William Basinski is Back as Sparkle Division

Sparkle Division, William Basinski’s electronic lounge-jazz-dance collaboration with Preston Wendel and Gary Thomas Wright, will release a new album on Temporary Residence Limited.

Foxy is the group’s second album, following 2020’s To Feel Embraced. More material has followed: an EP called Classified in 2021 and a one-off track “Piccadilly Beast” that came out last December.

There’s little else known about the album other than this narrative described below.

Two gorgeous young interns in the film industry get invited to a glamorous A-list Hollywood party in the Trousdale Estates—in one of those fabulous pavilion-style mid-century modern homes at the top of Beverly Hills. They go in their best mod clewths. Eyes popping at the technicolor scene of Hollywood stars smoking and drinking in the sunken living room, they do as instructed and have some punch and watch—wallflower style as drama ensues…oh, and the the house is owned by Foxy, the pimp and drug dealer who everybody there owes munty, hunty…and he’s ready to get paid! Oh yeah, and the punch is dosed with LSD25. They manage to make it home, panties and purses and shoes intact and will never forget this party for as long as they live.

Tracklisting

01.Have Some Punch
02. Here Comes Trouble
03. Foxy
04. The Punch!
05. Bitch Fight
06. Oh Yeah!
07. Slip and Slide
08. We Were There

Foxy LP is scheduled for October 20 release. Meanwhile, you can stream the title-track in full below and pre-order here.

Podcast 813: Oldyungmayn

Oldyungmayn, born Hussein Hassan, is an Egyptian-Palestinian artist raised in Dubai, who DJs broken techno, electro, and trance around Europe from his new base in Berlin. He began listening to electronic music when he was living in the UAE and became inspired to produce after hearing none other than Burial’s Untrue. “I really enjoy how the premise of dance music encourages you to meet people; to socialize and converse with people you might otherwise not approach,” he told XLR8R. “It might sound a bit bizarre, but dance music has allowed me to connect with people that for one reason or another that I’m apprehensive to meet, or who I might shy away from just out of habit.”

During the height of the pandemic, he began taking production more seriously and he has since been featured on a compilation for Paris-based Parkingstone and collaborated with Kuwaiti producer Van Boom for Thessaloniki-based label Magdalena’s Apathy, run by DJ LOSER. He has made guest appearances on NTS for peers such as Endgame and ZULI, and he also hosts a regular program himself on Movement.Radio. For his XLR8R podcast, he delivered a mix of blistering breaks and techno—a snapshot of what he’s been playing in clubs over the summer.

01. What have you been up to lately?
I’ve been enjoying my time in Berlin and meeting a lot of new people. Despite the hype, the city has a lot going on that you’d only know about as a local, so it’s still feeling very stimulating and inspiring. Many artists, like myself, continue to relocate here for various reasons, but ultimately the open-mindedness and really the appreciation of diverse music cultures tends to be what usually draws them, or perhaps after they play one or a few gigs in the city they see how special the energy is! There’s also a massive range of genre-focused events, many organized and helmed by Queer artists. It makes me feel really grateful to be where I am at a time when there’s so much instability in the world.

02. What have you been listening to?
Lately I have been listening to a lot of Brainbombs and Kittie.

03. Where and when did you record this mix?
I started to record this mix across a few days at home over the last days of July, taking my time to choose what I think best reflects my mood at the moment. Last month I played at Herrensauna, and I’ve just returned from both a massive festival and a DJ set I played for Creamcake here in Berlin alongside acts like Isabella Lovestory, Venetta, Golin, and a really interesting local artist called TRYCE. I think the energy from the last weekends have made its way into this mix, which I enjoy, as both events were really fun and felt encouraging for me to continue doing what I do.

04. How did you go about choosing the tracks?
I am always searching for new music, and thankfully I have a lot of producer friends who send me unreleased material from new projects and collaborations they are working on. I enjoy scanning through new releases too, because there is an almost exponential amount of fantastic creative music out there. With production tools and software being so accessible now, new music feels somewhat boundless. Of course there’s an inherent flip side to this, where its value might be lowered or lost, but ultimately I think music and genuine creativity is a resource that can help us develop as artists and listeners.

05. What can the listener expect?
I think the mix speaks for itself, and it would be easy for listeners to recognize some of my signature marks on it, but I definitely loved including a good amount of breaks and techno.

