Music Submissions Roundup: October

Another month has passed, which means another roundup of member submissions. As ever, we’ve had a great number to listen to absorb and review, and now we’re presenting the ones that we’ve kept coming back to over the past few weeks or so. This month is notable for its rich selection of downtempo tracks, which is perhaps a reflection of the pandemic. In these troubled times, it’s easy to find solace in Bewegt’s “Lullaby In,” unsaame’s “Hansei,” and Sergio Díaz De Rojas’ sublime “Porcelain.” If, on the other hand, you’re looking for a slice of energy, you might turn to Singapore’s The Analog Girl or the deep funk of Hungary’s Mybe. And if you want to temporarily drift out of lockdown altogether, Tomash GHz’s “Summer Glow Mix” is a sound collage of how summer nights might have sounded without the pandemic. Press play and enjoy.

You can listen to a playlist of all the submitted tracks in October here.

Editor’s note: we’ve made a point of linking each artist’s name to their social media page, or a place where you can buy their music, and we encourage our readers to support these independent artists by buying their music. Let’s keep independent culture alive.

For those unfamiliar, XLR8R+ is a member-supported music community and curated music experience. Every month, you will get three exclusive tracks—sometimes more—by a wealth of amazing artists that XLR8R has supported over the years, as well as access to the member’s area where you can submit tracks and DJ mixes to be showcased in this feature series and to the XLR8R+ community, as well as exclusive editorial content, mixes, FREE passes to music festivals and events, playlists, and more. You can find out more here.

Undicii “Primary Needs”

Undicii is a mysterious project founded by Kostral One and Aldo Abbinante in 2015. The Parisian pairing released their first album, Ore, in 2016, which focused on jazz and experimental electronic music, out via Your Master’s Voice Records. Then, in February 2020, they organized their first concerts, showing their work in collaboration with the painter Arnaud Liard. “Primary Needs,” a peaceful slice of deep and melodic ambience, is the fifth track on Resurgence, a new EP released earlier this month.

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unsaame “Hansei

unsaame is an ambient project based in Bristol, United Kingdom, and has taken a long time to take shape, we’re told—an everlasting work in progress from a drifting individual. “It is only a collection of disparate seeds of sounds that sometimes bloom, sometimes wither,” they explain. “It has no intention to last. It is part of the cycle.” “Hansei,” a new digital single, released in October, is a slow-moving but utterly compelling piece of dreamy ambient.

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Adriano Koch “BRIEF”

It’s surprising to learn that at just 21 years old, Adriano Koch is already well-positioned alongside his more experienced peers within the neo-classical musical space. He creates art without borders, blending styles and genres and taking inspiration from classical music, jazz, electronica, and Middle Eastern music. Listening to artists from diverse cultures and backgrounds has allowed him to blend their colors into his vocabulary, he tells XLR8R. “BRIEF,” his latest work, is a song about the ephemeral aspect of existing. “It lies between fright, hysteria, and the idea of being submerged by realizing how creepy it is to live, to be, to feel,” Koch explains. “It’s also about death and birth.” A piece of gorgeous and affecting electronics that we highly recomend.

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Bewegt “Lullaby

We haven’t got any more information on Bewegt other than they’re from Athens, Greece, and they submitted “Lullaby” earlier this month. It forms part of _, a three-track release, and we strongly encourage you put some headphones on and have a listen to the textural and tender ambience of “Lullaby.”

AshTreJinkins “Overdue Departure”

We’ve featured AshTreJinkins, a Compton-based producer, on XLR8R before. He’s even contributed to XLR8R+ alongside tracks from Afriqua and Jenifa Mayanja, but more recently he’s shared 40 Acres and a Spaceship, a new EP on Point Records that draws inspiration from Robert Hood, 18 Carat Affair, and Apron Records. AshTreJinkins made all three songs during the lockdown, and he describes them as a mix of being blessed by his solitude, yet acknowledging the social climate for black and brown people. It also finds him diving further into ambient pastures, submerging his rhythms in cerebral sound design and textures.

