Iconic Techno Producer Steven Rutter (f.k.a. B12) Drops New Album

Steven Rutter (a.k.a. B12) has a new album out, titled Riddle Me Sane.

Many readers will remember Electro Soma, Rutter’s Warp Records album as B12 (a duo alongside Michael Golding). Released in 1993, the album is considered one of the blueprints for today’s deep techno sound.

The duo dropped another LP on Warp in 1996, followed by a self-released LP and EPs on the likes of Soma and Delsin. Soon after, Rutter took the project on as a solo artist, before moving on and deciding to release under his birth name.

The 10-track Riddle Me Sane LP, released via Rutter’s own FireScope, continues the much-loved B12 sound while pushing it into a more upbeat territory with cosmic melodies and sci-fi-influenced textures. Although it’s full of choice club cuts, the album has been “programmed to play as a continuous piece of music rather than a selection of solo cuts.”

Tracklisting

01. Going Through Life
02. Swarming Module
03. In The Light Of The Moon
04. Intravenous Deception
05. LifeLine
06. Techno Prisoner
07. Ohm Sweet
08. InterScape Scene 3
09. Tear At My Flesh
10. Stuck In A Loop

Riddle Me Sane LP is out now and can be grabbed over at Bandcamp, with the album’s opening track streaming below.

Experimental Jazz Trio Kiri Ra!’s Debut Album is a Deeply Moving Film Score

Kiri Ra!—namely Finnish experimental artist Lau Nau, Finnish jazz saxophonist Linda Fredriksson, and Swedish pianist Matti Bye—will release their debut album on OONA Recordings.

Kiri Ra! LP is made up entirely of improvised live studio recordings from 2016, when the Swedish Film Institute commissioned the group to create music for experimental amateur documentary films from its archive.

We can expect an “intuitive journey through landscapes of spectral otherness,” with colors of post-classical minimalism, ambient folk, and spiritual jazz. It takes the listener on an “unpredictable yet accessible journey.”

The Swedish group approaches each recording session without speech; the players choose an instrument and the journey begins, constructing music around repeated motifs, and the space between the notes. This act of listening and reacting creates a lucid, intuitive, and inviting sonic atmosphere.

Tracklisting

01. Kites over Gärdet
02. ))Glänta///
03. Natt
04. A’Delos
05. !Birchwood/(
06. Adventure in Väne-Ryr
07. Linnesöndagen Gynnas Icke
08. Nerför en Sandig Slänt
09. Mu!
10. Haplo’os
11. ((Pufzi///

Kiri Ra! LP is scheduled for February 5 release. Meanwhile, you can stream lead single “Haplo’os” below, and order it here.

Canada’s Jessy Lanza Enlists Proc Fiskal, Loraine James, and More for Hyperdub Remix Album

Jessy Lanza will release 24/7, a remix album featuring fellow Hyperdub label-mates Proc Fiskal, Loraine James, and future signee Foodman.

24/7 is a celebration of All the Time, Lanza’s third album, released in July. It features seven artists that have influenced Lanza’s music.

Beyond the Hyperdub signees mentioned above, there’s the breezy electro-funk of fellow Canadian Martyn Bootyspoon, plus DJ Swisha’s breakbeat-charged, dreamy take on “All The Time.” Meanwhile, Russian producer Kate NV takes “Baby Love,” and Portland’s Visible Cloaks bend “Ice Creamy” into warped shapes.

Alongside the announcement, Lanza and Hyperdub have shared Foodman’s remix of “Alexander,” a chopped up footwork-influenced cut, below.

Tracklisting

01. Alexander (Foodman Remix)
02. Baby Love (Kate NV Remix)
03. Ice Creamy (Visible Cloaks Remix)
04. Lick in Heaven (Proc Fiskal Whittaedae Remix)
05. Face (Loraine James Remix)
06. Like Fire (Martyn Bootyspoon’s Chem Burn Remix)
07. All the Time (DJ Swisha Remix)

24/7 is scheduled for December 12 release. Meanwhile, you can pre-order here, and stream Foodman’s remix of “Alexander” below.