06. How does it compare to what we might hear you play out live?
Playing for a live audience always has a higher element of risk, which is usually very rewarding. While my preference is to DJ in clubs, I enjoy taking my time with mixes and adopt an analytic approach. I like having the ability to rethink how I will mesh one track with another, and ultimately end up with something I am happy with.

07. What’s next on your horizon?
A lot of people don’t know this, but I have only been living in Europe for just over a year, and most of the shows I am playing are first-time appearances, so I am excited to continue touring and visiting new spots around Europe. Next up are bookings at Golden Pudel in Hamburg and Unsound in Krakow, which I am really happy about. Next year, the plan is to make it to Asia and Australia.

XLR8R Subscribers can download the podcast below. If you’re not an XLR8R subscriber, you can read more about it and subscribe here.

Tracklisting

01. Ozwald “No Vibe” (flood)
02. Manni Dee “Heartbreaker” (Fabric)
03. Ozwald “She’s a Wreck” (Flood)
04. Miguel Bao & Franklin S “Irrational Decision” (Parano)
05. Mac Declos “Voy Voy” (Amniote Editions x Mala Junta)
06. Mabel “Wolf Bat” (Nehza Records)
07. Sobolik “Airplane Mode” (Kindergarten Records)
08. DJ Physical “Kellogg’s for Lunch” (Molekül)
09. Wavezim “Sentada” (Self-Released)
10. EDO HYDR8 “Blood Dancer” (Amor Satyr Remix) (Self-Released)
11. Bad Boombo “Keep Up” (Das Booty)
12. Toma Kami “Lil Dieter” (Man Band)
13. ERAM “You Shot Me Down” (Give me a Break)
14. CRRDR “Sobelo 1” (Self-Released)
15. Wtchcrft “GET THE F” (Self-Released)
16. Jurango “Mount” (Pseudonym Records)
17. Eyerate “Wetlands” (No Borders)
18. Europa “Vorne Links” (BCAA)

Mary Lattimore is Back with a New Album

American harpist and composer Mary Lattimore will release a new album on Ghostly International.

Goodbye, Hotel Arkada comprises six sprawling pieces shaped by change, celebrating and mourning “the tragedy and beauty of the ephemeral.” She recorded and edited them over two years.

The album remains rooted in improvisation while glistening as “the most refined and robust” in Lattimore’s decade-long catalog. It features Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements.

For the title and inspiration, Lattimore’s mind returned to the island of Hvar in Croatia, where there’s a big hotel called the Hotel Arkada which has been hosting holiday-goers for decades in a great way.

“I walked around the lobby and the empty ballrooms and it looked like a well-worn, well-loved place,” Lattimore recalls. “My friend Stacey who lives there told me to ‘say goodbye to Hotel Arkada, it might not be here when you get back’ and I heard soon after that it was actually going to be renovated in a very crisp, modern way.”

Lattimore became fixated on the ingredients that make a place special: the chandeliers, the patterned bedspreads, the echoes of its intangible charm—and how when those leave this world, as they inevitably always will, it feels important to memorialize them, “to bottle it for a brief second.”

To coincide with the announcement, Lattimore has shared “And Then He Wrapped His Wings Around Me” alongside a video directed by Rachael Pony Cassells.

For the track, Lattimore looked to songwriter Meg Baird, her collaborator on 2018’s Ghost Forests, and composer Walt McClements, who she’s toured and performed alongside.

As a child, Lattimore won a drawing contest through a country radio station and got to see Sesame Street live in Asheville. She and her mother were invited backstage, and there the benevolent icon Big Bird “gave me an incredible hug with his scratchy yellow wings,” Lattimore says.

The trio “channel the enveloping warmth of that portrait,” we’re told, “the feeling of innocent escape, flying away towards a childhood dream that is just out of reach, surreal, and tinged with sadness.”

Tracklisting

01. And Then He Wrapped His Wings Around Me feat. Meg Baird and Walt McClements
02. Arrivederci feat. Lol Tolhurst
02. Blender in a Blender feat. Roy Montgomery
04. Music for Applying Shimmering Eye Shadow
05. Horses, Glossy on the Hill
06. Yesterday’s Parties feat. Rachel Goswell and Samara Lubelski

Goodbye, Hotel Arkada LP is scheduled for October 6 release. Meanwhile, you a stream “And Then He Wrapped His Wings Around Me” in full via the player below and pre-order here.