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Sergio Díaz De Rojas “Porcelain”

Sergio Díaz De Rojas is a Peruvian pianist currently based in Valencia, Spain. He has released one album, three EPs, and various stand-alone singles, and he’s also the person behind Unsichtbar, the experimental project behind Erlebnis, released on through London’s ACR.

“Porcelain” is a contemplative exploration of solitude that delves into De Rojas’ nostalgic state of mind after moving from Peru to Spain, leaving friends and family for a new chapter of his life. Various late nights by the piano-led to the creation of a softly sorrowful tribute to one of his favorite composers, Fryderyk Chopin. It’s available now as part of Postcards and is as beautiful as anything you’ll hear this month—or year for that matter.

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The Analog Girl “I Feel On Top Of The World”

What started out as a lo-fi bedroom project has evolved into some kind of quick-moving technicolor pop universe, where Singaporean electronic avant-pop musician The Analog Girl creates dance tracks with a pop edge using a myriad of illuminating instruments. “I Feel on Top of the World” is taken from her latest album, Awe, an illuminating and rapturous record loosely influenced by 1970s and ’80s television theme songs.

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Saharas Greenery Side A

Maryland producer Saharas Greenery released his third studio album, Science of the Formless Self, on September 20 via Sunday Dinner Records. The record is an exploration of the inner self through the beauty of beats and sounds, with psychedelic samples, lush and vivid soundscapes, and collages of an aural nature that elevate your mind and spirit. We’re showcasing the album’s first side here, but check out it all, plus his earlier EPs like July’s The Shift. It’s pure and raw beat science of the highest order.

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Būtsu “Lucid Dreams (The Tightrope)”

Būtsu is the electronic project of Los Angeles multi-disciplinary artist Michael Bitton. Drawing inspiration from artists such as Radiohead, Jon Hopkins, and Stimming, Būtsu develops emotionally rich music propelled by rhythms that are as much developed for the dancefloor as they are for solitary, reflective listening. He released “Lucid Dreams (The Tightrope)” on U•Baba Records earlier this year.

Erik Strauss “Behind And Over”

Erik Strauss is a musician and visual artist from Venice, Italy. He became infatuated with jazz and funk music through his family’s vinyl records, and slowly he progressed to house. We’ve featured him before in March, and now he’s back with another killer trip-hop and downtempo tune, “Behind And Over,” available for free download here. Strauss is also part of the French label Nuit Blanche.

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Manao “Xscend”

Saturnlove, in Barcelona, Spain, has decided to launch an album series showcasing artists from around the world. They begin with Manao, a Venezuelan based in Nuremberg, Germany who delivers BETAWORKS. The release represents the spirit of an adventurous soul, and a taste of the progressive bass and techno we can expect through the label. Across the album, Manao presents tripped-out electro, frenetic techno, and smooth house, like the featured track here, “Xscend.”

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crouds “You Talk The Talk” (JakoJako Remix)

Andreas Schuller and Jay Nagel started making music together in 2017, and shortly after they formed crouds with the intention to perform electronic club music live. They’ve developed a versatile live setup that enables them to improvise their sets on the fly, and in October they released Anshan, an EP produced during a residency in Shanghai, China in summer 2019. The release includes a remix by JakoJako, which is notable for its intricate rhythmic patterns, shifting drum grooves, and gritty sound design—it’s also an absolute bomb.

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Lifecutter “Sub Persona VI”

The man behind Liffecutter is Domen Učakar, “a lover of synths, effect pedals, distortion, and different types of heavy music,” from metal and hardcore punk to ’90s Warp and industrial and noise. In 2018, he was a part of the SHAPE platform roster, and he’s a resident at SONICA Festival in Ljubljana, Slovenia.

Sub Persona is Učakar’s fourth album as Lifecutter, and it captures the relation between humans and forests, the condition for life’s existence on earth. The ambient sonic structures may at first seem to communicate a feeling at peace with the current situation, but as the unnamed compositions progress they unveil a sheer brutality, and we’ve picked “Sub Persona VI,” a menacing-yet-touching ambient ride, to showcase here, but we encourage you to check out the full record as it’s best experienced as a whole. You can also watch a transfixing video for “Sub Persona VII” below.