Podcast 673: SJAYY

SJAYY, real name Sydney Johnson, is a 22-year-old DJ-producer of Ugandan descent, and one of Jersey club and contemporary hip-hop’s rising talents. Growing up in Plainfield, New Jersey, he began attending PAAAS (Plainfield Academy for the Arts and Advanced Studies) and learned to make music with friends on their back porch, experimenting with FL Studio. He was only 16 at the time and influenced by artists like Monte Booker, Flying Lotus, and Knxwledge, but also by the Jersey club and juke of his friends. “I gum-balled what I liked, infused it to what I know, and made candy,” he explains. He released his debut EP, BEEEMS, a collection of hip-hop instrumentals, in October 2016.

In the years since, SJAYY has broadened his sound into drill and juke, and he’s also become more comfortable with vocalists, featuring Welcome, 2K, and PLIE on Enjoy the Show, his latest effort. In May, he teamed up with Lordfubu, MNDBD, and Jay Cousteau on So Far So Good, his second album as SJAYY, following A BIG JERSEY CLUB ALBUM. He’s based in Los Angeles, where he’s working on new material.

Recorded last week in his home studio, SJAYY’s XLR8R podcast aims to capture the full remit of his sound—which is to say it lines up the distinguished rap of Jay-Z, Kendrick Lamar, and Pharrell with the real Jersey-based sounds of DOUGIE F, PineappleCITI, and Mike Hardy, plus other personal underground favorites. The mix is full of sharp transitions and quick twists, which allows SJAYY to squeeze in 47 tracks into just 60 minutes. SJAYY’s hope is that it’ll make you bob your head, move your feet, and it certainly does that.

01. What have you been up to recently?

Mostly a lot of producing at home and in the studio. Aside from the music, I’ve been keeping projects more hands-on and more off-grid. I work on my merchandise a lot. Also, brainstorming on materials, and binge-watching Atlanta again.

02. How have you been managing with lockdown?

Well, it’s definitely been difficult but I’m adapting to it quickly. I try not to let the outside noise hit me too much, you know? I practice healthy habits, call my Mom, FaceTime my friends, you know? I also moved out to Los Angeles two months prior to the lockdown so it was a brief moment of fun. I mostly hung out with Anthony Somebody (DJ & Creative Director for Lil Yatchy), Babyxsosa, and ilyhook.

03. What music have you been listening to?

A lot of The Neptunes, Top Dawg’s early records (from Kendrick Lamar to Ab-Soul and Schoolboy Q). I still revisit Flying Lotus’ 1983 album just to vibe out. Jazz band records too, like Ahmad Jamal Trio, they’re tight. Oh, and I just rediscovered Erykah Badu’s live CD in my closet, which I needed!

04. Any labels and/or artists that have been impressing you?

BABYXSOSA impresses me the most, she’s heaven-sent. Label wise, Top Dawg Entertainment, because they’re mysterious.

05. What have you been working on recently?

Mostly a lot of beats and placement deals this month. Testing the waters. I’ve got a three-track EP I’m working on. It’s still untitled, but I’m using my voice a lot more. Expect some rapping!

06. What are your earliest memories of music?

I have no idea. I think Soulja Boy’s Crank Dat tape was the first thing I ever bought musically. Other than that I was on downloading old mixtapes.

07. How were your early experiences of Uganda?

I grew up in America but I spent months in Uganda every year during the holidays as a young boy. Each time I’d go back my village would show me nothing but love. My mother and I would stay with my uncle who owns the biggest house in the village. He was in the technical profession so my aunts and uncles would come to his house a lot more. My cousins would teach me farming, and my aunt owns her own garden, where we’d plant and pick out sugar cane. The power would go out a lot, so on those nights we’d all grab lanterns, eat outside, and listen to the radio with each other. It made me worry less about the daily struggles we face here in the United States. I’m more thankful for what I have around me because things can always get worse. A lot of the people knew I was American though so it wasn’t all sunshine; if you don’t move right it can be dangerous. Nevertheless, Uganda is one of the most beautiful places on earth!

09. Where and when did you record this mix?

This was an in-house mix. I opened up my mixers when we spoke, and I began to work on it.

10. What can the listener expect with it?

I honestly don’t know; they can expect everything, that’s what I tapped into. It starts off classical and goes through verbal hip-hop, and things I listen to for motivation. Then, I transitioned into a Jersey-based set of hip-hop. And, if you pay attention, you may hear some familiar artists like DOUGIE F, PineappleCITI, Mike Hardy, and Hodgy Beats spun throughout. About 13 minutes in, I started to play more personal underground favorites from artists like BKTHERULA, Pierre Bourne, and Grimm Doza. After that, I dose up with Jersey club and juke. Right here is where you’ll catch me playing hits from DJ Sliink, Dj Dru, UNIIQU3, and DJ Tiga.