Podcast 812: Shrimpnose

A product of Minnesota, Riley Smithson has been releasing music for nearly a decade as Shrimpnose—an alias he launched in 2017 with the Dawn cassette tape. He became drawn to music after developing a debilitating stutter in childhood as a way of articulating feelings, (“It’s always been so much easier for me to express how I’m feeling through playing rather than words. If I get stuck on a word, it’s even hard sometimes to think of the words I want to say,” Smithson told Passion of the Weiss) and launched his career by selling beats to Minnesota rappers. To make every dollar stretch, he’d skip meals and sleep on computer chairs in his warehouse studio, but nowadays he’s touring all across North America from his home in Los Angeles, California.

Since Dawn, Smithson released his trademark genre-bending beats on Friends of Friends (home to Shlohmo, GROUNDISLAVA, Daedelus), Dome of Doom (home to QRTR, Jon Casey, and Daedelus), Flying Lotus’ Brainfeeder, and jazz powerhouse Blue Note Records. Next up is As It Seems, a new album that touches on post-dubstep, future bass, and hyperpop through a lens of raw indie rock—with lyrics touching on disability, isolation, and feelings of codependence, coming on Friends of Friends this October. To support its release, Smithson has delivered an XLR8R podcast, which is filled with exclusive remixes and tracks from the upcoming album. Press play for one hour of visceral soundscapes laced with Smithson’s trademark dissonant guitar and loose percussion.

01. What have you been up to recently?
I spent the last year or so really honing my sound and discovering exactly what it was that I wanted to say with my new music. I needed it to be very genuine to my inspirations and a reflection of myself as a person. Last year I toured with Anomalie and Bad Snacks, and a bit with Blockhead in 2021. So the fact I got them both featured on my album feels like a very gratifying moment for me!

02. What have you been listening to lately?
I’ve been kind of all over the place lately. A lot of Elliott Smith and Alex G. A lot of Floating Points and Burial. The new Earl Sweatshirt track is a recent favorite.

03. Where and when did you record this mix?
I recorded this mix this week at my parents’ house in Minnesota. I happened to be back in town for a vacation with some friends and I put it together before we left. I always feel a huge amount of creativity whenever I’m back in Minnesota.

04. What setup did you use?
I always perform and do my mixes in Ableton on my laptop, using an Ableton Push 2, an Arturia MiniLab Mk II, and a nanoKONTROL. I actually don’t even know how to use CDJs. I need to learn soon!

05. How did you choose the tracks you’ve included?
The mix is largely songs from my upcoming album, As It Seems, which is coming this October. I feel like I rarely get the opportunity to share my more hype tracks online, so I wanted to showcase some of my heavier material as well as some released tracks.

06. What can the listener expect?
The listener can expect an exploration of genres tied together by my musical philosophy. It’s all original tracks or remixes I’ve made, and I like my mixes to be kind of unpredictable. I feel like I have to represent the different sides of myself.

07. Where do you imagine the mix being listened to?
I think the mix would lend itself to a group of friends hanging together after some time apart. I made the mix in the same mind state: excited to spend time with people I care about. I always show my friends all my projects, and we live across the country from each other so these opportunities are cherished highly.

08. What’s next on your horizon?
I have my next album, As It Seems, coming this fall on Friends of Friends, with a list of featured musicians that are both some of my inspirations and my close friends. We’re putting together a tour right now: I can’t say too much but it’s looking pretty exciting. I’m excited to get some of this new music into the world. I’m going for sounds I haven’t in the past, so I’m looking forward to release and letting go of my own expectations and kind of letting the music speak for itself.

XLR8R Subscribers can download the podcast below. If you’re not an XLR8R subscriber, you can read more about it and subscribe here.