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59 Perlen “Reject My Mind”

59 Perlen is the work Matthias Rosenkranz, a German living in Zürich, Switzerland. Rosenkranz has been making electronic music for 20 years, but he launched the 59 Perlen alias in 2019 with his first pop-oriented single, “Arabische Nacht,” which expresses his deep love for sounds from the Middle East. His journey continued in October with his first EP, Lunation 1209, which broke new ground for the project by working with guest vocalists and artists. We’ve picked “Reject My Mind,” a brooding and atmospheric dub track, to showcase here. Turn this one up and drift away.

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Lawrence Hart “Try Repeat”

Lawrence Hart has collaborated with some of the most exciting names in electronic music, including work writing and producing with Lil Silva, whilst featuring his vocals with George Fitzgerald. Surrender Yourself, his debut EP, included the track “Try Repeat,” a piece of euphoric electronica that is at home in the club as it is the headphones. It’s introspective and haunting, with enough weight to move a dancefloor.

Rahms “I’m Tired Man…”

Rahms is a solo experimental electronic music offering by Brisbane, Australia’s Daniel Milad. Refusing traditional sound design and easy categorization, Rahms combines elements from his global music appreciation, resulting in a celestial stew of experimental music production techniques and old-school music methodologies. “I’m Tired Man…,” with its broken-beat rhythmic lightness and glitchy percussion is Milad’s expression of the tiresome feeling of pursuing a dream without knowing an end.

Murphy “Solitary Pleasures”

Murphy, a Melbourne, Australia-based producer formerly known as Gravy Murphy, has shared his third solo full-length, Waveform. It features 13 tracks of heady atmospherics, led by synths, sequencers, and drum machines. “Solitary Pleasures,” the lead single, is rich and emotive, conveying hope but melancholy, as seen in the transfixing video below. It’s a beautiful score-like work.

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Deckard feat. Fabio Properzi “A Marble Middle Finger”

Some Great Reworks features three Fabio Properzi remixes of tracks from Deckard’s Cosmopolis album, with added guitars, synths, and samples. Of the three tracks, we’ve picked “A Marble Middle Finger,” a chilled out jam with Properzi’s own vocals that brings to mind Thom Yorke’s solo work.

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Mybe “Don’t Care” (feat. Taison Cloud)

As Mybe, Mark Balog has spent the last few years building an impressive catalog of releases, fusing funk and soul through intricately crafted beats and cinematic melodies. The project takes inspiration from Kaytranada and Jai Paul, as well as classic sounds of all types. With the help of Taison Cloud, Balog has released “Don’t Care,” an impossibly funky new jam with a head-nodding groove and hooky vocals.

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Tomash GHz “Summer Glow Mix”

https://soundcloud.com/voidpointexception/tomash-ghz-summer-glow-mix-2020

Tomash GHz is a Berlin-based record collector, modular enthusiast, and designer of electronic instruments. His sounds are influenced by hypnotic minimalism, deep bass lines, and broken beats. Recorded in June, his “Summer Glow Mix” is a sound collage of how summer nights might have sounded without the pandemic, and it features tracks from Christopher Ledger, Guy From Downstairs, Youandewan, and more. Full of relaxed flow and swagger, it’s an hour of low-slung grooves and dreamy atmospheres.

Adam Antine “Melody PM Guest Mix”

Adam Antine is otherwise known as Dawn Razor, whom we’ve featured a lot on XLR8R. He’s a DJ-producer from Russia, and he’s compiled a mix for Silver Rain FM, showcasing the best artists from Russia and the post-soviet region. As you’d expect, it’s full of Dawn Razor originals, many unreleased, and it moves through slick house to darker, headier techno, showing that Russia is one of the richest hotbeds of electronic music talent in the world.

SYMAH ‘XLR8R Guest Mix

Yavor Zografski, better known as SMYAH, is a music producer based in Sofia, Bulgaria, and he’s just released Splitting Atoms, his debut album. The record features instrumental tracks and collaborations with vocalists from the local community. In celebration of the release, Zografski recorded a mix for XLR8R. While his sound is known for fusing different musical worlds, swinging from broken beats to left-field bass and cinematic elements, this mix leans towards dubstep, and it includes a couple of his own recent productions, alongside a wealth of mind-bending half-time cuts and speaker-rattling steppahs.