11. How did you go about choosing the music that you’ve included?

A lot of the records I chose to spin have helped keep me going this year. It’s faith in sounds. I began with the newest underground hip-hop from all over, then the Jersey club and dance music my friends and I are known for. I want you to bob your head, move your feet, and feel it in your heart when you listen to the mix.

12. What plans do you have for 2021?

Stay alive and create more. The main plan is the same plan: to keep pushing.

XLR8R has now joined Mixcloud Select, meaning that to hear the podcast offline you will need to subscribe to our Select channel to listen offline, or subscribe to XLR8R+ to download the file. The move to Mixcloud Select will ensure that all the producers with music featured in our mixes get paid. You can read more about it here.

Full XLR8R+ Members can download the podcast below. If you’re not an XLR8R+ member, you can read more about it and subscribe here.

Tracklisting

01. Jay-Z & Jay Electronica “The Ghost of soulja Slim” (Roc Nation)
02. Lil Wayne & Drake “BB King Freestyle” (Young Money Entertainment)
03. Lvusm “04 May 19” (Slidergang)
04. Pharrell “How Does It Feel” (I Am Other/Columbia Records)
05. Kendrick Lamar “Real” (Top Dawg Entertainment)
06. Vince Staples “Big Fish” (Motown Records)
07. Feel Good Fiinesse “Big Baller” (Feel Good Label)
08. Kiff “Summer Bae” (Brick Bandits)
09. PineappleCITI “Sauce” (Red Bull Records)
10. Pink Siifu & Fly Anakin “Runthafade” (Field-Left Label)
11. BKTHERULA “Tweakin’ Together” (Warner Records)
12. Lil Candy Paint “Fate” (Over Come Anything Label)
13. Pierre Bourne “Be Mine” (Interscope Records)
14. Polo Perks “Hums” (Surfgang)
15. Grimm Doza “Miyagi” (NJ Gremlins)
16. BABYXSOSA “Who You Love” (Surfgang)
17. ILYHOOK “2night” (South Coast Music Group, SCMG)
18. Sjayy “Luv” (Sjayy LLC)
19. Monte Booker “Wah” (Zero Fatigue)
20. Pandi “Monte Influence” (Slidergang)
21. Brent Fiyaz “Dead Man Walking” (Lost Kids, LLC)
22. Beyoncé feat. Jay-Z “Drunk In Love” (Roc Nation)
23. BABYXSOSA “EVERYWHEREIGO” (Surfgang)
24. Sjayy feat. Gutta “One” (Cartel Nation, Cartel Music Group)
25. Mike Hardy & West End Tricks “When We Get Home” (West End Music)
26. DOUGIE F “Way U Move” (STRAGG Records)
27. DJ Sliink & Dj Jayhood “This” (OWSLA & Cartel Nation)
28. DJ Dru “Feel The Burn” (Brick Bandits)
29. UNIIQU3 & Tre Oh Fie “Arch Slide” (NLV Records & JaJa Life Music)
30. DJ Tiga “I Won” (Brick Bandits)
31. DJ Status 973 & Dj Slim “Maia Theme V3” (Jersey Club Music)
32. Jiddy “Situxtion” (Jiddy LLC)
33. KashKash “Throat Baby” (LVRN/Interscope Records)
34. West End Tricks feat. SBF “Throat Baby” (JIGGYTHVT Music)
35. Speaker Knockerz “Rico Story Part 1” (Talibandz Entertainment)
36. Future “Trapped In The Sun” (Rocky Road Records/FreeBandz)
37. 21 Savage & Metro Boomin “Runnin” (Slaughter Gang LLC/Epic Records)
38. Tay-K “I <3 My Choppa” (RCA Records)
39. Gucci Mane “Lemonade” (1017 Records)
40. Hundo “4eveashine” (No Gum Music)
41. Lil Keed “Nameless” (YSL Records)
42. Don Toliver feat. Migos “Had Enough” (Cactus Jack Records)
43. DJ SWISHA feat. BASSBEAR!! “No Cap” (JukeBounceWerk)
44. DJ SWISHA “Goes 2 Bossa Once” (JukeBounceWerk)
45. Kush Jones “Earth Note” (JukeBounceWerk)
46. Ase Manual feat. Retroi$Awesome “Testify” (Like That Records)
47. Domo Genesis feat. Hodgy Beats “Bitches” (Odd Future)

CLYDE Moves Through Jungle and Hardcore for Dome of Doom

CLYDE is next on Dome of Doom with his Rally Start EP, scheduled for December 18 release.