Tracklisting

01. Shrimpnose “Relief!” (Friends of Friends)
02. Shrimpnose “Unknown” (Friends of Friends)
03. Shrimpnose “Unknown” (Friends of Friends)
04. Shrimpnose & Joe Nora “Unreleased” (Unreleased)
05. Shrimpnose “Achilles” (Friends of Friends)
06. Shrimpnose & Holly “Unknown” (Unreleased)
07. Ice Spice “In Ha Mood” (Shrimpnose remix) (Self-Released)
08. Shrimpnose “Unknown” (Unreleased)
09. Gucci Mane & Wake Flocka Flame “15th and the 1st” (Shrimpnose remix) (Unreleased)
10. Ice Spice “Princess Diana” (Shrimpnose remix) (Self-Released)
11. Shrimpnose “Unknown” (Unreleased)
12. Shrimpnose “Cherish” (Friends of Friends)
13. Shrimpnose, Afternoon Bike Ride, Bobby Raps “Unreleased” (Friends of Friends)
14. Rico Nasty “OHFR?” (Shrimpnose remix) (Self-Released)
15. Shrimpnose “Unknown” (Unreleased)
16. Shrimpnose “Charon’s Respite” (Friends of Friends)
17. Shrimpnose, Somni, and quickly, quickly “Smoke Blanket” (Friends of Friends)
18. Little Snake & Shrimpnose “Fever Dream” (Brainfeeder)
19. Shrimpnose “Shiver” (Friends of Friends)
20. Shrimpnose “Unknown” (Unreleased)
21. Shrimpnose, Anomalie, and Bad Snacks “Unknown” (Friends of Friends)
22. Shrimpnose “Unknown” (Friends of Friends)
23. Shrimpnose “Unknown” (Unreleased)
24. Shrimpnose, Blockhead, and Blu “Unreleased” (Friends of Friends)
25. Shrimpnose “Unreleased” (Friends of Friends)
26. Shrimpnose “Unknown” (Unreleased)
27. Shrimpnose “Unknown” (Unreleased)
28. Shrimpnose “Unknown” (Unreleased)
29. Shrimpnose “Unknown” (Unreleased)
30. Shrimpnose “Unknown” (Friends of Friends)
31. Shrimpnose “Unknown” (Friends of Friends)

Dasha Rush to Release First Album in Eight Years

Dasha Rush will release her first album in eight years on raster.

Contemplating is Rush’s first album since Sleepstep, a collection of sound collages that, interwoven with text passages, aims at creating a dream-like atmosphere. Across nine ambient tracks, she takes listeners on a transcendental journey through ethereal landscapes and immersive textures.

“From the very first note, Contemplating captivates with its intricate layers of atmospheric harmonies, meticulously weaving together a tapestry of minimalistic sonic elements,” we’re told by the German label.

“As the ethereal soundscape unfolds, listeners are invited to embrace the moment of stillness in a realm where emotions and thoughts intertwine, creating a sonic experience that is both introspective and otherworldly.”

Rush is a Russian-born artist who spends her time constructing a rather wide assortment of electronic music and art projects. The majority of her work is released on her own imprint, Fullpanda, and its more experimental sub-label, Hunger to Create.

Tracklisting

01. Joy 100
02. Light and Dust
03. Morphingeist
04. Hans Rivers
05. Dubby Doo
06. Summer Photons
07. LoveX
08. Autumn Rivers
09. Trumpets of Andromeda

Contemplating LP is scheduled for September 29 release. Meanwhile, you can stream “Trumpets of Andromeda” in full via the player below and pre-order here.

Minor Science Lines Up New Album for Balmat

Minor Science—the UK-born, Berlin-based musician Angus Finlayson—will debut on Albert Salinas’ and Philip Sherburne’s Balmat with a new album.

Absent Friends Vol. III is the third instalment in a series of the same name. And with it, Finlayson pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and rhythms.

The first two Absent Friends—a 2014 set for Blowing Up the Workshop and a 2017 cassette and web player for Whities (now AD 93)—were hybrid affairs, part DJ mix and part collage, mostly featuring music made by other people.

Then, in 2020-21, Finlayson developed the project into a live show of his own material. Armed with hundreds of bespoke stems created in his studio—idiosyncratic FX chains, feedback loops through cheap rack gear, heavily post-processed field recordings, and found voices, etc.—he would improvise on four CDJs, mixer, FX, and live synths, extending techniques he learned as a club DJ into a live context, accompanied by visuals by Stockholm-based artist Paul Witherden.

Absent Friends Vol. III is an album of studio versions of the music developed for the live show, where sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back.

“There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose,” we’re told.

The album’s underlying themes—reflected in Witherden’s video for lead single “Dread the Evening”—include psychedelia and togetherness.

“Overall I see this record as almost like a photographic negative of the other release I did this year, 064 on AD 93,” says Finlayson.

That EP’s two fiercely peak-time-oriented tracks, “Workahol” and “Casheine,” offer “a response, by way of caricature, to the time scarcity, precarity, and hyper-competitiveness that are features of my life right now (and I think many other people’s too),” he continues. “Absent Friends Vol. III responds to the same situation in a contrasting way. I like that both have a clock on the cover. Both invite you to consider the passage of time. On the club record, time is finite and ticking away fast. On this one, there are little moments where the secondhand seems to pause.

