “club focused sound to new heights, delivering rolling percussion alongside twisting, distorted leads and thundering basslines.”

Nonuser is set to be released April 15. 

Stream a New Mix from Matthewdavid

Photo: Theo Jemison

Los Angeles composer Matthew David McQueen (a.k.a Matthewdavid) has recently served a new, blissed-out, and tender album under his Matthewdavid’s Mindflight project, which was initiated last year by the artist as a platform to release more new age compositions. Titled Trust The Guide and Glide, the latest LP has been released via his own imprint LEAVING Records. As stated in a press release, the full-length is described as “a powerful statement of identity and a new door into cosmic consciousness.”

Following the release of this heartfelt and meditative album, Matthewdavid has put together an exclusive mix for The Wire that borrows from a “decade-spanning selection of soothing new age sounds.”

You can stream the mix in full by heading over to the wire here.

Purchase Trust The Guide and Glide by going here.

Tracklist:

01. One Hand Clapping Tibetan Bells With Environmental Sounds“Untitled” (N.O.W. Records)
02. Mystic Dreams “A New Age Mystical Music Experience” (Madacy)
03. Constance Demby “Ambrosial Waves” (Sound Currents)
04. Inner World 3 (Relaxation Products)
05. Sailboat Voyage/Moods “Backyard Stream” (Gateway)
06. Randall McClellan “Healing Music Of Rana (Mindflight Edit)” (Rana Press/Sun Ark)
07. Petr Michael Hamel “Nada” (Celestial Harmonies)
08. Dr Jay Freed “Sounds Of The Womb” (self-released)
09. Daniel Kobialka “Sun Space” (LiSem Enterprises)
10. Upper Astral Inner-Harmony Music “Entrance To The Secret Lagoon” (Valley Of The Sun Publishing)
11. Matthewdavid Mindflight “Orchestrator & Rhodes Improvisation” (Leaving)
12. Laraaji “Deep Chimes Meditation 1” (unreleased)
13. SunPath “Stream And Crystal” (Jeff Berry/Leaving)

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