Rally Start is CLYDE’s fourth release for Dome of Doom in the last three years, but it’s a “departure from past works,” the Los Angeles label explains.

The EP serves as a moment of reflection for the Norwich, United Kingdom producer, and taps into the ’90s jungle and hardcore that “profoundly affected” his listening interests as a teenager, he says. This was an era when Luke Vibert was launching innovative work under the Amen Andrews moniker.

Thematically, the release connects with the World Rally Championship culture that CLYDE cherished. Things start off with reference to one of the most powerful rally cars ever built, 1985’s Audi Sport Quattro S1, and the voyage continues to the ending blasts of the EP closer, “Rally Start.”

In 2019, CYLDE released the JOSH EP, which jumped in head first towards the dance roots that dominated a bulk of his upbringing. Meanwhile, His 2017 debut, My Brain & Other Animals, melded the soulful universe of the Los Angeles beat scene with ’60s psychedelia, and his 2018 sophomore album, Homes, delved into the darker corridors of boom bap, riddled with ominous tones and monstrous drum work.

Tracklisting

01. Audi S1 Quattro
02. Just Close Your Eyes
03. Our Boy Rich
04. 92′ Dereham Sunset
05. Rally Start

Rally Start EP is a digital-only release and launches December 18. Ahead of its release, you can pre-order the album here, and stream opener “Audi S1 Quattro” below.

Canadian Sound Artist Sarah Davachi’s Latest Album is a Pre-Cursor to ‘Cantus, Descant’

Sarah Davachi has released Laurus, a footnote to her Cantus, Descant album, an 80-minute meditation on impermanence, released in September.

Laurus demonstrates Davachi’s more raw and improvisational composition process in its early stages. Its six tracks are the first recordings the Canadian sound artist gathered when she began working on Cantus, Descant in August of 2017, a week before she moved from Canada to Los Angeles. She did several recording sessions at Pacific Spirit United Church in Vancouver and Chapelle Saint-Louis in Montréal on two organs from 1964 and 1916 respectively.

Ruminant,” from Cantus, Descant, comes from the Vancouver sessions and is “thematically related” to the Laurus I-III series, we’re told.

Moreover, “‘Accord of Voice I” was the “seedling” of Cantus, Descant, even though it didn’t make it to the album, Davachi says. She still performs it for herself when she’s starting with any particular organ as a way of getting her head in the right place.

Davachi is currently a doctoral candidate in musicology at UCLA, where she works on the aesthetic phenomenology of musical instruments and timbre in popular, experimental, and early music. She balances this with life as a sought-after recording and touring artist, driven by the same curiosity that kickstarted her career over two decades ago.

For more information on Davachi, check out here XLR8R Influences podcast here.

Tracklisting

01. Herber Well
02. Laurus I
03. Laurus II
04. Accord of Voice I
05. Accord of Voice II
06. Laurus III

Laurus LP is available digitally and on cassette now. You can order it here and stream it in full below.

Australian Festival SOFT CENTRE Invites Applications for 2021 Program; Apply Now

SOFT CENTRE, the Australian festival of experimental sound and art, is inviting applications for its 2021 program.

The festival is looking for innovative ideas across various disciplines, for both digital and physical contexts, including light and video installations, audio-visual performances, sound/noise art, experimental electronic music, dance/performance art, creative coding, and new media.

With the last year’s tumultuous times in mind, SOFT CENTRE encourages “ambitious ideas that speak to the crucial conversations of this moment,” and are “innovative in their response to evolving performance and event conditions.”

In the past, SOFT CENTRE has hosted performances by A Made Up Sound, Lawrence English, Via App, Cassius Select, phile, Ptwiggs, and many more.

The call is open to both local and international artists, and it will close on January 1, 2021. You can find out more information and lodge a submission over at the SOFT CENTRE website.