Tracklisting

01. Introduction
02. Dread the Evening
03. Sun Turn
04. The Dinas Walk
05. Summer Diary
06. Life Texture
07. Contingency
08. Gather Your Party (Dispersed Mix)

Dread the Evening LP is scheduled for September 8 release. Meanwhile, you can stream the title-track in full via the player below and pre-order here.

Yungwebster Releases Album of ‘Ambient Rap’ on Sferic

Manchester, UK label Sferic has released the debut album of Yungwebster, a rapper based in New York who is influenced by the likes of Travis Scott, Future, and Young Thug.

The Yungwebster album features eight tracks recorded over the last couple of years, taking mumble rap and dissolving it into pure ambient syrup.

Yungwebster is joined by California producers astarii, Tavo, and 6rantt; Rxmer from the Netherlands; Alabama’s Sasmochi; Chicago’s Dielauryn, Smooks, Cominalone, Star; and rappers Agxny and Tnotsobad.

New York producers Kacie Free and Sonofadm also contribute.

Each track is deployed at different speeds, giving a nod to DJ Screw and acknowledging his overwhelming influence on contemporary ambient-experimental styles.

Tracklisting

01. Fake Love [reg+slowed]
02. Stay FOCUSSSS [fast+reg]
03. pull it to the side [reg+fast]
04. X RATED (NIGHTVIBE) [reg+slowed]
05. GOD THRILLS
06. come over when its dark
07. Coraline [reg+slowed]
08. she know the best [reg + slowed] (Digital Bonus)

Yungwebster LP is available now. You can stream it in full below and order it here.

Bjarki is Back with a New Single

Bjarki, born Bjarki Runar Sigurdarson, will relaunch bbbbbb recors with a new single called “Rave Daddy.”

Launched in 2016, bbbbbb recors is a project that introduced raw and off-kilter electro and techno projections from a wealth of Iceland’s finest electronic music talents, including Volruptus, EOD, and Kuldaboli alongside Sigurdarson under various guises. There were also left-of-centre projects such as Icelandic rock band Skrattar’s Hellraiser IV.

After a short hiatus to “realign and redevelop the ethos and direction of the project,” we’re told, the project is now back with the first new material in 18 months—and Sigurdarson has brought London artist Thomas Harrington-Rawle in as the visual art director for the new chapter.

“Thomas and I have been friends since the pandemic. I reached out after watching his Care More episode on ‘Nowness’ and was amazed by the emotional rollercoaster he could create. Balancing humour and seriousness can be challenging, but he does it exceptionally well,” Sigurdarson says.

Another production exploring the narrowing lines between perception and reality, “Rave Daddy” is a warping, trippy, and twisted cut sprinkled with playfulness and humour.

Its inspiration stems from an Icelandic tradition where fathers engage in a dance endurance contest to showcase their dancing stamina. In 2010, Sigurdarson’s father participated and emerged as the winner among 150 dads, securing first place.

Remixes of the single with arrive in August from Ploy and DJ Baba.

Tracklisting

01. Rave Daddy

“Rave Daddy” is out now via bbbbbb recors, with a stream below.

Sofia Kourtesis to Release Debut Album

Sofia Kourtesis will release her debut album in October on Ninja Tune.

Madres, as its name suggests, is dedicated to Kourtesis’ mother. It is also dedicated to world-renowned neurosurgeon Peter Vajkoczy.

When she began work on the album, Kourtesis was seemingly unstoppable. In amongst touring and working though, she was rushing home to Peru at any opportunity to be with her mother, who some months after the passing of her father—the subject of Kourtesis’ breakout single “La Perla“—had been diagnosed with cancer and saw her health rapidly declining.

Refusing to lose hope, Kourtesis had spoken to every doctor she could get hold of and all of them told her chances were low. Having read about Vajkoczy, but knowing he was in incredibly high demand, in desperation she posted a music snippet on social media, promising to dedicate the track to Vajkoczy for just a few minutes of his time.

Vajkoczy responded and agreed to meet. The operation was a success and Kourtesis’s mother’s life is extended further than anyone could have possibly hoped.

With her mother now well and living nearby in Berlin, Kourtesis had her life back.

Madres is the product of that life. Though it contains shades of the struggle of those years and her own mental health journey, Madres is joyful, awash with warm light, and brimming with “hope and the value that big love can create miracles.”

Vaikoczy became something of a sounding board for the album and Kourtesis even took him to Berghain.