British Jazz Luminaries Danalogue and Alabaster dePlume Collaborate on New Album

Photo | Raimund Wong

Danalogue and Alabaster dePlume have released a collaborative album, I Was Not Sleeping.

The profile of Danalogue, real name Dan Leavers, has grown recently due to the recent success of his work at the helm of The Comet Is Coming, and on both Snapped Ankles albums. This is the first time he’s worked with saxophonist Alabaster dePlume, or Angus Fairbairn, who recently released To Cy & Lee: Instrumentals, Vol. 1., his new solo album.

The duo met at London’s Total Refreshment Centre, a place that’s become something of an incubator for the vibrant new London jazz scene, and also the record label behind this label.

Across the record, Danalogue and Alabaster dePlume seek to find utopia amidst a reality of austerity, divisional politics, and a United Kingdom lurching towards the right wing. The title of the record addresses this explicitly.

“It’s about accountability,” explains Fairbairn. “If one day in the future someone asks me about this time now, I will have to say, ‘I was not sleeping while this happened. I witness what is happening around me now, I recognize I am involved in it, I am part of it, I cannot deny it, and I am prepared to do something to make it better, and to change myself in order to do so.”

Much of the album came together at PRAH Studios in Margate, with the aim to play outside of their comfort zones and usual instrument choices.

“The approach is more as producers than in a live band setting,” says Danalogue. “We pieced it together by stitching a patchwork of material, and kept building and subtracting little by little, a bit like making a sculpture.”

There are guest appearances from poet Joshua Idehen, who appears on “Broken Tooth Skyline,” and Capitol K, who drops additional synth and drum machines on “All Who Wander Are Not Lost.”

Tracklisting

01. The March That Is Unstoppable
02. Gull Communion
03. Broken Tooth Skyline ft. Joshua Idehen
04. You’re Doing Very Well
05. Sundance
06. That’s Not Your Furniture
07. All Who Wander Are Not Lost
08. Create Unlikely Futures
09. Guest

I Was Not Sleeping LP is available now, with a full stream below.

Steve Arrington Honours the Progress of Racial Justice in America with New Video

Steve Arrington has shared a new music video for “Make A Difference,” taken from his new album, Down To The Lowest Terms: The Soul Sessions, out now on Stones Throw.

The video honours the progress of racial justice in America, a legacy built by generations of Black trailblazers. Arrington continues his own legacy by encouraging future generations to make a difference like those who came before them, including Papa John Creach, Thelonious Monk, Sun Ra, Hound Dog Taylor, and Aretha Franklin.

Created with the help of Stones Throw’s Peanut Butter Wolf, Down to the Lowest Terms: The Soul Sessions is a collection of songs made in collaboration with a new generation of young producers. While fans of classic Arrington hits will find plenty to love across the record, it explores new territory for an artist who continues to evolve.

From Dayton, Ohio, Arrington got his start behind the drums in the group Slave, but he’s most known as the lead singer of their classic ’80s funk songs “Watching You” and “Just A Touch Of Love.” He went solo in ’83, which brought on more success, before he left music for two decades to devote himself to spiritual work in the ministry in ’91. He returned to music in 2009 and put out his debut album on Stones Throw, Higher, in 2013, produced with Dam-Funk.

Down To The Lowest Terms: The Soul Sessions is available now, with the video streaming below.

XLR8R & SHAPE Wrap Up: Watch a Mind-Bending Audio-Visual Set by Rojin Sharafi

XLR8R‘s partnership with SHAPE platform continues with an audio-visual piece by Rojin Sharafi and Arash Akbari.

The video, titled Waterskin, was created by Akbari and features music created by Sharafi that previews her upcoming album, Kariz, which looks to narrate “the process of collecting waterdrops of self essence through the underground corridors of the past,” Sharafi explains. The music was recorded with a microtonal irregular Max sequencer and a range of different synthesizers.

You can watch the video in full via the player below.