SOFT CENTRE is a one-day festival of experimental electronic music, radical performance art, large-scale light installations, and new media works that takes place each year in Sydney, eastern Australia. You can read more about it here, and watch a video about the submissions here.

Yussef Dayes Drops Surprise Live Album; Listen Now

Photo | Florian Joahn

Yussef Dayes and collaborators Rocco Palladino and Charlie Stacey have released Welcome To The Hills, a new live recording as Yussef Dayes Trio.

The group recorded the set live in Copenhagen, Denmark in July 2019, in what turned out to be their last concert together before the pandemic. Much of the music included on the release was created live at the group’s various shows played through 2018 and 2019, and they’ve dedicated it to the fans that came out to support them.

“There was something special about this performance,” Dayes recalls to XLR8R. “The raw energy, focus, determination, and freedom to take our music to the next level.”

“It feels more right than ever to release this live recording, as there have been no shows this year,” Dayes continues. “So we want to give you, the listener, the chance to participate and enter the Yussef Dayes Trio live experience.”

One of the world’s most exciting drummers and producers, Dayes is best known for work as one half of electrifying duo Yussef Kamaal. Earlier this year, he teamed up with Tom Misch for the exceptional What Kinda Music, and he’s currently preparing his debut solo album, scheduled for 2021 release.

Tracklisting

01. Black Love ~ Amazonian Springs
02. Jamaican Links
03. Odyssey
04. Gully Side
05. For My Ladies (Live in Copenhagen, July 9, 2019)
06. Palladino Sauce
07. Welcome to the Hills
08. Yesterday Princess
09. Encore ~ Babylon Burning
10. Purple Skies ~ Libations
11. Ride Out
12. Nipsey Tha Great

Welcome To The Hills is available digitally via Cashmere Thoughts now, with a full stream below. The vinyl edition comes on December 20, and you can pre-order it here.

ELLES and Violet Reflect on London Nights with Naive EP

ELLES and Violet have teamed up on a digital EP, Midnight at the Premier Inn.

Midnight at the Premer Inn is a reflection on a New Year’s Eve event last year, when the pair stayed at the Tottenham Hale Premier Inn, north London. This is the last time they saw each other.

The pair describe the release as an ode to friendship, winter, the passing of time, and London.

The release sees each artist provide a solo cut, and then there are two collaborations. It explores different sonic languages, including ambient, shoegaze, and garage, and it’s rich with ’90s pop references.

The EP is available on Naive‘s Bandcamp page. 25 per cent of any sales will be split between The Outside Project (UK) and Casa Qui (PT), both dedicated to providing housing and support to the LGBTIQ community.

The artwork comes from Photonz.

For more information on ELLES, check out her XLR8R podcast here. You can also listen to Violet’s here.

Tracklisting

01. ELLES “midnite 3112”
02. Violet “N17 ride or die”
03. ELLES feat. Violet “ice ballad”
04. Violet feat. ELLES “inverno em londres”

Midnight at the Premier Inn EP is available now. You can order it here and stream it in full below.

Download: Lost fx “Summer Haze”

Czechian label Interpret Null has just released the debut EP from Lost fx, titled A Moments Pause.

The EP, which features four tender and subtle piano-driven cuts, is “focused on revisiting past memories as you travel through a city one last time before moving on to a new start,” Lost fx explains. The last track, “Arrival,” is also a “love letter” to Blade Runner and the work of its score composer, Vangelis. It’s a poignant and affecting EP full of nostalgic beauty.

In support of the release, Lost fx has offered up EP track “Summer Haze” as one of this week’s XLR8R downloads. Built around a crackling field recording and tender piano work, it’s a soothing track that aims to capture the “mystery of listening to a piano being played behind closed doors by someone you don’t know,” which, in our opinion, it wholeheartedly does.

You can stream and purchase A Moment’s Pause here, with “Summer Haze” available as a free download to XLR8R+ subscribers below.

For those unfamiliar, XLR8R+ is a member-supported music community and curated music experience. Every month, you will get at least three exclusive tracks—sometimes more—by a wealth of amazing artists that XLR8R has supported over the years, as well as access to the member’s area where you can submit tracks and DJ mixes to be showcased in this feature series and to the XLR8R+ community, as well as exclusive editorial content, mixes, FREE passes to music festivals and events, playlists, weekly downloads such as these, and more. You can find out more here.

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