Tracklisting

01. Madres
02. Si Te Portas Bonito
03. Vajkoczy
04. How Music Makes You Feel Better
05. Habla Con Ella
06. Funkhaus
07. Moving Houses
08. Estación Esperanza
09. Cecilia
10. El Carmen

Madres LP is scheduled for October 27 release. Meanwhile, you can stream “Si Te Portas Bonito” in full below and pre-order here.

Press photo: Dan Medhurst

Podcast 811: Chima Isaaro

The DJ sets of Chima Isaaro, a Lisbon, Portugal-based DJ formerly known as Chimahiro, possess a versatility and instinct for groove—spanning techno, house, disco, soul, batida, and jazz. They were shaped since her childhood, as Chima Isaaro grew up surrounded by the music of her father, a musicologist, who developed in her a curiosity to open to all kinds of sounds.

Isaaro instinctively began collecting records and taught herself to mix, and in 2016 having recently moved to Lisbon, she took up a residency on Radio Quântica, a popular online radio station. Booking requests followed and by the end of the year she was playing all across the city. “Lisbon is a small city so I naturally ended up meeting many people who were active in the scene,” she recalled in an interview with Groove.

As a lover of house and techno, Isaaro hopes to “challenge these white-dominated scenes” as well as celebrate the Black origins of the genres. “I’m particularly dedicated to honouring the Black roots of house music and showcasing the music that preserves its legacy,” she tells XLR8R.

Now, towards the end of a hectic summer, which has taken her across Europe, she’s taken some time to record an uplifting mix for XLR8R, which we’re excited to deliver. Expect just over an hour of meditative deep house tunes—filled with timeless classics from her collection but also lesser-known gems.

01. What have you been up to lately? 
I’ve been DJing across Europe and feeling grateful for the opportunities, especially my debut at Panorama Bar and performing at Montreux Jazz Festival.

02. What have you been listening to?
Mainly rap. I’m also rediscovering Ashra’s Correlations and listening it on repeat.

03. What is it that appeals to you about dance music?  
I’m as much a dancer as I am a DJ. For me, dancing is a unique experience of complete freedom. Dance music has the ability to bring people together in liberating communion that I find truly exceptional and powerful.

04. Where and when did you record this mix? 
At home, last Saturday night.

05. How did you go about choosing the tracks? 
I picked groovy and warm tracks that bring me joy, without overthinking. 

06. What can the listener expect? 
A journey into (mostly) deep house, timeless classics, and more recent releases.

07. How does it compare to what we might hear you play out live? 
During my live sets, my interaction with the audience leads to a unique and diverse dynamic that can’t be translated in a home recording. I consider this more of a selection . Also, I don’t necessarily play such deep tunes in the club.

09. What’s next on your horizon? 
To keep doing what I love, to continue learning and growing while staying grateful and focused. I have some exciting gigs coming up and I look forward to reaching new audiences.

XLR8R Subscribers can download the podcast below. If you’re not an XLR8R subscriber, you can read more about it and subscribe here.

Tracklisting

01. Jay Sound “Melanin Awakening” (Self-Released)
02. Skymark “Find a Place in this Crazy World” (Ron Trent Mix) (Rush Hour Music)
03. Raw Elements “Deep Inside” (Final Cut)
04. Fred P “Soul Life Connection” (2010 Reshape) (Soul People Music)
05. Patrick Scott “Abstract Jazz” (Sistrum Recordings)
06. Alex Attias, Mark De Clive-Lowe “The Waiting Game” (Vision Recordings)
07. Black Rascals “So In Love” feat. Cassio Ware (Shelter Dub) (Slip-n-Slide Records)
08. Ron Trent “Deep Down” feat Robert Owens (Mr. Fingers Instrumental) (Foliage)
09. KemeticJust “I Got Life” feat. Terrence Downs (DJ Spinna Galactic Soul Dub) (Ndatl Musik)
10. T.P.O. “Hiroshi’s Dub” (Joe Claussell Bonus Groove)(King Street Sounds)
11. Anthony Nicolson “Open Chakras” (Deep Art Sounds)
12. Luis Radio “Reach Up” (Original Mix) (Groovebom Records)
13. Strong Souls “Sensual Let’s Work” feat. Twanna X (Black Market Records)
14. Skhalo “Stagger” (Last Forever Records)
15. Halo “Change” Feat. Atwater & Mr. V (Large Records)
16. Kyle Hall “Postcard to Another Planet” (Self-Released)

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