Rojin Sharafi is a 2020 artist of the SHAPE platform for innovative music and audiovisual art, co-funded by the Creative Europe program of the European Union. This online premiere is presented by XLR8R in collaboration with musikprotokoll.

XLR8R is also featuring a package of exclusive music and content from a selection of SHAPE artists for the latest edition of XLR8R+, including tracks and a sample pack from Jay Glass Dubs, Poly Chain, and Rian Treanor. Check it out here: https://bit.ly/XLR8Rplus_SHAPE

XLR8R & SHAPE Wrap Up: Watch an Experimental Bass Guitar Performance by Farida Amadou

XLR8R continues its partnership with SHAPE, presenting two bass guitar performances by Farida Amadou.

Beautifully filmed by Jérôme Mayer, the videos showcase two different facets of Amadou’s experimental bass guitar performances, including a 3-and-a-half minute exercise in fractured rhythms and a seven-and-a-half minute performance of warped drone.

This isn’t the first time the pair have worked together, both Mayer and Amadou are co-founders of 19 MARS Productions, a transdisciplinary label that works with sound, vision, research, events, photography, and design.

You can watch the videos in full via the players below.

Farida Amadou is a 2020 artist of the SHAPE platform for innovative music and audiovisual art, co-funded by the Creative Europe program of the European Union. This online premiere is presented by XLR8R in collaboration with Skaņu Mežs.

XLR8R is also featuring a package of exclusive music and content from a selection of SHAPE artists for the latest edition of XLR8R+, including tracks and a sample pack from Jay Glass Dubs, Poly Chain, and Rian Treanor. Check it out here: https://bit.ly/XLR8Rplus_SHAPE

XLR8R & SHAPE Wrap Up: Watch a Live Improvised Percussion Session by Steve Noble

The XLR8R & SHAPE livestream wrap up continues with Steve Noble.

Filmed at Cafe OTO by Dawid Laskowski and Kim Thue, the video features renowned drummer Steve Noble improvising with various sound sources and percussion across an engrossing and captivating 25 minutes. The sound was recorded and processed by Shaun Crook.

The video, which is presented by Skaņu Mežs Festival, can be streamed in full via the player below.

Steve Noble is a 2020 artist of the SHAPE platform for innovative music and audiovisual art, co-funded by the Creative Europe program of the European Union. This online premiere was filmed at Café OTO and is presented by XLR8R in collaboration with SKAŅU MEŽS.

XLR8R is also featuring a package of exclusive music and content from a selection of SHAPE artists for the latest edition of XLR8R+, including tracks and a sample pack from Jay Glass Dubs, Poly Chain, and Rian Treanor. Check it out here: https://bit.ly/XLR8Rplus_SHAPE

Nils Frahm Unveils Concert Film and Live Album

Nils Frahm will release Tripping with Nils Frahm, a new concert film and live album.

Tripping with Nils Frahm captures the German musician performing at Funkhaus, one of Berlin’s most iconic buildings. It’s where Frahm kicked off his world tour in January 2018 to bring his All Melody album to the stage, marking the beginning of an ambitious journey.

Over the next two years, Frahm played more than 180 sold-out performances, including several big festival stages around the globe. Yet the setting of Funkhaus Berlin, renowned for its outstanding acoustics, and also where Frahm recorded All Melody, had occupied a unique place in Frahm’s heart.

So in December 2018, Frahm returned to Funkhaus Berlin to host another set of four shows. Frahm’s friend and film director Benoit Toulemonde, a collaborator since 2011, captured the concerts on film, only using handheld cameras. The video, produced by LEITER, premieres on December 3 exclusively on the global streaming service MUBI. You can RSVP here.

A live album of the same name will be out on Erased Tapes.

Album Tracklisting

01. Enters
02. Sunson
03. Fundamental Values
04. My Friend The Forest
05. The Dane
06. All Melody
7. #2
8. Ode—Our Own Roof

Tripping with Nils Frahm LP lands on December 3. Meanwhile, you can pre-order here, and watch a trailer for the film below.

The Gagmen Deliver an Album of Atavistic Head-Wreckers

The Gagmen have released a self-titled album of atavistic head-wreckers.

The Gagmen is the work of experimental musicians Aaron Dilloway, Nate Young, Joachim Nordwall, and party-rock hero Andrew W.K. They recorded this all four tracks in a tiny New York basement in 2012, and they’re now finally seeing light of day on Nordwall’s iDEAL Recordings, in Gothenburg, Sweden.

The release comprises 40 minutes of charred and grungy electronics with tormented vocals.

“If you’re remotely familiar with anyone on board, or their various actions between the charts and the gutter, your expectations will be met side-on with engrossing levels of raw tape manipulation and throttled analog synths masticated and spat out in four parts,” the label tells XLR8R. “If a more brilliantly screwed album comes out in 2020, let us know.”

The release comes digitally, but with a limited pressing of 300 vinyl via Boomkat.

Tracklisting

01. Untitled 1
02. Untitled 2
03. Untitled 3
04. Untitled 4

THE GAGMEN LP is available now, with a full stream below.

Sepehr’s New Label Represents the Psychedelic Side of the Iranian Underground

Sepehr will launch his own label, Shaytoon, with a new EP.

The son of Persian immigrants, Sepehr, real name Sepehr Alimagham, discovered electronic music through psychedelic trance and hard house, but he developed his palette through school when he’d travel to Berkeley and sneak into local club nights. He later became a regular at Compound, a San Francisco event that took him deep into the city’s historic music scene, driving him to relocate up the coast several years later. His debut album came out on Dark Entries in April, and he’s since moved to New York.

Shaytoon, Farsi for “Little Devil,” is Alimagham’s love letter to Iranian-American identity—a country and culture that is “far from the devil the western media portrays it to be,” he says. “A country that, had it not fallen prey to global political strategic oppression, would surely surpass most other countries in its creation and innovation of art in our world today.”

The music that the label represents is the psychedelic side of the Iranian underground and beyond. We can expect potent music that takes all forms of electronica, whether it’s heady technoid hybrids, house music for dilated pupils, melted film scores, or Iranian electro-punk.

Expect an “ode to the fun and hallucinatory side of dance music from days gone by,” we’re told. “Dynamic and beautiful music from artists whose double identities define who they are.”

Crown Jewel, Shaytoon’s inaugural release, should be listened to “while hitchhiking across the country with only a bottle of wine in a knapsack, dreaming of dancing to the drum,” we’re told. “Do not go gently.”

For more information on Sepehr, check out his XLR8R podcast, which includes some of the album tracks.

Tracklisting

A1. Cloak Of Flames
A2. Crown Jewel
B1. Head To The Sky
B2. Night Is Young
B3. Riposte

Crown Jewel EP is scheduled for December 11 release. Meanwhile, you can pre-order here and stream “Riposte” and “Crown Jewel” below.

Ulla and Perila are LOG for Album of Unsettling Ambient Dub Textures

Ulla and Perila have teamed up as LOG for a new album of unsettling ambient dub for Experiences LTD.

LOG ET3RNAL stems from a blossoming relationship formed over 2020 lockdown, which first resulted in a handful of low-key trips for Portugal’s Silence Box label in July. Here we can expect a fuller suite of wistful gestures inspired by rambles in the forest.

An obvious reference point is how Wolfgang Voigt’s Gas recordings transmute the ambience of the Black Forest, we’re told, but Ulla and Perila’s take on this notion is more fractured. The album sees the friends weaving synthetic micro-fibres and burnished pads into 11 gauzy visions that soundtrack a sleep-walking sojourn into the woods.

Perila, real name Sasha Zakharenko and curator of Radio.syg.ma, released Everything Is Already There on Boomkat Editions earlier this year. Her earlier work has come on Sferic and Motion Ward. Ulla, also known as Foamy, from Philadelphia, released inside means inside me in June.

Tracklisting

01. LOG 1
02. LOG 2
03. LOG 3
04. LOG 4
05. LOG 5
06. LOG 6
07. LOG 7
08. LOG 8
09. LOG 9
10. LOG 10
11. LOG 11
12. LOG 12

LOG LP is available now on Experiences LTD. Meanwhile, you can order the record here and stream it in full below.

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